Category Archives: Travel & Tourism

Oaxaca: Beauty is Everywhere — And It’s Safe, Too

Oaxaca is beautiful and safe, says Elliot Stoller, who visited in December 2011.  He recently wrote to me and ordered the self-guided tour map of Teotitlan del Valle to prepare for his trip next year.  Elliot’s photos are so beautiful that I want to share them with you (with his permission, of course).  And his testimonial about safety deserves attention.

Oaxaca: Beauty is Everywhere

” I felt as safe in Oaxaca as I feel in any city in the USA. The people are friendly and helpful. In fact, in the evenings, I felt safer in Oaxaca than I do in Seattle because there were so many people out and about… socializing, eating at sidewalk cafes, watching performances of folk dancers or taking part in Las Posadas (religious processions) and enjoying the wonderful weather.

“I know about 40 words of Spanish but I always found that the Oaxaca people would be patient and we found a way to communicate. Once, I was in a restaurant and I couldn’t read the menu. I was trying to order tortillas with different fillings. The cook motioned for me to come up to where everything was cooking and she took off the pot lids so I could point at the fillings I wanted.

“A guide we hired took us to Teotitlan Del Valle but we stopped at only one workshop/home. I returned to Teotitlan on the Fundacion En Via tour (a non-profit that fights poverty through micro-finance) so I was able so see more of the town and a more realistic picture of the townspeople.

“I love Oaxaca. I plan to go back again in December  this year for two more weeks. And I’m fantasizing about retiring there. I fell in love with Oaxaca as you can probably tell from my photographs.

“Thank you for your wonderful blog,”

Elliot Stoller,  Seattle, Washington

***

Upcoming photography workshops in Oaxaca:  Portrait Photography, Market Towns and Artisan Villages, and Day of the Dead

 

Mixteca Women Who Weave: Oaxaca Show and Sale, February 25

Cochineal dyed rebozo from the Mixteca

Judith Radtke and Jo Ann Feher just told me about this great show and sale coming up on Saturday, February 25 in Oaxaca City.  If you are in town, they invite you to stop by.  You will also have an opportunity to meet the women who weave these wonderful pieces in cotton, wool and natural dyes.

Weavings, Weavers and Wine

Saturday, February 25, 2012 — 5 pm – 7pm
Jose Vasconcelos 104 (runs off Tinoco Y Palacios), Figueroa, Oaxaca, Tel. 516 – 71 43

Enjoy Wine and Cheese.
View exquisite hand weavings by Mixteca Weavers.
Meet the weavers: Edith, Marcellina and Edith Inez.

The book, Weaving Yarn, Weaving Cultures, Weaving Lives: A Circle of Women in Oaxaca, Mexico will also be available for sale.

All proceeds go to the weavers.

Learn tapestry weaving in a workshop with Federico Chavez Sosa, March 14-17, 2012 in Teotitlan del Valle.

 


Macuilxochitl, Tlayuda Capital of the Tlacolula Valley, Oaxaca

Church at Macuilxochitl

What makes Macuilxochitl unique is more than its gorgeous three-domed church that stands proudly in the center of the zocalo, waiting for continuing restoration. This is a village noted for its tlayudas.  These are the extra-large sometimes marigold-colored tortillas that are made in the traditional way using masa pressed by hand and then toasted on the comal until the dinner-plate sized discs are puffy and toasty brown on both sides.

My story today is about tlayudas and the hands of women who make them.  We enter into the smokey, cavernous space called kitchen, obscure and mysterious.  This is a large adobe brick structure that holds the cooking stove, comal, and a flock of chickens that nest under the wood-fired stove.

   

This is not easy work.  First, you must prepare the large rock-sized balls of masa, ensuring that they don’t dry out and are the right consistency for kneading. Then, you take a fist size piece and form it into a ball, flatten it and bring it to the tortilla press, where between two sheets of plastic wrap, you press and press and press again using all your upper body strength to make this staple as flat and transparent as possible.

 

With nimble fingers you spin it like a pizza dough to stretch it out even more, then lay it gently on the very hot, lime-coated comal (griddle), taking care not to burn fingers.  With thumb and forefinger, the tlayuda gets turned every 30 seconds or so to be sure that it cooks evenly and doesn’t burn.  It needs to be toasty and not soft.  There are so many ways to make masa into tortilla variations.

Today, this masa is more white.  Sometimes, it is yellow or has a red or blue tinge, depending upon the type of organic, locally grown corn used.  Perhaps it is a blend of white and blue or white and red, which gives it a more subtle shade.

Jane tries her hand at the press

The tlayudas go into a tall, multi-colored basket, stacked and covered with cloth, ready to take to market.  We try our hand at the labor-intensive task.  After two or three tries, we are tired.  This is work and we sit to rest.  Our hosts keep at it.  This is their livelihood.

Macuil, as the locals call it, is also a Zapotec village of skilled stonemasons, called albañiles, who work in construction, building traditional adobe houses and more contemporary ones made with brick or concrete block.  As an agricultural village, it is also noted for raising sheep (borregos) and growing tending the milpas (small plots of corn, squash and beans).  Within walking distance from Teotitlan del Valle, Macuilxochitl is also accessible from Pan American Highway 190 via a moto-taxi tuk-tuk or collectivo.

Tlayuda Recipe:  One large flat, crunchy tortilla toasted and dry, about 12″ in diameter.  Smear with black bean paste.  Drizzle with green or red salsa according to taste.  Add shredded string cheese or Oaxaqueño string cheese, shredded chicken, diced tomatoes, Julienne red peppers and onions that have been sautéed until soft, top with thin slices of avocado.  Mexican version of pizza.  Cut into triangles and serve.  Great entrée with salad or as an appetizer.

Portrait Photography Workshop: Capture Your Experience, April 2-9, 2012, Teotitlan del Valle, Oaxaca, Mexico

Oaxaca’s Ethnobotanical Garden: Rooted in Cultural History

Rather than give you another review of Oaxaca’s Ethnobotanical Garden, I thought I would share this excellent article recently published in Garden Design Magazine. It has lots of photos of this remarkable space.  Thanks to Mary Ann Walsh who follows this blog and shared the link with me.

Check the Garden for availability of guided tours in English, usually available Tuesdays, Thursdays and Saturdays at 11 a.m.  You can only enter the garden as part of a guided visit which lasts two hours.

You can see some of the same design elements in this garden that recur in some of the more recent renovations — the Museo Textil de Oaxaca and the Centro Academico y Cultural San Pablo funded by the Alfredo Harp Helu Foundation.

When Alejandro de Avila B. returned to Oaxaca after completing his PhD at University of California at Berkeley, he became the director of the Ethnobotanical Garden and then later, curator at the Museo Textil de Oaxaca.  He continues to have an important impact on the development of arts and culture in the city and is an extraordinarily knowledgeable resource.

Tribute to the Women of Oaxaca by Lila Downs. Disfruta bien! Enjoy!


“Era importante para mí hacer un tributo a algunas mujeres de mi país que muelen maíz y lo llevan al canto y lo celebran como un milagro que a mí me ha inspirado mucho para poder seguir caminando y cantando.” ~ Lila Downs

“It was important for me to honor the women of my country that grind corn in song and celebrate it as a miracle that inspired me a lot to keep walking and singing.”~ Lila Downs

Video footage filmed in the Tlacolula valley of Oaxaca and the village of Teotitlan del Valle. Disfruta bien! This is where I get to live. Thank you Lila Downs and Paul Cohen for all you do.

Upcoming Oaxaca workshopscreative writing, photography, weaving and natural dyes — give you this sense of place.

Read more about the traditional trajes (costumes, dress) worn by Mexican women with commentary by Sheri Brautigam on Living Textiles of Mexico.