Category Archives: Mexican Immigration

The Latino Comics Expo @Museum of Latin American Art, Long Beach, California

After hiking the wetlands trails of Bolsa Chica (little purse) Ecological Reserve in Huntington Beach along the Pacific Ocean, my son decided we should take in some local culture at the Museum of Latin American Art (MOLAA) in nearby Long Beach. What’s there? The Latino Comics Expo to celebrate it’s 5th anniversary at MOLAA, age 20.

Lucha Libre is a popular Latino comic book subject

Lucha Libre is a popular Latino comic book subject

The Expo was created by Javier Hernandez and Ricardo Padilla. They started it at the San Francisco Cartoon Art Museum in 2011. This is their second time at MOLAA. They mounted the first expo there in 2013.

As a lover of Oaxaca graphic arts, it’s not a stretch for me to consider that comics are a natural extension of the great Mexican tradition of illustrator Jose Guadelupe Posada. In fact, there are Posada illustrations on exhibit at this museum, too.

Jose Guadalupe Posada original illustration

Jose Guadalupe Posada original illustration, a poke at the bourgeoisie

After all, Posada is Diego Rivera’s hero and he features him prominently, and fondly, in the mural Dream on a Sunday Afternoon in the Alameda Park (Mexico City). Muralists Jose Clemente Orozco and David Alfaro Siquieros  form the second and third legs of the Mexican Muralist Movement stool. They used caricature, too, as prominent artistic expression in their work.

Artist Ramiro Gomez Magazine series, commentary on who does the work

In artist Ramiro Gomez’ Magazine series, he comments on who does the work

The Latino comics tradition of Los Angeles is rooted in these antecedents. Illustrators used and continue to use political parody in their work, just as Posada, Rivera, Orozco and Siquieros did one hundred years ago to poke at their adversaries.

Do you think they use pesticides? Who is harvesting? What is health risk?

Do you think they use pesticides? Who is harvesting? What is health risk?

In the permanent exhibition, Ramiro Gomez, son of Mexican immigrants, reflects his experiences and stories growing up in a working class family. His art (above) focuses on class difference and the people behind a socially constructed representation of luxury. He tears out advertisements from upscale magazines and superimposes domestic workers into the composition.

The Trump High Five, by Raul The Third

The Trump High Five, by Lalo Alcarez

The Latino Comics Expo was a two-day event, August 6 and 7. There were about 50 illustrators there demonstrating their work, selling books, posters, postcards, t-shirts, ball caps and pins. Some works were prints, silkscreen, engravings and hand-illustrated with colored pen.

Lowriders at the Center of the Earth, illustrated by Raul The Third

Lowriders at the Center of the Earth, illustrated by Raul The Third

Lowriders to the Center of the Earth, illustrated by Raul the Third, grabbed my attention. So did the lowrider on the cover, an integral part of my growing-up years in the San Fernando Valley when young Latinos/Chicanos altered their Chevys, Fords and Chryslers. Tuck and roll leather seats. Raked front ends. Flashing lights. Flames. The more elaborate, the better.

Illustrator Raul The Third. Note his version of Melania.

Illustrator Lalo Alcarez. Political & social justice commentary, too. Plus a little pin-up.

The t-shirt Lalo Alcarez (above) wears, Hecho en California, speaks to the strong influences of Latino culture in the second largest city of America.

As I looked around at the posters and books, I thought, this is great art, just like what I’m used to seeing at the Oaxaca printmaking studios of Fernando Sandoval and La Chicharra. I walked away with an autographed book copy of Lowriders.

Hand-colored illustration of the Conquest. With codices footnotes.

Hand-colored illustration of the Conquest. With codices footnotes.

Then, my son tells me, mom, he’s pretty famous. He’s published in L.A. Weekly. What do I know?

Zapotec poet Natalia Toledo, in featured museum video

Zapotec poet Natalia Toledo, in featured museum video

As I turned the corner to go through the regular exhibition, there was a video interview with Oaxaca poet Natalia Toledo talking about the importance of literacy and preserving Zapotec culture. Natalia also designs extraordinary jewelry (available for sale at the Museo Textil de Oaxaca gift shop). Versatile like her father, Francisco Toledo.

Untitled, by Rodolfo Morales, Oaxaca painter

Untitled, by Rodolfo Morales, Oaxaca painter

Show Me Your Papers by Raul The Third

Show Me Your Papers! by illustrator Lalo Alcaraz

Comic book art/illustration defines the culture and sub-culture, makes a political, social commentary and moral observation about the world that can be humorous, biting and truth-telling. What if Native Americans had asked immigrating English, French and Spanish for their papers?

Uncle Sam wants YOU! Who else will clean homes, harvest food?

Uncle Sam wants YOU! Who else will clean homes, harvest food?

After over a wonderful, satisfying month visiting family and friends, I’m back home in quiet, calm Oaxaca. No freeway congestion or the lure of mall shopping, over-priced lunches and dinners, blustering television pundits that I admit had me addicted to the next adrenaline fix. My wi-fi service is now reconnected and it’s raining. What could be better? Now for a bit of sopa de pollo con limon (chicken with lime soup).

Come! It’s safe.

Comic book series, The Hand of Destiny

Comic book series, The Hand of Destiny

 

Women Weavers in Teotitlan del Valle, Oaxaca: Part One

Recently, I spent the day with a University of Michigan, public policy and economic development researcher, who asked me to introduce her to the Zapotec weaving culture of Teotitlan del Valle. Her expertise is India. Now, she is exploring how India and Mexico intersect and diverge in their support of artisans, particularly weavers.

Handwoven indigo rug with dye prepared by Juana.

hand-woven indigo rug with dye prepared by Juana Gutierrez

During our almost 10-hour day, we visited with five weaving families who work in natural dyes, two of whom are official cooperatives, registered with the government. One of these cooperatives, Vida Nueva (New Life), is solely woman-operated. Our time with spokeswoman Pastora Gutierrez enlightened my knowledge about how women came to become weavers in Teotitlan del Valle.

Federico Chavez Sosa at his loom in Teotitlan del Valle

Federico Chavez Sosa at his loom in Teotitlan del Valle

Weaving on the fixed-frame pedal loom is mostly men’s work. The looms are big and heavy. It takes upper body strength to operate them. When the Spanish friars introduced this tapestry loom (along with churro sheep) to New Spain with the conquest, they trained men to use it, just as men traditionally worked this loom in Europe to create textiles for warmth.

Oaxaca tapestry looms turned out blankets, ponchos, sarapes and other articles of functional cloth for insulation used by people and horses.

Started in the early 1940’s, during World War II when men were overseas, the United States Bracero program opened the opportunity for Mexican men to work legally as temporary, seasonal agricultural laborers. From 1948 to 1964, more than 200,000 Mexican worked in U.S. agriculture each year.

Hand-woven tapestries with spinning wheel

Hand-woven tapestries with spinning wheel

Talk to anyone in Teotitlan del Valle and you will meet someone who participated in this program or has a relative who did. I am told the impact on Teotitlan del Valle was huge and saw the exodus of many of its young and middle-age men. They worked in the fields and orchards of America to earn a living to support their families.

Many men didn’t return.

This is when most women learned to weave.

Young women, who always did the cleaning, carding and spinning of sheep wool, learned to dress the loom and weave tapestries. Many began producing sellable textiles by age 11. Mothers, aunts, sisters, nieces and cousins came together to make this a family endeavor until the men returned, much like the sewing bee in small town USA. The making and selling of textiles remained closely within the family group.

Old sarape design, now a floor rug

Old sarape design, now a floor rug

By the mid-1970’s, Teotitlan del Valle weaving shifted from blankets and clothing to ornamental floor rugs, brought on by the market demand of Santa Fe interior design style. Importers developed relationships with village weavers who became exporters. Many were men who had learned a little English working in the Bracero program and had returned to the family and village infrastructure.

Resources

Book: Zapotec Women by Lynn Stephen, Duke University Press

 

Photo Story: Confiscated From Immigrants at the U.S. Border

Feature Shoot highlights the things that the U.S. Border and Customs Patrol confiscates from immigrants crossing over between Mexico and the United States. Photographer Thomas Kiefer and former janitor collected soap, t-shirts, rosaries, and more and then captured them. The mundane tells a story.  Thanks to my friend Janet Fish for sharing. This had a powerful impact for me and I want to share it with you. We can’t figure out the purpose in confiscating bars of soap and t-shirts.

SanJuanMarket-3

I’m in Mexico City on a hump day before I take a group of 10 wonderful women on a textile study tour to Tenancingo de Degollado to explore the Mexican jaspe or ikat rebozo. We are also going on to Taxco to visit the Spratling ranch and then to Metepec to meet master clay artisans. Stay tuned!

Tlacolula Market Christmas Preview: Oaxaca Glitters

I grew up in Tinseltown. My memory is imprinted with pink, blue and white flocked Christmas trees for sale on pop-up corner lots along Ventura Boulevard in the San Fernando Valley of Los Angeles. Glitter was not only reserved for Hollywood. Garlands of sparkling silver ropes and plastic poinsettias could make any California dream of snowmen come true even in sunny December.

Checking email, texting or whatever -- Tlacolula, Oaxaca, Mexico

Checking email, texting or whatever — Tlacolula, Oaxaca, Mexico

Little did we know that poinsettias, called nochebuena here, are native to Mexico, bloom in November and December, have become the North American symbol for Christmas. They are all over town.

 

Welcome to Tlacolula, Oaxaca, Mexico, where traditional Mexican Christmas decorations of moss and bromeliads mingle with shiny stars, dangling bulbs, plastic farm animals and colored Christmas trees — a cross-cultural holiday morphing that points to the immigration back and forth across the border (sorry, Donald Trump).  And it’s sunny here, too. Sometimes downright hot in December.

Everything you’d ever need to decorate for Christmas

Evoking Frida Kahlo: Making Memory Altars and Shrines, February 25-28, 2016

So many of Mexican parentage are United States of American citizens and they come home to visit family this season. We can debate the impact of change and commercialism on the culture of indigenous Mexico and what the word authentic means.  People come back together after being separated and that in itself is good news.

Bromeliads from the Sierra Juarez, traditional decorations

(Don’t forget, Donald Trump, that Mexicans have lived in the United States for over 400 years, and that the southwest was stolen from Mexico in a trumped up war to gain territory.)

 

Poinsettias that are planted in tierra firma bloom here every holiday season — a natural part of the environment. So, there’s no excuse for fake here, although I see plenty of imported from China nochebuena flowers sticking out of vases on restaurant tabletops.

A 30-lb. turkey (or more) at 1,300 MXN pesos, led on a string

Those who can afford it will have turkey —  pavo,  guajolote — on their Christmas table.  This will  usually be dressed with mole negro or mole amarillo, depending on family tradition. There were plenty of live turkeys for sale on this Tlacolula market day, the last one before Christmas. The ladies were vying for customers.

The poultry sellers market, Tlacolula, Oaxaca

I could hardly get through the crowds, even at my usual 10:30 a.m. arrival time when typically there are fewer people. The crowds don’t usually come until after noon. But, the aisles were jammed with vendors, either stationary at tables or sitting on mats, or trying to move rolling carts from one spot to another.

Couple this with families out shopping for Christmas gifts and visitors from the city and you can imagine the skill required to negotiate the camino without tripping over someone or getting stepped on.

Fancy day-glow tennis shoes, a perfect Christmas gift

What I noticed most were a different variety of displays this time of year destined to become gifts: day-glow socks, lacy underwear, art work, fleecy hats, piles of oranges, embroidered little girl dresses and fancy tennis shoes.

Mamay fruit also known as Zapote Chico

Wall decor for holiday giving, some original, some reproductions

Plus, lots of fireworks for sale. Pyrotechnics are a big deal here and kids love shooting off firecrackers and spinners. Are they regulated? Heck, no.

 

Waiting in line for remittances, Tlacolula, Oaxaca, Mexico

The line out in front of the money exchange was a block long all day long. People were waiting to collect the remittance dollar being sent from the U.S.A. by family members who are there working for the benefit of those at home.  Since the exchange rate is now over 17 MXN pesos to the dollar, this is a Christmas bonus for many in the Tlacolula Valley.

  Notice the Michigan Black Beans sign above. Wonder who picked them?

Tourists love it, too. This is an especially good time to go shopping in Mexico. I noticed the market had more than its share of gringo travelers. Let’s hope they left with some treasures and left their pesos behind.

Oil paintings and watercolors for sale on Tlacolula street

Oil paintings and watercolors for sale on Tlacolula street, kitsch folk art

Piñatas for Christmas? Yes, it’s someone’s birthday!

I am waiting for my  family to arrive this week for holiday celebrations. We are going on a Collectivo 1050 Degrados tour to Atzompa tomorrow, a mezcal tour next week, maybe a visit to Hierve el Agua and a stop in Mitla on the way back. It’ll be busy, but I’ll try to keep up with Oaxaca comings and goings.

Packed parking lot — first time in my memory here.

 

 

 

 

 

Levine Museum of the New South Features Oaxaca Cultural Navigator Photo

The Levine Museum of the New South opens NUEVOlution! Latinos and the New South on Friday, September 25, 2015, in Charlotte, North Carolina. It can be seen until October 30, 2016. After that, the interactive, bilingual exhibition will travel throughout the United States starting with the Birmingham (AL) Civil Rights Institute and the Atlanta (GA) History Center.  I hope you have a chance to see it.

Oliver Merino, who is coordinating the exhibition, contacted me last year to ask if the museum could include one of my photographs of Oaxaca Day of the Dead practices in the exhibition. Of course, I said, YES! There is nothing I could be more satisfied with than to contribute to the dialog about human rights, personal respect and dignity, and cultural appreciation for every human being in the world, and especially for Latinos in America.

(Note: the photo below is not the one used for the exhibition.) If you would like to volunteer or know more, please contact Oliver.

2014DOTDTeoti-10

Latino communities throughout Mexico and the United States are getting ready for the end of October celebration that honors deceased loved ones. The practice is celebratory and filled with magical ritual.  So different from how we mourn and remember in the USA.

In Oaxaca, things are gearing up!

Photography Workshop in Chiapas, January 2016.