After I wrote about and linked Alex Szerlip’s comprehensive article, Vintage Tech–Tyrian Purple, I asked immigration attorney Patrice Perillie how the fundraising effort to get the Mexican Dreamweavers Cooperative to the Santa Fe Folk Art Market this summer was going.
Patrice is the advocate for Mexican Dreamweavers and has set up a USA non-profit organization to accept tax-deductible donations.
Why Mexican Dreamweavers needs your help:
Mexican Dreamweavers supports the indigenous Mixtec women and men of Pinotepa de Don Luis, Oaxaca, to preserve their cultural heritage of back-strap loom weaving, harvesting and applying purple shell dye to native-grown cotton. This gift helps transport them to the Santa Fe International Folk Art Market to sell their work on a global scale. So important for survival and continuity.
What is most important to Oaxaca’s weavers and dyers?
To bring what they make to market. Without buyers, artisan craft will not survive. Artisans tell me this wherever we travel in Mexico. They ask, help us sell our work. Bring us to the USA. Bring people to visit us. Often, they do not speak Spanish and cannot communicate their needs beyond their indigenous language of Mixtec, or Zapotec or Ikoots without translation.
In this case, the Cooperative demonstrated their amazing talent by being accepted into the highly competitive Santa Fe International Folk Art Market — a juried show. We can help them get there. They must fund their own travel expenses that includes hotel, food and transportation for several people.
Writer Alex Szerlip came with us on the 2019 Oaxaca Coast textile tour to investigate and write about the purple snail dye that is on the verge of extinction. While she already knew so much in advance, we took her to the source: the Mixtec village of Pinotepa de Don Luis to meet the few remaining dyers who hunt the snails and color native cotton and silk.
Caracol purpura is also called tixinda in the Mixtec native language. Mexican Dreamweavers Cooperative, a not-for-profit organization started by immigration attorney Patrice Perillie, helps support the tixinda dyers and weavers. Patrice has started a GoFundMe effort to help with expenses to get the cooperative to the famed Santa Fe International Folk Art Market in July 2019. Groups are juried for acceptance and competition is stiff.
Help Mexican Dreamweavers raise $4,000 USD to attend the Santa Fe International Folk Art Market. Can you help? Contact Patrice Perillie. Mexican Dreamweavers is a USA non-profit, so your gift is tax-deductible.
This is the most enjoyable and enlightening article on tixinda I have ever read. Thank you for mentioning our work from the bottom of my purple heart…. I will personally read it to Habacuc and Rafael when I see them this weekend! They will be thrilled!
Habacuc and his son Rafael are just a few of the dyers remaining who make the journey and climb the treacherous rocks of Huatulco to harvest the purple snail. Their technique preserves snail life and habitat.
What I appreciate about this article is it’s first person narrative, sensitivity and understanding of the work of indigenous people on Oaxaca’s Costa Chica. With environmental and aesthetic perception, Alex Szerlip conveys the cultural and historic importance that purple dye has to the Mixtecs on Oaxaca’s Pacific Coast.
Of course, the color purple has been regaled by emperors and kings for centuries, rare and beautiful. Now, nearly extinct around the world, Oaxaca is one of the last bastions for preservation and hope, thanks to applied anthropologist Marta Turok Wallace. This post is a tribute to her and the people of Oaxaca who are dedicated to sustaining this living tradition.
Note: Oaxaca Coast Textile Study Tour, January 18-27, 2020, is almost sold-out. We have two spaces open. Don’t hesitate if you have been thinking about this! We visit the Dreamweavers Cooperative in Pinotepa de Don Luis as part of this adventure. Special thanks to cultural anthropologist Denise Lechner who guides us into remote villages to meet the makers.
While these are sake cups, they can also be used for mezcal or any sipping liquor or cordial. That’s what I had in mind (mezcal) when I bought them.
This first group includes three hand-wrought pewter sake cups bought in Kyoto, Japan from Seikado Studio, the venerable workshop making these things since the Imperial Edo Period (1838). The studio is located on Teramachi street, close to the original Imperial Palace.
It was their hand-made-ness that captivated me. Each piece is original and hand-hammered, true to the Japanese wabi-sabi life. There are slight differences between the matched pair. The upright cup is a one-off. Each comes in its own handmade box personally calligraphied by the maker.
The two on the left are sold as a pair for $265 plus $8 mailing. The one piece on the right is $145 plus $8 mailing. I will ship USPS Priority Mail.
Send me an email if you want to purchase along with your mailing address. I will send you an invoice.
The two cups below are hand-blown studio glass that I bought in Arashiyama, Kyoto. Perfect for mezcal or sake, or any sipping liquor or cordial.
Wouldn’t any of these also make a terrific wedding or housewarming gift?
Send me an email if you want to purchase along with your mailing address. I’ll send you an invoice by email to pay with a credit card. Thank you.
My quest for Japanese indigo fabrics and clothing took us to remote villages and high-end designer boutiques. I searched old kimono stacked in department store corners and flea market stalls. In the old Geisha district of Gion, two vintage textile shops offer 100+ year-old pieces in varying condition. I traveled from Tokyo to Kyoto to the remote thatched roof village of Miyama with blue on my mind. We lingered at the Amuse Museum exhibition of boro cloth in awe of indigo-dyed hemp and cotton patchwork born of poverty.
Indigo is my passion. It’s why I wanted to go to Japan. Oh, and the food. Oh, yes, and the cherry blossoms. Temples. Zen. Gardens. Oh, my.
My sister was more interested in Kabuki and Noh theatre, so we negotiated time dedicated to our interests. We attended performances of both and met with a foremost expert on Noh, a US ex-pat living and teaching in Japan for 40 years. We managed to walk blocks that became miles, traveled by bus, train and taxi, all in search of blue, art and food.
Finding indigo in Japan is not easy. Sometimes we couldn’t locate the address. Sometimes we got lost despite Google maps. Sometimes I would stand on a street corner and call out, Does anyone speak English? to help us get our bearings. (Always, a kind, helpful person came to our aid, even guiding us to where we needed to go!) Sometimes the source was in such a remote area that we couldn’t get there. Tokyo is a vast megalopolis, on a scale beyond my ken. Kyoto, described as smaller, hardly pales in comparison.
The art of dyeing with indigo today is uncommon, as it is in Oaxaca, Mexico, where it is necessary to travel twelve hours from Oaxaca City to meet the maker. In Japan, one must also ferret out the dye masters and makers who turn indigo-dyed cloth into clothing. The practice is almost extinct, just like Mexico. And, as with all things made-by-hand, quality comes with a price, when you can find it.
I also noticed construction similarities between traditional Oaxaca huipiles and Japanese kimonos. Both are simple assemblages of cloth squares and rectangles, with hand-stitchedSi seam sewing and no tailoring (ie. no darts). The long, drooping kimono sleeves are merely rectangles attached to the main robe. Hand-stitching for seams and embellishment a standard practice.
Few pieces, I discovered, are hand-loomed now. Indigo-dyed ready-to-wear can be designed in Japan and made in India to keep prices in check. I found one amazing Meiji period kimono in perfect condition. Price tag, $1,800 USD. Pass. I’m looking for wearable art and not creating a museum-level collection.
What I also discovered is that a focused quest for indigo takes time. Even more than a three-week introductory visit such as the one I just completed. Perhaps another trip is needed to go deeper and wider. Perhaps.
I also want to thank Nancy Craft of Esprit Travel and Tours, Japan Travel Expert, who generously shared her list of Kyoto textile shopping resources with me. I hunted down those most relevant to my interests.
My friend Madelyn wrote, I hope you found yourself a wonderful indigo garment or textile. Plural, I replied. I filled a duffle bag with blue. Ancient blue. New blue. Traditional blue. Deep, dark, almost black, blue. Kimono with wide, boxy sleeves. Cozy, contemporary long-sleeved jacket with roll-up cuffs. Vintage farmer’s coat with sashiko stitching. All perfect with blue jeans or black skirt. I have satisfied my lust for blue.
Sidebar: Barbara and I were flaneuring down the main street of Tokyo’s Aoyama district (which easily overshadows Fifth Avenue and Rodeo Drive) after visiting the Meiji Jingu Shrine. I noticed a pop-up shop and stepped in to find Yu Design Office featuring hand-crafted indigo clothing.
Yu Design Office was founded by artisan Hiromi Yamada and her architect son Yuji Yamada. They use natural indigo dye from Hanyu City, Saitama, employing a traditional kimono-making technique called itajime from Mizuho City, Tokyo, and fine cloth from Hachioji, Tokyo. Combining indigo, persimmon juice and pitch black, the wool-silk scarf they make takes on a deep greenish blue hue. The cloth is folded and stacked and pressed between wooden boards to give it texture.
Aizenkobo, indigo workshop and gallery, Kyoto. Third generation workshop, producing traditional garments, scarves, yardage. People love it. I was underwhelmed.
Little Indigo Museum, Miyama, Kyoto Prefecture, is operated by Mr. Hiroyuki Shindo. In picturesque town of thatched-roof houses, this is a full-day trip. Small souvenir indigo samples and scarves are for sale. email@example.com
Gallery Kei features vintage textiles and is operated by Kei Kawasaki on the famous Teramachi Street (671-1 Kuoinmae-cho Teramachi Ebisugawa-agaru), just south of the Kyoto Imperial Palace. At our visit, she had vintage boro from Northern Japan, garments and cloth fragments of hand-woven natural materials (hemp, linen, cotton, silk) and dyes. Write to confirm they are open. firstname.lastname@example.org
Gran-Pie, also on Teramachi Street between Ebisugawa-dori and Nijo-dori, is a contemporary clothing store with garments designed in Japan, dyed and made in India.
I can’t publish this post without mentioning NUNOworks Fabrics in the Roppongi district of Tokyo. On our last afternoon in Japan, I went bonkers over the bolts of fabrics, and sewn-on-the-premises clothing. Delicious scarves. Beautiful garments. Outstanding design. Reasonable (by Japan standards) prices. Though few pieces are naturally dyed.
Department stores like Isetan (Kyoto Station), Takashimaya, Mitsukoshi and Matsuya Ginza feature contemporary Japanese designer boutiques, including Issey Miyake, Comme de Garçons, Yohji Yamamoto, and others. Some use indigo and other natural dyes, and are priced in the stratosphere.
Where to Stay in Tokyo: the b roppongi hotel. Loved our stay here. Convenient to metro, restaurants, fair price, excellent service.
Where to Stay in Kyoto: we loved the YADO Hotel in Arashiyama. Book room #308. Recommend also staying in Gion area for more central experience.
Zayzelle: Dress Simply is our new clothing line, one dress, one-of-a-kind, one size fits many, imaginative cloth. Plus, jewelry and an easy-to-wear pullover scarf. Keep checking back for What’s New.
Why We Left, Expat Anthology: Norma’s Personal Essay
Norma contributes personal essay, How Oaxaca Became Home
Norma Contributes Two Chapters!
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Norma Schafer and Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university program development experience. See my resume.
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