Tag Archives: course

Evoking Frida Kahlo: Workshop to Make a Mixed Media Altar

Mexico is filled with altars that usually include sacred images and a Virgin of Guadalupe retablo. During Day of the Dead a family altar displays photographs of departed loved ones. We are taking this mixed media art workshop, based in Teotitlan del Valle, Oaxaca, Mexico, beyond the norm to create a three-dimensional altar suitable for display. Frida Kahlo is our muse.

4 Days, February 25 – 28, 2016

Frida with monkey copy 800 kb self-portrait-with-necklace-of-thorns

e·voke. əˈvōk/. verb

bring or recall to the conscious mind, conjure up, summon up, invoke, elicit, induce, kindle, stimulate, awaken arouse, call forth.

Frida offers us inspiration for constructing an altar about life, womanhood, loved ones, family, health issues, successes and set-backs. We hold up Frida’s image, perhaps in self-reflection, to imagine her life and its challenges and to evoke meaning for our own. We then translate these concepts into an altar or shrine that can be used for wall art, to display on a surface or to design as a shelving unit for collected objects.

Diego_Frida_July2014-115 Frida close up2.800KB.copy

Frida was an avid collector of exvotos and perhaps you would like to merge this simple expression of thanksgiving and devotion in your work, too.

Diego_Frida_July2014-101  Diego_Frida_July2014-107 DiegoFrida4Group2-10

When we think of Frida Kahlo, we may conjure up many images and words to describe her: a woman of strength, power, frailty, independence, weakness, accomplishment, talent. Biographers say she was fierce, passionate, defiant, innovative, creative, vulnerable. We know she was deformed, in pain, proud.

 

Your personal altar can be based on your own experience. We embrace Frida as a metaphor to jump into a new creative realm. Your altar might be a tribute to someone you love who is living or passed on. Your altar might contain a message to send or include as a gift. It can be about you, friends, family or Frida herself.

HollieTaylor2014-72dpi.700KB

About Hollie Taylor, MFA, Workshop Leader

Hollie Taylor earned the BFA from the University of North Carolina at Chapel Hill focusing on painting and printmaking. She then went on to the University of Georgia and received the MFA with a concentration in printmaking.

Hollie taught drawing, printmaking, painting and ceramics at the college, middle and high school levels. For over 20 years, she has taught adult workshops in handmade paper-making, screen-printing, woodcutting, photo-imaging on clay, ceramic hand-building, mixed media art and art journaling.  

She is a recipient of the North Carolina Museum of Art annual artist scholarship award. Her work is published in Art Voices South and The Village Rambler. She earned the prestigious National Board Certification for Teaching Excellence and her students placed repeatedly in national shows. 

Hollie encourages deep personal exploration, offers demonstrations and samples of finished products.  Art produced at her workshops is highly individualistic, broad ranging in style and expressive of the maker. Participants come to the table with varied past creative experiences and she accommodates fully for this range of novice to accomplished artist. She gives personal feedback and encouragement and holds informal discussions to compare intent with outcome, noting what has been learned. A workshop with Hollie is engaging and fun!

A new project for Hollie involves making a book using found family letters and archival photos from Brazil during World War II. This will become a mixed media art show installation based on composites she is rendering in Photoshop to glean new meaning from the material. 

 

Process and Materials

Using found objects, copies of photographs, paint, paper, memorabilia and embellishments, you will construct either a 8” x 10” three-dimensional sculptural piece or a 12” x 16” flat art wall piece.

Materials We Provide: We provide step-by-step altar-making directions and construction materials, plus selected art supplies such as self-healing cutting mats, box cutters, some acrylic inks, assorted decorative papers, handmade clay medallions and selected ephemera art associated with Frida Kahlo.

8.Frida.Paint altar parts with acrylic ink.800KBcopy

Materials To Bring: A sharp pencil, rubber bands, assorted size small brushes, embellishments such as stamps, charms, shells, milagros, copies of photographs, textiles. Try to imagine what will symbolize the different attribute’s of your altar’s theme and bring what will enhance its meaning. After you register, we will send you a complete list of supplementary supplies to bring. Participants often share for a wider range of choice.

 

Resources: Hollie recommends Crafting Personal SHRINES, Using Photos, Mementos & Treasures to Create Artful Displays, by Carol Owen, Lark Books, 2004.

Our Schedule: Daily, 9:30 a.m. to 3:00 p.m. includes catered lunch  

Day One, Thursday, February 25: We look at images of altars and sacred boxes, visit church and private home altars, and talk about Frida Kahlo – her style and what she valued. You will come with a concept for your creation, and with Hollie’s guidance you will finish the design and begin to build your project.

Day Two, Friday, February 26: Continue to build your altar, wrapping it, painting it, and gluing it together to form a completed container for what will come next. You may also want to add a door and small shadow boxes to display memorabilia reflecting your concept.

Rolling on Matte Medium to seal the foam core.

Rolling on Matte Medium to seal the foam core.

Day Three, Saturday, February 27: Finish altar construction. Begin to decorate and embellish your altar with photos (copies), writing, drawing, found objects and memorabilia you have brought with you.

Day Four, Sunday, February 28: You will add the finishing touches before we hang your finished work for a group show and presentation of your piece, followed by a grand finale mezcal margarita cocktail reception.

DSC_0104 

Workshop Cost

Base Cost – Workshop Only: $495 per person, includes all instruction, materials to construct your altar or wall art, hand-outs, guided visits to family homes and churches for altar research, 4 lunches and cocktail reception. This option is designed for people who do not need lodging, and want to travel back and forth daily from Oaxaca city.

Upgrade 1 – Workshop + Share Room: $665 per person shared room with private bath en suite. Includes all of the above plus 4 nights lodging, arriving on Wednesday, February 24 and departing Sunday, February 28 by 6 p.m. Includes 4 continental breakfasts. We assign rooms in order of registrations received. Contact us for availability.

Upgrade 2 — Workshop and Private Room/Bath: $795. Includes all of the above.

How to Register

The workshop does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation to and from Oaxaca city.  We can arrange taxi pick-up and return from/to the Oaxaca airport at your own expense (approximately 280 pesos).

Reservations and Cancellations A 50% deposit is required to guarantee your spot. The last payment for the balance due (including any add-ons) shall be paid by January 6, 2016. We accept payment with PayPal only. We will send you an itemized invoice when you tell us you are ready to register.  After January 6, refunds are not possible.  You may send a substitute in your place.  If you cancel before January 6, we will refund 50% of your deposit.

Best29_Writing-28

Required–Travel Health/Accident Insurance:  We require that you carry international accident/health/emergency evacuation insurance. Proof of insurance must be sent at least two weeks before departure.  If you do not wish to do this, we ask you email a PDF of a witnessed waiver of responsibility, holding harmless Norma Hawthorne Schafer and Oaxaca Cultural Navigator LLC. Unforeseen circumstances happen!

Workshop Details and Travel Tips.  Before the workshop begins, we will email you a map, instructions to get to the workshop site from the airport, and documents that includes extensive travel tips and information. To get your questions answered and to register, contact: oaxacaculture@me.com

This retreat is produced by Norma Schafer, Oaxaca Cultural Navigator LLC. We reserve the right to make itinerary changes and substitutions as necessary.

DiegoFrida4Group-77 copy

 

 

 

 

Sunday in Santa Cruz, California. Next, Spain

On Tuesday, my sister and I are leaving for a three-week trip to Spain, postponed from last October because of my knee replacement surgery. The knee is not totally back to normal but I’m bringing my beautiful hand-crafted North Carolina walking stick procured from the Pittsboro Roadhouse to help traverse ancient cobblestones.

Mom_4_16_2013-9

 

Yesterday, I spent the evening with my 99 year-old mother. I’ve photographed her for publication in Minerva Rising,  Mothers issue and on my Facebook page. She still looks great. Though, from moment to moment, she may not remember our relationship, asks Are you Norma? and I reassure her that it’s okay to forget as we hold hands. Santa Cruz is a long way from Oaxaca. I try to get here several times a year.

This morning it’s foggy on the northern California coast. It’s errand and laundry day. Deciding what to pack for someone who always takes too much is daunting. I promised myself to take only one medium size suitcase. Same clothes with several different Oaxaca quechquemitls and rebozos. Layers. Learn to wash out underwear and socks on the road. Travel light. Hard for a collector.

Then, there’s the camera equipment. The internal debate. Should I bring only the prime 50mm lens, lightweight and easy to carry? In the old days before digital and zoom, the greats only used this lens to capture everything.

Or should I haul the 11-17mm wide angle and the 17-55mm pro, very heavy 27 ounces, photojournalism-style lens? Any advice out there? I will not give up my Nikon D7000 camera body, so please don’t suggest a point-and-shoot or my iPhone!

I will blog from Spain. The connection between Spain and Mexico is deep and long. This fascinates me. Mexican syncretism, her identity and her culture is rooted in both New and Old World.

So come along with us — to Barcelona, Bilbao and Granada — over the next few weeks. Who knows what or who will turn up? Maybe even Brigitte Huet and her husband Ivan Campant, Oaxaca’s silversmiths who returned to France last year.

P.S. I’ve started a Facebook Group: Mexico Travel Photography. Join and post your photos. Tell us what camera you use, lens type and settings. Let’s learn together!

P.P.S. Day of the Dead Photography Workshop in Oaxaca coming up in October.

 

 

Photography: Cartier-Bresson Exhibition in Mexico City

The Mexico City exhibition featuring 398 pieces by French photographer-filmmaker Henri Cartier-Bresson closes May 17, 2015 at Palacio Bellas Artes. Please don’t miss it. Considered the founder of photojournalism, this is the first major retrospective since his death in 2004.

Cartier-Bresson at Bellas Artes-7 Cartier-Bresson at Bellas Artes-2

An hour is not long enough to absorb the emotional intensity of Cartier-Bresson’s work. If you love political history, photojournalism, the decades leading up to World War II and the beginning of photography as an important artistic and cultural vehicle for storytelling, you will love this exhibition. I needed more than two hours to do it justice.

Cartier-Bresson at Bellas Artes-17 Cartier-Bresson at Bellas Artes-14

It represents Cartier-Bresson’s interest in painting, drawing, photography and filmmaking. It is an in-depth view of pre and post-World War Europe, of poverty and racism, of what happens on the street among the people. There are also amazing portraits of notables who he was commissioned to photograph.

Cartier-Bresson at Bellas Artes-18

 

Oaxaca Day of the Dead Photography Workshop, October 2015

Chiapas Festivals and Faces Photography Workshop, January 2016

For example, the exhibit features photographs taken during the coronation of King George II of England. But Cartier-Bresson concentrates on the expressions of people in the crowd and not the regal procession. Some are using raised mirrors to watch the parade, and to do so, they must turn their backs to the King.

 

Cartier-Bresson at Bellas Artes-13 Cartier-Bresson at Bellas Artes-11 Cartier-Bresson at Bellas Artes-12

Cartier-Bresson uses this as a metaphor for how the people must turn away from monarchy and embrace a republican government.

Program Notes: Impressions of Africa. “He took little interest in local customs or ritual feasts, as he did not want to get drawn into “Exoticism” or what he called “detestable local colour.”  In a style very much influenced by the European New Vision (high angle shots, geometrical compositions, repeating motifs) he tended to photograph subjects like children playing in the street, dockers at work or the effort of rowers in a boat: in other words, the rhythm of African life.

Cartier-Bresson at Bellas Artes-15 Cartier-Bresson at Bellas Artes-4

Aligned with the intellectuals and artists of the time, he was a powerful voice in support of Communism, active in the Spanish Civil War and the French Resistance.

Cartier-Bresson at Bellas Artes-6 Cartier-Bresson at Bellas Artes-16

As a contemporary of Diego Rivera and Frida Kahlo, Cartier-Bresson came to Mexico to photograph, and many of the images shown capture the poor and disenfranchised, including children and prostitutes.

Cartier-Bresson at Bellas Artes-8

As I moved through the exhibition, I learned more about photography by seeing this work. Cartier-Bresson shunned fiestas and processions, the formalities of organized life. He concentrated on what was messy and spontaneous.

Cartier-Bresson at Bellas Artes-3

His technique was to find a backdrop with texture and interest that he liked and then wait for people to pass through the space.

Skateboarders-2 Skateboarders-4

As we walked from Palacio Bellas Artes to see the Diego Rivera mural Dream of a Sunday Afternoon on the Alameda, I stopped to take photos of young men practicing their skateboard moves a la Henri Cartier-Bresson — perhaps — and a man sitting on a steel post mid-sidewalk, waiting, surrounded by passersby who paid no attention.

Man on Steel Post Man on Steel Post-2

The Decisive Moment, an essay by Cartier-Bresson, describes his philosophical approach to photography and is considered a foundation for all photographers.

Cartier-Bresson at Bellas Artes-9 Cartier-Bresson at Bellas Artes-5

2016 Oaxaca Women’s Creative Writing and Yoga Retreat: Lifting Your Creative Voice

This is our 6th annual Oaxaca Women’s Creative Writing and Yoga Retreat and we hope you can join us! Many retreat participants return each year and we limit registration to 10 women. So, if this is something you have always wanted to do, please do not hesitate. Starting at $995 per person.

Arrive by Friday March 4 and depart Saturday, March 12, 2016.  We start Saturday morning, March 5th and end Friday night, March 11, 2016. The workshop fee includes 8 nights lodging, all instruction, daily yoga, personal coaching sessions, daily breakfast and most dinners. Some choose to travel on Thursday to settle in or avoid a late night arrival or a missed connection.

You have options, for an added cost, to take a traditional Oaxaca cooking class, take part in a temescal sweat lodge, schedule a massage, or extend your stay to go to Oaxaca city or the Sunday, March 13, Tlacolula market.

Best29_Writing-22

You are a woman with something to say.

  • You keep journals, notes, drafts of unpublished material.
  • You dream of writing and never have.
  • Ideas percolate, and you want to capture and develop them.
  • Perhaps you have written and/or published a while ago, let the writer’s life lapse and you want renewal and encouragement
  • You may want guidance and support to continue an unfinished piece or publish it.

The Women’s Creative Writing and Yoga Retreat: Lifting Your Creative Voice is your place to learn, express yourself, and be the woman who writes — and keeps writing.

Our workshop leader and coach is published author/poet and university professor Robin Greene. With her help and feedback from the group, you’ll gain knowledge and perspective about the art and craft of writing.  There will be plenty of time to retreat for writing — what you come here for!

Best41_Writing-19

You are encouraged to write in the genre that best suits you:  memoir, journal, poetry, creative nonfiction or fiction.

  • We accommodate novices and experienced writers.
  • We limit enrollment to 10 women to guarantee personal attention in a small group.

WritingWorkshop (71 of 199)Daily yoga sessions with Beth Miller enhance your writing.  We tailor the sessions to fit each person’s physical level and needs. As you flex your body, you stretch your imagination. Yoga develops core strength to find voice and creative center.

This is a perfect combination of the physical and spiritual, says past participant Lee Ann Weigold.

Best29_Writing-25

What Participants Say

  • I learned I am fully capable of being the writer I dreamed of becoming.
  • The location, teaching and program structure creates a truly transcendent experience of enormous value.
  • I was challenged and that turned out to be exactly what I needed.
  • Far exceeded expectations. Got many suggestions for how to write healing stories.
  • It was wonderful!
  • The combination of writing, yoga, meditation and shared sisterhood is transformational.
  • Oaxaca feels safe, safer than my hometown in the USA.
  • I identified a writing project that engages and excites me.
  • The balance of intensive writing workshops, cultural excursions and yoga lead to a powerful experience on all levels.
  • The feedback was so thoughtful.  I honestly can’t think of anything I would change.
  • Beth’s yoga is the best I have ever experienced.  A perfect combo of the physical and spiritual.

Best41_Writing-13

We are based in the Zapotec weaving village of Teotitlan del ValleOaxaca, in a woman owned and operated guesthouse. Accommodations are basic, clean and simple. The food is delicious, home-cooked and organic. Vegetarian options are available.

Best41_Writing-16

Imagine a setting so beautiful that it inspires all the best within you.  Here, amid the flowering Bougainvillea and in the shade of red pomegranates, with the backdrop of 9,000 foot mountain peaks, you will enjoy a rich and rewarding experience. Our workshop is perfect for renewal and self-reflection. 

Best41_Writing-24

From Instructor Robin Greene

“The writing retreat is very relaxed. This year, I am asking each participant to send me a work in progress or writing sample before the workshop. I will distribute these, one to each participant, who I will ask to make editing suggestions. We will all bring these to our first session for discussion on editing. Our goal is to develop craft and we will support each other in this learning process.

I’ll also have plenty of prompts, writing exercises, and suggestions—and, of course, as women write, we energize each other. “As the writing instructor, I like to encourage women to find their voices so that the retreat experience is personally meaningful. In addition to one scheduled conference with each person, I’m available for feedback and coaching throughout our time together.  And, because I teach creative writing, I have a repertoire of techniques and strategies to share with writers at all levels. “While I’m a university professor, this Women’s Creative Writing and Yoga Retreat remains my favorite teaching experience.”

Best29_Writing-19

We cannot promise that you will win a poetry prize, as did one of our participants after writing her winning poem at the retreat, or be published in The Sun Magazine and Minerva Rising literary journals as several past participants have. We CAN promise that you will explore, develop and deepen as a writer if you are open to the experience.

What the Retreat Includes:

  • 21-hours of group workshop and feedback
  • One-hour individual coaching session
  • Focused sessions to hone your skills: grammar, reading in public, publishing, grammar, editing
  • 7 yoga sessions tailored to your skill level
  • Yoga at Yagul archeological site, includes transportation
  • Self-guided map of village
  • 8 nights lodging
  • 8 breakfasts
  • 6 dinners
  • Final Group Reading with Celebratory Fiesta Dinner

Optional Added Fee-based Activities:

  • Shiatsu or Zapotec Massage scheduled during the workshop, $30 per person
  • Zapotec cooking class in Teotitlan, arrive early, spend one additional night, includes lunch, dinner, breakfast, $125 per person  (2 person minimum)
  • Temescal women’s sweat lodge, scheduled during the workshop, $30 per person

*What is Temescal?  The pre-Hispanic temescal of Mexico was used by the Aztecs, the Zapotec, the Mixtec, and the Maya for therapeutic and purification purposes—coming-of-age rites, childbirth, the burial of a relative, and other tribal ceremonies. Temescal comes from the indigenous Nahuatl word temazcalli, meaning “bathhouse.” The temescal is a rectangular or round adobe structure with a vaulted roof. In it volcanic rocks are heated, and steam is produced by throwing herbal teas, such as rosemary and eucalyptus, on the rocks. The bather is gently whipped with ritual or medicinal plants. Curanderas, locally trained folk healers perform the ritual. They say it is important not to bathe for twenty-four hours after!

The Spanish friars fought against this custom during the viceroyalty because they considered mixed-gender bathing inappropriate. Nevertheless, the temescal survived and is still used in certain parts of Mexico, mainly for bathing, for alleviating illness, or for recovery after childbirth. However, there is an increasing interest in reviving the traditional religious aspects of the temescal as part of the country’s heritage.

Best29_Writing-21 Best41_Writing-27 Best41_Writing-26

2015 Exquisite Corpse Poem

The Exquisite Corpse Poem is a collaboration.  Each writer in the group contributes a random sentence or phrase that then becomes part of a complete poem. The result is surprising and creative!  We do this each year as part of our closing ceremonies for the Oaxaca Women’s Creative Writing and Yoga Retreat. For 2015, our mission was different however.

We adapt the Exquisite Corpse Poem based on the game developed by the Parisian Surrealist Movement.  Professor Robin Greene, our writing instructor and coach, takes liberties with the concept and edits what we have contributed into something more coherent than abstract, but always beautiful!

This year, we dedicated our Exquisite Corpse Poem to honor returning participant Becky, in celebration of her upcoming marriage in North Carolina over Memorial Day Weekend.  Congratulations, Becky.

Best41_Writing-19


To Becky, Upon Her Upcoming Marriage

Becky, it’s spring at last under the beloved fields

in Teotitlan, where the earth is full and steady,

constant and quick as our rushing breath,

constant and slow as the rotating moon;

love, we wish to tell you, is light and dark,

bitter and sweet, rough and smooth. So let

the planet remain round, Becky, let your leaves

open and rustle; let your moments be amazed

and electrified, changed and unchanged—as

marriage is both perfect and imperfect, full

and empty, and light radiates in the star-

filled darkened sky. Becky, we are your sisters

now, braiding your hair with soft ribbons, asking

you to hug the space between all spaces, allow

the romance of cockroach and swallow to matter,

give yourself to the heart-merging of all white

daisies in wind. And in return, we give you

our blessings: for you are so lucky, Al is so lucky,

and so lucky are we.


NewYearsCollage-2

 What Women Say . . . “I better learned how to put together a writerly life.  The coaching session will help me stay on track.  I enjoyed listening to and evaluating each others’ work.  What a great group of women.” –Leslie Larson, California

“I came with the hope of being rejuvenated.  I am leaving with a lightness and grounding that is beyond comprehension.”  –Rebecca S. King, North Carolina

“The instruction was excellent and supportive. The personal coaching session offered me a chance to talk about my writing in a way I never had before.  The workshops are especially valuable because the feedback is so thoughtful.” –Susan Lesser, New York

“I discovered that my writing entertains people!  Beth’s yoga is the best I have ever experienced.  A perfect combo of the physical and spiritual.  –LeeAnn Weigold, British Columbia, Canada

“There is amazing resonance between Robin’s and Beth’s teaching — vigorous, solid, and accepting.”  –Deborah Morris, M.D., North Carolina

“It was all perfect. You gave us a beautiful writing workshop in a beautiful village setting and you also gave us a strong community-of-women bond that will far outlast this conference. Mil gracias!” — Katie Kingston, MFA, Trinidad, Colorado

Best41_Writing-12 Best41_Writing-8 Best41_Writing-3

“The quality of the teachers was stellar and the combination was a perfect fit for me. Robin has a clarity that is lovely, supportive, truth-telling, knowledgeable, superbly skilled. Beth is a beautiful, beautiful teacher. Combining the yoga and sound with writing was profound.” — Nancy Coleman, Portland, Maine

“Robin’s knowledge impressed and guided me throughout the week.  She is one of the most generous people, instructors and writers I have ever met. The week gave me the insight to reinvestigate life and write about it.”  Kathryn Salisbury, North Carolina

“The week helped with my intention to write my book. There were too many valuable parts to list! We experienced an amazing time together, sweating leaves, meditation, chanting, writing, and honoring our lives. This was an awesome experience.” — Susan Florence, MFA, Ojai, California

“We learned from the other women in the group, from the culture, the language and people in the village. It was magical.” –Bridget Price, Mexico City

Best41_Writing-22 WritingWorkshop (66 of 199)

Your Workshop Leaders: Robin Greene and Beth Miller

Robin Greene is the McLean Endowed Professor of English and Writing, and Director of the Writing Center at Methodist University in Fayetteville, North Carolina. She is also co-founder and senior editor of Longleaf Press, a literary press that publishes contemporary poetry. Greene is the recipient of a NC Arts Council/NEA Fellowship, a university teaching award, and a visiting professorship in Romania. Her work is widely published in literary journals. Greene has served as a writing consultant and has taught creative writing for over two decades. Her books include Real Birth: Women Share their Stories(nonfiction), Memories of Light and Lateral Drift (collections of poetry), and Augustus: Narrative of a Slave Woman . Greene holds an M.A. in English from SUNY-Binghamton and an M.F.A. in Writing from Vermont College of Fine Arts. See Robin’s website: www.robingreene-writer.com

Beth Miller combines yogic practice and philosophy with meditation, creativity and improvisation. She specializes in Vinyasa-Hatha yogic traditions and employs sonorous yoga practices as an approach to help women of all ages to give voice to their lives. Beth has a background in Holistic-Health Counseling, working primarily with teen girls and young women to inspire healthy lifestyle habits. In addition, Beth is a vocal artist, performer and teacher of Western classical and sacred music. She holds a B.A. in music from Westminster Choir College, is Certified Holistic Health Counselor.

Best41_Writing-6

Preliminary Workshop Outline

  • Friday, March 4, travel day, arrive and check-in (dinner on your own)
  • Saturday, March 5, introductions, orientation, editing session, writing exercises, yoga (breakfast and dinner included)
  • Sunday, March 6, editing, yoga, writing (breakfast and dinner included)
  • Monday, March 7, yoga, writing, coaching, optional temescal and/or massage (breakfast and dinner included)
  • Tuesday, March 8, yoga, writing, coaching, optional temescal and/or massage (breakfast and dinner included)
  • Wednesday, March 9, yoga at Yagul archeological site, writing, coaching, optional temescal and/or massage (breakfast and dinner included)
  • Thursday, March 10, yoga, writing, option to go to Oaxaca city or Mitla archeology site (breakfast and dinner included)
  • Friday, March 11, yoga, writing, group reading and closing dinner (breakfat and dinner included)
  • Saturday, March 12, departure

Note: You may enjoy extra days in Oaxaca at the end of the trip or extend your stay in Teotitlan del Valle to go to the always exciting and wonderful Tlacolula Market.  Added nights in Teotitlan del Valle are $55 per night, which we can add on to your invoice. Added nights in Oaxaca city are $110 per night, which we can add to your invoice.

Best41_Writing-15

Lodging/Accommodations and Cost.  To keep this program affordable, we have selected clean and basic accommodations at family operated guesthouse/posada. Local cooks prepare delicious meals from scratch, including organic, locally grown corn tortillas. Vegetarian options are available.

Cost: 

  • $995 per person double occupancy with shared community bathroom across the courtyard
  • $1,095 per person single occupancy with shared community bathroom across the courtyard
  • $1,295 double room with private bath (sleeps 2)
  • $1,495 single room with private bath (sleeps one)
  • Added nights before or after in Teotitlan, $55 per night (includes breakfast and dinner)
  • Added nights in Oaxaca City before or after retreat, $110 per night (includes breakfast)

There will be a sign-up for massage and temescal appointments after you arrive. You will pay for these services directly to the providers. Estimated cost is $30 per 50-minute session.

The workshop does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation to and from Oaxaca city.  We can arrange taxi pick-up and return from/to the Oaxaca airport at your own expense. We reserve the right to substitute instructors and alter the program as needed.

Reservations and Cancellations A 50% deposit is required to guarantee your spot. The last payment for the balance due (including any add-ons) shall be paid by January 10, 2014. We accept payment with PayPal only. We will send you an itemized invoice when you tell us you are ready to register.  After January 10, refunds are not possible.  You may send a substitute in your place.  If you cancel before January 10, we will refund 50% of your deposit.

Best29_Writing-28

Required–Travel Health/Accident Insurance:  We require that you carry international accident/health/emergency evacuation insurance. Proof of insurance must be sent at least two weeks before departure.  If you do not wish to do this, we ask you email a PDF of a witnessed waiver of responsibility, holding harmless Norma Hawthorne Shafer and Oaxaca Cultural Navigator LLC. Unforeseen circumstances happen!

Workshop Details and Travel Tips.  Before the workshop begins, we will email you a map, instructions to get to the workshop site from the airport, and documents that includes extensive travel tips and information. To get your questions answered and to register, contact: oaxacaculture@me.com

This retreat is produced by Norma Hawthorne Shafer, Oaxaca Cultural Navigator LLC. We reserve the right to make itinerary changes and substitutions as necessary.

Best29_Writing-29 Best29_Writing-24

 

Chiapas Festivals and Faces: Photography Workshop

Arrive January 18 and depart January 25, 2016.

Two Options to Choose From:

  • Option 1: $2,395 per person (workshop and  7 nights lodging at boutique La Joya Hotel, all breakfasts, transportation to villages)
  • Option 2:  $1,295 per person (workshop only, includes transportation to villages. With this option, you make your own hotel reservations.)

The historic 16th Century colonial mountain town, San Cristobal de Las Casas, Chiapas, is our base for making great photographs. Here in southern Mexico close to the Guatemala border, the Maya people hold on to a strong, proud and ancient past. Many on-going rituals and celebrations combine Spanish Catholicism with pre-conquest indigenous mysticism. Traditional hand-woven and embroidered Maya dress is still daily street wear. Before too long, you, too can name villages that people call home by the traje they wear.

Chamula_Zinac_HotelBo-35

During the week we will take part in village festivals that happen only this time of year, meet indigenous Maya families who are back strap loom weavers and embroiderers, visit historic sites, markets, folk healers and mystics. We offer you an amazing ethnographic travel photography experience that is centered in this compact, magical town where wide avenues are for pedestrians only. Our out-of-town travels take us to San Lorenzo Zinacantan, Chiapa de Corso for the Parachicos Festival and San Juan Chamula.

Chamula_Zinac_HotelBo-42 Chamula_Zinac_HotelBo-29

We are on location with photographer/instructor Matt Nager to create powerful photographs.  You are welcome to use any camera you are comfortable with: basic point-and-shoot to iPhone to DSLR. Our emphasis is on the photographer-subject relationship and good composition, finding the best subject and knowing how to interact with them, capturing a sense of place with interest and an innovative eye. We also cover DSLR camera basics, how to use manual settings, and offer optional coaching on photo editing using Lightroom.

ChiapasBest45-25  ChiapasBest45-16

Who should attend?  The workshop is for all levels of photographers including beginners. We strip down often overly complicated conditions to bring the photographer face-to-face with the subject. We practice both impromptu street photography and classic pre-arranged portrait sessions. We will also cover landscape, architecture and general travel photography.

ChiapasBest45-23 Chamula_Zinac_HotelBo-28

The Workshop Covers:

  • Using natural light and responding to different lighting situations
  • Moving from automatic to manual settings (for DSLR cameras)
  • Directing your subject through varying body positions
  • Identifying your own photographic style
  • Finding and executing photographs “on the fly”
  • Night photography and using a tripod
  • Capturing a scene or historical site
  • Learning more with one-on-one coaching sessions with Matt

Chamula_Zinac_HotelBo-38 ChiapasBest45-33 ChiapasBest45-42

Each day we will discuss different techniques and review best of day images. There will be plenty of time for discussion, feedback, and sharing.  We will address topics such as: How do you stay inspired?  How and when do you ask permission to take a stranger’s photograph? How do you get people to relax, be natural, and not be afraid of the camera? How do you transform the mundane into an interesting photo?

At the end of our week together, we will select our best photographs of the week and hold a group show followed by a celebratory supper, included in the fee.

PenlandToninaNaBolom-63 Chamula_Zinac_HotelBo-44

About Your Instructor Matt Nager

Matt Nager is a Denver, Colorado, based portrait and editorial photographer. We invited him back to teach this workshop after rave reviews for teaching the People of Oaxaca Portrait Photography Workshop.

This is going to be a fantastic workshop and I encourage any level photographer to sign up.  I recently had a class with Matt Nager and he is an excellent teacher and a fun person. You will not get a class this good for twice the price!  –Barbara Szombatfalvy, Durham, NC

His love for nature and the outdoors, as well as his interest in people and culture, is central to his photography. Before starting his own photography business, Matt worked with the Denver Post and the Rocky Mountain News.

untitled (6 of 355)

In addition to photography, Matt also regularly shoots video and recently completed his first documentary titled: Campania In-Felix (Unhappy Country) which looks into the rise of health issues in Southern Italy as a result of illegal waste disposal.

His clients include: DISCOVER Magazine, Fast Company Magazine, Mother Jones Magazine, The New York Times, Smithsonian Magazine, and the Wall Street Journal.

Matt speaks English and Spanish, and is learning Italian.  His work is at: www.mattnager.com

Equipment:  Please bring your camera, your computer or tablet, a cable to connect your camera to your device to upload and edit your photos, a jump drive, extra batteries, battery charger, memory cards, optional tripod for night photography. If you use a DSLR camera, you may wish to bring a portrait lens (50mm) and a longer zoom lens. We will send a complete list of “what to bring” after you register!

untitled (270 of 355)

Preliminary Itinerary (subject to change)

Mon. Jan. 18 – Arrive and check-in to La Joya Hotel or wherever else you choose to stay. (D on your own)

Tues. Jan. 19 – Our workshop starts with a learning session, welcome and orientation. We’ll go on a town walkabout, market stroll, capture photos on the fly, and end with a portrait session with well-known humanitarian folk healer. We will have lunch and dinner together as a group, at your own expense.

Wed. Jan. 20 – Learning session and photo review. Depart for Zinacantan for Dia de San Sebastian. This is the most important celebration for this community, with rituals, ceremonies, a horse race, masses, traditional native dances and processions. We have arranged a private portrait session with Zinacantan family. We will have lunch  together as a group, at your own expense. (Dinner on your own.)

LaJoya and-15

Thurs. Jan. 21 – Learning session and photo review. Portrait session with women’s weaving cooperative who come from their village wearing traditional Maya dress. We’ll have an exposition of their textiles, too.  We will have lunch and together as a group, at your own expense. (Dinner on your own.)

Fri. Jan. 22 – Learning session and photo review. Today it’s all about food. We go to the local food market to meet and photograph vendors and see all the locally grown food. Then we meet one of San Cristobal’s great chefs for a photo shoot in the restaurant kitchen followed by lunch. We will have lunch together as a group, at your own expense. (Dinner on your own.)

Sat. Jan. 23 – Learning session and photo review. Parachicos of Chiapa de Corzo, The Great Feast celebration that honors the patron saints Our Lord of Esquipulas, Saint Anthony Abbot and Saint Sebastian includes fabulous masked dancers, rattles, parades, a carnival, and opportunity for night photography.  We will have lunch and dinner together as a group, at your own expense.

11055277_10152597909676741_2710460517066340731_n LaJoya and-27

Sun. Jan. 24 – On our last day, we will visit the church at San Juan Chamula, then prepare for the last presentation and Best of Week Show. We will have lunch and celebratory group dinner together.  Lunch will be at your own expense. Dinner is included in your workshop fee.

Jan. 25 – Depart

You are welcome to come early and stay later. You might want to go on to Tonina, Palenque, Bonampak or Yaxchilan to explore Maya archeology, or go further and cross the border into Guatemala or Villahermosa, Tabasco. We can recommend archeologist-led tour guides who can help facilitate customized travel plans at your own expense.  We can also recommend where you can enroll in a San Cristobal de Las Casas cooking class that features local indigenous meals.

PenlandToninaNaBolom-50

The workshop includes all instruction and personal coaching, transportation to three villages, cultural guide services and celebratory buffet supper at the end of our Best of Week Show. Plus you receive a comprehensive packet of information about our location, shopping, restaurants, and itinerary sent by email before the workshop begins.

The workshop does not include airfare, lodging, meals, admission to museums and archeological sites, alcoholic beverages, tips, travel insurance, optional transportation and incidentals.

LaJoya and-5 LaJoya and-4

About Preferred Lodging: We will be based in San Cristobal de Las Casas, Chiapas at La Joya Hotel, our preferred lodging partner. La Joya is a small boutique hotel with five rooms.  We have reserved them all for this workshop! Previous workshop participants have described La Joya Hotel as “a sophisticated oasis” and a “fantasy home away from home.” If you wish to stay at La Joya Hotel, please register as soon as possible since space is limited.  All rooms have king size beds with private bath. 

LaJoya and-31 LaJoya and-29 LaJoya and-8

You can also check TripAdvisor and BookingDotCom or other online resources for best prices and levels of accommodations. All reservations for lodging will be made and paid for by you directly with the lodging provider.  You are free to choose any accommodation you prefer, from luxury to basic hostel. We will send you a list of recommended hotels after you register and make your deposit.

Reservations and Cancellations: A 50% deposit will reserve your space. The final payment for the balance due shall be made on or before November 1, 2015. We accept PayPal for payment only. We will send you an invoice for your deposit to reserve when you tell us by email that you are ready to register.

If cancellation is necessary, please notify us in writing by email. After November 1, 2015, no refunds are possible. However, we will make every effort to fill your reserved space or you may send a substitute. If you cancel before November 1, 2015, we will refund 50% of your deposit.

About Travel to San Cristobal de Las Casas: The Tuxtla Gutierrez (TGZ) airport is the gateway city, about one-hour from San Cris. You can fly there from Mexico City on Aeromexico or Interjet. From the USA, Delta Airlines has a codeshare with Aeromexico. Both airlines are located in Mexico City Terminal 2. United Airlines flies between Houston and Oaxaca and does not serve TGZ. UA is located in Mexico City Terminal 1. There is taxi and shuttle van service from TGZ airport to San Cris starting at about 700 pesos. You can also take an ADO overnight bus from Oaxaca to San Cristobal. If you book your stay at La Joya Hotel, we will arrange taxi airport pick-up and delivery for you at your own expense.

International Travel Insurance Required. We require that you purchase trip cancellation, baggage loss and at least $50,000 of emergency evacuation and medical insurance before you begin your trip. We will ask for documentation. We know unforeseen circumstances are possible.

To register, email us at oaxacaculture@me.com We accept payment with PayPal only. Thank you.

Chamula_Zinac_HotelBo-16 Chamula_Zinac_HotelBo-18 PenlandToninaNaBolom-45