Category Archives: Photography

Art History Tour: Mexican Muralism, Diego Rivera and Frida Kahlo in Mexico City

The Mexican Muralists, and especially the art of Diego Rivera and Frida Kahlo are the focus of our Mexico City Art History Tour: Looking for Diego Rivera and Frida Kahlo.  Arrive on November 13 and depart on November 17. DiegoFrida4Group-77 This intensive study tour takes you into off-the-beaten path public art spaces and those that are more popular where Rivera, Orozco and Siquieros worked. DiegoFrida4Group-65 Be prepared to walk, explore, discover, discuss and enjoy the Old World beauty of Mexico’s capital city.  You will learn more in three days about Mexico, her culture and ethos, than you ever imagined, and how Rivera and Kahlo helped define a national identity after the 1910 Revolution. DiegoFrida4Group-84 If you are intrigued by

  • the mystery of Frida’s relationship with her mentor Diego Rivera, whom she married twice,
  • social and political history of pre- and post-revolution Mexico,
  • Mexican Muralist Movement as populist outcry and government tool,
  • Aztec archeology,
  • Colonial and Belle Epoque architecture,
  • Mexico City as a food, culture, and art mecca,

This program is for you!

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Our art historian has postponed her graduate studies in Europe for one year, so we are fortunate to be able to offer this program again.

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If you have never traveled to Mexico City, this is a great introduction to the historic center and Casa Azul, the home Frida and Diego shared. Plus, we visit the Dolores Olmedo Museum that holds the largest collection of Diego’s and Frida’s work.

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Mexico City is easy to fly to from anywhere in the United States and Canada. The city is safe, clean and hospitable.  Our friendly hotel is located just two blocks from the Zocalo, the Palacio Nacional, the Catedral and the Templo Mayor archeological site of the Aztec power center. DiegoFrida4Group-5 Questions?  Contact Norma Hawthorne.  DiegoFrida4Group2-7

One Day in Capulalpam de Mendez: Oaxaca’s Pueblo Magico

High in Oaxaca’s Sierra Juarez, the mountain range to the east of Oaxaca city that borders the state of Veracruz, nestles Capulalpam de Mendez, one of Mexico’s Pueblo Magicos. The village is terraced into the mountainside and the views are breathtaking. Indeed, the altitude can take your breath away at almost 8,000 feet (2,350 meters, 7,710 feet to be exact).

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We are on a two-day adventure, me, Hollie and Carol.  We call it an adventure because none of us had been up this road before.  Little did we know what would be in store for us further along.  Before long, we will be called Las Tres Mosqueteras — female version of the Three Musketeers.

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We leave Oaxaca early Sunday morning in my faithful La Tuga (10-year-old Honda Element) to take the switch-back federal highway MEX 175, first to Ixtlan de Juarez, where Mexico’s reformist hero Benito Juarez was baptized close to his birthplace of Guelatao.  We climb nearly 2,000 feet in the distance of 62 kilometers or about 38 miles. The precipices are harrowing and the jam-packed shared taxis pay no attention to the solid yellow line that goes the distance to separate the two-lanes.  It takes the better part of two hours to make the trip.

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Soon we are in a bio-diverse ecosystem of pine, cedar and oak dripping with ferns, bromeliads and moss. It is a rainforest up here with water run-off, gurgling streams filled with trout and lots of roadside restaurants to eat them fresh.

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I took one seat out of La Tuga so I can haul an easy-chair and ottoman to an ESL teacher friend, the only gringa at University of Sierra Juarez in Ixtlan. On the return, I carry back a locally crafted pine dresser made from sustainable wood.

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After sleeping overnight at the very comfortable Ecoturixtlan ecotourism lodge (try the zip line), I propose we go further up the mountain a few miles more to Capulalpam. I had heard about it but had never been there and everyone is up for what’s next.

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Once we get there, we are lucky to find a comedor open for breakfast at the central market. The eggs are perfect and the climate even more so. We meet farmers and  innkeepers who tell us that there are only a few Zapotec speakers left in the village. We decide this a perfect spot for a writing retreat or just to chill-out for a few days.  Next time.

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Since the historic church doesn’t open until noon and it is only 10:30 a.m. local time (an hour later in Oaxaca City, go figure), we decide to scout out the road to the highest point in the village. There’s an overlook up there and we ask directions.

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Go to the end of the pavement. Take the dirt road up, says a local woman.  So we do.  I turn left, climb higher, shifting between first and second. With each curve there is a vista more spectacular than the one before. Then, we face it.

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A seventy-degree hill (okay maybe I’m exaggerating just a bit) rutted from rain run-off with a base of gravel and rock. I stop the car.  Carol says, Well, we could get out and walk. I say, Well, I think we can make it. Let’s see what La Tuga can do. I press the clutch, push the stick into first and up we go. Except we make it only about half way until the clutch starts to burn and the car begins to swivel sideways dancing toward the edge.

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I brake. Oops, I say. Roll down the window and honk, then yell,  Necessito un ayudante. I need a helper.  Ayudame. Help me. Un hombre. Un hombre. A man.  A man. Hilarious, you might think, despite the fact that we are independent women trying to make our way in the world solita. Alone. Hah.  Hombre, I yell again.  Two children materialize at the top of the hill and look down at us. I imagine they are thinking, Gringas Locas.

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Then, David appears. He runs to the passenger side of the car as Hollie is attempting an exit, tells her to get back in. Carol is unusually quiet. David guides me, tells me how to exactly turn the wheel so I can back down slow, straight and sure. Thank goodness my Spanish is good enough!

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At the base of the road, I turn the car around around. David invites us all into his house to meet his wife Martha and drink fresh guava juice.  His view hanging over the mountain side was pretty darn good.

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But, we still want to find the Mirador, the very top of the mountain. David offers to guids us up there and climbs in the back seat. Amazing views.

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We joke about our adventure all afternoon. Later, we invite David and Martha to join us for a trout dinner, exchange phone numbers, and I get contact information for his two adult children, a son and a daughter, who live in Los Angeles and who he hasn’t seen in seven years.

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If I hadn’t made that turn, I wonder what this story would be like.

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P.S. Find the whole wheat bread baked in the wood fired clay oven.  Stay overnight at Hotel Chorromonte, 01 (951) 53 92052, with WiFi, beautiful, clean, from 200 pesos a night. Eat breakfast at Comedor Mau-Mau in the village market operated by Betzabeth Cosmes Perez.

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Guelaguetza 2014 Photo Out-takes — Oaxaca Folkloric Fesitval Dazzles Crowd

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It’s more like a party than a traditional performance. Oaxaca’s annual Guelaguetza folkloric festival draws crowds from throughout Mexico and all over the world.

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If you hang around the stage at the end while most of the crowds leave, you might be handed a small cane cup filled with mezcal and get a close-up photo, too.

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I hosted a group of Australians and we had third row seats. That’s the luck of the draw, plus mostly getting to the tourism office early.  We bought these tickets in early June.

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Even photo out-takes are worth looking at!

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For a discussion about the cultural and political controversy surrounding Guelaguetza, see my July 24, 2014 post.

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People ask me all the time if Oaxaca is safe.  There were 11,000 people in the audience, plus all the performers. Instead of the crush, we did the WAVE!

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The exit is through a narrow underground tunnel and then down the Cerro del Fortin steps.  Most of us left that way!  Everyone was calm, helpful, friendly, gracious and orderly.

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We took a few minutes to stop and look at the stunning views of the city and the Santo Domingo Church below.

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Is Oaxaca safe?  YES!

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One big crowd pleaser is the Dance of the Feather — Danza de la Pluma. It is a story of the Spanish conquest over the Aztecs. Many villages do this ritual dance. It is an important part of indigenous Mexican identity.

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The chief dancer is the Moctezuma, and featured are two girls, each representing the duality of Mexico — The Malinche and Doña Marina – who are one and the same.  How high the dancers leap is a feat of pure prowess and determination.

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Everyone in the crowd was hoping to catch a pineapple — one of the Guelaguetza gifts thrown — actually hurled — from the stage into the audience by each village represented.

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If we had our hands and a hat up, we got bread, radishes, lettuce, palm hats and fans, rolls, tortillas, sticky tamarind fruit, ritual bunches of fragrant greens.

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I managed to catch a bunch of bananas that I shared with my neighbors in keeping with the meaning of Guelaguetza. Only the front row received the pineapples. I think the organizers were afraid of injury!

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By the time we left the auditorium it was almost 10 p.m. We were hungry and thirsty. Somehow, sweet rolls didn’t seem enough. My mantra: time for a mezcal margarita and a good meal. This is the hour most Mexicans have their dinner! It was way past my bed-time.

Guelaguetza2014-29Our group of five women walked about six blocks to La Biznaga where we were lucky to find an open table. Beware: the margaritas are especially potent! The spinach lasagna (yes, Italian) was wonderful. Safe? Yes!

Oaxaca’s Guelaguetza 2014 Thrills Crowds, Still Controversial

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Tickets to sit close to Oaxaca’s Guelaguetza Auditorium stage are costly, about $100 USD per person.  Up high in the upper galleries, the seats are free and people start lining up hours in advance of the opening to be able to capture one.

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The controversy lies in the accessibility to this annual folkloric performance in an auditorium that can hold 11,000 people.  So, the government provides live video streaming on the Internet and broadcasts the performances on a big screen in the Zocalo.

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However, this year the Zocalo is an encampment, occupied by another demonstration of teachers who continue to protest poor pay and lack of support for adequate school supplies.  Since 2006, it has become much more than that.

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In the political tradition of Mexico, this legal demonstration highlights the ongoing conflict between the workers and the bourgeoisie, those in power and those who have no voice, those who have access and those who don’t.

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Lila Downs sings about this. Diego Rivera painted it.  Jose Guadalupe Posada sketched the iconic images of this Day of the Dead Calavera Catrina mocking the middle class who turned its back on the impoverished.

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This is my third year to attend the Guelaguetza. Fortunately, my ticket was a gift this year. Each time, I think about what a privilege it is to be here.

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The other controversy is about what Guelaguetza really means. Guelaguetza is not a folkloric performance as most visitors believe, but a way of life for indigenous people.  Full baskets of gifts for visitors is a symbol for the hope of there being enough — more than enough, of plenty — for all.

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Guelaguetza is a complex word meaning mutual support, giving and receiving, a way to keep communities intact, a way to honor ritual and tradition. You can learn more about this in the Teotitlan del Valle community museum.  It is why Zapotecs here have survived and thrived for 8,000 years.

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It is beautiful to see this honored on the stage of the auditorium, replete with Oaxaca’s most beautiful women, handwoven textiles, music, and ritual dance.Guelaguetza2014-34

We watch mating and marriage rituals recreated complete with live guajolotes, and the teasing between young men and women from Pinotepa Don Luis. The women’s purple and red skirts are back strap loom woven with cochineal and purpua dyed cotton.

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We see how communities like Juxtlahuaca in the Mixteca-Baja depend on raising, killing and selling cattle as they dance with spurs clicking and rattling.

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That is why this performance never tires.  It is important to know, however, that this is a re-enactment of daily life.  To get to know the real Oaxaca, visit her villages and meet her people. Don’t sit in an auditorium with a camera and binoculars, and believe this is a complete experience!

Guelaguetza2014-35The evening performances end in a dazzling fireworks display!  It can be seen for miles around and went on for what seemed a good ten or fifteen minutes. This is only one of many images I caught. Yes, it’s a great time to be in Oaxaca!Guelaguetza2014-39

 

The performances happen on the last two Mondays of July each year.  There are two performances remaining, one at 10 a.m. and the other at 5 p.m. on Monday, July 28.  Go, if you can. It’s a magnificent experience.

 

Oaxaca Show & Sale, July 25-26: To Benefit Artisans and Artists at Las Bugambilias B&B

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