Category Archives: Workshops and Retreats

New Dates, 2018 Chiapas Textile Study Tour: Deep Into the Maya World

We have had overwhelming response to the Chiapas Textile Study Tour, Deep into the Maya World. The first study tour, February 13-22, 2018, is SOLD OUT.

We will hold a SECOND tour, February 27-March 8, 2018. To do this, we need a minimum number of people (6) to commit and make a $500 deposit to schedule this program. If  we do not have a minimum number of people committed by December 31, 2017, we will completely refund your deposit $500. (See registration details below.)

Are you in?  Send me an email. Here is the program description:

Chiapas Textiles + Folk Art Study Tour: Deep Into the Maya World — 2018 — Arrive February 27, depart March 8, 2018.

We are based in the historic Chiapas mountain town of San Cristobal de las Casas, the center of the Maya world in Mexico. Here we will explore the textile traditions of ancient people who weave on back strap looms.

Women made cloth on simple looms here long before the Spanish conquest in 1521 and their techniques translate into stunning garments admired and collected throughout the world today. Colorful. Vibrant. Warm. Exotic. Connecting. Words that hardly describe the experience that awaits you.

Zinacantan man in tradition traje costume, hand-woven straw hat

I am committed to give you a rich cultural immersion experience that goes deep rather than broad. We cover a lot of territory. That is why we are spending nine nights in this amazing Pueblo Magico — Magic Town — to focus on Maya textiles and weaving traditions.

Our day trips will take us into villages, homes and workshops to meet the people who keep their traditions vibrant. This is an interpersonal experience to better know and appreciate Mexico’s amazing artisans.

Humanitarian healer Sergio Castro with vintage textile collection

Take this study tour to learn about:

• the culture, history and identity of cloth • spinning wool and weaving with natural dyes

• clothing design and construction

• symbols and meaning of textile designs

• choice of colors and fibers that reflect each woman’s aesthetic while keeping with a particular village traje or costume

• mystical folk medicine practices that blend Maya ritual and Spanish Catholicism

• Chiapas folk art and handcrafts

• Chiapas amber — rare and affordable gemstone

• market days and village mercantile economy

• local cuisine, coffee and chocolate

• how to determine the best textile quality and value

• cultural history, nuances and the sociopolitical history of Maya people

I have invited textile collector Sheri Brautigam to join me to give you a special, in-depth experience. Sheri writes the blog Living Textiles of Mexico and is recognized for her particular knowledge of Chiapas Maya textiles. She is author of the Thrums Textile Fiestas of Mexico: A Traveler’s Guide to Celebrations, Markets, and Smart Shopping. (I’ve contributed two chapters with photos, one for Tenancingo de Degollado and the other for Teotitlan del Valle!) Recommended reading for the trip!

San Cristobal is international crossroads for great food

I have also engaged one of San Cristobal’s most well-informed guides, born and raised in San Cristobal, a fluent English-speaker who will travel with us to give bi-lingual services. His interest is in cultural anthropology and local history.

We will travel in a luxury Mercedes-Benz Sprinter van as we go deep into the Maya world.

Daily Itinerary

Tuesday, February 27: Travel day. Arrive and meet me at our hotel in San Cristobal de las Casas. I will send you complete directions for how to get from the Tuxtla Gutierrez airport to our hotel. The airport is a clean and modern facility with straightforward signage. You will book your flight to Tuxtla from Mexico City on either Interjet or Volaris or Aeromexico. There are plenty of taxis and shuttle services to take you there. Cost of transportation (about $55USD) from airport to San Cristobal is on your own. Those who have arrived by dinner time can go out for an optional meal, on your own.

Textiles from the weaving villages of Cancuc and Oxchuc

Wednesday, February 28: On our first day in San Cristobal de las Casas, we orient you to the Textiles in the Maya World. You will learn about weaving and embroidery traditions, patterns and symbols, women and villages, history and culture. After a breakfast discussion we will visit Centro Textiles Mundo Maya museum, Sna Jolobil Museum Shop for fine regional textiles, and meander the Santo Domingo outdoor market that takes over the plaza in front of the church. We will then guide you along the walking streets to get your bearings. (B, L, D)

Embroidered blouse from Amantenango

Thursday, March 1: Tenejapa is about an hour and a world away from San Cristobal de Las Casas. Today is market day when villagers line the streets filled with fresh fruits, vegetables, meats, and often textiles. We’ll meander the market to see what’s there. In years past, I’ve found some stunning shawls, huipils and bags here. Then, we will visit the outstanding textile cooperative founded by Pedro Meza and his mother Doña Maria Meza Giron.

Romerillo cemetery is rocky, steep, protective and festive

We’ll also stop in Romerillo to see the larger than life pine-bough covered Maya blue and green crosses. Return to San Cristobal del Las Casas for lunch and dinner on your own.  Lunch along the way. Return to San Cristobal de Las Casas in time for dinner on your own. (B, L)

An amazing ceremonial cloth, handwoven, modeled by Sheri

Friday, March 2: We go to a wonderful weaving cooperative outside of town that was founded over 40 years ago. You will learn about international collaborations and textile design that conserves traditions while meeting marketplace needs for exquisite and utilitarian cloth. In the early evening, we visit Museo de Trajes Regionales and humanitarian healer Sergio Castro, who has a large private collection of Maya indigenous daily and ceremonial dress representing each Chiapas region. (B, L)

Clay and wood carved artifacts

Textile museum figure, traditional clothing

Saturday, March 3: Amantenango del Valle and Aguacatenango to see the whimsical and functional wood and dung fired pottery – the way its been done for centuries. Wonderful roosters, spotted jaguar sculptures and ornamental dishes. This is a textile village, too, where women embroider garments with designs that look like graphic art. In neighboring Aguacatenango, we will pull up to the small zocalo in front of the church. Within moments, ladies with their beautiful embroidered blouses will appear. (B, L) Dinner on your own.

Whimsical Amantenango chicken pots

Sunday, March 4: This is a big day! First we go to San Lorenzo Zinacantan, where greenhouses cover the hillsides. Here, indigenous dress is embellished in exquisite floral designs, mimicking the flowers they grow. First we visit the church, bedecked in fresh flowers. Then, we’ll meet weavers and embroiderers in their home workshops. Next stop is magical, mystical San Juan Chamula where the once-Catholic church is given over to a pre-Hispanic pagan religious practice that involves chickens, eggs and coca-cola. We’ll roam Chamula’s abundant textile market, compare and contrast fabrics and designs. We will then continue on up another mountain to visit Maruch (Maria), a Chamulan woman in her rural home surrounded by sheep and goats. She will demonstrate back strap loom weaving and wool carding, and how she makes long-haired wool skirts, tunics and shawls. Perhaps there will be some treasures to consider.(B, L) Dinner on your own.

San Juan Chamula Sunday market

Monday, March 5:  We will set out by foot after breakfast for a full morning at Na Balom, Jaguar House, the home/of anthropologist Franz Blom and his photographer wife, Gertrude Duby Blom. The house is now a museum filled with pre-Hispanic and jewelry collections. We walk the gardens and learn about Trudy’s work with the Lacandon tribe and relationship with Frida Kahlo and Diego Rivera. After hot chocolate at Na Balom, we make a stop at the hand-made workshop that is also a graphics arts hand-print studio. You will have the afternoon and evening on your own. (B)

Ex-convent Santo Domingo, Museo Textiles Mundo Maya

Tuesday, March 6: Today, we make a study tour to the textile villages of San Andres Larrainzer and Magdalena Aldama. This is another ultimate cultural experience to immerse your-self with a family of weavers in a rural home. We will see how they weave and embroider beautiful, fine textiles, ones you cannot find in the city markets or shops. They will host an expoventa for us, and we will join them around the open hearth for a warming meal of free range chicken soup, house made tortillas, and of course, a sip of posh! (B, L))

Rosa with Barbara, and a Pantelho blue emboidered top

Wednesday, March 7: Men from Magdalena Aldama who weave bags made from ixtle, agave cactus leaf fiber, join us at our hotel after breakfast. Accompanying them are the women who make flashy beaded necklace strings and beautiful hand-woven huipils. Afternoon is on your own to do last minute shopping and packing in preparation for your trip home. We end our study tour with a gala group goodbye dinner. (B, D)

Our 2016 group with hosts Rosa and Cristobal, Magdalena Aldama

Thursday, March 8: Depart. We will coordinate departures with included van service from San Cristobal de las Casas to the Tuxtla Gutierrez airport. Please schedule your flight departure time for mid- to late afternoon. You will connect from Tuxtla to Mexico City and then on to your home country. If you are going from Tuxtla to Oaxaca, you can fly direct on AeroMar. We will coordinate departure times and your trip will cover the cost of transportation from the hotel to the airport.

What Is Included

• 9 nights lodging at a top-rated San Cristobal de las Casas hotel within easy walking distance to the historic center

• 9 breakfasts • 6 lunches • 2 dinners

• museum and church entry fees

• luxury van transportation

• outstanding and complete guide services

• transfers to Tuxtla Gutierrez airport from San Cristobal on March 8

The workshop does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation as specified in the itinerary. We reserve the right to substitute instructors and alter the program as needed.

Cost • $2,495 double room with private bath (sleeps 2) • $2,895 single room with private bath (sleeps 1) 

How to Register: Send an email to Norma Schafer.

Tell us if you want a shared/double room or a private/single room. We will send you a PayPal invoice to make your $500 reservation deposit. As soon as we have a minimum number of travelers, we will send you an invoice for 50% of the total balance due.  Complete payment is due on or before December 15, 2017.

Who Should Attend • Textile and fashion designers • Weavers, embroiderers and collectors • Home goods wholesalers/retailers who want a direct source • Photographers and artists who want inspiration • Anyone who loves cloth, culture and collaboration

Market scene, Chiapas

Reservations and Cancellations. A $500 deposit is required to guarantee your spot. As soon as we have 6 registered participants, we will invoice you for 50% of the balance immediately. The remaining balance is due on or before December 15, 2017. We accept payment with PayPal only. We will send you an itemized invoice when you tell us you are ready to register. After December 15, 2017, refunds are not possible. You may send a substitute in your place. If you cancel on or before December 15, 2016, we will refund 50% of your deposit.

Terrain, Walking and Group Courtesy: San Cristobal de las Casas is a hill-town in south central Chiapas, the Mexican state that borders Guatemala. The altitude is 7,000 feet. Streets and sidewalks are cobblestones, mostly narrow and have high curbs. The stones can be a bit slippery, especially when walking across driveways that slant across the sidewalk to the street. We will do a lot of walking. Being here is a walker’s delight because there are three flat streets devoted exclusively to walking. If you have mobility issues or health/breathing impediments, please let me know before you register. This  may not be the study tour for you. Traveling with a small group has its advantages and also means that independent travelers will need to make accommodations to group needs and schedule. We include plenty of free time to go off on your own if you wish.

Detail, cross stitch needlework bodice

Required–Travel Health/Accident Insurance: We require that you carry international accident/health/emergency evacuation insurance. Proof of insurance must be sent at least 30 days before departure. In addition, we will send you by email a PDF of a witnessed waiver of responsibility, holding harmless Norma Schafer and Oaxaca Cultural Navigator LLC. We ask that you return this to us by email 30 days before departure. Unforeseen circumstances happen! Be certain your passport has at least six months on it before it expires from the date you enter Mexico!

Plane Tickets, Arrivals/Departures: Please send us your plane schedule at least 30 days before the trip. This includes name of carrier, flight numbers, arrival and departure time from San Cristobal.

Workshop Details and Travel Tips. Before the workshop begins, we will email you study tour details and documents that includes travel tips and information. To get your questions answered and to register, contact Norma Schafer. This retreat is produced by Norma Schafer, Oaxaca Cultural Navigator LLC. We reserve the right to make itinerary changes and substitutions as necessary.

Indigenous, organic, non-GMO corn — staple of life

Oaxaca Women’s Writing Retreat: Registration Open

Please Share With Friends! Thank you, Norma

Please Help Us Share With Friends

NY Times Mentions Norma Schafer: In Mexico, Weavers Embrace Natural Alternatives to Toxic Dyes

Click here to read article. 

First, a special call-out to Porfirio Gutierrez and his family for all they do to promote the use of natural dyes in the making of their hand-woven tapestries. His sister Juana is a master dyer and his brother-in-law Antonio innovates on design and materials. Congratulations on this feature story!

I was honored to be interviewed a couple of months ago by New York Times Science reporter Erica Goode to offer source information about the natural dye world in Teotitlan del Valle.

Of course, I emphasized that in addition to Porfirio’s family, there are about a dozen other families or family groups who are dedicated to preserving the natural dye culture. This includes my host family, Galeria Fe y Lola, Federico Chavez Sosa and Dolores Santiago Arrellanas. This takes time, commitment and an investment of more expensive materials.

Please join me on a one-day natural dye and weaving study tour to explore our weaving culture in more depth.

Blue Hands Special — Oaxaca Day of the Dead 2-Day Natural Dye Workshop

So, you are coming to Oaxaca for Day of the Dead!

Here is a chance to get beyond the sugar skulls and cemeteries, the masks and parades, and go deeper into the natural dye traditions of our wonderful region without leaving the city of Oaxaca.

Put your hands into the indigo dye bath. Watch them turn blue: A Day of the Dead Badge of Distinction.  (OK, you can wash it off with soap and water, if you want.)

Blue hands, mark of distinction!

Natural dyes have been used by indigenous people of Oaxaca to color wool, cotton and silk for centuries. It thrives today among a small group of local artisans dedicated to preserving cultural history.

Blue Hands Special:

2-Day Day of the Dead Natural Dye Workshop

Sunday and Monday, October 28-29, 2017  OR

Friday and Saturday, November 3-4, 2017

10 a.m. to 3:00 p.m.

$250* per person, 4 participants maximum each session

*Bring a friend, get a discount, pay $225 for each

We are based in a Centro Historico neighborhood within walking distance (about six city blocks) from Oaxaca’s Zocalo — downtown plaza.

Plant materials and cochineal for making dyes, wool dye sampler

The hands-on workshop includes 10 hours of instruction to learn about Oaxaca´s natural dye traditions, materials and techniques used in the Central Valley of Oaxaca.

Natural dye sampler, another version

The workshop focuses on understanding how the chemistry of  natural dyes act on the protein fibers (we use wool), and how this can be reproduced in your home or studio using local materials.

Pomegranate, great dye source

The workshop includes cochineal, indigo, pomegranate, marigolds, and brazilwood to create 16 different colors. Participant will receive recipes and put together a sampler of each natural dye color created on hand-spun 100% churro sheep wool. 

Overdyeing wild marigold with indigo

Topics:

Sourcing local materials

Discussing Oaxaca natural dye traditions 

Understanding fibers and how they react to dye

Mordanting, and how it works

Extracting color — sampling for intensity

Preparing the natural indigo vat

Dyeing and over-dyeing to get color range

Limited availability: 4 participants for each workshop

To register, contact: Norma Schafer, Oaxaca Cultural Navigator LLC 

We will send you an invoice to pre-pay with PayPal. When we receive funds, we will confirm your registration and send you instructor contact information, and a map.

Natural dyes on cotton

The workshop includes instruction, all materials, recipes and the sampler. It does not include beverages, snacks or lunch. We suggest you bring your own if you get thirsty or hungry.

Blue hands in the dye bath

About the Dye Studio

We hold the dye workshops on the rooftop terrace of a home located in the City of Oaxaca, only 10 minutes walking from the main square of the capital. The studio was founded by two artisans, wife and husband, who are committed to preserving natural dye traditions. The wife is a native of Oaxaca City. The husband is a fourth generation member of a family of weavers and dyers in Teotitlan del Valle, Oaxaca. Both are bilingual, speaking Spanish and English.

Acid and base chemistry for color changes in cochineal

For the last 12 years, the couple has focused on natural dyeing processes and traditions. Their experience includes researching local indigo and cochineal, collaborating with local and international dyers, experimenting with recipes and testing fastness of the colors on both protein (wool, silk) and cellulose fibers (cotton, linen, hemp).

Both have taught dye workshops in universities, cultural centers and museums in Mexico, the United States and Europe. Currently, the studio provides the service of dyeing fibers for local artisan weavers and teaching workshops.

Washing, mordanting the wool

Wild marigold skein, and cochineal with indigo over-dye

Details, Another View of Frida Kahlo at Casa Azul

In the last three years, I’ve probably visited Casa Azul, where Frida Kahlo was born and lived with Diego Rivera, over ten times. I come because I organize the art history study tour, Looking for Frida Kahlo and Diego Rivera.

Frida Kahlo Calderon, daughter of Jewish Hungarian father and Oaxaquena mother

Can you get to Mexico City next weekend?

On this latest visit last Friday with a group from Australia and New Zealand, I served as a consultant for their leader who wanted a one-day quick immersion into Frida’s life for her group.

Frida’s father and mother, her portrait of them

I wondered: How do I continue to take photos of the same iconographic details of Frida and Diego’s life?  The paint brushes. The photographs. The furniture. The folk art collection.

Detail of studio paint brushes, her strokes became weaker at the end

The pre-Hispanic ceramics and lava rock sculpture. The clothing. The frog urn that contains her ashes. The paintings she created out of pain. Reverence. Disappointment. Courage. Commitment to love and family. Passion.

Watermelons. Celebration of Life. Finished just before death.

Go to the details, I told myself. Captures the parts, not the whole. Focus on the brush strokes. The lace. The color. The shadows and reflections. The images of the men and women she loved.

Colored oil crayons, still neatly boxed, waiting. Ready.

Go to the details. Find the ribbons. Find the ribs of the plant leaves. The shape of flowers. The accoutrements of the corsets and built-up shoes to hide her deformities. The textures and reflections.

Palm ribs in the expansive garden, Casa Azul

She put such a strong, uplifting face to the world despite her injuries — physical and emotional.

She called Diego “Toad” and “Panza” — ashes contained within the frog jug.

This trip to Casa Azul was different for me and I used the experience to examine the infinite, small parts of life that we often scan over to take in the big picture.

Visceral, the insides of a gourd, like a fertile womb ready to give seed. But she couldn’t.

If you want to join me in Mexico City, Thursday, July 29, for a July 30 morning start to a three-day immersion into the murals, paintings and lives of Friday and Diego, there is a space for you. It’s so easy to fly in and out!

Lover, sculptor Isamu Noguchi, in Mexico

Why is Frida Kahlo an icon? Perhaps you would like to help me answer this question.

Supported by a frame, a corset, exposed, bare and barren.

What does she represent for women who aspire to be independent, strong, feminine and vulnerable?

Painting from a wheel chair, Casa Azul

She hid her misshapen body beneath glorious hand-woven and embroidered dresses, put her best foot and face forward. Persevered and thrived.

Loved by photographer Nicolas Murry. She was devoted to Diego.

Today, she is more famous, more revered than Diego Rivera because she exposed herself and revealed the internal, damaged self.

Frida refused to let her polio define her, though she wore a brace, sturdy shoes.

Andre Breton called her Mexico’s surrealist painter. She is more than that. Surrealism conjures up Salvador Dali and the distortions he saw in life. Frida reflected on her own distortions and created beauty from them.

Saludos, Norma

On the bus, a fateful day of destruction and a lifetime of reconstruction

Would Frida have become the painter she did without having suffered the trolley car accident that sent a metal spear through her uterus?

Frida Kahlo, 1907-1954

Self-portrait, through Frida Kahlo’s looking glass

Sometimes courage requires that we each put one foot in front of the other to move forward, despite set-backs. We love Frida Kahlo because through her story she teaches us that life requires risk, innovation, and that being afraid is part of our existence.

Painted gourd adorns kitchen table in Casa Azul

When Frida died, Diego Rivera wanted to establish a museum to honor her. She was not yet recognized. He convinced his friend, Dolores Olmedo, to invest in purchasing Frida’s paintings and Casa Azul.

Closet where Frida’s belongings were sealed for 50 years

But, he made her promise not to open the green closet door, where clothing, diaries and photos remained secreted for fifty years.

In 2006, the closet was opened and art history was rewritten.

The garden at Casa Azul