Category Archives: Workshops and Retreats

Easter in Oaxaca, Mexico: Semana Santa Photography Workshop

Wednesday, March 27 to Wednesday, April 4, 2013 – 8 days, 7 nights

Discover Oaxaca, use your camera to document the culture and traditions of this most important annual ritual, and immerse yourself in Zapotec village life.  Our expeditions are learning workshops designed to develop your photography skills while you have fun during a global travel experience!

Semana Santa – Holy Week – in Oaxaca, Mexico offers you a rich experience to explore and capture rituals that are practiced today much as they were 500 years ago in Medieval Europe.   They are somber, serious and spiritual, recreating the Last Supper, the Via Doloroso procession to the crucifixion, and the resurrection of Christ.   We arrive in time to take part in the processions of Maundy Thursday and Good Friday, and Easter Sunday mass.

  

Then, on the Monday following Easter Sunday, we will observe the local Zapotec tradition of Baile de los Viejos – Dance of the Old Men.   This is an 8,000 year-old indigenous village practice that ensures cultural continuity, rededication to community values and meeting the collective needs of all, and a mechanism to provide feedback to leaders about their performance as elected officials.  It is visually stunning and participatory.

We will be based in the Zapotec rug weaving village of Teotitlan del Valle, where we will be welcomed into a family-owned and operated bed and breakfast inn, with delicious food and an intimate look into daily life.

 

Expedition Workshop Leader/Instructor is Leah Sobsey, MFA

Leah Sobsey is a nationally recognized, award-winning photographer.  She is also a photography program faculty member at the University of North Carolina—Greensboro (since 2003) and the Duke University Center for Documentary Studies (since 2002).  We selected Leah because of her exceptional teaching experience, her acumen and wide-ranging versatility as a photographer, her recognition as exhibiting artist, and because her work is held in private collections and museums throughout the United States.

Southern Photography blogger/photographer John N. Wall, says “… Sobsey is a first-class photographer, one of the Southern Photographers We Watch Out For, who makes hauntingly beautiful images while she is engaging in thoughtful and complex projects that never fail to enhance our perception of the world around us.  She shows an exceptional range in her work, from documentary work that involves it subjects in the production of their own images to straightforward images characterized by wit and ingenuity to alternative process work that reminds of us of the ways the act of photography transforms our perception of the world.

  

Leah received the MFA from the San Francisco Art Institute (where she has taught) and the BA in anthropology and sociology from Guilford College.  To her credit, Leah was a teaching assistant to Mary Ellen Mark, Amy Arbus, Bob Sacha, and others while attending the Maine Photographic Workshops, where she graduated from and now teaches.  With visual artist Lynn Bregman Blass, Sobsey created the Visual History Collaborative.  VHC works with individuals, families, communities and organizations to create custom art through stories and artifacts — memories and mementos. This is a participatory and inclusive process that invites contributors to build history together.

About the Workshop/Expedition:  Experiential Learning

This is an educational program for beginners as well as more experienced photographers who want to learn more about the technical and creative aspects of their camera, and the art of making a compelling photograph.   Our groups are very small, limited to 10 people.  We are dedicated to giving you personal attention and coaching.  Whatever your skill level, you will gain the knowledge to do more with your camera and reflect what you see with greater creativity. Experimentation is encouraged as participants are expected to stretch, explore and test new ideas. Failures and mistakes are applauded as participants explore new territories and make exciting discoveries.

Build Your Photography Skills!  You Will Learn:

  • The fundamentals of your camera in order to create compelling photographs.
  • The Elements of Time and Perspective – manipulate camera shutter and aperture settings to give emotion to your images.
  • To see the light, the photographer’s basic tool.  Develop a greater appreciation and understanding for the quality of light.
  • The fundamentals of framing, composition and angle of view to create striking images- Work with form, line, light, shadow, shape and space.
  • The “Decisive moment” to capture the world in all its wonderment.
  • How the art of editing and sequencing to can create narrative and tell beautiful compelling stories.
  • To ask hard questions — The ethical and philosophical questions that come up for documentary photographers.

Preliminary 8-Day Itinerary

Day 1, Wednesday, March 27:  Travel to Oaxaca, check into our Teotitlan del Valle Bed and Breakfast Inn.  (Dinner on your own.)

Day 2, Thursday, March 28: Orientation, learning session, Maundy Thursday photography assignment, best of day photography review and critique. (Breakfast, lunch, dinner.)

Day 3, Friday, March 29: Learning session, Good Friday photography assignment, best of day photography review and critique. (Breakfast, dinner.)

Day 4, Saturday, March 30: Learning session, day in Oaxaca city.  Oaxaca city photography assignment.  Travel to/from Oaxaca by shared taxi.   (Breakfast included.  Lunch and dinner on your own.)

Day 5,  Sunday, April 1: Learning session, Easter Sunday photography assignment, best of day photography review and critique.  (Breakfast, lunch and dinner included.)

Day 6, Monday, April 2: Learning session, Dance of the Old Men photography assignment.  (Breakfast, dinner included.  Lunch on your own.)

Day 7, Tuesday, April 3: Learning session: editing and selection for final presentation.  Best of prior day review and critique.  Prepare for final Best of Week evening photo presentation. (Breakfast and dinner included.  Lunch on your own.)

Day 8, Wednesday, April 4:  Depart.

A Cultural Immersion Experience of a Lifetime That Includes:
  • 7 breakfasts, 2 lunches, 5 dinners
  • Teotitlan lodging in a family operated guest house
  • All instruction with one private coaching session
  • Transportation associated with the itinerary
  • Comprehensive travel insurance as a partner with the Council on International Educational Exchange that includes $250,000 accident and sickness medical expense. Yes, we include this for all participants as part of your registration fee!
  • Optional for an added cost of $110 per person: Natural Disaster and Political Evacuation as well as Trip Cancellation and Interruption
What You Should Bring

  • Your energy and enthusiasm
  • Digital SLR camera
  • Laptop computer
  • Software for organizing and presenting images (such as Lightroom)
  • Batteries and battery charger
  • Camera Memory card(s) and data stick
  • Pen and notepad
  • Sturdy, comfortable walking shoes, sun protection, sun hat
(Upon registration, you will receive a complete packet and information guide with suggested packing list and other useful information.)
Cost: The basic cost for the trip is $1,495. USD per person. Deposit of $750 to reserve. This includes six nights lodging double occupancy with shared bath. Most travel workshops of this type and length cost more than twice as much! It does NOT include airfare, taxes, tips/gratuities, liquor/alcoholic beverages, some meals as specified in the itinerary, site entry fees, and transportation.
Four Add-on Options
  • Option 1: Shared room/double occupancy with private bath. $1,695. Deposit to reserve: $850.
  • Option 2: Single Supplement, private room with private bath; $1,995. Deposit to reserve: $1,000.
  • Option 3: Add more nights lodging in Oaxaca City either before or after the workshop. Please specify dates. $145 per night.
  • Option 4:  Supplemental trip cancellation insurance, $110.

Reservations and Cancellations. A 50% deposit is required to guarantee your spot. The final payment for the balance due (including any supplemental costs) shall be made by November 16, 2012. Payment is accepted with PayPal. We will send you an itemized invoice.

Please understand that we make lodging and transportation arrangements months in advance of the program. Deposits or payments in full are often required by our hosts. If cancellation is necessary, please notify us in writing by email. After November 16, 2012, no refunds are possible; however, we will make every possible effort to fill your reserved space or you may send a substitute. If you cancel on or before November 16, 2012, we will refund 50% of your deposit.

We strongly recommend that you take out trip cancellation, baggage, emergency evacuation and medical insurance before you begin your trip, since unforeseen circumstances are possible.

To register, contact: normahawthorne@mac.com. We accept payment with PayPal only. As soon as you tell us you are ready to register, we will send you a PayPal invoice. Thank you.

This workshop is produced by Norma Hawthorne, Oaxaca Cultural Navigator LLC. We reserve the right to alter the itinerary and make instructor substitutions without notice.

Oaxaca Day of the Dead Photography Exhibit at Duke University Set: Chavez Family to Participate

On Tuesday, October 2, 2012, 5:30-7:30 p.m., an opening reception will be held at Duke University Friedl Building Jameson gallery for “Days of the Dead: From Mexican Roots to Present Day Practice in the United States,” in honor of National Hispanic Heritage Month. Included will be 25 photographs taken in 2011 by participants* in the Day of the Dead Photography Expedition, produced by Oaxaca Cultural Navigator. The exhibition is organized by the Program in Latino/a Studies in the Global South at Duke University, whose executive director Jenny Snead Williams participated in 2011. The exhibition is curated by Bill Bamberger, award-winning faculty member in the Duke University Center for Documentary Studies and expedition leader/instructor, and Jenny Snead Williams.

*Participants in the 2011 expedition whose work will be exhibited are:  Cheryl Cross (Towson, Maryland), Liz Bryan (British Columbia), Nick Eckert (Washington, DC), Wayne Kubal (Tucson, Arizona), Jenny Snead Williams (Durham, NC), Norma Hawthorne (Pittsboro, NC), Jenny Haynes (British Columbia) and instructor Bill Bamberger (Durham, NC).

Eric Chavez Santiago, education director at the Museo Textil de Oaxaca, and his sister Janet Chavez Santiago, a linguist and coordinator of the Centro Academico y Cultural San Pablo educational programs, are invited by Duke University to participate in the opening activities. They will talk about Day of the Dead traditions in their family home and village of Teotitlan del Valle and work with students to build a traditional Oaxaca Day of the Dead altar.

Chavez Santiago family rugs will also be on exhibition and offered for sale during the opening reception. The family produces extraordinary textiles woven with 100% churro sheep whose wool is hand-spun and then dyed with natural plant materials (wild marigold, indigo, moss, pomegranates, nuts) and cochineal (the bug of the prickly pear cactus that produces natural, color-fast and intense shades of reds, purples, oranges, and pinks).

The altar offerings include wild marigold (cempasuchitl), photographs of deceased loved ones, pan de muerto (special egg bread), papel picado (cut out paper decorations), the favorite fruits, foods, and beverages of loved ones, Oaxaca chocolate, sugar skulls, tamales, candles, and incense. An essential part of the Oaxaca altar is also religious and spiritual — an image of the Virgin of Guadalupe and of the Crucifixion.

Jenny Snead Williams tells me that area elementary school students will be creating another part of the exhibit with Duke students and faculty, and that Duke students will also be working on a third project that relates to the US celebrations of Days of the Dead. “Overall, it’s a rather complex exhibit because it will include so many constituents from local school children and teachers, to the general community, to students and professors.

Eric, Janet and Norma will be in Atlanta on October 3 and 4, where we will be hosted by Robin and Ted Blocker, and Lauren Waits and Art Gambill, for two evening rug exhibitions and sales. If you live in Atlanta or know anyone there, let me know and we’ll send them an invitation!

Street Photography in Oaxaca: Seeing Beyond the Ordinary

Arrive Wednesday, January 16, and depart Tuesday, January 22 — 6 nights, 7 days to explore and capture life on the streets of Oaxaca, Mexico. For beginners to intermediate-level amateurs using DSLR cameras. Limited to 10 participants.

***

Street photography is a tool of exploration, says our instructor Frank Hunter, a faculty member in the Duke University Center for Documentary Studies. Frank describes the approach of street photography as being like a shovel or strobe: It unearths and illuminates. As a documentary photography approach, it begins with an outer source, explores what you see in front of you and reflects your own interpretation of that experience. It is usually candid and spontaneous. Using the approach of street photography, you will further discover Oaxaca and see it differently using your digital camera.

In this week, you will learn how to use your camera to best express your individual interests. This could include, for example, market life, food, children, street vendors and performers, couples walking hand in hand, elderly in conversation on a park bench, or indigenous folk artists at work. The heart of Oaxaca is yours for this photographer’s journey.

See Frank Hunter’s Southwest photo portfolio.

Frank Hunter is an accomplished, published photographer whose work is part of permanent museum and noted individual collections. He is on the faculty of Duke University Center for Documentary Studies. Frank says, “I will introduce beginners to the basic concepts of exposure, focus and framing, and coach more experienced photographers to further master their craft. It is my hope that by the end of our time together, you will be making photographs you never thought to make, revealing things unseen until then.”

What You Will Learn

  • How to better use your camera, from basic instruction to more advanced settings, depending on your level of experience
  • File formats: the pluses and minuses of using raw, tiff, jpeg
  • Exposure and its effects on the image
  • How exposure alters our perceptions and emotional responses to images
  • Focus and making multiple exposures with various depths of field
  • Reading Photos: relationship as metaphor — how shapes, textures and tones from one part of an image resonate in another part
  • Engaging the surreal: ways in which the subconscious affects what and how we see and how we photograph

About Frank Hunter

Frank grew up on the Mexican border near El Paso, Texas, close to Cuidad de Juarez, Mexico. His earliest photographic work was a journey of discovery into Juarez, which up until then he knew only as “a series of tourist shops and cheap bars.” What Frank discovered was the living heart of Juarez as it existed in the small food stalls set up behind the Cathedral. Each sold something specific: avocados, oranges, chiles, chickens, dental cures. “It was the most ordinary place where the most ordinary people came to buy,” he says. “There were also the Tarahumara from the Barranca del Cobre in central Chihuahua, the destitute, the pious, the pagan and the mystical who were curanderos, brujos or witches who could offer a reading or propose a cure,” Frank says. Life in Oaxaca today is similar, only there for you to discover beyond the restaurants and tourist attractions.

Click here for Frank’s resume

Click here for Frank’s website and portfolio

Street Photography in Oaxaca: Preliminary Itinerary

  • Day 1, Wed. Jan. 16: Travel to Oaxaca and check in to our hotel in Oaxaca’s historic center — a UNESCO World Heritage Site
  • Day 2, Thurs. Jan. 17: Orientation and Learning session, Oaxaca City photography assignment, best of day photo review (includes breakfast, welcome dinner)
  • Day 3, Fri., Jan. 18: Learning session, Oaxaca City photography assignment, best of day photo review (includes breakfast)
  • Day 4, Sat. Jan. 19: Learning session, free time, travel and check in to guest house in the rural Zapotec village of Teotitlan del Valle, best of day photo review (includes breakfast, dinner)
  • Day 5, Sun., Jan. 20: Learning session, photography assignment, bus to regional weekly Tlacolula tianguis (market) best of day photo review (includes breakfast, lunch, dinner)
  • Day 6, Mon. Jan. 21: Learning session, free time to explore and prepare final presentation, evening Best of Week Group Show, farewell party (includes breakfast, dinner)
  • Day 7, Tues., Jan. 22: Workshop ends after breakfast (includes breakfast)
A Cultural Immersion Experience of a Lifetime That Includes:
  • 6 breakfasts, one lunch, 4 dinners
  • Oaxaca city lodging in an elegant hotel or B&B
  • Teotitlan lodging in a family operated guest house
  • All instruction with one private coaching session
  • Transportation associated with the itinerary
What You Should Bring

  • Your energy and enthusiasm
  • Digital SLR camera
  • Laptop computer
  • Software for organizing and presenting images (such as Lightroom)
  • Batteries and battery charger
  • Camera Memory card(s) and data stick
  • Pen and notepad
  • Sturdy, comfortable walking shoes, sun protection, sun hat
(Upon registration, you will receive a complete packet and information guide with suggested packing list and other useful information.)
Cost: The basic cost for the trip is $1,495. USD per person. Deposit of $750 to reserve. This includes six nights lodging double occupancy with shared bath. Most travel workshops of this type and length cost more than twice as much! It does NOT include airfare, taxes, tips/gratuities, travel insurance, liquor/alcoholic beverages, some meals as specified in the itinerary, site entry fees, and transportation.
Three Add-on Options
  • Option 1: Shared room/double occupancy with private bath. $1,695. Deposit to reserve: $850.
  • Option 2: Single Supplement, private room with private bath; $1,995. Deposit to reserve: $1,000.
  • Option 3: Add more nights lodging in Oaxaca City either before or after the workshop. Please specify dates. $145 per night.

Reservations and Cancellations. A 50% deposit is required to guarantee your spot. The final payment for the balance due (including any supplemental costs) shall be made by November 16, 2012. Payment is accepted with PayPal. We will send you an itemized invoice.

Please understand that we make lodging and transportation arrangements months in advance of the program. Deposits or payments in full are often required by our hosts. If cancellation is necessary, please notify us in writing by email. After November 16, 2012, no refunds are possible; however, we will make every possible effort to fill your reserved space or you may send a substitute. If you cancel on or before November 16, 2012, we will refund 50% of your deposit.

We strongly recommend that you take out trip cancellation, baggage, emergency evacuation and medical insurance before you begin your trip, since unforeseen circumstances are possible.

To register, contact: normahawthorne@mac.com. We accept payment with PayPal only. As soon as you tell us you are ready to register, we will send you a PayPal invoice. Thank you.

This workshop is produced by Norma Hawthorne, Oaxaca Cultural Navigator LLC. We reserve the right to alter the itinerary and make instructor substitutions without notice.

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Oaxaca Best of Week Photos by Norma Hawthorne: Still Life, Portrait, Hands and Feet

You may be relieved to know that this is the last in the Best of Week Photo Series from our Oaxaca Photography Workshop: Market Towns and Artisan Villages!  (Today I’m back in Mexico, first for a few days in D.F. and then on to Irapuato, Guanajuato where I’m working on an economic development project.  You’ll hear more later.)

Learning by doing is much easier for me than reading an instruction manual. That’s one reason why I organize these hands-on photography expeditions and workshops in the place I love, Oaxaca, Mexico.  Oaxaca is SO inspiring and visually stimulating.  I posit that there are others out there like me who want a cultural immersion experience and not being guided passively through it as unengaged observers.  The workshops are perfect for raw beginners as well as any level of amateur. For me, photography is a way to pay special attention to the details, to notice, to get up close to life.   Out of the thousands of photos I took during the week (sometimes as many as 400+ per day), here are some of the best. Click on each one to get a full screen detailed view.

I found myself gravitating more to my 18-105mm lens and putting my telephoto 28-300mm aside. This forced me to move my feet, get closer to my subject and capture more detail.  During the workshop I also experimented with slower shutter speeds and ISO to capture movement and create blur (only partially successful).  Still an amateur but getting better!  Loving my new Nikon D5100 because I can get night shots pushing to 6400 ISO without a tripod — handheld only, which was a limitation in my D40X!  And, I just bought the Lensbaby experimental lens (use on manual setting) to have fun with after I saw what Sam and Tom Robbins, our instructors, could achieve.

For the upcoming Day of the Dead Photo Expedition, we imbed participants with families in order to fully explore and appreciate this extraordinary celebration.  Come with us!

 

Oaxaca Best of Week Photos by Tom Robbins: Instructor-Photographer

Tom and Sam Robbins team teach the Oaxaca Photography Workshop: Market Towns and Artisan Villages.  They are both published photographers and experienced classroom teachers, so they bring the best of both worlds to us.  Tom is a stickler for detail and a technical geek, so he pays attention to camera settings, ISO, aperture and shutter speed.   Tom’s photos usually explore his interest in structure and form reflecting his architectural training.  His sweeping landscapes and rural buildings are published in Black and White Magazine. His stretch during this workshop was to focus more on people!  Both Tom and Sam use an innovative, experimental art lens, called the Lensbaby Muse (Sam calls it a Woogity), to get just the right amount of distortion to make a photograph interesting and artful.  You can see more of their work at their website.  Click on each photo to get the full screen view and lots of detail.

For our next photography workshop, consider the cultural immersion experience we provide during Day of the Dead.