Category Archives: Oaxaca Mexico art and culture

NY Times Mentions Norma Schafer: In Mexico, Weavers Embrace Natural Alternatives to Toxic Dyes

Click here to read article. 

First, a special call-out to Porfirio Gutierrez and his family for all they do to promote the use of natural dyes in the making of their hand-woven tapestries. His sister Juana is a master dyer and his brother-in-law Antonio innovates on design and materials. Congratulations on this feature story!

I was honored to be interviewed a couple of months ago by New York Times Science reporter Erica Goode to offer source information about the natural dye world in Teotitlan del Valle.

Of course, I emphasized that in addition to Porfirio’s family, there are about a dozen other families or family groups who are dedicated to preserving the natural dye culture. This includes my host family, Galeria Fe y Lola, Federico Chavez Sosa and Dolores Santiago Arrellanas. This takes time, commitment and an investment of more expensive materials.

Please join me on a one-day natural dye and weaving study tour to explore our weaving culture in more depth.

Lower Price, Return to Teotitlan del Valle: 2018 Oaxaca Women’s Creative Writing Retreat with Gentle Yoga

Alfredo Harp Helu Foundation Matches 50% with Earthquake Donation

Make a gift to support Oaxaca earthquake relief through Citibanamex using the wire transfer code below and the Alfredo Harp Helu Foundation will match 50%. Another way to support Oaxaca! This was verified by foundation leaders.

Remember, the earthquake most affected the people of the Isthmus of Tehuantepec — not Oaxaca City, Huatulco or Puerto Escondido. Don’t cancel your trip!

 

Bowers Museum of Art Invites Norma Schafer to Speak About Oaxaca, Mexico

Today, I arrive in Southern California to give a talk about Oaxaca, Mexico, art and culture at the Bowers Museum of Art in Santa Ana. The Collectors’ Club invited me about six months ago to make a presentation on Saturday afternoon, September 16, 2017.

There is so much about Oaxaca to cover.  I thought I would share my narrative outline with you:

Interior gold leaf, Templo Santo Domingo, Oaxaca

Oaxaca is one of those rare places in the world that inspires creativity and artistic expression. A UNESCO World Heritage site colonized by the Spanish in 1521, its indigenous roots go back 8,000 years ago.

It is mestizo, mixed, a blend of ancient and contemporary, reflecting generations of invasion, migration and cultural identity. Walk her cobbled streets and feel Colonial history. Explore her villages and know the first peoples who lived here before – and now.

White corn tlayuda, indigenous, organic, non-GMO

Corn (maize) was first hybridized in nearby Yagul, Oaxaca, caves by Zapotec farmers. Carbon dating has pinpointed this at 6,000-8,000 years ago. The plant traveled worldwide to become an essential food source on every continent.

Barbecue served for local fiestas

Oaxaca’s culinary prowess is second to none. Her finest restaurants and humble comedors give way to innovative recipes rooted in native history, married with European influences. We know mole negro. There are six others.

Intricately embroidered blouse, San Bartolome Ayautla

Women sit at back strap looms, nested on packed earth floors in remote villages weaving beautiful garments with supplemental wefts embellished with figures from nature and the constellations, just as they did thousands of years ago. There is a revival of native natural dyes, including cochineal and indigo, as well as the use of native silk and wild cotton.

Indigo dye bath turns wild marigold colored wool to green

Pulque, the fermented juice of the agave plant evolved into mezcal, a leading artisanal beverage distilled from the roasted core of wild and cultivated cactus plants. Have you tried Gracias a Dios Gin Mezcal?

Health benefits of agua miel before it becomes pulque

Ceramic figures and cooking vessels are made today much like they were in 900 A.D. when Zapotecs artisans supplied the mountain-top kingdom of Monte Alban. Mixtec gold filigree jewelry unearthed at this archeological site is reproduced and offered for sale, made even more desirable by popular Frida Kahlo style. Contemporary silversmiths adapt traditional designs for practical daily wear.

Ancient traditions, making a clay comal for tortilla making

And, the contemporary art scene is unparalleled. Printmakers, graphic artists, painters and muralists actively produce extraordinary works that capture the essence of Mexican history, culture and politics. Their work is rooted in the pre-Revolutionary iconic work of Jose Guadalupe Posada and post-Revolutionary murals of Rivera, Orozco and Siquieros.

Painter Gabo Mendoza talks about the subject of his works

Experimentation, innovation and design permeate a vibrant arts scene that encompasses all the senses.

Market scene, Teotitlan del Valle

Yet, Oaxaca is the second poorest state in Mexico. It has pockets of poverty, social unrest and a widening economic gap. Rural, indigenous people have limited access to education, health care and public services. They demonstrate peacefully now to express their discontent.

Day of the Dead Altar

Despite this, Oaxaca is safe and welcoming.

During this presentation, Norma Schafer will lead a visual tour of Oaxaca city and villages, discuss artisanal crafts and contemporary art in the context of social history, bring examples for you to see and touch, and answer questions you may have.

At the confite, the church parade

 

 

 

 

 

Help for Oaxaca 8.2 Earthquake Victims: Donations Accepted

You can make a donation through PayPal or by sending a wire transfer. This is to an NGO supported by painter/artist Maestro Francisco Toledo, and we got this information through his organizations. Many of you have asked. This is an important way you can help.

Thank you,

Norma