Monthly Archives: October 2011

Oaxaca Essay Conveys Women’s Writing Retreat Experience

Sue Spirit, a participant in our Women’s Creative Writing and Yoga Retreat 2011, had this essay about her experience published in  “All About Women,” a High Country of North Carolina magazine.  It beautifully expresses our week together and I want to share it with you.  Published here with Sue’s permission!

Oaxaca: Bright Riches on My Plate 

Dreams of Oaxaca, Mexico, have haunted me for years: fat tacos filled with queso blanco and red mole sauce, mariachis playing sprightly tunes, Zapotec women weaving colorful  huipiles and aprons, outdoor markets overflowing with bright fruits and flowers, and rugs woven with Native American designs.

Suddenly my dream springs to life. A woman named Norma is offering what seems too good to be true: a writing workshop with yoga, massage, a cooking class, sweat lodge, meditation, and immersion in the Zapotec culture of a small village called Teotitlan del Valle, in the heart of Oaxaca. Who could resist? Give me a writing workshop any day. And in Oaxaca! Unbelievable! The rest is salsa on the enchiladas.

I enter the courtyard of Las Granadas Bed and Breakfast, a fantasy world of  pomegranates hanging from trees, bouquets of calla lilies, tortillas baking on an open-air wood fire, birds called dortolos singing sweetly, roosters crowing, doves cooing, and nearby donkeys braying.

Our writing workshop meets for three hours a day with our leader Robin. We meditate for twenty minutes in the sunny courtyard, then free-write for 45 minutes. “We should always surprise ourselves as we write,” Robin says. Indeed.  Her advice and the technicolor experiences we’re having help us produce some memorable pieces. “You’re the shepherd and words are the sheep,” Robin continues. “You call them, prod them, cajole them, protect them, feed them.”  As I bask in the sun, letting my pen move languidly across the page, a poem takes shape, oozing rich imagery.

We wander through the open-air market at Tlacolula tasting just-ground chocolate with cinnamon and buying some for hot chocolate. We purchase perfect small clay pots with spoons for serving salsa. We have lunch at Mary’s Comedor, ladling salsa from several pots over our enchiladas and chiles rellenos.

We experience a temescal, a Zapotec sweat lodge, three of us at a time crawling naked into a sauna-hot hut to be doused with hot water and beaten with eucalyptus branches by an old Zapotec woman tending the fire.

We go for a cooking lesson with Reina, queen of Oaxacan chefs. First we drift through the local market with baskets on our arms, collecting offerings of peppers, garlic, Oaxaca cheese, and all the ingredients needed for our cooking spree. Over an open fire in Reina’s courtyard we toast hot peppers and herbs, then grind them in a molcajete  (mortar and pestle) and on a metate (indented stone surface with rolling pin),  mash them with tomatoes to make a rich red mole sauce. We sit down to the best meal ever: cactus salad, enchiladas mole, and raspberry ice cream.

How amazing and precious is a small taste of another culture! The time goes by slowly as I savor every moment, recording it all in my journal.  Jacaranda and bougainvilla blossoms,  plates of neon-bright mango and papaya, ancient cobblestone streets,  a molinillo (a little twirly wooden mill) for making our hot chocolate light and frothy, looms in every home for weaving ancient Zapotec designs: all these disappear into my journal day by day,  to appear later in poems and essays that surprise even me. Oaxaca writing workshop: what a gift for the spirit!

–Sue Spirit

Resources:

Women’s Creative Writing and Yoga Retreat 2012

All About Women of the High Country

Room Reservations in Oaxaca: Be Specific

Definitions matter.  A “twin” sleeping room in Oaxaca City has a different meaning than in Sydney, Australia, New York City or London.

You should have seen the time I had deciphering the room/bed situation when I organized a study abroad group for University of North Carolina at Chapel Hill alumni in London last year.  A totally different vocabulary.

During a recent inquiry about booking a room at a nice bed and breakfast, here is the reply we got:

Single room (double bed) with a cost per night $ 900 pesos (2 people).

Double room (king size bed) with a cost per night $1,000 pesos (2 people)·

Twin room (2 double bed) with a cost per night $1,200 pesos (4 people)

We were mystified by the idea that 4 people would share a room with two double beds!

So here is my advice and help to decipher the vocabulary!  What matters is specifying the number of beds in a room, not the number of people.  So, twin refers to 2 beds, not the size of the bed.  You just need to calculate the number of rooms you need with 2 beds and the number of rooms you need with one bed.

Then, order the rooms specifying number of beds in each room and the number of people you want in each room with one person per bed.  Let them know that usually there is one bed per traveler unless a couple wants to share a large bed.

You just need to be clear.

 

Art Book Binding. What Is It and Why in Oaxaca?

When I talked with Lisa Gilbert about teaching an art book binding workshop in Oaxaca, I had a smattering of an idea about how beautifully elegant and simple the process can be.  Lisa follows  the path of all the great book binding artists who have gone before her.  And, she is an expert in her own right.  (See Lisa’s complete bio below!)

Lisa Gilbert's Handmade Books within a Box

Back story:  A few years ago, I had the pleasure of helping Warren Wilson College art professor and author Gwen Diehn assemble her handmade books at the Asheville BookWorks in Asheville, NC.  The National Museum of Women in the Arts awarded a grant to Gwen to do the book design, woodcuts, typesetting, printing and bookbinding.  It was fun and relaxing to gather around the table stitching the papers together with a group of enthusiastic people.  Many of us had no experience doing this and we were there to support Gwen and to learn.

  

   

Photos above illustrate the coptic stitch technique in a class I took recently taught by Lisa.  I love this traditional bookbinding art form. 

The experience I had with Gwen & Company triggered the idea of organizing a book making workshop in Oaxaca.  We will start with a visit to San Agustin  Etla, a local village known for its handmade Amate paper studio started by Oaxaca artist Francisco Toledo.  There, local and international artists create books, journals, jewelry and kites made from this material.

  

  

When I enrolled in two art bookbinding workshops with Lisa, I discovered what a joy it is to learn from her.  Lisa’s style is gentle, affirming, and encouraging. She provides in-depth learning materials, diagrams, and instructions.  She is a coach, a mentor and colleague in the book making process.  And, she supports people who are beginners who want to learn the craft.

Our process in Oaxaca will be to select the papers, fold them and assemble our signatures, stitch the signatures together with the cover, make the box, and add embellishments.  What you put in the book is totally up to you — you can use it as a journal, a sketchbook, or any combination of visual or art journal to capture your travel adventures.

copyright Norma Hawthorne

Stunning handmade journal in red, white and black

We hope you will make plans for August 2012 to join us in Oaxaca for this very personally satisfying art book binding and travel journal making adventure!

Here is Lisa’s Bio:  Lisa Gilbert has been an enthusiastic book artist since childhood. She has been illustrating professionally, and teaching art and/or health for the past 20 years. Known for her use of color, finely tuned creativity, and excellent technical bookbinding, Lisa has been invited to show her work in two North Carolina exhibitions.  She has studied bookbinding, paper making, and box making at programs across the U.S., and most recently completed a Penland School of Crafts program.  She has taught bookmaking classes throughout North Carolina, and has a reputation as a patient, encouraging, imaginative, and effective teacher.

Lisa considers herself to be a “cultural navigator” – a well-deserved designation since she has traveled to more than 25 countries.  She purchases, collects, and uses exotic papers on her travels, most recently from Panama, Scandinavia, and India. Lisa has visited paper making facilities and bookbinderies across India and has fashioned books from wood, papyrus, metal, mica, fabric, plastic, vinyl as well as from traditional materials such as handmade and machine-made decorative papers.

She attended Colorado Institute of Art, holds degrees in art and business, and the PhD in health education from University of Maryland.  Her background is versatile and inventive.

Weekly Photo Challenge: Comfort

In the hammock, Oaxaca style

One of life’s simple pleasures is to put up our hammock, curl up with a book, and look out at the Oaxaca mountain peaks that surround us.  Most days are like this! Comfortable.  There are two or three weavers of handmade cotton hammocks at the Tlacolula market now.  They display their craft on Sundays — located toward the back corner of the market near the metates, machetes, ropes and bridles. Most of the hammocks in Oaxaca tend to be made of brightly colored synthetic yarn.  I opt for the more traditional, soft, cozy, comfy cotton, embraced.

Can I entice you to come to Oaxaca?

Earthquakes Common in State of Oaxaca: Oct. 6, 2011 is a 4.2 Magnitude

My friend, Brigitte, from Oaxaca says:  “Which earthquake?”  Was it a non-event in Oaxaca City?

This morning I got a call from a friend asking about the earthquake last night in Oaxaca.  Here is a Map of the site.  The epicenter is near Tonala in the mountains about 75 miles northeast of the southern coastal city of Salina Cruz near the Chiapas border.  This is FAR from the city of Oaxaca!

Having grown up in Southern California where earthquakes are also a common occurrence, I’m always on the alert about earthquakes in Oaxaca.  Fortunately, I know that while some damage can occur with a 4.2 magnitude quake, the ones that are over 6.0 on the Richter Scale can really wreak havoc.  Most of the recent Oaxaca quakes have been in rural areas far from the historic center of Oaxaca city.  That’s not to say they don’t pose a threat to people living in humble homes built of adobe.  The rainy season also brings the risk of landslides to mountain villages, which is what happened last year.

6 foot deep foundations for houses

Those of us who live in and visit Oaxaca often know that this is  earth’s way of taking a breath, letting it out, sighing, and realigning.  The small quakes are good —  the shift and readjustment of life on earth.

Sturdy construction prevents earthquake damage.  Six foot foundations are filled with large boulders reinforced with concrete.

Lots of rebar is used to provide a solid footing for bricks, adobe or concrete blocks — common construction materials.  The Zapotecs really know how to build to last multiple generations!

Solid construction techniques

Here you can see the footings being prepared for house construction — a safeguard against strong earthquakes!