Wednesday, July 10, 2019–This group of new dancers start their three-year commitment to church, community and family this year. The most touching moment for me was to be in the home of the Moctezuma, the lead character in the Danza de la Pluma just before they set out to the church plaza to dance for three hours until sunset on July 9.
Here I witnessed loved ones bestow their blessings on him. It was like anointing their son and grandson with the benediction of all the generations who came before, offering God’s favor and protection. It was as if all the young men over decades who participated in this sacred dance were present, too. It is an honor and a commitment to perform this service. I am told it is life-changing.
The ritual is repeated year after year, but the first year is a special test for a new group of dancers for their faith, endurance, strength, passion, dedication, coordination and precision. It is also an important exercise in mutual support. Dancers are not individuals. They are part of a team, and it is their team effort that underlies the essence of how this Usos y Costumbres community self-governs.
The Dance of the Feather, which tells the story of the Spanish Conquest from the indigenous point-of-view, is meticulously choreographed. The village symphony orchestra/band knows exactly what to play as the story unfolds. As each step is taken down the cobbled streets to the church, there is a cadence that is repeated in the retelling.
In the altar room at the Moctezuma’s home, family members help each member of the group dress in their costume. This takes time since each element of the dress is an elaborate undertaking.
Behind the scenes, another type of choreography takes place. It is the work men, women and girls and boys who do the food preparation and service. Every bit is made by hand. The chickens are slaughtered, boiled and the meat is shredded for tamales.
The toro (bull) is slaughtered and prepared for barbacoa de res. The tejate is stone ground by hand, with home roasted cacao beans. Can I talk about the memelas? I’ve never tasted anything so good — comal toasted corn patties, slathered with bean paste, fresh salsa, shredded Oaxaca cheese, a drizzle of shredded lettuce.
We feed each other because we take care of each other. Our survival and continuity depends on it.
This is a hallmark for Teotitlan del Valle and other Usos y Costumbres communities in Mexico. They function so well because of this bond. Mutual support is about respect for heritage and relationships. You do it because it is a value to the self, the other and makes the whole stronger.
The dancers who participate in the Dance of the Feather embody these values, embrace them, practice them and model them for others.
The dancing will resume again in the church courtyard on Friday, July 12, at 5:00 PM. Check Oaxaca Events for schedule and other festivities around town.
As I said goodbye to family members of the dance group, they asked me to tell you how important their culture is to them, how they want to communicate the beauty and friendship of Mexico, and how strongly they are committed to preserving traditions, and extend an invitation to visit.
There are two clown figures included in the Dance of the Feather. They serve multiple functions. Primarily they are the dancers’ helpers, holding crowns when a scarf needs to be retied, bringing water and rehydration drinks, communicating with the officials when a bio-break is needed. They also are jesters that provide fun, frivolity and antics to the story — a diversion of sorts.
They will tease and cajole audience members, like me. Jajajajaja. In the original story, they are the Aztec spies who disguised themselves to get close to the Spanish conquistadores and bring information back to the Aztec generals. There were two battles with the Spanish. The Aztecs won the first.