Tag Archives: creative writing

Tribute to International Women’s Day Through Poetry

Left to right: Giselt, Simona, Jennifer, Beth, Norma, Robin, Debbie, Kelly, Becky

Who knew there would be a full moon illuminating the courtyard at Las Granadas  Bed and Breakfast last night, March 8, when Professor Robin Greene and I planned our Women’s Creative Writing and Yoga Retreat a year ago?  And, who knew that it would coincide with International Women’s Day?  Who knew that nine magnifient women would gather on this day to lift voices in poetry, song, memoir, and reflective writing?  Sometimes, the universe aligns perfectly.

 

We invite Zapotec women from the village of Teotitlan del Valle where our retreat was based to share our experience.  Expatriates join in.  Together we sit, hear stories and poems about mothers, loved ones, the experience of first-time travel out of the U.S., a first date.  We honor each other with applause, a wonderful meal, a toast of sweetened juice made from the hibiscus flower (agua de jamaica).  This is our local tribute to the universality of women.  We lift our voices in community.

 

Rebecca King, one of our retreat participants, is a writer and poet who returned to college to complete a degree in English and creative writing as an adult.  She will graduate from Methodist University in Fayetteville, NC, this spring.  This is the poem she wrote during the retreat and read last night, giving me permission to share it with you. (Above: Becky works on last minute changes before the fiesta and final reading.)

 

(Reyna’s mole amarillo with green beans, choyote squash and potatoes, that she dishes out from the cooking pot.)

Where I Stand by Rebecca King

I stand

on the kitchen chair,

in the white house

before the twins came.

My mother, wearing

her green dress with the

white flowers,

moves her arms

back and forth,

a slow rolling.

I am five,

clumsy, messy.

Soft, squishy dough

sticks to my fingers.

Together, my mother

and I knead, roll,

gather the dough

back to center.

 

Now,

almost forty years

later, I stand

on the dirt floor

of Reyna’s kitchen

in Teotitlan, Mexico.

I move my arms

back and forth

a slow rolling.

I am forty two,

clumsy, messy.

The mano de matate

heavy in my hands.

I knead, roll,

grind the onions,

peppers, tomatillas,

roasted sesame

seeds into stone.

I gather the paste

back to center,

feel the ancient

rhythm of the women

where I stand.

 

 

Photos immediately above:  we are eating a lunch of amarillo molé prepared by cooking teacher Reyna Mendoza Ruiz outside in her immaculately clean traditional dirt floor kitchen.  She prepared the luscious traditional sauce using a metate that Rebecca refers to in her poem.  Rebecca opted to also take a cooking class with Reyna, which inspired her poem.

 

 

Photo Diaries: Blending Photography and Prose

What is photojournalism?  Our workshop instructor June Finfer, Chicago documentary filmmaker/photographer/playwright explains it this way:  It is making a picture, capturing the connection, creating something out of what you are feeling as you go beyond the surface of what you see.

Our charge this week is to make photographs and then write about impressions that our photographs evoke.  The narrative accompanies the picture.  June asks us to consider each photo and what persona relationship we have to it.  Can a photo answer questions such as:  What do you expect here?  What is it about this experience that has changed you?    ”The exercise becomes like a picture story, says June. “Photography creates possibilities for a common language when language is a barrier. We all go to the same places and each of us comes back with a different feeling, experience, impression.”

Photograph #1:  Making Tamales by Norma Hawthorne

Las mujeres, the women, sit together under the palapa, ancient hands and some younger and still soft, take a fistful of soft masa paste, smear it into the cups of  tender young green corn husks.  They are comadres, sit together under starlight.  A child clings to his mother’s apron hem. Together they sing an ancient hymn of womanhood under the stars by the campfire, preparing the meal, obscured by steam from the cooking pot.  For eternity, for now, for us.

Photograph #2:  Tlacolula Child in Yellow by Norma Hawthorne

Lost underfoot or forgotten?  Which among those legs and backs is the parent who loves her and leaves her to look out at something distant, beyond her grasp.  It is a feast day.  Their attention is on the priest who gives mass and absolution.  She looks toward a future unknown.  Were she mine, I would hold her and cherish her, this small, delicate child dressed in yellow.

Photography #3:  Woman with Bundle by Norma Hawthorne

A refreshment is what she asks for.  I ask for a photo.  Perhaps, she says with lips pursed and a glint in one eye.  I am not stealing her soul.  Her hat is a bundle of grain stored in a grain sack, stamped words too blurred to read even magnified.  Here she is: proud, defiant, strong, survivor beyond what is possible to endure.  Her hat sanctifies her, a blessing.  She is my gift of the day and I return the gift with pesos for a refresco.  A dios.

Photograph #4:  Señor Secundino at Las Cuevitas by Norma Hawthorne

Rugged, etched wood, rough-hewn, the texture of life — furrowed brow, creased cheek, gnarled hand, cracked leather strap, bristled mustache, mottled goatskin pulled taut over pine drum, rough pine, watch the splinters, tiny diamond pattern in finely woven straw hat, a brim offering a bit of shade.  But now it is night.  The shadow cast by an exposed light bulb defines him: solid, durable, tenacious.

Photograph #5:  Sunset at Las Cuevitas 2012 by Norma Hawthorne

Shadowy figures, silhouettes mark time until sun sets.  Beyond are mountains, magnificent purple, black.  Sun rays spray the clouds like a crown of glory.  In the dusk muffled voices utter a universal prayer for the ages:  peace, good health, shelter and warmth.  See the distant town.  The church steeple.  The call to forgiveness.  Feliz y prospero año nuevo. 

Oaxaca Women’s Creative Writing and Yoga Retreat is coming up March 2-9.  Consider joining us.

 

Pablo Neruda 2011 Prize Finalist Inspired at Oaxaca Women’s Creative Writing + Yoga Retreat

Poet Katie Kingston was selected as a 2011 Finalist for the Pablo Neruda Poetry Prize for her poem written during our Women’s Creative Writing and Yoga Retreat in Oaxaca.  Katie gave us permission to publish the poem and to share her workshop experience (below).

Woman Resting

Teotitlán del Valle, Mexico

 I have been waiting days to move

to the hammock, to drift

beneath the white portal into a white

dream delineated by black

ink.

Above me, the green tree

full of green grapefruit and a cluster

of yellow birds. My sky sways

with palm leaves and wingspan.

Footsteps approach

like a lullaby.

In the distance a child

wails blue syllables and the rooster

releases another qui-qui-ri-qui-qui.

I sketch their sounds on paper

alongside the corrugated bray

of burro.

The hammock swings

in the key of G. I am surrounded by tuning

forks and pomegranate blossoms.

I call this place

Granada.

                     Lull is the word that comes

to mind. Lull says the wood smoke, lull

says the sheet on the line, lull says

the loom’s shuttle tapping wool strands

of indigo and cochineal

into the snug fit

of weft.

Sometimes the name for gold

dye escapes me, so I put down the pen, feel

the rhythm of my body as if I too

am a leaf lulled by breeze,

as if I too am held to the branch

by a nub of stem.

 

–Katie Kingston, Finalist in the 2011 Pablo Neruda Prize,

First Published in Nimrod International Journal, Vol.55 Titled What Time Is It?

 

What Katie Kingston says about the Women’s Creative Writing and Yoga Retreat:

Immersion in a new culture with a group of talented and inspiring women was definitely the catalyst for this poem, “Woman Resting.”  One day I found myself resting in the hammock, and while letting its hypnotic sway take over, I experienced the flooding of the five senses in this magical place, Teotitlán del Valle. I was motivated to write this poem, to try in one small way to capture the experience of this slower paced lifestyle. I haven’t experienced such a “lull” since childhood.

Teotitlán del Valle is all about weaving; indigo and cochineal dye hangs in natural wool skeins from the roof top lines. It fact, it seems that everything hangs from the sky in Teotitlan: the drying threads, the hammocks, the pomegranates, the grapefruits, the laundry, and even the sounds: birds, burros, roosters, pigs.  The experience at the Oaxaca Woman’s Creative Writing and Yoga Retreat was enhanced by the meditative atmosphere that allows for interpretation with a gathering of women who believe in writing as a spiritual plunge into the unknown.

When I returned to the United States, I submitted the poem to Nimrod International Journal’s 2011 Pablo Neruda Prize for Poetry, www.nimrod@utulsa.edu, where it placed as a finalist and was published in the Nimrod Award Issue titled, “What Time Is It?”  Other good news followed. I submitted my manuscript, What Does Lorca Own?, which had been reviewed at the conference by Professor Robin Greene, our instructor.  We discussed the manuscript in depth, and I sent out the revision to several competitions.  It placed as a finalist in the 2011 Idaho Prize for Poetry, www.losthorsepress.org, and will be published in October 2012 by Lost Horse Press (distributed by the University of Washington  Press, Seattle) under the new title Translating Clouds.

No writer ever writes alone, and I have many individuals to thank for their support including Norma Hawthorne, Robin Greene, Susan Florence, and the other talented participants of the 2011 Oaxaca Women’s Writing Retreat.  For me, the experience was a success, giving me the time to write new poems, forge new friendships, and experience a new culture, where I felt welcome and safe as I hiked the village roads and spoke to goat herders, children learning English, and women who smiled back.

kingston@wildblue.net

www.katiekingston.com

Pinatas Galore Plus Great Shopping at Mexican Market “La Cumplidora” in Sanford, NC

Drive by window-shopping is my weakness.  I was on my way to meet professor Robin Greene, who leads our Oaxaca Women’s Creative Writing and Yoga Retreat: Lifting Your Creative Voice, at our mid-way breakfast diner in Sanford, NC.  Almost there, and I noticed some pretty remarkable, huge pinatas hanging in a store front on the highway.  The rubbernecking angels sat on my shoulder as I made a mental note to stop on the way back.

Which I did! making a quick (and careful) left-turn from the center lane on the highway.

La Cumplidora is filled with nooks and crannies of Mexican, Salvadoran, Guatemalan, and Columbian food.  The selection represents all nationalities of clientele who live and work in the area.

I was the only gringa!

And, I felt at home among people who I know work hard for the food they are buying and are conscious of cost.  Children were hanging on to the hems of mothers’ skirts as they shopped for fresh and beautiful produce:  limes (7 for $1), avocados (99 cents each), choyote squash (99 cents each), cilantro (59 cents a bunch),  plum tomatoes perfect for salsa, six different varieties of dried peppers, fresh habaneros and poblanos.

Tip: Save Money and Shop at Your Local Latino Mercado

All the produce was a fraction of the cost of what I find in the major supermarkets and much better.  I found perfectly ripe mangoes — 8 for $7.50 — a price unheard of at Harris Teeter (usually $1.65 each) where you might slice one open to find a dark center damaged by early picking and refrigeration even though the skin is ripe and it is soft to the touch.

At the way back is a full-service carneceria — butcher shop — with all types and cuts of fresh meats — beef, pork, chicken, and goat.  In the corner is the queseria — cheese shop — where the imported from Mexico fresh cheese is sold by the pound.  There is even some house made entrees  for carry-out.

Just like in Oaxaca, the pasteleria/panaderia (pastry and bread bakeries) section was doing a bustling business.  The fresh out of the oven concha rolls were exactly like those I see in the bakery on Garcia Virgil.  Several young men held aluminum trays in one hand, tongs in the other, opened display case doors, reached in and piled the savory mouth-watering treats onto the trays.

They looked liked confectionary pyramids: 

Pink rolls filled with sweet cream, sprinkled with chocolate.  Flaky pastry cones stuffed with vanilla custard. Alternating chocolate and white layered cake squares with mocha frosting.  Jelly rolls.  Sesame cookies.  It was all I could do to pass this by (I’m watching my calories.)

Food is so important to retaining culture.  It keeps us connected to our families of origin, the memories of growing up, our way of keeping our identities in our adopted homelands.  And, for keeping the memories of a satisfying vacation or travel adventure alive.

As I stood in line in a U.S. “village” 35 miles from my own North Carolina home among warm and friendly people, I was reminded of my own family’s immigrant status at the beginning of the 20th century.

And, if you are ever in Sanford, North Carolina, be sure to make a stop at La Cumplidora.  Or discover the local Latino market in a neighborhood near you.  A world of wonder will open up to you and you will save on the grocery bill.

Oh, and the pinatas:  huge fanciful animals and stars and dolls decorated with crepe paper streamers in bright colors, pictures of boys and girls, sparkles, perfect for containing the candy treats to celebrate a birthday.

La Cumplidora, 901 South Horner Blvd., Sanford, NC 27330, (919) 776-1060.

Liza Bakewell, MADRE: Perilous Journeys with a Spanish Noun, Gets Oaxaca Welcome

http://wp.me/pRHvb-pB

My friend and Oaxaca colleague Shannon Sheppard writes about her experience reading the book, her impressions, and connecting Liza with both the local and ex-pat community in Oaxaca. I think you will find her comments entertaining and informative. Click on the link above to read

My mobile office is now two feet from Highland Lake in Bridgton, Maine. Thank goodness for 3G and my iPad. There is no Wi-Fi here nor is there a landline. It is definitely a retreat and I can bring the world in as I choose. Liza Bakewell is on a neighboring lake about an hour from here with her daughters. She and I plan a meet-up next week.

Last night, Stephen and I had dinner with Nancy Coleman and Dulcie Whitman at Vignola in Portland. Great restaurant with even better friends. Nancy attended the Women’s Creative Writing and Yoga Retreat last March. It inspired her to write and submit to national literary journals and she is getting great response! Dulcie just completed the MFA and is teaching. My hope is to connect them with Liza who is bring together Maine women writers.

What an extraordinary world we live in! Now, for the lake.