Tag Archives: course

Day of the Dead 2019 Women’s Writing Retreat: How Memory Inspires Us

Arrive Wednesday, October 30 and leave Monday, November 4, 2019. The retreat can accommodate up to 10 women. You have a year to plan!

We gather for Day of the Dead 2019 in the traditional Zapotec village of Teotitlan del Valle, Oaxaca, Mexico to write with intention for five nights and four days. Day of the Dead inspires us to revisit our memories of people and places, to go deep and then deeper, and to write in whatever genre speaks to us: memoir, journaling, fiction, personal essay, creative nonfiction, and poetry.

New and seasoned writers are welcome. Come to kindle and rekindle the writer’s life.

Cost is $1,095 per person for a shared room, and $1,395 for a private room. A 50% deposit will reserve your space.

During this time, Oaxaca honors her ancestors: parents, grandparents, aunts and uncles, young ones lost to tragedy. Loss surrounds us: loss of time, loss of relationships, loss of self and identity, loss of a loved one or someone with whom closure was incomplete.

Day of the Dead Altar

It is also a celebration of life, the continuum, the link between the generations before and the world we inhabit. During the workshop we discuss Day of the Dead symbols, meaning and concepts, comparing Mexican beliefs with those from our own cultures to spark memory and creativity. Perhaps we explore this in writing or use it as a device to trigger imagination.

Day of the Dead offers each of us an opportunity to explore the tenor of life, and the meaning of life and death, transition, passage, and relationships. Memory is powerful. Recall gives us permission to exhume and revisit, to sit with what is at the surface or buried deep within, to see beyond the mask. Writing gives outlet to self-expression whether your goal is to publish or not.

Day of the Dead, handmade tin, folds to 10-1/4×6-1/2″. For Sale, $95 + $8 mailing

Teotitlan del Valle is our base. It is an ancient weaving village about thirty minutes beyond the hubbub of the city where Day of the Dead rituals are practiced much as they were hundreds of years ago.

During our time together, we will integrate our writing practice with visits to San Pablo Villa de Mitla cemetery and a home altar on the morning of November 1 with a local weaver friend. Then, on the evening of November 2 we will go with a local family to the Teotitlan del Valle cemetery to guide the difuntos back to their resting places.

Calavera Artist, hand-painted, 8-1/2″ high x 3″ wide. For Sale, $85 + $8 mailing

Want to buy Muertos decor? Send an email.

There will be optional daily activities in our schedule: gentle yoga, afternoon walks, and mini-seminars on writing topics such as writing effective description and dialogue, grammar, or submitting creative work for publication. Each person will have a private coaching session, too.

Roses on the writing table with journal notes

Planned Itinerary: 2019

  • Wednesday, October 30: Arrive and check-in to our retreat space. Group dinner. Introductions.
  • Thursday, October 31: Morning yoga (optional), breakfast, writing workshop, lunch, afternoon independent writing, optional activities, group dinner, coaching session
  • Friday, November 1:  Morning yoga (optional), breakfast, visit to Mitla cemetery and home altar, independent writing, lunch,                afternoon workshop, group dinner, coaching session
  • Saturday, November 2:  Morning yoga (optional), breakfast, writing workshop, lunch, afternoon independent writing, visit to Teotitlan del Valle cemetery, dinner on your own
  • Sunday, November 3:  Morning yoga (optional) breakfast, writing workshop, lunch, afternoon independent writing, optional                    activities, group reading and celebration dinner
  • Monday, November 4:  Breakfast and depart

We reserve the right to make itinerary changes and substitutions as necessary.

You can add-on days in Teotitlan del Valle or Oaxaca before or after the retreat at your own expense. We can arrange transportation for you to/from the airport and to/from the city at your own expense.

What is included?

  • Complete instruction with four workshop sessions
  • 4 dinners
  • 5 breakfasts
  • 4 lunches
  • 5 nights lodging
  • transportation to Mitla cemetery and altar
  • daily gentle yoga (optional)
  • mini-seminars on writing topics
  • one coaching session

Please bring a photo of a loved one. We will build a group altar, too.


Meet Robin Greene, Writer-Editor-Professor

http://www.robingreene-writer.com/artist-statement/

We are pleased that Robin Greene is returning to lead this intensive writer’s retreat. This will be her eighth year teaching with us to rave reviews.

Novelist and Poet Robin Greene in Oaxaca, Mexico

Robin Greene is Professor of English and Writing and Director of the Writing Center at Methodist University in Fayetteville, NC, where she held the McLean Endowed Chair in English from 2013-2016. Robin has published two collections of poetry (Memories of Light and Lateral Drift), two editions of a nonfiction book (Real Birth: Women Share Their Stories), and a novel (Augustus: Narrative of a Slave Woman). Robin’s second novel, The Shelf Life of Fire, is forthcoming from Light Messages Publishing in spring 2019, and Robin is currently working on a sequel.

Robin is a past recipient of a North Carolina-National Endowment for the Arts Fellowship in Writing, and has published over ninety pieces of poetry, fiction, and nonfiction in literary journals. She has received two teaching awards, the latest of which, the Cleveland Award, received in 2017, is the most prestigious award offered by her university. Robin has given over a hundred academic presentations, literary readings, and writing workshops in a variety of venues throughout the US.

Additionally, Robin is a registered yoga teacher (RYT200), cofounder and editor of Longleaf Press, and cofounder of Sandhills Dharma Group, a Buddhist meditation group. She holds a M.A. in English from Binghamton University and a M.F.A. in Writing from Vermont College of Fine Art at Norwich University.

Day of the Dead, Some Links to Culture and Traditions

What is a Workshop Session? The group meets daily for three hours to actively listen to each other’s writing, giving supportive and constructive feedback about what resonates or not. We offer guidelines for the process. Everyone takes a turn to read and everyone participates. Writers may accept or reject suggestions. Workshops offer an important learning tool for writers to gain feedback about how their words are communicated and understood.

How to Register:  Cost is $1,095 per person for a shared room, and $1,395 for a private room. A 50% deposit will reserve your space. Send us an email to say you want to attend and if you want a shared or private room. We will send you a PayPal invoice to secure your space.

Reservations and Cancellations:  We accept payment with PayPal. We will send you an itemized invoice when you tell us you are ready to register. After September 15, 2018, refunds are not possible. You may send a substitute in your place. If you cancel on or before September 15, 2018 via email, we will refund 50% of your deposit.

Required–Travel Health/Accident Insurance: We require that you carry international accident/health/$50,000 emergency evacuation insurance. Proof of insurance must be sent at least 30 days before departure. In addition, we will send you by email a PDF of a witnessed Waiver of Responsibility, holding harmless Norma Schafer and Oaxaca Cultural Navigator LLC. We ask that you return this to us by email 30 days before departure. Unforeseen circumstances happen! Be certain your passport has at least six months on it before it expires from the date you enter Mexico!

How to Get To Oaxaca: United Airlines operates direct flights from Houston. American Airlines operates direct flights from DFW. Delta Airlines has a codeshare with AeroMexico with a connection to Oaxaca from Mexico City. All other major airlines fly to Mexico City where you can made independent connections on Interjet, and VivaAerobus. Check Skyscanner for schedules and fares before you book.  Note: I always book directly with the carrier for better customer service.

Plane Tickets, Arrivals/Departures: Please send us your plane schedule at least 30 days before the trip. This includes name of carrier, flight numbers, arrival and departure time from Oaxaca. We can arrange a Teotitlan del Valle taxi driver to pick you up from the airport or in the city to bring you to the retreat.

Workshop Details and Travel Tips: Before the workshop begins, we will email you study tour details and documents that includes travel tips and information.

To get your questions answered and to register, contact Norma Schafer. This retreat is produced by Norma Schafer, Oaxaca Cultural Navigator LLC.

 

 

 

 

 

 

Women’s Writing Retreat in Oaxaca, Mexico: Take a Discount and Express Yourself

This is our 8th year to offer the Oaxaca Women’s Creative Writing and Gentle Yoga Retreat from June 22-29, 2018. We want a full-house and are offering a 10% discount off the already high-value, low price of $895 for a shared room and $1195 for a single room. It’s not too late to get on board and join us.

Who is this for? Beginning and experienced writers, those who believe they can do it and need inspiration and coaching, note-jotters and margin-scribblers. Do you have an idea for a novel, a memoir, a prose poem, a travel piece or family history? This is the place for you.

See the complete course description HERE.

Send me an email with your interest HERE.

Please share with family and friends who would like this retreat.

Oaxaca Natural Dye Workshop Day 3: Rainbows and Overdyes

Rhiannon and instructor Elsa at the end of the three-day workshop

Rhiannon and instructor Elsa at the end of the three-day workshop. Indigo hands!

The third and last day of the three-day Oaxaca Natural Dye Workshop brings together all the preparation of the first two days in a culminating extravaganza of rich, deep color.

The beauty of natural dyes: deep, rich color, a rainbow to weave with

The beauty of natural dyes: deep, rich color, a rainbow to weave with

The movement toward using natural dyes is taking hold around the world. It is an environmentally healthy process that is non-toxic and sustainable. Here in Oaxaca more weavers are using natural dyes for their beauty and because it’s what eco-minded textile lovers want.

Rhiannon's shibori scarf comes out of the indigo dye bath

Rhiannon’s shibori scarf comes out of the indigo dye bath

On this last day, we prepare the indigo dye bath to color cotton and wool blue. We also use the indigo for overdyeing. This gives us a rainbow of colors.

As the color oxydizes, it changes from yellow to green to blue -- magic

As the color oxidizes, it changes from yellow to green to blue — magic

Elsa shows the film about the small village on the southern coast of Oaxaca, Santiago Niltepec, where two families remain who preserve the ancient tradition of growing the indigo plant and making it into dye material.  All the indigo that Elsa uses is native to Oaxaca.

Rhiannon's blue shibori scarf dries on the clothesline

Rhiannon’s blue shibori scarf dries on the clothesline

Cochineal gives us red, orange purple and pink depending on the color of the wool, the number of dips in the dye bath, and whether we use an acid or base to modify the color.

Rhiannon wears her finished indigo shibori scarf

Rhiannon wears her finished indigo shibori scarf

When cochineal is overdyed with indigo, the wool becomes deep purple or lavender or mauve, depending on the strength of the dye bath and the natural wool color.

Cochineal and variation to purple with indigo overdye

Cochineal red and with and indigo overdye, royal purple

Variations of indigo blue, depending on wool color and number of dye dips

Variations of indigo blue, depending on wool color and number of dye dips

Pomegranate (granada) before its overdyed.

Pomegranate (granada) dye on grey and white wool

Wild marigold (pericone) changes from yellow to green with indigo overdye

Pomegranate (granada) changes from sand yellow to green with indigo overdye

We loved this purple and bright fuchsia made with brazil wood (grey and white wool)

We love this purple and bright fuchsia made with brazil wood (grey and white wool)

Shibori cotton -- sewing into cloth for dye resist

My project, making a shibori cotton textile — sewing into cloth for dye resist

My project after immersion in the indigo dye bath

My project after immersion in the indigo dye bath

My project after taking out the threads to reveal the dye resist design

My project after taking out the threads to reveal the dye resist design

Rhiannon's samples: mahogany dyed shibori gets an indigo overdye

Rhiannon’s samples: mahogany dyed shibori gets an indigo overdye (top sample)

Another sample: mahogany with an overdye of ferrous oxide (rusty nails)

Another sample: mahogany with an overdye of ferrous oxide

Rhiannon made these tassels for a jewelry project and dyed the tips with cochineal

Rhiannon made these silk-steel tassels, dyed tips with cochineal, for jewelry project

Elsa dyed this cotton shirt with mahogany

Elsa dyed this cotton shirt with mahogany — color deepens in direct sun

Cochineal in an acide dye bath -- brilliant color

Cochineal in an acid dye bath — brilliant scarlet

Pericone before dipping into the indigo

Wild marigold (pericone) before dipping into the indigo

What the mahogany dipped in indigo sampler looks like when removed from the dye bath

Mahogany dipped in indigo sampler after removal from the dye bath

At the end of the day, dye formulas with color swatches for each dye and overdye

At the end of the day, dye formulas with color swatches for each example

And a memorable learning experience that is both rewarding and fun.

Hanging the yarn samples to dry, labeling them for the recipe cards

Hanging the yarn samples to dry, labeling them for the recipe cards

Natural dye workshop is on a rooftop terrace overlooking Oaxaca's historic center

Natural dye workshop is on a rooftop terrace in Oaxaca’s historic center

Oaxaca Natural Dye Workshops from Oaxaca Cultural Navigator

Oaxaca Natural Dye Workshop Day 2: Cochineal Red and More

Taking this Oaxaca Natural Dye Workshop is a study in color creativity. On this second day of three, we prepare cochineal, the parasitic insect that lives on the prickly pear cactus paddle. The chemical interaction between the female bug and the cactus juice produces carminic acid.

Cochineal dyed wool, ready for the weaver's loom

Cochineal dyed cotton, ready for the weaver’s loom

This is the most intense and color-fast red in the natural world.

When the Spanish came to Oaxaca in 1521 they were amazed to see the deep red used to dye feathers and to paint codices, human bodies or plaster temple walls.

Lava stone mortar and pestle used only to crush dried cochineal

Lava stone mortar and pestle used only to crush dried cochineal

They called it grana cochineal, naming it a grain not an insect to disguise its origin. The Spanish kept cochineal a secret for hundreds of years, holding the world monopoly on its production and distribution. It was the third most valuable export commodity after gold and silver.

Rhiannon and Elsa strain the cochineal concentrate for the dye pot

Rhiannon and Elsa strain the cochineal concentrate for the dye pot

Today, natural carminic acid colors cosmetics such as lipstick, and foods and beverages like Campari, fruit juices, jello and even meat.

Dyeing wool samples with cochineal and acid (lime juice)

Dyeing wool samples with cochineal and acid (lime juice)

Cochineal is expensive, about $125 USD or 1,800 pesos for a kilo. It can’t be wasted. That’s why Elsa grinds her dried bugs that she buys from El Tlapanochestli Cochineal Farm. You can buy packages of dried bugs for dyeing at the Museo Textil de Oaxaca gift shop.

Skeins dyed with pomegranate (granada) hang to dry

Skeins dyed with pomegranate (granada) and wild marigold  hang to dry

She grinds them to a very fine powder in a molcajete. This is a lava stone mortar and pestle. It must be very fine powder to dissolve completely in the dye bath. The finer the powder the less waste there will be.

Squeezing fresh lime juice for the acid dye bath -- turns cochineal bright orange

Squeezing fresh lime juice for the acid dye bath — turns cochineal bright orange

Hand process includes squeezing fresh lime juice to make an acid dye bath

Skein of wool dyed with wild marigold (pericone) leaves, stems and flowers

There is so much preparation even before the dyeing process begins. It’s no wonder textiles made with natural dyes cost so much! First, there is the investment in stainless steel and enamel dye pots, much more expensive than iron or aluminum, but essential so the pot chemistry doesn’t change the dye color.

Rhiannon preps a shibori scarf while waiting for cochineal dye bath

Rhiannon preps a shibori scarf while waiting for cochineal dye bath to finish

Then, you have to make your recipes. What color red do you want? Deep fuchsia, orange, hot pink, magenta? Your recipe will vary depending on color intensity. You may add more water, more lime juice (acid) or baking soda (neutral).

Dyeing sample cloth with brazil wood

Dyeing sample cloth with brazil wood

Next, you’ll wash your fiber in soapy water to open up the fibers to clean it and accept the mordant. You rinse the fibers several time to take out the soap and then hang it to dry.

Rhiannon and Elsa hold finished shibori -- to be dyed with indigo

Rhiannon and Elsa hold finished shibori — to be dyed with indigo

You will leave the cleaned fiber (we used wool) in the mordant overnight. This helps the wool absorb the dye.

On this second day, with the wool ready, we prepare the cochineal and then select the white and grey skeins to dye.

Mahogany (caoba) bark makes a beautiful peach dye

Mahogany (caoba) bark makes a beautiful peach dye

In addition, on this second day we also experiment dyeing with caoba (mahogany) and palo de Brazil (brazil wood).

Shibori is dye resist technique. Here, marbles and rubber bands make designs.

Shibori is dye resist technique. Here, marbles and rubber bands make the design.

The cochineal dye pot is ready at 90 degrees centigrade. It takes an hour to cook the skeins so they absorb the right amount of color. During this time, we prepare wild marigold, mahogany, brazil wood, and pomegranate. Most of these skeins will be over dyed on Day Three to yield 32 different colors.

It’s no wonder the Spanish loved this color! Red on white and grey wool.

I write about natural dyes because Oaxaca has a long tradition of using colors derived from the natural world. I also want to encourage Oaxaca visitors to seek out and support artisans who work in natural dyes.

We determine color by weight of fiber (WOF) to amount of dye -- chemistry!

We determine color by weight of fiber (WOF) to amount of dye — chemistry!

I hope readers will better understand the labor involved to make textiles using this technique. Yes, the textile will cost more. Perhaps you agree that its subtle beauty will be worth it.

Pomegranate dye bath

Wool in a pomegranate dye bath

 

Oaxaca Natural Dye Workshop, Day One: Prep to Make 32 Colors

For three days I am immersed in natural dyes with Elsa Sanchez Diaz who teaches our Oaxaca Natural Dye Workshops through Oaxaca Cultural Navigator. We make 32 different colors starting with a base of gray and white natural wool.

Indigo blue shirts are first made with natural manta cotton, then get four dye dips.

Indigo blue shirts are first made with natural manta cotton, then get four dye dips.

The natural plant and vegetable materials we dye with include palo de brazil (Brazilwood), nogal (walnut), cochineal (the red insect found on the prickly pear cactus paddle), caoba (mahogany bark), palo de aguila (alderwood bark),  palo de mora (fustic), pericone (wild marigold), granada (pomegranate) and añil (indigo).

Indigo plant from Oaxaca's coast.

Indigo plant from Oaxaca’s coast.

Using a combination of base dyes and over-dyes, we make color variations of red, purple, orange, pink, yellow, green and blue.  Based on the wool color and number of dips into the dye bath, the color will be light or intense.

Rhiannon uses the mortar and pestle to grind cochineal to a fine powder. Elsa is happy with her results.

Rhiannon uses the mortar and pestle to grind cochineal to a fine powder. Elsa is happy with her results.

For the complete three-day workshop, the first day is mostly preparation of the materials, starting with making the skeins of yarn.  We learn about the history of natural dyes in Mexico, how the pre-Hispanic indigenous people used the dyes, and the symbols of the colors.

(We also offer One and Two-Day Dye Workshops)

Pomegranate seeds and brazilwood for dye baths.

Pomegranate seeds and brazilwood for dye baths.

To understand the entire dye process, Elsa says that it is important to begin with all the basic preparation steps. This is a time-consuming process and to be a natural dyer one must have patience. This is something we learn in Mexico daily.

Mahogany gives a peach color that is stunning.

Mahogany gives a peach color that is stunning and grey when over-dyed with iron.

Natural grey wool and dried cochineal bugs.

Natural grey wool and dried cochineal bugs.

On the street below the rooftop terrace where we work sheltered from the sun at the outdoor dye studio, I hear the sound of a high-pitched whistle. It’s the knife sharpener, Elsa says. Other street sounds signal the coming of the gas man and tortilla vendor.

Pericone or wild marigold dyed on white and grey churro wool

Pericone or wild marigold dyed on white and grey churro wool

Elsa says even when she uses the same recipes, the color will vary slightly each time.  This is handmade, after all! Color intensity depends on the pH of the water, the dryness, age or freshness of the plants and fruits, and the natural shade of the wool. This is chemistry, for sure.

Straining the cochineal dye concentrate to eliminate bug debris

Straining the cochineal dye concentrate to eliminate bug debris

Plus, when there are natural tannic acids in some materials like mahogany, indigo, fustic and pomegranate, the color is stronger.

Fine powder yields the most intensity. More muscle, please!

Fine powder yields the most intensity. More muscle, please!

Day One is a complete introduction to the two most frequently used dyes, pericone and pomegranate, and getting into the mindset of natural dyes, says our participant Rhiannon, a textile and jewelry designer from Canada. But, you don’t have to be experienced or a professional to learn … and have fun with color.

Breaking the tough Brazilwood. Smallest pieces give strongest color.

Breaking the tough Brazilwood. Smallest pieces give strongest color.

Oaxaca Natural Dye Workshop.  We can schedule your experience when you come to Oaxaca.

Indigo dyed wool drying on the rooftop terrace.

Indigo dyed wool drying on the rooftop terrace.