This is my last day in Bhuj, Gujarat, India. Tomorrow, Tuesday, December 13, I begin the journey back to America. It is morning here. I awake to the sound of Bollywood-style raucous music, loud, cymbals clanging, trumpets tooting, and look out the window.
There is a parade with floats on the street beneath my hotel window and everyone is dressed in white: flowing gowns, turbans, tunics. Today is Mohammed’s birthday, Eid, celebrated with a lavish feast that Muslims around the world observe. There are many Eid celebrations during the year, moving with the lunar calendar, the most auspicious being Ramadan.
Kutch, Gujarat, India is a mixed region that represents most faiths of Asia’s subcontinent: Hindu, Muslim, Parsi, Jains, Ismailis and more. There are centuries of acceptance and tolerance here. The Kutch is on an ancient trade route between Persia, Africa, China. It’s culture and peoples are rich and diverse.
Last evening I spent time again at the home and gallery of A.A. Wazir and his sons who operate Museum Quality Textiles. Youngest son Salim Wazir, who was our guide to the Great Rann of Kutch, is soft-spoken and filled with knowledge about Kutchi traditions and textiles. At the end of the evening, A.A. Wazir invited us to return today for the feast of Eid in their home. We are honored by the invitation and accept without hesitation.
Eid Mubarak. This is the greeting of the feast day, I learn from Wikipedia. The tradition is to serve sweets. Young girls paint their hands with henna. Blinking lights adorn the house in preparation.
We are treated to a show and tell of vintage textiles that are part of A.A. Wazir’s 45 year old collection. He tells us that he donated many pieces to the International Folk Art Museum in Santa Fe, New Mexico some years ago. His dream is to open a museum here in Bhuj, but there is no funding from federal or state government to do it properly, with good preservation techniques.
A.A. Wazir began his education in Mumbai in the early 1960’s as a commerce student. He didn’t take to the subject, instead wanting to spend his time at the Prince of Wales Museum studying painting. He speaks Gujarati, Kutchi, Hindi, Arabic and English. He began visiting Kutch tribal areas as a young man when the border between Pakistan and India was open, when relatives could travel and visit back and forth without restrictions.
His collection expanded to include pieces from the rich Sindh river valley. After several devastating earthquakes in the region, the course of the rivers changed and western India became more arid. People needed money and began to sell off more of their dowry textiles to buy food.
For collectors, there are still many beautiful pieces available including gold-filled silver brocades on silk, machine-made lace made in England for the Indian market, stunning embroideries on natural, hand-woven cotton, fine silk bandhani saris and scarves.
We learned that people wore their wealth in textiles and jewelry. Many still do. The old textiles are embellished with precious metal threads, intricate bead work, coins, small, tight embroidery stitches, designs of flowers, birds, elephants, trees of life.
Being with the Wazir family for several hours is a treat for the visual senses. When you come to Bhuj, be certain to plan several visits so you don’t feel rushed.