Tag Archives: fiber arts

2018 Chiapas Textile Study Tour: Deep Into the Maya World

We have 2 spaces open for February 13-22, 2018.

We have 3 spaces open for February 27-March 8, 2018.

Are you in?  Send me an email. Here is the program description:

Chiapas Textiles + Folk Art Study Tour: Deep Into the Maya World — 2018

We are based in the historic Chiapas mountain town of San Cristobal de las Casas, the center of the Maya world in Mexico. Here we will explore the textile traditions of ancient people who weave on back strap looms.

Women made cloth on simple looms here long before the Spanish conquest in 1521 and their techniques translate into stunning garments admired and collected throughout the world today. Colorful. Vibrant. Warm. Exotic. Connecting. Words that hardly describe the experience that awaits you.

Zinacantan man in tradition traje costume, hand-woven straw hat

I am committed to give you a rich cultural immersion experience that goes deep rather than broad. We cover a lot of territory. That is why we are spending nine nights in this amazing Pueblo Magico — Magic Town — to focus on Maya textiles and weaving traditions.

Our day trips will take us into villages, homes and workshops to meet the people who keep their traditions vibrant. This is an interpersonal experience to better know and appreciate Mexico’s amazing artisans.

Humanitarian healer Sergio Castro with vintage textile collection

Take this study tour to learn about:

• the culture, history and identity of cloth • spinning wool and weaving with natural dyes

• clothing design and construction

• symbols and meaning of textile designs

• choice of colors and fibers that reflect each woman’s aesthetic while keeping with a particular village traje or costume

• mystical folk medicine practices that blend Maya ritual and Spanish Catholicism

• Chiapas folk art and handcrafts

• Chiapas amber — rare and affordable gemstone

• market days and village mercantile economy

• local cuisine, coffee and chocolate

• how to determine the best textile quality and value

• cultural history, nuances and the sociopolitical history of Maya people

I have invited textile collector Sheri Brautigam to join me to give you a special, in-depth experience. Sheri writes the blog Living Textiles of Mexico and is recognized for her particular knowledge of Chiapas Maya textiles. She is author of the Thrums Textile Fiestas of Mexico: A Traveler’s Guide to Celebrations, Markets, and Smart Shopping. (I’ve contributed two chapters with photos, one for Tenancingo de Degollado and the other for Teotitlan del Valle!) Recommended reading for the trip!

San Cristobal is international crossroads for great food

I have also engaged one of San Cristobal’s most well-informed guides, born and raised in San Cristobal, a fluent English-speaker who will travel with us to give bi-lingual services. His interest is in cultural anthropology and local history.

We will travel in a luxury Mercedes-Benz Sprinter van as we go deep into the Maya world.

Daily Itinerary

Tuesday, February 13/27: Travel day. Arrive and meet me at our hotel in San Cristobal de las Casas. I will send you complete directions for how to get from the Tuxtla Gutierrez airport to our hotel. The airport is a clean and modern facility with straightforward signage. You will book your flight to Tuxtla from Mexico City on either Interjet or Volaris or Aeromexico. There are plenty of taxis and shuttle services to take you there. Cost of transportation (about $55USD) from airport to San Cristobal is on your own. Those who have arrived by dinner time can go out for an optional meal, on your own.

Textiles from the weaving villages of Cancuc and Oxchuc

Wednesday, February 14/28: On our first day in San Cristobal de las Casas, we orient you to the Textiles in the Maya World. You will learn about weaving and embroidery traditions, patterns and symbols, women and villages, history and culture. After a breakfast discussion we will visit Centro Textiles Mundo Maya museum, Sna Jolobil Museum Shop for fine regional textiles, and meander the Santo Domingo outdoor market that takes over the plaza in front of the church. We will then guide you along the walking streets to get your bearings. (B, L, D)

Embroidered blouse from Amantenango

Thursday, February 15/March 1: Tenejapa is about an hour and a world away from San Cristobal de Las Casas. Today is market day when villagers line the streets filled with fresh fruits, vegetables, meats, and often textiles. We’ll meander the market to see what’s there. In years past, I’ve found some stunning shawls, huipils and bags here. Then, we will visit the outstanding textile cooperative founded by Pedro Meza and his mother Doña Maria Meza Giron.

Romerillo cemetery is rocky, steep, protective and festive

We’ll also stop in Romerillo to see the larger than life pine-bough covered Maya blue and green crosses. Return to San Cristobal del Las Casas for lunch and dinner on your own.  Lunch along the way. Return to San Cristobal de Las Casas in time for dinner on your own. (B, L)

An amazing ceremonial cloth, handwoven, modeled by Sheri

Friday, February 16/March 2: We go to a wonderful weaving cooperative outside of town that was founded over 40 years ago. You will learn about international collaborations and textile design that conserves traditions while meeting marketplace needs for exquisite and utilitarian cloth. In the early evening, we visit Museo de Trajes Regionales and humanitarian healer Sergio Castro, who has a large private collection of Maya indigenous daily and ceremonial dress representing each Chiapas region. (B, L)

Clay and wood carved artifacts

Textile museum figure, traditional clothing

Saturday, February 17/March 3: Amantenango del Valle and Aguacatenango to see the whimsical and functional wood and dung fired pottery – the way its been done for centuries. Wonderful roosters, spotted jaguar sculptures and ornamental dishes. This is a textile village, too, where women embroider garments with designs that look like graphic art. In neighboring Aguacatenango, we will pull up to the small zocalo in front of the church. Within moments, ladies with their beautiful embroidered blouses will appear. (B, L) Dinner on your own.

Whimsical Amantenango chicken pots

Sunday, February 18/March 4: This is a big day! First we go to San Lorenzo Zinacantan, where greenhouses cover the hillsides. Here, indigenous dress is embellished in exquisite floral designs, mimicking the flowers they grow. First we visit the church, bedecked in fresh flowers. Then, we’ll meet weavers and embroiderers in their home workshops. Next stop is magical, mystical San Juan Chamula where the once-Catholic church is given over to a pre-Hispanic pagan religious practice that involves chickens, eggs and coca-cola. We’ll roam Chamula’s abundant textile market, compare and contrast fabrics and designs. We will then continue on up another mountain to visit Maruch (Maria), a Chamulan woman in her rural home surrounded by sheep and goats. She will demonstrate back strap loom weaving and wool carding, and how she makes long-haired wool skirts, tunics and shawls. Perhaps there will be some treasures to consider.(B, L) Dinner on your own.

San Juan Chamula Sunday market

Monday, February 19/March 5:  We will set out by foot after breakfast for a full morning at Na Balom, Jaguar House, the home/of anthropologist Franz Blom and his photographer wife, Gertrude Duby Blom. The house is now a museum filled with pre-Hispanic and jewelry collections. We walk the gardens and learn about Trudy’s work with the Lacandon tribe and relationship with Frida Kahlo and Diego Rivera. After hot chocolate at Na Balom, we make a stop at the hand-made workshop that is also a graphics arts hand-print studio. You will have the afternoon and evening on your own. (B)

Ex-convent Santo Domingo, Museo Textiles Mundo Maya

Tuesday, February 20/March 6: Today, we make a study tour to the textile villages of San Andres Larrainzer and Magdalena Aldama. This is another ultimate cultural experience to immerse your-self with a family of weavers in a rural home. We will see how they weave and embroider beautiful, fine textiles, ones you cannot find in the city markets or shops. They will host an expoventa for us, and we will join them around the open hearth for a warming meal of free range chicken soup, house made tortillas, and of course, a sip of posh! (B, L))

Rosa with Barbara, and a Pantelho blue emboidered top

Wednesday, February 21/March 7: Men from Magdalena Aldama who weave bags made from ixtle, agave cactus leaf fiber, join us at our hotel after breakfast. Accompanying them are the women who make flashy beaded necklace strings and beautiful hand-woven huipils. Afternoon is on your own to do last minute shopping and packing in preparation for your trip home. We end our study tour with a gala group goodbye dinner. (B, D)

Our 2016 group with hosts Rosa and Cristobal, Magdalena Aldama

Thursday, February 22/March 8: Depart. We will coordinate departures with included van service from San Cristobal de las Casas to the Tuxtla Gutierrez airport. Please schedule your flight departure time for mid- to late afternoon. You will connect from Tuxtla to Mexico City and then on to your home country. If you are going from Tuxtla to Oaxaca, you can fly direct on AeroMar. We will coordinate departure times and your trip will cover the cost of transportation from the hotel to the airport.

What Is Included

• 9 nights lodging at a top-rated San Cristobal de las Casas hotel within easy walking distance to the historic center

• 9 breakfasts • 6 lunches • 2 dinners

• museum and church entry fees

• luxury van transportation

• outstanding and complete guide services

• transfers to Tuxtla Gutierrez airport from San Cristobal on March 8

The workshop does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation as specified in the itinerary. We reserve the right to substitute instructors and alter the program as needed.

Cost • $2,495 double room with private bath (sleeps 2) • $2,895 single room with private bath (sleeps 1) 

How to Register: Send an email to Norma Schafer.

Tell us if you want a shared/double room or a private/single room. We will send you a PayPal invoice that is due on receipt.

Who Should Attend • Textile and fashion designers • Weavers, embroiderers and collectors • Home goods wholesalers/retailers who want a direct source • Photographers and artists who want inspiration • Anyone who loves cloth, culture and collaboration

Market scene, Chiapas

Reservations and Cancellations.  We accept payment with PayPal only. We will send you an itemized invoice when you tell us you are ready to register. After December 15, 2017, refunds are not possible. You may send a substitute in your place. If you cancel on or before December 15, 2016, we will refund 50% of your deposit.

Terrain, Walking and Group Courtesy: San Cristobal de las Casas is a hill-town in south central Chiapas, the Mexican state that borders Guatemala. The altitude is 7,000 feet. Streets and sidewalks are cobblestones, mostly narrow and have high curbs. The stones can be a bit slippery, especially when walking across driveways that slant across the sidewalk to the street. We will do a lot of walking. Being here is a walker’s delight because there are three flat streets devoted exclusively to walking. If you have mobility issues or health/breathing impediments, please let me know before you register. This  may not be the study tour for you. Traveling with a small group has its advantages and also means that independent travelers will need to make accommodations to group needs and schedule. We include plenty of free time to go off on your own if you wish.

Detail, cross stitch needlework bodice

Required–Travel Health/Accident Insurance: We require that you carry international accident/health/emergency evacuation insurance. Proof of insurance must be sent at least 30 days before departure. In addition, we will send you by email a PDF of a witnessed waiver of responsibility, holding harmless Norma Schafer and Oaxaca Cultural Navigator LLC. We ask that you return this to us by email 30 days before departure. Unforeseen circumstances happen! Be certain your passport has at least six months on it before it expires from the date you enter Mexico!

Plane Tickets, Arrivals/Departures: Please send us your plane schedule at least 30 days before the trip. This includes name of carrier, flight numbers, arrival and departure time from San Cristobal.

Workshop Details and Travel Tips. Before the workshop begins, we will email you study tour details and documents that includes travel tips and information. To get your questions answered and to register, contact Norma Schafer. This retreat is produced by Norma Schafer, Oaxaca Cultural Navigator LLC. We reserve the right to make itinerary changes and substitutions as necessary.

Indigenous, organic, non-GMO corn — staple of life

Asbestos Health Risk for La Flor de Xochistlahuaca Weaving Cooperative. How You Can Help!

An Open Letter from Maddalena Forcella, textile-fashion designer

I am writing to ask you to consider making a gift of whatever size to remove the toxic, cancer-causing asbestos from La Flor de Xochistlahuaca women’s weaving cooperative work space in Guerrero, Mexico.

Flor de Xochistlahuaca cooperative asks for your help

Flor de Xochistlahuaca cooperative needs your help for cancer-free health

On the webpage it explains everything: the roof of asbestos that needs to be destroyed and rebuilt because it is very toxic and a carcinogen and operates like an oven creating uncomfortable working conditions in the extreme heat. In addition, there is a great video about the cooperative and the weavers and the gifts that will be given with each donation. Please take a look.

Goal: $45,000 USD

To Date Raised: $7, 541 USD or 17% of Goal

The goal is ambitious and we need the help from all of our friends – especially those textile lovers and those interested in artisan craftsmanship. I know most of us don’t like to receive petitions for money, but in this case, I know that it is worth it. And, I know that I owe it to the weavers, to their hope for a better future and for their wish to have a work space that is healthy and dignified for the excellence of their textile art. I ask you to please consider participating.

I thank you from my heart and I thank you on behalf of the artisans for your willingness to support this project either through a donation or by sharing it with friends or on Facebook or in any other way you are able: https://igg.me/at/laflordexochistlahuaca

Thank you again for your support and time, I really appreciate it.

Hugs,  Maddalena

Norma’s Note: Maddalena has worked with this group for three years to build their economic development and marketing capacity; this is her last project with them. They live on the border between the states of Oaxaca and Guerrero. Their handmade weaving work is exquisite, and their health matters! Please support them with whatever size gift you can afford.

 En Español de Maddalena Forcella

Les escribo pidiéndoles unos minutos de su tiempo para que chequen la campaña de fondeo colectivo para renovar el espacio de trabajo de las tejedoras de La Flor de Xochistlahuaca, en Guerrero . Después de tres años de trabajo con el grupo, este es el último esfuerzo que hacemos juntas, el objetivo es ambicioso, así que necesitamos de la ayuda de todos nuestros amigos, especialmente de los amantes del textil y la excelencia artesanal; se que no es lo máximo recibir peticiones a contribuir a una buena causa, pero en este caso se que vale la pena, y se lo debo a las tejedoras, a su esperanza de un presente/futuro mejor y a su deseo de tener un espacio de trabajo digno de la maestria de su quehacer. Entonces doble agradecimiento por si quieres hacer una donación, o ayudarnos a difundir la campaña a través de este enlace entre amigos y conocidos, en Facebook y cualquier otro medio a tu alcance: https://igg.me/at/laflordexochistlahuaca

En la página se explica todo, el techo de lámina de asbesto, que debe ser cambiado ya que es super tóxico y cancerígeno, ademas de ser un horno cuando se esta debajo, también hay un bonito video y fotos de la cooperativa y de las tejedoras, y los regalos que las artesanas enviarán a los donadores.

Les mando un gran abrazo y mis agradecimientos sinceros

Maddalena

Oaxaca Natural Dye Workshop Day 2: Cochineal Red and More

Taking this Oaxaca Natural Dye Workshop is a study in color creativity. On this second day of three, we prepare cochineal, the parasitic insect that lives on the prickly pear cactus paddle. The chemical interaction between the female bug and the cactus juice produces carminic acid.

Cochineal dyed wool, ready for the weaver's loom

Cochineal dyed cotton, ready for the weaver’s loom

This is the most intense and color-fast red in the natural world.

When the Spanish came to Oaxaca in 1521 they were amazed to see the deep red used to dye feathers and to paint codices, human bodies or plaster temple walls.

Lava stone mortar and pestle used only to crush dried cochineal

Lava stone mortar and pestle used only to crush dried cochineal

They called it grana cochineal, naming it a grain not an insect to disguise its origin. The Spanish kept cochineal a secret for hundreds of years, holding the world monopoly on its production and distribution. It was the third most valuable export commodity after gold and silver.

Rhiannon and Elsa strain the cochineal concentrate for the dye pot

Rhiannon and Elsa strain the cochineal concentrate for the dye pot

Today, natural carminic acid colors cosmetics such as lipstick, and foods and beverages like Campari, fruit juices, jello and even meat.

Dyeing wool samples with cochineal and acid (lime juice)

Dyeing wool samples with cochineal and acid (lime juice)

Cochineal is expensive, about $125 USD or 1,800 pesos for a kilo. It can’t be wasted. That’s why Elsa grinds her dried bugs that she buys from El Tlapanochestli Cochineal Farm. You can buy packages of dried bugs for dyeing at the Museo Textil de Oaxaca gift shop.

Skeins dyed with pomegranate (granada) hang to dry

Skeins dyed with pomegranate (granada) and wild marigold  hang to dry

She grinds them to a very fine powder in a molcajete. This is a lava stone mortar and pestle. It must be very fine powder to dissolve completely in the dye bath. The finer the powder the less waste there will be.

Squeezing fresh lime juice for the acid dye bath -- turns cochineal bright orange

Squeezing fresh lime juice for the acid dye bath — turns cochineal bright orange

Hand process includes squeezing fresh lime juice to make an acid dye bath

Skein of wool dyed with wild marigold (pericone) leaves, stems and flowers

There is so much preparation even before the dyeing process begins. It’s no wonder textiles made with natural dyes cost so much! First, there is the investment in stainless steel and enamel dye pots, much more expensive than iron or aluminum, but essential so the pot chemistry doesn’t change the dye color.

Rhiannon preps a shibori scarf while waiting for cochineal dye bath

Rhiannon preps a shibori scarf while waiting for cochineal dye bath to finish

Then, you have to make your recipes. What color red do you want? Deep fuchsia, orange, hot pink, magenta? Your recipe will vary depending on color intensity. You may add more water, more lime juice (acid) or baking soda (neutral).

Dyeing sample cloth with brazil wood

Dyeing sample cloth with brazil wood

Next, you’ll wash your fiber in soapy water to open up the fibers to clean it and accept the mordant. You rinse the fibers several time to take out the soap and then hang it to dry.

Rhiannon and Elsa hold finished shibori -- to be dyed with indigo

Rhiannon and Elsa hold finished shibori — to be dyed with indigo

You will leave the cleaned fiber (we used wool) in the mordant overnight. This helps the wool absorb the dye.

On this second day, with the wool ready, we prepare the cochineal and then select the white and grey skeins to dye.

Mahogany (caoba) bark makes a beautiful peach dye

Mahogany (caoba) bark makes a beautiful peach dye

In addition, on this second day we also experiment dyeing with caoba (mahogany) and palo de Brazil (brazil wood).

Shibori is dye resist technique. Here, marbles and rubber bands make designs.

Shibori is dye resist technique. Here, marbles and rubber bands make the design.

The cochineal dye pot is ready at 90 degrees centigrade. It takes an hour to cook the skeins so they absorb the right amount of color. During this time, we prepare wild marigold, mahogany, brazil wood, and pomegranate. Most of these skeins will be over dyed on Day Three to yield 32 different colors.

It’s no wonder the Spanish loved this color! Red on white and grey wool.

I write about natural dyes because Oaxaca has a long tradition of using colors derived from the natural world. I also want to encourage Oaxaca visitors to seek out and support artisans who work in natural dyes.

We determine color by weight of fiber (WOF) to amount of dye -- chemistry!

We determine color by weight of fiber (WOF) to amount of dye — chemistry!

I hope readers will better understand the labor involved to make textiles using this technique. Yes, the textile will cost more. Perhaps you agree that its subtle beauty will be worth it.

Pomegranate dye bath

Wool in a pomegranate dye bath

 

Flexible Schedule, Intensive Weaving Workshops and Studio Time, Oaxaca, Mexico

Oaxaca Cultural Navigator can arrange and schedule intensive tapestry weaving workshops and independent studio time that fits into your travel schedule.  You learn from the Chavez Santiago family weavers in Teotitlan del Valle, Oaxaca, Mexico, with private or semi-private sessions.

WeavingWkshpClaudiaMichel-3 WeavingWkshpClaudiaMichel-5

We are happy to offer you this opportunity to come to Teotitlan del Valle to learn from one of the most accomplished master weavers of the village.  The workshop can be scheduled as a private experience to suit your schedule.  Studio residencies are flexible and can be scheduled for as long as you wish to stay — one day, several days or several months.  This includes independent time at your own dedicated loom to work on your own projects.

Here is what we can offer you:

  • Weaving Workshop: Intensive beginner to intermediate level 4-day workshop at $585 USD per person.  This includes all wool and 4-6 hours of instruction daily. At the end of the workshop you will have completed a tapestry sampler about the size of a pillow cover or small wall-hanging.  You will make your own lodging, food and transportation arrangements.  Note: Weaving workshop may overlap with other participants.
  • Optional:  We can make all-inclusive arrangements for you when you register for Tapestry Weaving Workshop: Dancing on the Loom. 
  • Studio Time: Up to six-hours a day of studio time in the workshop at a dedicated loom. The cost is $100 a day.  This includes naturally dyed wool, plus coaching and instruction to weave more complex designs. Note: Studio time may overlap with other participants.
  • Long-Term Residencies:  If you would like to stay longer than one-week, contact us for special pricing.
  • Materials/Yarn for Purchase:  You may purchase additional naturally dyed locally sourced, hand-spun churro wool directly from the family.  The cost is $20 USD for 100 grams or 260 pesos for 100 grams.

Claudia's tapestry_small_crop DyeWorkshopJan_Group-7

You can bypass the Intensive 5-day Weaving Workshop and go directly to studio time IF you are an experienced tapestry weaver or IF you have taken the beginner-intermediate workshop from the family at another time.

DyeWorkshopJan_Group-74

If you are interested in making these arrangements, please contact Norma Hawthorne at Oaxaca Cultural Navigator.   We can set up the studio residency for as many days or weeks as you wish.  You would make all payments to reserve the workshop and studio arrangements with Oaxaca Cultural Navigator. We will send you a PayPal invoice for 1/2 the total cost with the remaining amount due 45 days before the workshop/residency begins.  You would need to specify the dates you prefer for the workshop and/or when you want the residency.

Oaxaca Natural Dye Secrets — 3-Day Fiber Arts Textile Workshop

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Natural Dye Workshop (c) Oaxaca Cultural Navigator LLC

Roll up your sleeves to learn the secrets of natural dyes. Oaxaca is famous for cochineal and indigo natural dyes, plus many others.

January 2014

          January 10, 11, 12, 2014  (arrive January 9) 

March 2014

March 13, 14, 15 (arrive March 12)

Indigenous Mexican weavers also work with pecan shells and leaves, and yellow fustic — a colorfast wood extract dye, which you will learn to prepare in this workshop.   They also collect moss and wild marigold, pomegranates, tree bark, wild cotton and murex snails to dye textiles, which you will better understand.

FeltFashDyeDay-5 FeltFashDyeDay-9 FeltFashDyeDay-14

You will:

  • gain an understanding of the properties of natural dye materials
  • learn new methods for extraction
  • discover innovative techniques for mordanting
  • work with the cochineal, nuts, indigo and fustic to dye and over-dye wool
  • achieve a wide range of glorious colors to reproduce at home
  • appreciate natural dye use for a healthier environment
  • take home a labeled sample card for reference
  • maximum 8 people for personal attention

FeltFashDyeDay-8 DyeWorkshop-27

Your Instructor is Eric Chavez Santiago

Eric is one of the most knowledgeable textile resources in Mexico.  In his professional life, Eric is immersed in Oaxaca’s textile traditions and is affiliated with one of Mexico’s finest cultural arts museums.  A graduate of Oaxaca’s Anahuac University, Eric speaks fluent English, is a talented weaver and dyer, experienced instructor, and makes presentations throughout Mexico and worldwide.  He has developed over 100 shades of cochineal and uses innovative techniques for dyeing with indigo.

Eric has traveled to the United States regularly since 2006 to present Oaxaca’s textile traditions to museums, galleries, and universities, including UNC Chapel Hill, North Carolina State University, University of Notre Dame Snite Museum of Art, University of California at Santa Cruz, National Museum of Mexican Art in Chicago, San Jose, California Quilt and Textile Museum, American Tapestry Alliance, and The Commonwealth Club of San Francisco.

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Cost and Location

The workshop will be held in the weaving village of Teotitlan del Valle, Oaxaca, Mexico.  It includes 3 nights lodging, 3 breakfasts, 3 dinners, all instruction, materials, samples, workbook and an indigo dyed scarf that you will make yourself.

  •  $595 per person double occupancy with shared bath
  •  $675 per person single occupancy with private bath
  • Trailing spouse option:  Add $155 (food/lodging only, no workshop)
  •  Add-on Zapotec cooking class, Monday, January 13 or Thursday, March 13: $125 per person (includes lodging the night before, dinner, breakfast, lunch, all instruction and recipe booklet)
  • Add-on 4-day tapestry weaving workshop from $895 (includes 4 nights, all breakfasts, dinners, weaving handbook). Click link for schedules.

ReynaAmarilloMetate2  ReynaCooking-52 ReynaTiedTamalPkg   ReynaCooking-47

Reserve your space with a 50% deposit. The balance is due on December 1, 2013.  The workshop includes:  three days of hands-on instruction, 9:30 a.m. to 2:30 p.m. daily for a total of 15 hours, 2 nights lodging, 2 breakfasts, 2 dinners, all materials and supplies, a natural dye handbook with recipes, and labeled sample cards to take with you.

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Refunds and Cancellations

Please understand that we make arrangements months in advance of the program. Our hosts often require deposits or payments in full to guarantee reservations. If cancellation is necessary, please notify us in writing by email. No refunds are possible after 45 days before the workshop start date; however, we will make every possible effort to fill your reserved space or you may send a substitute. If you cancel on or before 45 days before the workshop start date,  we will refund 50% of your deposit. We strongly recommend that you take out trip cancellation, baggage, emergency evacuation and medical insurance before you begin your trip, since unforeseen circumstances are possible.

Ready to Register? Tell Norma at normahawthorne@mac.com Have Questions? Ask Norma at normahawthorne@mac.com  and we will send you a PayPal invoice.

DyeWorkshop-3 c Norma Hawthorne DyeWorkshop c Norma Hawthorne