Category Archives: Teotitlan del Valle

Ten Days in Teotitlan del Valle: Emily’s Photo Workshop Blog

What it is like to drop into another culture for ten days?  Emily Moore writes about her experience returning to Teotitlan del Valle this summer to attend the 2012 Oaxaca Photography Workshop: Market Towns and Artisan Villages.  Her blog, Ten Days in Teotitlan captures how she feels about the village, her friendship with Omar Chavez Santiago, her best friends who returned for the second year to attend with her, and her extraordinary photos.

 

Emily’s Best of Week photos are included in the blog.  I’m posting a few here for your enjoyment. Emily likes to work in black & white photography, so she shoots on the digital camera and then converts her photos using a photo editing software.

 

Emily lives in New Albany, Ohio, just outside Columbus and attends Ohio State University.  She just completed her freshman year and works at an ice cream shop to fund her education.  She saved her own money to attend this workshop.  I think you will see this work ethic reflected in her photographic point-of-view and in the maturity and self-reflection of her writing.

Enjoy Emily’s Best of Week photos and let us know how her blog affected you!

And, come with us on a photo journey to explore Day of the Dead 2012.  We still have spaces left!

 

Working From Home Has New Meaning: From Oaxaca to North Carolina and Back Again

This blog post is about work, working from home, retirement, immigration reform, and travel on the secluded Oaxaca coast.  A hodgepodge.

You haven’t heard from me much in the past few weeks and I admit I have been remiss in writing and blog posting.  I left Oaxaca at the end of April for the luxury of a 10-day sojourn with my family (son and family, brother and family, sister) in California, then continued on to North Carolina for a long-overdue reunion with my husband Stephen.  I have settled into working from home in NC until I return to Oaxaca on June 21 for our summer Market Towns and Artisan Villages photography workshop that starts June 28.  Working from home has taken on new meaning for me.  Some days I even take this to a higher level: “working from bed.”

 

At this moment, I am looking out at a lush green perennial garden filled with hot pink echinacea, equally hot phlox, silvery coriander with yellow flowers, yucca stalks sprinkled with white blooms, and hydrangea blossoms bigger than my fist.  The pollen is about killing me!  But, I delight in the contrast between this landscape and my beloved Oaxaca where magnificent mountain ranges ring the expansive high desert plateau punctuated with herds of grazing sheep, maize and agave fields.  Oaxaca is always on my mind and in my heart.  I feel fortunate to be able to go back and forth between the U.S. and Mexico and love living in both places.  My round-trip plane tickets originate and end in Mexico!

Now, for the serious stuff!

Thank you, Damien Cave, The New York Times Mexico City foreign correspondent, for writing about another Mexico — Mexico: Without the Crowds, or Attitude (June 2, 2012) and the tranquil fishing villages of Oaxaca’s Costa Chica — Mazunte, Zipolite and San Agustinillo.  This is where you can still sleep in a hammock or a 3-star hotel and hear the ocean roar, dip your toes into rock protected coves, and visit the sea turtle preservation sanctuary.  This is the real part of Oaxaca, far from the over-developed Huatulco (in the style of Cancun), where you can be lazy, eat and sleep well.

   

Also, in The New York Times on June 1, 2012, Jorge Casteñeda and Douglas Massey published Do-It-Yourself Immigration.  They discuss immigration reform, the controversy around undocumented immigrants in the U.S., and the natural decline in migration from Mexico to the United States. Jorge G. Castañeda, the foreign minister of Mexico from 2000 to 2003, is a professor of politics and Latin American and Caribbean Studies at New York University. Douglas S. Massey is a professor of sociology and public affairs at Princeton.

Working from home now constitutes organizing workshops for the coming year, confirming registrations, making lodging and restaurant reservations, and setting itinerary plans for moving participants from one location to another.  It also means having the time to do market research and planning. So, while you haven’t heard from me, please know that I’ve been busy working!

And, as always, I’d love to hear from you.  Let me know if you have any questions.  I haven’t talked much about what it’s been like after taking retirement from UNC Chapel Hill last December.  I don’t know if that would be interesting to you.  I did worry about whether I would be able to continue to be creative without the structure of a traditional work day and if I could sustain myself financially–all those things that we worry about when making life transitions.  But, it’s working out. For anyone out there who is afraid of taking the plunge, I will give you encouragement.

Sending all my best,  Norma

 

Shop Mexico: Week 4 — Rug and Painted Gourds

Our gallery store is open.  Visit us each Monday when we offer a selection of handmade textiles, alebrijes, clothing, jewelry and other Mexican collectibles from Shop Mexico: The Artisan Sisters on-line store.   We ship fast.  We pay the artist what they ask without bargaining.  We pass our fair trade practices on to you!

Today, we offer you a beautiful tapete (rug) from Teotitlan del Valle, a nested set of hand-painted gourds from Arrazola alebrijes artist Bertha Cruz, and a gorgeous laquered gourd with lid from Guerrero.

 

1.  This tapete (rug) is hand-woven with 100% wool colored with natural dyes:  cochineal, pericone (wild marigold), indigo and the natural color of churro sheep wool (black and white).  It is a knock-out and could adorn a wall or floor.  Or drape it over the back of a chair, sofa or on an ottoman.  The wool is sturdy and you can walk on it (my Teotitlan rugs have been on my floor in high-traffic areas for seven years without looking aged).  It comes from the studio of Bii-Dauu cooperative known for quality and sustainable development practices.  New, never used.  Pattern is combination Eye-of-God and Zapotec Greca.  36″wide x 50″ long.  Item # 1-6042012. $300 USD.

 

2.  Set of three nested bowls, meticulously hand-painted on gourds by Arrazola artist Bertha Cruz.  They are stunning and whimsical, just as you would expect from this talented alebrijes painter.  It is rare to find this quality of gourd painting in Oaxaca and when I visited, Bertha only had these three available.  Perfect for serving nuts, chips or candy (not for cooking or serving hot or soft food).  Or, use them for a wall still life!  The largest bowl measures 7″long x 8″ wide x 4″ high.  Item #2-6042012.  $68 USD.

3.  This amazing hand-painted lacquered gourd has a removable lid and is one of the finest examples of lacquerware I have seen from Guerrero, Mexico.  The flowers really pop on this deep plum background.  The gourd measures 8″ high from the base to the tip of the stem handle of the lid and 9″ in diameter.   Item #3-6042012.  $95 USD.

For a complete listing of everything we offer for sale, see Shop Mexico page on this site.  We’ve marked SOLD on items that are not available.

Don’t forget to contact us first by email  to see if the item you want is still available.  We will send you a PayPal invoice after we calculate shipping costs based on your Zip Code.  Many thanks, The Artisan Sisters.

Come see Oaxaca for yourself during Day of the Dead and attend our Photography Expedition, October 28-November 4.

Carnival in Teotitlan del Valle, Oaxaca: Continued

Carnival in Teotitlan del Valle, Oaxaca is a five-day festival that begins on the Monday after Easter.  Why is this?  Carnival is celebrated around the world, and other places in Mexico and Oaxaca before Lent begins.  I asked several local residents who said they did not know.  It’s the way it has always been, they replied.  Perhaps this timing of Teotitlan’s Carnival predates the Spanish conquest and goes back to an ancient pueblo springtime ritual.  Does anyone out there know the answer?

 

Meanwhile, Day Two, hosted by the Mendoza Ruiz weaving family for their section, continued with the same fervor as the first day.  The family invited me as a guest and to take photographs.

    

Oaxaca Photography Workshops Coming Up Soon!

Cooking teacher and chef extraordinaire Reyna Mendoza Ruiz prepared an incredible mole amarillo , traditional for Teotitlan del Valle fiestas, with the aid of an army of women. (I’m linking you to a recipe, but for the most authentic experience, come to Teotitlan for a cooking class with Reyna.)  Her brother, weaver Erasto “Tito” Mendoza and owner of El Nahual gallery with his wife Alejandrina Rios, told me the meat was toro when I was served a bowl laden with the sauce covering a succulent meat, fresh potatoes, green beans and choyote squash.

   

The women had been up since 6:00 a.m. preparing for about 100 people who gathered for the 2:00 p.m. Teotitlan time midday meal.  Alejandrina said the beef had been stewing in an olla since the early morning hours.  Reyna offered me a spoon but I preferred the Zapotec way of dipping the fresh made tortilla into the spicy mole and tearing off a bit of the toro to eat together accompanied by fresh horchata.

  

As is tradition, the men are seated separately and served first.  Then, a section of the table is cleared for the abuelos, mothers and children to sit together.  Everyone drinks beer and mezcal as the band plays, the host family begins the bailando, the Zapotec line dance that is de rigueur at every function.  Then, the masquers who danced in the plaza the night before (and all the next night) make their grand entrance.

  

Late in the afternoon, around 6:00 p.m. Teotitlan time, the group will exit the Mendoza Ruiz home and begin its procession to the plaza outside the municipal building in front of the rug market.

    

Again, the crowd will gather to watch the masquers make merry, eat nieves and cream-filled pastries, and sit mesmerized as sun sets.  (Oaxaca time for the celebration is 7-10 p.m. through Friday.)  Best estimates were a crowd of 500-700 people, so get there early to snag a front row seat!

We made our way there by various modes of transportation: by foot, by tuk-tuk, by car and by truck. I didn’t see anyone on the back of a donkey.

The merriment will continue through the night and into the morning, when the troupe returns to the Mendoza Ruiz family at 6:00 a.m. for another meal to fortify themselves for Day Three.  As I write this, it is Day Three and I can hear the band in the distance.  Today, the festival is in our section of town and another family will host the meal and merry-making.  To be continued: food, beer, mezcal, dancing, music, processions, clean-up, and interconnected community.

 

P.S. I managed to take over 700 photos between 3:00 and 9:00 p.m. and culled them down to what I am showing you here using Lightroom, my new lifesaver! thanks to the Oaxaca Portrait Photography Workshop we just finished.

 

 

Carnival in Teotitlan del Valle, Oaxaca, Mexico

Carnival is a Catholic festival traditionally celebrated before Lent, six weeks before Easter.  In Mexico it combines masquerade, dancing, music and mucho mezcal and is usually a two-day event that goes long into the night.

Here in Teotitlan del Valle, the rug weaving village located about 15 miles outside of Oaxaca city in the Tlacolula valley, Carnival begins the Monday after Easter and continues for five days.  The Teotitecos believe the time to let loose is after Easter Sunday.  Each of the five districts in the pueblo will host a daily festival that begins around 3 p.m. Oaxaca time.  If you come, look for the big red and blue striped fiesta tent that will cover the patio of the host home.

 

Oaxaca Photography Workshops offer cultural immersion, too.

We were told the festivities start in the municipal plaza at 5:00 p.m. Teotitlan time.  This can be very confusing since Oaxaca city goes on daylight savings time but in Teotitlan time never changes.  So, Oaxaca time is one hour later than Teotitlan time.  I have found it is important to clarify an appointment hour by asking: Oaxaca time or Teotitlan time?  Otherwise, you run the risk of being too early or too late.  The ancient Zapotecs believed that whomever controlled time controlled the world.  They adopted this from the Mayan concept of time. They were right!

 

My friend Merry Foss and I arrived in the plaza at 5:15 p.m. to find it empty.  The benefit was that we got a prime seat at the top of the steep stairway that was once the foundation of the ancient Zapotec temple.  We had a vantage point high above the plaza.  Soon, the abuelas with their grandchildren arrived and filled in the seats around us.  Merry had a conversation with the woman next to us who was wearing a traditional 20-year-old silk rebozo with an extraordinary hand-tied punta (fringe).  The discussion focused on the merits of weaving and wearing rebozos in cotton, silk or art silk/rayon, and how well they drape.  It was a good way to pass the time.

 

By 7:00 p.m. Teotitlan time, Carnival was in full-swing.  Vendors selling bags of potato chips seasoned with salsa and fresh-squeezed lime juice made their way through the crowd. Ringing the plaza were street vendors whose carts were filled with cakes, cookies, churros, cream cones, nieves with fruit flavors like tuna and limon, corn cobs on a stick smeared with mayonnaise and sprinkled with chili, and aguas de sandia or horchata or lemonade.

Nearly the entire village was present represented by all the generations.  The ceremonial aspects include honoring the village leaders who volunteer for one to three-years to keep the services operating.  They sit in prominent reserved seats.  The volunteer police force are present in new green manta cotton shirts and symbolic clubs.  They are watchful that every one behaves themselves.

 

The band tonight was in fine form and the music was definitely perfect for toe-tapping from the bleachers.

 

Oaxaca Photography Workshops offer cultural immersion, too.