Category Archives: Oaxaca Mexico art and culture

2015 Schedule, Danza de la Pluma, Teotitlan del Valle, Oaxaca

The Dance of the Feathers, or Danza de la Pluma, is an annual tradition in Teotitlan del Valle, Oaxaca, Mexico. This year festivities start on Monday, July 6 and end on Saturday, July 11, 2015.

Here is the schedule.

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  • Monday, July 6, about 4 p.m., Parade of the Canastas, Church Courtyard. The procession of young women in traditional Zapotec dress and carrying heavy baskets on their heads winds through the cobbled village streets.  In front of them is the band and coming up from behind are the Dancers in full regalia. There is no dancing today.
  • Tuesday, July 7, about 4 p.m., Dance of the Feathers in the church courtyard, continuing until dark, then fireworks display.
  • Wednesday, July 8, 12:00 noon until about 8 p.m., Dance of the Feathers. This is the big dancing day when those who volunteer for this ritual and tradition continue almost non-stop all afternoon into the evening. Basketball tourney next to market.
  • Saturday, July 11, 12:00 non until about 8 p.m., Dance of the Feathers, in the church courtyard, followed by grand finale fireworks, and a public dance complete with band in the municipal building courtyard.

There will be carnival rides, a street fair and lots of food vendors. The almost completed new basketball court next to the village market will hold a tournament there on Wednesday, too. Ojala!

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Sleep over, if you like. There are good local accommodations at Las Granadas B&B and Casa Elena B&B. You can find them on the internet. I hear some people in the village are renting rooms on Airbnb, too.

Enjoy yourself. Take lots of photographs and post them on our new Facebook page Mexico Travel Photography.

I’m off to the Santa Fe International Folk Art Market for a textile extravaganza on Monday, July 6, so I’ll miss my village’s festivities this year. Send me photos, if you like, to post about what you see and do!

Evoking Frida Kahlo: Workshop to Make a Mixed Media Altar

Mexico is filled with altars that usually include sacred images and a Virgin of Guadalupe retablo. During Day of the Dead a family altar displays photographs of departed loved ones. We are taking this mixed media art workshop, based in Teotitlan del Valle, Oaxaca, Mexico, beyond the norm to create a three-dimensional altar suitable for display. Frida Kahlo is our muse.

4 Days, February 25 – 28, 2016

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e·voke. əˈvōk/. verb

bring or recall to the conscious mind, conjure up, summon up, invoke, elicit, induce, kindle, stimulate, awaken arouse, call forth.

Frida offers us inspiration for constructing an altar about life, womanhood, loved ones, family, health issues, successes and set-backs. We hold up Frida’s image, perhaps in self-reflection, to imagine her life and its challenges and to evoke meaning for our own. We then translate these concepts into an altar or shrine that can be used for wall art, to display on a surface or to design as a shelving unit for collected objects.

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Frida was an avid collector of exvotos and perhaps you would like to merge this simple expression of thanksgiving and devotion in your work, too.

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When we think of Frida Kahlo, we may conjure up many images and words to describe her: a woman of strength, power, frailty, independence, weakness, accomplishment, talent. Biographers say she was fierce, passionate, defiant, innovative, creative, vulnerable. We know she was deformed, in pain, proud.

 

Your personal altar can be based on your own experience. We embrace Frida as a metaphor to jump into a new creative realm. Your altar might be a tribute to someone you love who is living or passed on. Your altar might contain a message to send or include as a gift. It can be about you, friends, family or Frida herself.

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About Hollie Taylor, MFA, Workshop Leader

Hollie Taylor earned the BFA from the University of North Carolina at Chapel Hill focusing on painting and printmaking. She then went on to the University of Georgia and received the MFA with a concentration in printmaking.

Hollie taught drawing, printmaking, painting and ceramics at the college, middle and high school levels. For over 20 years, she has taught adult workshops in handmade paper-making, screen-printing, woodcutting, photo-imaging on clay, ceramic hand-building, mixed media art and art journaling.  

She is a recipient of the North Carolina Museum of Art annual artist scholarship award. Her work is published in Art Voices South and The Village Rambler. She earned the prestigious National Board Certification for Teaching Excellence and her students placed repeatedly in national shows. 

Hollie encourages deep personal exploration, offers demonstrations and samples of finished products.  Art produced at her workshops is highly individualistic, broad ranging in style and expressive of the maker. Participants come to the table with varied past creative experiences and she accommodates fully for this range of novice to accomplished artist. She gives personal feedback and encouragement and holds informal discussions to compare intent with outcome, noting what has been learned. A workshop with Hollie is engaging and fun!

A new project for Hollie involves making a book using found family letters and archival photos from Brazil during World War II. This will become a mixed media art show installation based on composites she is rendering in Photoshop to glean new meaning from the material. 

 

Process and Materials

Using found objects, copies of photographs, paint, paper, memorabilia and embellishments, you will construct either a 8” x 10” three-dimensional sculptural piece or a 12” x 16” flat art wall piece.

Materials We Provide: We provide step-by-step altar-making directions and construction materials, plus selected art supplies such as self-healing cutting mats, box cutters, some acrylic inks, assorted decorative papers, handmade clay medallions and selected ephemera art associated with Frida Kahlo.

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Materials To Bring: A sharp pencil, rubber bands, assorted size small brushes, embellishments such as stamps, charms, shells, milagros, copies of photographs, textiles. Try to imagine what will symbolize the different attribute’s of your altar’s theme and bring what will enhance its meaning. After you register, we will send you a complete list of supplementary supplies to bring. Participants often share for a wider range of choice.

 

Resources: Hollie recommends Crafting Personal SHRINES, Using Photos, Mementos & Treasures to Create Artful Displays, by Carol Owen, Lark Books, 2004.

Our Schedule: Daily, 9:30 a.m. to 3:00 p.m. includes catered lunch  

Day One, Thursday, February 25: We look at images of altars and sacred boxes, visit church and private home altars, and talk about Frida Kahlo – her style and what she valued. You will come with a concept for your creation, and with Hollie’s guidance you will finish the design and begin to build your project.

Day Two, Friday, February 26: Continue to build your altar, wrapping it, painting it, and gluing it together to form a completed container for what will come next. You may also want to add a door and small shadow boxes to display memorabilia reflecting your concept.

Rolling on Matte Medium to seal the foam core.

Rolling on Matte Medium to seal the foam core.

Day Three, Saturday, February 27: Finish altar construction. Begin to decorate and embellish your altar with photos (copies), writing, drawing, found objects and memorabilia you have brought with you.

Day Four, Sunday, February 28: You will add the finishing touches before we hang your finished work for a group show and presentation of your piece, followed by a grand finale mezcal margarita cocktail reception.

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Workshop Cost

Base Cost – Workshop Only: $495 per person, includes all instruction, materials to construct your altar or wall art, hand-outs, guided visits to family homes and churches for altar research, 4 lunches and cocktail reception. This option is designed for people who do not need lodging, and want to travel back and forth daily from Oaxaca city.

Upgrade 1 – Workshop + Share Room: $665 per person shared room with private bath en suite. Includes all of the above plus 4 nights lodging, arriving on Wednesday, February 24 and departing Sunday, February 28 by 6 p.m. Includes 4 continental breakfasts. We assign rooms in order of registrations received. Contact us for availability.

Upgrade 2 — Workshop and Private Room/Bath: $795. Includes all of the above.

How to Register

The workshop does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation to and from Oaxaca city.  We can arrange taxi pick-up and return from/to the Oaxaca airport at your own expense (approximately 280 pesos).

Reservations and Cancellations A 50% deposit is required to guarantee your spot. The last payment for the balance due (including any add-ons) shall be paid by January 6, 2016. We accept payment with PayPal only. We will send you an itemized invoice when you tell us you are ready to register.  After January 6, refunds are not possible.  You may send a substitute in your place.  If you cancel before January 6, we will refund 50% of your deposit.

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Required–Travel Health/Accident Insurance:  We require that you carry international accident/health/emergency evacuation insurance. Proof of insurance must be sent at least two weeks before departure.  If you do not wish to do this, we ask you email a PDF of a witnessed waiver of responsibility, holding harmless Norma Hawthorne Schafer and Oaxaca Cultural Navigator LLC. Unforeseen circumstances happen!

Workshop Details and Travel Tips.  Before the workshop begins, we will email you a map, instructions to get to the workshop site from the airport, and documents that includes extensive travel tips and information. To get your questions answered and to register, contact: oaxacaculture@me.com

This retreat is produced by Norma Schafer, Oaxaca Cultural Navigator LLC. We reserve the right to make itinerary changes and substitutions as necessary.

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Bully Pulpit: Why Not Fly Aeromexico to Oaxaca?

Aeromexico, are you listening? Why is it so hard to have a decent customer service experience with your airline company? I’ve been debating whether to publish this and decided to go ahead. Maybe it will get a decision maker’s attention. There is no customer service feedback link on your website!

I arrived in Mexico City from the U.S. on June 4 from San Francisco on United Airlines, in time to get from Terminal One to Terminal Two and the Aeromexico counter. I wanted to buy a ticket to arrive in Oaxaca on the same day, despite the one-way ticket cost of $217 USD.  I rationalized that the cost was worth the wear and tear to avoid the overnight bus.

At the Aeromexico counter,  I pulled out my passport and credit card and gave it to the agent to buy the ticket. I signed the voucher and put my bags on the scale to weigh.  She said, I need your credit card back to charge you $50 USD for the second bag. (She was holding my ticket and my passport behind the counter.)

I said, you still have my card. She said, No, I gave it back to you.  I said, No you didn’t, and searched my wallet and handbag six times. We went back and forth: I gave it back to you. No, you didn’t.

A supervisor ( whose name is Mr. Cisneros, I was told) came out and watched as she rifled through papers and searched the counter. He did not help in the search for my missing card. In frustration, I pulled out another credit card to pay for the second bag and pushed my luggage around the side of the counter.

No, he said, blocking the way, you have to put it on the scale. I said, I already did that. She knows how much it weighs. I was traveling with my cane because of my recent knee replacement surgery, but that didn’t seem to matter either.

By now 30 minutes had passed and the window was closing on when I could board the plane. The scale was blocked by another customer.

I said, please hurry. Is there enough time for me to get through security and get on the plane? I heard him mutter under his breath, I don’t care.  

I was startled. What did you say? Did you say you don’t care if I make the plane or not?  He stared at me. I said, As a courtesy you should put my second bag through at no extra cost. You lost my credit card, I’m going to have to call the company to cancel it, it’s a huge inconvenience and I’m going to have to run to make this flight.

Mr. Cisneros was steadfast. Crossed his arms. Glared, then said, I don’t believe you. You hid the card in your purse so you could ask us to send your bag through free. Then he turned on his heels and walked away to the back.  I asked the agent to cancel the ticket and give me his name.

When I got to TAPO regional bus station and after I bought my bus ticket. I called Chase and cancelled the card. The card never turned up in my bags or luggage when I unpacked. Chase sent a new card via UPS Express to Oaxaca and I received it within three days!

What to do? Fly Volaris or Interjet to/from Oaxaca and Mexico City? Take the ADO GL or Platino bus (a six-and-a-half hour ride when there are no roadblocks)? Fly directly to Oaxaca from Houston on United Airlines? Avoid Aeromexico at all costs?

I did not buy an advance ticket on Aeromexico because if you don’t check in two hours before scheduled flight departure, they have the right to bump you. That’s happened to me before and I lost the value of the ticket. Planes are delayed. Lines at immigration and customs can be long. Odds are not good you will make a connection if you are not flying on a Delta codeshare with Aeromexico.

My friend Lee Ann who lives part of the year in Puerto Escondido, says, When you cross the border, never ask why and always look down? In many places in the world there is an attitude of why try, it is impossible to change the system.

We always look down here to avoid the potholes and pitfalls on the sidewalks so as not to stumble and fall. The subtle connotation is to look down to avoid confrontation. One becomes acculturated not to challenge authority based on upbringing and country of origin. Never asking why means accepting things as they are, of knowing that it’s not your right as a visitor to effect change. It’s a lesson I’m still learning.

Bilbao Reunion with Brigitte Huet, Silversmith and Jeweler

Our reunion with artist, jeweler, silversmith and dear friend Brigitte S. Huet has been in the making for over a year when Barbara and I first planned to visit Spain. Brigitte and her husband Ivan returned to France in early 2014 after making Oaxaca their home and creative inspiration for over 20 years. We miss them.

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So, we made a meet-up plan for Bilbao, which is about four hours by car from the Toulouse area where they now live, to visit the Guggenheim Museum together.

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Barbara asked Brigitte to bring a trunk show of collector pieces she had created in the early years. We spent time looking at designs we had never seen before that had been tucked away in Brigitte’s treasure chest in France. They included belt buckles, deeply carved silver beads, pendents, rings, necklaces, earrings and bracelets.

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Some of these, mostly necklaces and bracelets, are now available for sale. I have them with me and I will be posting photos and prices soon.

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We reminisced, drank good red wine, ate stinky unpasteurized cheese, walked and giggled. It was wonderful to be with Brigitte again. They have not produced jewelry since returning to France.

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There is no place where they live now to set up a casting studio. But, Brigitte has carved wax designs in preparation for what comes next and she has been carving wood, too. The creative life continues.

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Enviando besos y abrazos de Brigitte y Ivan de Francia.  Sending kisses and hugs from Brigitte and Ivan from France.

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Peacocks and Xoloitzcuintle: Dolores Olmedo Patiño Museum Garden

It’s not very common to get up close and personal with a peacock. Nor is it usual to come within a foot or two of the pre-Hispanic indigenous, Mexican hairless dog the Aztecs called xoloitzcuintle.

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Both are an integral part of the landscape at the Dolores Olmedo Patiño Museum in Mexico City that houses the largest private collection in the world of Diego Rivera and Frida Kahlo paintings.

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The collection is exhibited in an ex-hacienda that Olmedo purchased in the 1960’s, then on the outskirts of Mexico City in Xochimilco near the last remaining Aztec floating gardens, accessible via gondolas that traverse the canals.  Today, thePeacocks-33

neighborhood of La Noria has been absorbed by the city sprawl of almost 25 million people. Sunday is the best day to visit when traffic is light.

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Olmedo was a long-time friend and patroness of Rivera, and a Kahlo classmate at the National Preparatory School. An astute and independent business woman, Dolores Olmedo not only purchased many of Rivera’s paintings but also those of Frida at Diego’s request.

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Rivera asked her to be executor of his estate and to preserve the contents of Casa Azul. She agreed not to open the bathroom/closet doors for fifteen years after his death.  Today her Foundation operates both the Dolores Olmedo Patiño Museum and Casa Azul.

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It wasn’t until after Olmedo died in 2002 that the closet contents were revealed. There is no clear explanation for why she kept the contents secreted away. Letters, drawings and the wardrobe that is now on display in the Casa Azul Museo Frida Kahlo annex exhibit area were uncovered revising the history of the Kahlo-Rivera relationship.

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The park-like grounds of the Olmedo museum attracts families and school children most weekends. There is a small restaurant with good, reasonably priced and basic Mexican food. The outdoor stage brings musicians and dancers from all over Mexico to entertain the crowds. Last weekend a band of musicians from Veracruz and Oaxaca played jarocho music accompanied by a versatile dancer.

Peacocks-10 Mostly, it’s the peacocks and the dogs who thrill the children. It’s mating season and there is full display of plumage and a lot of tail feather shaking going on.

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Looking for Diego Rivera and Frida Kahlo Art History Tour with a knowledgeable art historian, coming winter 2015-2016. Let me know if you are interested in joining us.