Tag Archives: culture

Margarita Time: What is Cinco de Mayo?

This Friday, May 5, 2023, marks the 161st anniversary of Cinco de Mayo. Why do we celebrate with a Margarita or Corona or Modelo Negro? More than party time, Cinco de Mayo is an important event in U.S. history, and not so much for Mexico. Read on to find out more.

First of all, it’s time to know that May 5, Cinco de Mayo, is NOT Mexican Independence Day, which is September 16, 1810, celebrating the separation of Mexico from Spanish rule.

Nevertheless, Cinco de Mayo marks a significant date in history when the French army was defeated in Puebla on May 5, 1862, marking an important symbolic moment to curtail Napoleon Bonaparte’s designs on establishing a monarchy in North America.  When you visit Puebla you can still see the bullet holes in front of the house occupied by General Ignacio Zaragoza.

 

Most of us know Cinco de Mayo as a U.S. celebration of Latino culture. There are 62.1 million Latinos living in the U.S. according to the 2020 census representing 19 percent of the population, making it the nation’s second largest racial or ethnic group according to the Pew Research Center.

Perhaps we know Cinco de Mayo as the name of a favorite local Tex-Mex restaurant, or the promotion of a favorite beverage accompanied by guacamole. (Avocados are imported from Michoacan, Mexico.)  At the end of this week, many will of us will welcome the occasion to have a party and raise a toast to our southern neighbor with a beer or Margarita.  What are you doing for Happy Hour on May 5?

But there’s much more to it than that, according to historian David Hayes-Bautista, as reported  by CNN and Reza Gostar in GlendoraPatch.  It notable that Cinco de Mayo was a rallying cry in the U.S. by Latinos against the elitist French monarchy, which was sympathetic to the Confederacy during the Civil War.   At that time, Latinos sided with the Union, fearing that a Confederacy win would expand slavery to include them. If Blacks could be enslaved, so could brown and indigenous people, too. 

Puebla is Angelopolis, City of Angels 

Dr. Hayes-Bautista, who is director of UCLA’s Center for the Study of Latino Health and Culture, has uncovered the first groundbreaking research that links the celebration of liberation for Mexicans with the U.S. Civil War and the hope that the Union would prevail.  The win at the Battle of Puebla by the Mexican freedom fighters against the elitists energized many Americans early in the war when the Confederacy was powerful. This was especially significant for Latinos, since much of the American Southwest was populated by those with Spanish and Mexican heritage. 

So, as you raise your glass with a hearty Salud, recall that Latinos volunteered to serve in the Union Army in order to preserve freedom, independence, and fight for racial justice.

Watch this YouTube video to know more about Cinco de Mayo as told by Dr. David Hayes-Bautista.

 

 

Quick footnote: I’m recovering from surgery at University of New Mexico Medical Center and in Albuquerque with my son and daughter-in-law. All went well. No pain. No opioids. Amazing surgical team. No worries. I’m hoping to go home to Taos this weekend. The kids are going out for Cinco de Mayo. I’ll be here, resting! My surgeon is Latina as is her medical resident. We’ve come a long way, but not far enough!

Reflections: Oaxaca Day of the Dead 2022

The intensity of organizing three Day of the Dead programs — a culture tour, a writing workshop, a folk art tour– in Oaxaca this October and November gave me little time to adequately reflect upon and write about how Day of the Dead is spiritually satisfying, evolving and changing in Oaxaca. Now, back in Northern New Mexico until the New Year, I have more time to think and write about the experiences of visiting cemeteries, reflecting on memory and loss, and describing how village celebrations take us deep into Zapotec culture and tradition. Why? Its downright COLD here and having gone from eighty degrees Fahrenheit in Oaxaca to a chilly low of eleven degrees, complete with snow on the ground and atop nearby mountains, I am inclined to hunker down and stay indoors. Saving grace: New Mexico sunshine that keeps the spirits elevated and a glow of optimism alive.

Oaxaca is a mecca for Day of the Dead celebrants, now attracting hordes of visitors from around the world. On Oaxaca streets, I heard German, Italian, English, Portuguese, Spanish, French and Chinese. On the evening of November 2, when Zapotec residents of Teotitlan del Valle accompany the spirits of their deceased ancestors back to their gravesites, sit quietly to honor their memories, perhaps having a picnic supper with a mezcal toast, a group of Korean tourists intent on capturing the moments, approached with heavy-duty telescopic lenses, pointing cameras into sacred spaces. I reminded our travelers to be respectful, to ask permission for photos, and to not gawk. Gawking is not culturally responsible tourism.

At strategically located corners throughout the Historic Center of the city, local entrepreneurs set up face-painting stations. For $150 and much more, one can become a Calavera Freda, complete with a ghostly appearance and head topped with a fake floral crown. We also heard of families offering authentic experiences at the cost of $200 per person to join in a family meal followed by a cemetery visit. Those of us who live in Oaxaca applaud this creative approach to earning extra income, particularly when visitors are willing to pay any price, it seems, to participate in a more intimate experience.

We heard tell of another scene, this more private, whereby only those invited could buy a $250 ticket to a secret venue in Santiago Matatlan, Mezcal Capital of the World. You have to know someone who knows someone to get in. In addition to the ticket cost, arriving in costume is mandatory. A van picks-up the party-goers at a secret meeting point in Oaxaca city and takes them to an undisclosed location where mezcal flows freely well into the night, and a frenzied dance-party Burning Man-style ensues, entertaining revelers.

We eschew these experiences, preferring a more culturally quiet and sympathetic approach to the holiday. This is one important reason we are based in the villages. What I did notice this year in our Teotitlan del Valle cemetery, is that no visitors appeared wearing face make-up like they did last year. I also noticed that more visitors were there under the auspices of local families, hovering with them around their family gravesites. There were more villagers sitting around the cemetery this year than last. Perhaps, this is because our group arrived earlier at four-thirty in the afternoon. Most of us departed by six just as the light was waning. Yes, there were tourist vans, but fewer and smaller than before. We did hear that the village authorities had intervened to discourage large groups.

When we went with Arturo to his mother’s grave in San Pablo Villa de Mitla the day before, we arrived in late morning. At noon, the difuntos (deceased) arrive, announced by the cohetes (firecrackers). This is the signal to leave and accompany the spirits back home. There were very few foreign visitors here and participating felt so special. At the home altar, Arturo said a prayer to his mother, lit the copal incense and invited her to partake of special pre-Hispanic foods on display at the altar–chocolate, tortillas (corn), squash, water, chile, honey, peanuts, pulque, beans, limes –all native to Mexico.

(Let me introduce you to Arturo Hernandez, an outstanding weaver who has gained worldwide recognition, and invited to the Santa Fe International Folk Art Market. He has been a good personal friend for many years)

How do you know her soul will follow you home, someone in our group asks.

I ask her in Zapotec to come with me. I feel her with me in my heart. I talk to her. I let her know our happiness and our challenges. I also ask her to remember me and welcome me when it is my time to join her. She is inside me and it brings us both joy to have this day together, Arturo says.

The base of this altar is constructed with three arches or openings, representing three stages–birth, life, death. They are replicas of the arches found at the nearby Mitla archeological site. Mitla, once known as Mictlan, meaning Place of the Dead or Underworld. This was a major Zapotec burial site for royalty. With the Spanish conquest, the openings were renamed to become God, the Son of God and the Holy Ghost.

After the altar ceremony and explanation of this important tradition, we followed Arturo to the al fresco dining area where his wife Marta had prepared a delicious meal of mole negro, chicken, rice, tamales and nopal salad for us, followed by my favorite dessert, nicuatole, a corn pudding. Buen provecho!

Why Day of the Dead is NOT Halloween

Rooted in pre-Hispanic indigenous religious and spiritual practices that has nothing to do with the Catholicism imported to Mexico by the Conquistadores and attending priests, unfortunately, Day of the Dead has morphed into what is becoming an attraction for party-goers in Oaxaca. Day of the Dead is coming back around on the calendar, observed from October 31 to November 2, and it’s time to write about What is Day of the Dead? for visitors and travelers. I want to plead for respectfulness for ancient cultural practices. These are the days to remember the ancestors.

These dates were set by the conquerors to blend the pre-Hispanic native rituals to remember those who have passed with All Souls’ and All Saints’ Days on the Christian calendar. The blending of European and indigenous practices is called syncretism and was an effective way of bringing indigenous people into the religious fold of the conquerors.

Let’s take a step back. Up the road from where I live in Oaxaca, the Zapotec-Mixtec archeological site (and village) San Pablo Villa de Mitla was the burial grounds for the ruling elite. Originally called Mictlan, which means place of the dead, the reverence for the ancestors was played out with offerings of candles, incense, bread, corn and squash, pulque, chocolate and flowers, mostly wild marigold that grew in the countryside. Elaborate altars were constructed on floor-level that included these offerings. With the conquest, the altars were raised and included a backdrop of Jesus on the Cross and the Virgin of Guadalupe. Today, in many traditional homes we visit, the altar is placed on the ground as it was in ancient days. Around the altar, family members sit with their memories in quiet contemplation as the candles burn and the incense is constantly replenished.

In ancient times, family members were buried in tombs inside each home. With Catholicism, cemeteries became the place where the deceased were interred. Yet, the tradition of respect, reverence and solemn tribute to a loved one’s memory continued. In the 18 years I have lived in Teotitlan del Valle, Oaxaca, I have come to understand how important Day of the Dead is to the collective, family and individual memory of a loved one who has crossed over. I have sat quietly with friends at their family plots as they recall the life of the person buried there. Often, these plots will hold the bones of generations of family members, as the plot is recycled every ten years, the time it takes for a body to decompose. The grave is cleaned and the bones replaced there, readying it for the next occupant.

This is how we do it here.

In the last two years, all this has changed. Foreign visitors arrive on tour buses with painted faces and in Halloween costume. (Did you know that Halloween is the second biggest spending holiday in the USA next to Christmas?) They bring mezcal, beer and a picnic into the cemeteries. They gawk. They dance to the music the village band is playing to cheer the local community. It is party-time in Oaxaca regardless of local custom, and these external influences are changing local behavior.

I’m not one to say, Let’s keep everything the way it was. Change is inevitable and there has always been cultural interchange, innovation and adaptation. Yet, what I see I interpret as destructive. Locals are going earlier in the day to decorate the graves and then leave the cemetery before the crowd of visitors arrive. They prefer the peacefulness and solitude that marks this ritual. A few locals say, It’s good for business to have visitors. But, no one, in my opinion, who comes to the cemetery to party is going to buy a handwoven rug that may cost hundreds of dollars! They come to take away only an experience.

I often wonder if any of the guides who bring visitors has a conversation with them about cultural history and respectfulness, as we do when we bring people to the cemetery. When we take a small group we always go accompanied by a local friend who will take us to a family gravesite, sit with us, and explain the practices.

Oaxaca is now an international destination. It is attracting visitors who want to sample mezcal, dine in world renown restaurants, and immerse themselves in the excitement of the Day of the Dead comparsas — the parades — in Oaxaca city. The film Coco did much to popularize Day of the Dead, and I hear from friends in Patzcuaro, Michoacan, where the Coco story originated, that in the artisan villages surrounding the lake, Purepecha people have adapted and adopted the face painting and costumes to attract tourism.

Eric and Norma, Day of the Dead 2021, Teotitlan del Valle

When you visit, please be aware that you will leave a footprint. What kind of footprint do you want to have? What will you learn and what will you take away from participating in this ancient practice? How will you reflect on death and dying, and compare it to how mourning and remembrance is done in Mexico with where you come from? What are your own family traditions?

And, how would you respect your own grandparents and antecedents in the cemetery where they are buried?

Oaxaca Whirlwind: Mezcal, Worms, Ants, Mole — What Happened to Culture?

It may have started 10 years ago when the New York Times travel section started featuring destinations you could dip into for a long weekend. Oaxaca was one of them. Arrive mid-afternoon Friday, bar hop Friday night, dip your toes into archeology with a quick trip to Monte Alban, try street tacos for lunch and fine dining for dinner, do a bit of market shopping, travel out to the Sunday Tlacolula market followed by a fast in-and-out weaving demonstration along the Teotitlan highway and get out of town by 4 p.m. Sunday. If you have 12 hours more, have another great dinner at El Catedral, Origen, Casa Oaxaca, or Los Danzantes. 36 Hours in Oaxaca. Isn’t that enough?

My Austin, TX cousin Norm sent me a text last week asking if I’d seen Somebody Feed Phil, Episode 1, Season 5, Oaxaca. (Netflix link: https://www.netflix.com/watch/81486397?trackId=253448517)

Norm wanted to know if I’d been to any of the places featured in the 55-minute segment. Curious, I logged on to discover, Yes, I know Casa Oaxaca, Origen, their famous chefs, the Abastos Market, the street taco corner, how to taste and understand mezcal, and the tapestry weaving cooperative featured. I’ve even written about eating chicatanas, gusanos, chicharrones and chapulines for Mexico Today. I know some of the fixers (the people who set up the visits). I don’t know everything. I defer to the experts for that. I also try to research for accurate reporting. The Oaxaca episode of Somebody Feed Phil had information errors and understandably, offered a sensational, brief overview for the foodies and fun-lovers among us. It could have done more. If nothing else grabs your attention, it’s going to be eating insects.

So, watching the visually stunning episode solidified my long-time desire to sit down to write about a topic I’ve been thinking about for a while: When you invite people to discover a place, it takes more than dipping your toe in the water. We must go beyond many of the more famous places featured. You need time to get out into the villages, talk to people, understand the history and the culture, ask questions. You need to discover how people survived over the centuries, sustained themselves, cultivated corn that was first hybridized 10 miles from where I live in the Tlacolula Valley 10,000 years ago. You need to know how the crafts developed out of necessity to clothe themselves and prepare food. You need to understand the political complexities of syncretism — the mix of indigenous religious spirituality and Spanish Catholicism. You need to do more than eat worms, ants and grasshoppers, make yourself up in costume mimicking the film Coco on Day of the Dead. You need to do more than sample mezcal — you need to know why it was used in ceremonial rituals.

Oaxaca is known for her sensational food and beverage. To be a responsible tourist, you need to take a deeper dive into over 8,000 years of Zapotec, Mixtec, Mixe, Ikoots, Amusgos, Chinantla, and the nine other indigenous language groups that comprise Oaxaca today. You may want to read Origin: The Genetic History of the Americas, as I am.

Yes, Oaxaca needs tourism. Our economy here depends on it. There is no other industry and it is how the formal and informal (cash) economy functions. Oaxaca lures people into the idea of coming to sample all that is offered because of its diversity in people and plant life. Of course, the lure is magical — the color, the light, the indigenous dress and the amazing food and beverage. What’s not to love? A five-day dip into the culture is an introduction where we can observe, ask questions, be respectful and discover more. Ultimately, we want you to return again and again. We also want you to learn rather than to judge or impose your own standards on a society that has thrived much longer than those of us whose origins are from Western cultures. Community runs deep here. Individualism not so much.

So when you come for Guelaguetza or Dia de los Muertos or Semana Santa or Navidad, please come with an open heart and mind. Don’t paint your face for the street party and think that you are participating like a local. Locals don’t do that. It is a Hollywood interpretation. Find the makers who are extraordinary but who have not yet achieved the fame bestowed on them by Anthony Bourdain or Phil Rosenthal or Conde Nast Traveler.

Go deeper. Take your time. Discover. There is still much to be discovered.

Tempted to visit? Go deep with us and participate in our one-day to week-long immersion visits that introduce you to the art and artisans of Oaxaca and other parts of Mexico. We still have some spaces open for our Summer Textile Mountain Tour, Day of the Dead Cultural Tour in 2022 and in Chiapas and Michoacan for 2023. See the right column of this site and click on the program that interests you.

2022 Day of the Dead Culture Tour

October 29 to November 4, 2022—6 nights and 7 days— $2,895 for a shared room and $3,495 for a single room. We have 3 single rooms and 4 shared rooms available.

Day of the Dead in Oaxaca, Mexico, is meaningful and magical.  Celebrations in the villages go deep into Zapotec culture, community, tradition and pre-Hispanic practice. Some say it is the most important annual celebration in Mexico and here in Oaxaca, we know this is true. This tour is limited to 10 participants.

At Oaxaca Cultural Navigator, we hope to give you an unparalleled and in-depth travel experience to participate and delve deeply into indigenous culture, folk art and celebrations.

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Day of the Dead Altar

Beyond the city, in the Tlacolula Valley, many smaller villages are still able to retain their traditional practices.  Here they build altars at home, light copal incense, make offerings of homemade chocolate, bread and atole, prepare a special meal of tamales, and visit the homes of relatives to greet deceased ancestors who have returned for this 24-hour period.  Then, at the designated hour, the living go to the cemeteries to be with their loved ones  — either to welcome them back into the world or put them to rest after their visit here – the practice depends on each village.

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You will learn about this and more as you come with us to meet artisans in three different villages beyond Oaxaca city who welcome us into their homes and their lives during this sacred festival. 

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Study Tour Highlights:

  • Visit homes, altars and cemeteries in three Zapotec villages: Teotitlan del Valle, San Pablo Villa de Mitla, and San Marcos Tlapazola
  • Participate in presenting altar offerings at each home we visit
  • As a group, build a traditional altar to remember and honor your own loved ones
  • Learn to make homemade chocolate with the Mexican cacao bean
  • See a tamale-making demonstration and taste what is prepared
  • Shop for altar décor at the largest Teotitlan del Valle market of the year
  • Learn how mezcal is an integral part of festival culture and tradition
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We created this study tour to take you out of the city, beyond the hubbub of party revelry and glitz of a Halloween-like experience that has morphed into a Hollywood-style extravaganza in downtown Oaxaca.  We will compare how city celebrations complete with costumes and face painting differ from those in villages even as outside influences impact change. Our desire is to give you a full immersion experience that evokes what Day of the Dead may have been like 20 or 30 years ago–mystical,  magical, transcendent and spiritual.

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Even so, cultural tourism has found its way into the back roads of Oaxaca.  We do our best to be respectful by limiting the size of our group to 10 participants, to give you an orientation about to what to expect and do during our visits, and to offer you an intimate, personal experience.

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We give you an insider’s view. You have the guidance of local expert Eric Chavez Santiago who will lead this cultural tour. Eric is a partner in Oaxaca Cultural Navigator LLC.

Eric Chavez Santiago is an expert in Oaxaca and Mexican folk art with a special interest in artisan economic development.  He is a weaver and natural dyer by training, a fourth generation member of the Fe y Lola rug weaving family, who was born and raised in Teotitlan del Valle. He has intimate knowledge of local traditions and customs, speaks the indigenous Zapotec language, and serves as your cultural navigator. 

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Eric is a graduate of the Anahuac University, and speaks English and Spanish. He can translate language, culture and traditions, tell you about practices in his extended family and how they have experienced the changes over time.

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Moreover, he is deeply connected and will introduce you to some of the finest artisans in the region, where you will meet weavers, natural dyers, ceramic artists, and traditional cooks. You will have an opportunity to see artisan craft demonstrations and to shop for your own collection or for gifts, as you wish.

We will be based in a comfortable Bed and Breakfast establishment one block from the market in Teotitlan del Valle for our time together. (You might decide to arrive early and stay a few nights in the city or extend your trip to be in the city afterward.)

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Angel in Pan de Muertos (Day of the Dead bread)

Preliminary Itinerary

Saturday, October 29: Arrive in Oaxaca and travel to Teotitlan del Valle. Check in to a highly-rated, locally owned bed and breakfast inn. Snack box available for arrivals after 8 p.m.

Sunday, October 30: During our breakfast orientation, we discuss how Day of the Dead is celebrated in the villages and then go on a walking tour that includes the village market, church, archeological site, and cultural center. Today you will also visit the homes and studios of rug weavers, candle makers, and silk weavers talking with them about their own family observances. Overnight in Teotitlan del Valle. (Includes breakfast and welcome dinner)

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Teotitlan del Valle tamales with mole amarillo, made by Ernestina

Monday, October 31: After breakfast, walk to the Teotitlan del Valle market to shop for altar decorations to later build a group altar. Bring photos of those you want to remember! Then, we will venture out into the countryside to visit the Zapotec village of San Marcos Tlapazola to meet artisans and discuss their family Dia de los Muertos traditions. You will see demonstrations of red clay pottery and have a chance to buy if you wish. We will come prepared with altar gifts of chocolate and bread to present to the difuntos. On the road, we will stop at a traditional comedor for lunch (at your own expense). We finish the day with a mezcal tour and tasting in Santiago Matatlan, mezcal capital of the world. Mezcal is an integral part of Zapotec celebrations and we will see why. (B, D)  

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Monday, November 1: After breakfast, travel to San Pablo Villa de Mitla to meet a noted weaver artisan who will take us to their family gravesite at the village cemetery and talk about history and traditions. Visit a home where a traditional altar tells the story of ancient Zapotec culture. Our hosts will explain the ancient, pre-Hispanic altar offerings and go deep into the meaning of Muertos here in Oaxaca. You will bring your offering of chocolate and bread to put on their altar to honor our host’s ancestors. We will spend the day with this family and enjoy a very special lunch that they have prepared in our honor. – Para todo mal, mezcal. Para todo bien, tambien.  (B, D)  

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Tuesday, November 2: After breakfast, we will visit the Teotitlan del Valle cemetery to see preparations being made to honor dead loved ones: cleaning and decorating the graves. Then we will spend the afternoon in the courtyard of a traditional cook, who shows us how to make hot chocolate and tamales with mole amarillo. We’ll have late lunch there and then accompany her to the cemetery while she sits with her loved ones as they return to the underworld. After the cemetery, you will enjoy a before bedtime snack and discuss how participating in Day of the Dead has had an impact on you. Compare and contrast this experience with USA and Canadian experiences with death and dying.  (B, L, D)

Wednesday, November 3: After breakfast, we will arrange for any laboratory tests (at your own expense) required to re-enter the USA. Then, we will hold an EXPOVENTA to showcase the work of outstanding weavers representing various villages throughout Oaxaca state, including San Juan Colorado, Triqui, and San Mateo del Mar, and San Pedro Cajones. The rest of the afternoon is on your own. You can arrange a taxi to take you to the city, to neighboring villages or archeological sites. We will enjoy a final goodbye supper before you depart. (B, D)

Thursday, November 4: Departure. We will help you arrange a taxi (at your own expense) to the airport or you may choose to stay on in Oaxaca or visit another part of Mexico.  (B) Hasta la proxima!

Itinerary subject to change based on scheduling and availability.

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What Is Included

  • 6 breakfasts, 2 lunches, 5 dinners
  • 6 nights lodging at a charming B&B hotel in Teotitlan del Valle
  • museum and church entry fees
  • luxury van transportation
  • outstanding and complete guide services
  • multi-lingual translation
  • the cultural experience of a lifetime

What is NOT Included

The program does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation as specified in the itinerary. We reserve the right to substitute instructors and alter the program as needed.

Cost • $2,895 double room with private bath (sleeps 2) • $3,495 single room with private bath (sleeps 1)

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Natural dyes have strong color, beautiful and more complex than synthetic dyes

Reservations and Cancellations.  A $500 non-refundable deposit is required to guarantee your spot. The balance is due in two equal payments. The second payment of 50% of the balance is due on or before June 15, 2022. The third payment is due on or before September 1, 2022. We accept payment using online e-commerce only. We will send you an itemized invoice when you tell us you are ready to register. After September 1, 2022, there are no refunds. If you cancel on or before September 1, 2022, we will refund 50% of your deposit received to date less the $500 non-refundable deposit. After that, there are no refunds. If we cancel for whatever reason, you will receive a full refund. 

The tour and COVID-19: You are required to be FULLY VACCINATED to participate. You must send Proof of Vaccination (this includes all boosters) by email on or before June 15, 2022. You can take a photo of the documentation and forward it to us. All participants are required to wear N95 OR KN95 face masks, use hand-sanitizer and practice social distancing while together. We will sanitize vans and keep the windows open when traveling together. Please note: You MUST also provide proof of international travel insurance including $50,000 of emergency medical evacuation coverage. 

Registration Form

Complete the form and Send an email to Norma Schafer.

Tell us if you want a shared/double room or a private/single room. We will send you an e-commerce invoice by email that is due on receipt.

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Red clay pottery, San Marcos Tlapazola

Who Should Attend • Anyone interested in indigenous culture and creativity, who wants a deep immersion experience into Day of the Dead practices and traditions, and who appreciates artisan craft — weaving, embroidery, pottery. If you are a collector, come with us to go deep and find the best artisans. If you are a photographer or artist, come with us for inspiration. If you are an online retailer, come with us to find the stories to market what you sell.

To Register, Policies, Procedures & Cancellations–Please Read

All documentation for plane reservations, required travel insurance, and personal health issues must be received 45 days before the program start or we reserve the right to cancel your registration without reimbursement.

Terrain, Walking and Group Courtesy: Oaxaca and surrounding villages are colonial and pre-Hispanic. The altitude is close to 6,000 feet. Many streets and sidewalks are cobblestones, narrow and uneven. We will do a lot of walking. We recommend you bring a walking stick and wear study shoes.

If you have mobility issues or health/breathing impediments or you are immunocompromised, please consider that this may not be the study tour for you.

Traveling with a small group has its advantages and also means that independent travelers will need to make accommodations to group needs and schedule. We include free time to go off on your own if you wish.

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Sitting vigil in the village cemetery, Dia de los Muertos