The 18th annual Feria Maestros del Arte happened last weekend at Lake Chapala, Jalisco, about 40-minutes from Guadalajara. I had never been before and I decided it was time! Plus, it gave me a chance to spend some time with friends Chris and Ben, who moved to Ajijic from North Carolina last year.
And, there was another good friend, flying shuttle loom weaver Alfredo Hernandez Orozco with his son Yaolt, who make extraordinary cotton cloth home goods and clothing. Their workshop is in El Tule.
There were other Oaxaca artisans whose work I know and respect: alebrijes makers, ceramic artists and sculptors, basket weavers, and some very fine clothing weavers from remote areas of the Oaxaca coast and Mixe regions. Many of these are included on our Oaxaca Discovery Tour coming up at the end of January 2020 (yes, a few spaces are available).
Juan Toribio from San Juan Cotzocon, whose work I wear with pleasure
An added bonus of going to the Fair was participating in events hosted by Los Amigos del Arte Popular. This is a non-profit group that supports Mexican folk art. They are appreciators and collectors, and do a lot to underwrite this Feria and provide scholarships for artisans to travel here.
I also had a chance to connect with friends Mariann who moved to Ajijic from Philadelphia, friend Ellen who comes to Oaxaca every winter, her sister Sally, and locals Elizabeth and Greg who live in Chapala. I also bumped into David and Barbara from San Diego, too.
Unlike the International Folk Art Market in Santa Fe that covers the world, this Fair reunites those of us with Mexico-LOVE. While I’m most happy living in Oaxaca, coming to the shores of Lake Chapala is a refreshing change of pace and a great party all the way around. I had to come home to rest!
Shuko Clouse is here. She opened Mano del Sur recently, a beautiful online shop that combines her Japanese aesthetic — simplicity and quality — with Mexican handcraft excellence. Shuko came to Oaxaca to restock the shop.
She takes her time. She curates each item. She meets the makers and engages with them. She holds an article in her hands and savors its creation. She kneels down to touch a wool rug whose life is created on the loom. She traces the pattern with her fingertips, asking about ancient design origin.
It is a marvel to go shopping with Shuko. She chooses carefully. Selects one or two items that are the same. She is not a volume shopper. I learn from her. Take your time. Each moment with a handmade article is a blessing for the maker and eventually, the buyer.
Don’t rush. When I was in Japan, I saw that a large room with one extraordinary vase containing one exquisite flower was enough. This is antithetical to my own collecting sensibilities. It is a struggle to keep my living environment spare, and I confess I am unsuccessful. But I aspire to this — one object, beautifully crafted, as focal point.
Meanwhile, Shuko and I travel the villages; to San Marcos Tlapazola to visit the women makers of red clay pottery; to Mitla to see the weaver of natural dyed wool and cotton; deep into a Mitla neighborhood to visit the antique dealer whose eclectic collection tempts all; to old adobe houses of Teotitlan del Valle where humble weavers work magic.
Tuesday, September 1 – Wednesday, September 9, 2020 – 8
nights, 9 days
New Mexico was originally part of the Spanish land grant known as New Spain. It calls to me in a way that reminds me of Oaxaca: Vast vistas of mountains and desert punctuated by red and purple skies, stately organ-pipe cactus and gnarly mesquite, Rio Grande River oases lined with scrub oak, and unparalleled art and craft made by indigenous peoples.
Colonized by the Spanish in 1598 and referred to as New Mexico by them after the Aztec Valley of Mexico, the territory was integrated into a new nation after 1821 Independence from Spain. Mexico was forced to cede its northern territories to the US in 1848 in a period of political vulnerability. Deeply rooted locals identify more with Spanish or indigenous ancestry.
Today, New Mexico has the largest percentage of Latino and Hispanic Americans in the USA. America’s First Peoples lived here for thousands of years before European occupation. Anglos, the trappers, merchants and adventurers, arrived much later. This sequence of settlement is important for showing respect and appreciation.
Sheri Brautigam, textile author and operator of Living Textiles of Mexico, and I join together again to bring you this program that starts in Santa Fe, the state capitol and heart of Colonial New Mexico. Sheri lives in Santa Fe and I visit periodically. Our love of place is defined by the majestic natural world, exquisite art, textiles, jewelry and pottery created by Native American people, and a deep appreciation for cultural history.
On many levels, it seems only natural to add New Mexico to our travel repertoire. Here political borders give way to the shared cultural and aesthetic history of Mexico and the American Southwest.
We take you to Native American pueblos to meet favorite weavers and jewelry makers, and to galleries and public spaces where world-class examples are displayed. We introduce you to collectors and purveyors of folk art and craft who will talk about quality, authenticity, craftsmanship and style. We go deep rather than wide to offer insight and perspective.
Any exploration of New Mexico must include a look into the life of artist Georgia O’Keeffe. Our study tour takes you to her summer residence at Ghost Ranch where we spend the night and enjoy a morning walking tour of her favorite painting sites. We visit her Abiquiu winter home where her minimalist style shaped future generations.
Colonial Spanish and Mexican history, architecture and cultural influences
Sumptuous food spiked with rare New Mexico red Chimayo chile and green Hatch chile — try the Hatch flavored pozole or a green chile cheeseburger or buy a ristra to take home
Mezcal infused beverages that transcend Oaxaca origins
Here is the Preliminary Itinerary: Arrive September 1 and depart September 9, including Labor Day Weekend.
Tues, 9//1: Arrive and check in to hotel, welcome cocktail reception
Wed. 9/2: Breakfast with art and cultural history talk,
walking tour of Santa Fe galleries, the Governor’s Palace Portal and historic
sites, welcome lunch. Presentations by noted experts and collectors. Dinner
OYO. (B, L)
Thurs. 9/3: After breakfast, depart for Rio Grande River Kewa/Santo Domingo pueblo to meet Native American craftspeople where we will have private demonstrations of stone inlay and metal smithing, and a home-style lunch. We visit award-winners who exhibit at prestigious galleries and participate in the International Folk Art Market. (B, L) Dinner OYO
Friday. 9/4: After breakfast, we will take a private La Fonda Hotel art history tour, with lunch at the historic Fred Harvey restaurant, followed by a visit to the Georgia O’Keeffe Museum (B, L) Dinner OYO
Sat, 9/5: After breakfast, we will return to the Kewa pueblo to attend the big Labor Day Weekend Artisan Fair, an all Native American traditional arts and craft event that includes artisans from throughout New Mexico. (B) Lunch and dinner OYO.
Sun. 9/6: After breakfast, depart for Ghost Ranch with a stop in Sanctuario de Chimayo a famous shrine of miracles and Hispanic faith. We will visit the Rio Grande style weavers of the Chimayo region and have lunch at Rancho de Chimayo, overnight at Ghost Ranch (B, L)
Mon. 9/7: After breakfast, morning Art Walk at Ghost Ranch to see the locales where Georgia O’Keeffe painted. After lunch at the Inn at Abiquiu, we will tour O’Keeffe’s winter home in Abiquiu, then return to Santa Fe. (B, L) Dinner OYO.
Tues., 9/8: Breakfast and day on your own. Grand finale
dinner. (D) Breakfast and lunch OYO.
8 nights lodging at a top-rated Santa Fe historic center property within walking distance to the Plaza
1 cocktail reception
a curated itinerary with introductions to some of the region’s finest artisans
museum and other entry fees, as specified in itinerary
private demonstrations, presentations and lectures
private coach and chauffeur to/from pueblos and O’Keeffe sites
outstanding and personal guide services with Norma Schafer and Sheri Brautigam
The program does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and optional local transportation that is not specified in the itinerary.
You can fly in/out of either Albuquerque (ABQ) or Santa Fe (SAF), New Mexico. Check Skyscanner.com for best schedules and fares.
We reserve the right to substitute
instructors and alter the program as needed.
Cost • $3,845 double room with private bath (sleeps 2) • $4,435 single room with private bath (sleeps 1)
Important Note:All rooms at Ghost Ranch for one night on Sunday, September 6, are shared accommodations.
and Cancellations. A $750 non-refundable deposit is required
to guarantee your spot. The balance is due in three equal payments – on January
22, April 22, July 22, 2020. We
accept payment using online e-commerce only. If for any reason, Oaxaca Cultural Navigator LLC cancels the
tour, a full-refund will be made.
We will send you an itemized invoice
when you tell us you are ready to register. If you cancel on or before July 22,
2020, we will refund 50% of your deposit received to date. After July 22, 2020,
there are no refunds.
If you register after January 22, you will owe $750 plus 1/3 of the balance due. If you register after April 22, you will owe $750 plus 2/3 of the balance due. If you register after July 22, you will owe 100% (if there are openings).
to Register: Send an email to email@example.com
Tell us if you want a shared/double room or a private/single room. We will send you an e-commerce invoice for $750 by email that is due on receipt.
Who Should Attend: Artists, makers, educators, life-long learners, writers, photographers, jewelry and textile lovers, historians and those wanting to learn more about Native American art, culture and history. If you love off-the-beaten path adventure, the great outdoors, and the inspiration of the great Southwest as seen by Georgia O’Keeffe, this trip is for you.
Required–Travel Health/Accident Insurance: We require that you carry international accident/health insurance that includes $50,000+ of emergency medical evacuation insurance. Proof of insurance must be sent at least 45 days before departure.
In addition, we will send you by email a PDF of a witnessed waiver of responsibility, holding harmless Norma Schafer and Oaxaca Cultural Navigator LLC. We ask that you return this to us by email 45 days before departure. Unforeseen circumstances happen!
Reservations and Cancellations. We accept online e-commerce payments only. We will send you an itemized invoice when you tell us you are ready to register. All documentation for plane reservations, required travel insurance, and personal health issues must be received 45 days before the program start or we reserve the right to cancel your registration without reimbursement.
Terrain, Walking and Group Courtesy: We may walk a lot on some days. — up to 10,000 steps. We recommend you bring a walking stick if you need something to lean on!
If you have mobility issues or
health/breathing impediments, please consider that this may not be the study
tour for you.
Traveling with a small group has its
advantages and also means that independent travelers will need to make
accommodations to group needs and schedule. We include plenty of free time to
go off on your own if you wish.
The tombs of Monte Alban, the ancient Zapotec civilization perched atop a mountain in Oaxaca, Mexico, revealed, when excavated, unparalleled Mesoamerican gold metal smithing, stone and beadwork. For many of us who live in Oaxaca or visit there, we become attached to filigree work in traditional designs brought to Mexico via the Moors who taught the Spanish this intricate technique.
I’m offering Oaxaca and New Mexico jewelry for sale from my collection. If you are interested, please indicate by number and send me an email firstname.lastname@example.org with your mailing address. I will add $10 USD to mail within US and $28 USD to mail to Canada to invoice.
Throughout the Americas adornment was and continues to be a symbol of tribal identity and pride. Distinct styles developed which continue today, made by makers who live along the Rio Grande River Valley of New Mexico, and Navajo and Hopi groups who inhabit the mesas and desert of western New Mexico and northern Arizona.
Silversmithing techniques migrated from Mexico to the Southwest, where these techniques were taught to Native Americans. Horsemen need spurs, bridles, belt buckles and bolo ties. Women need earrings, necklaces and rings.
Necklaces and pendants were fashioned from hand-drilled, cut and polished stones, shells, animal teeth, fossilized plant materials, and wood.
To visit Santa Fe is to go back into this history for me. It is a personal history, too. One of migration along the Santa Fe Trail, traveling Old Route 66, and our own family’s trek from the Midwest to California in the early 1950’s.
Every day, Native American jewelry makers and artisans sit under the Palace of the Governors portal on the Santa Fe Plaza. Every day, based on lottery, a lucky few can spread their blankets and display their work. This is like attending a juried show. Each vendor is licensed and must adhere to strict quality guidelines to sell here. I’m drawn to this place for many reasons.
I’m going back to the memory of our stop in Albuquerque after two days of travel on the Atchison Topeka and Santa Fe Railroad Super Chief in September 1953, on our way to resettle in Los Angeles. I was young, my sister a toddler, our mom cautious. There were Indians sitting cross-legged on blankets as we stepped onto the platform. Laid out before them was silver and turquoise jewelry, blankets, ceramics, trinkets. Were they wearing buckskin and feathered headdresses? I can only imagine. It was the time of Wild West romanticism, Cowboys and Indians, Roy Rogers, Dale Evans and Hopalong Cassidy.
I was curious. Our mom shooed us into the dining room and then back to the train. It’s likely we passed by Fred Harvey bracelets, real Navajo blankets, tooled leather belts, Hopi pottery, Zuni petit point, squash blossom necklaces: Native American jewelry we dream about today.
As mom and daughters traveled west by train, our dad drove the Plymouth station wagon along Route 66, pulling a small tarp-covered trailer through the desert, a water bottle hanging from the front grill. The manual shifter was on the steering column. Only he could drive it. He later became a huge admirer of Maria Martinez, the famed black pottery maker from San Ildefonso Pueblo, attempting her iconic style.
I’m taking you back to Santa Fe Plaza and the Palace of the Governors. Here is an opportunity to meet artisans, talk with and buy directly from them. Many come from miles away. Navajo silversmiths will travel from Gallup, NM. They might do other things, like teach school or repair cars or serve as tribal administrators. Sometimes, a family member like a mother, father or brother, might sell in their stead.
If you are adventuresome, like me, you might strike up a conversation and ask to visit a home and workshop. Many live within a two-hour radius. That’s how I got to the Santo Domingo Pueblo to see where Warren Nieto lives and creates.
I’m considering organizing a September 2020 folk art study tour of northern New Mexico, based in Santa Fe or environs. This could include visits to Native American jewelry makers, weavers and potteries. We will also include a Native American Feast Day. This feels like a good fit with my love of indigenous arts and my desire to directly support native artisans, as we learn about life, culture, craft and continuity. If you are interest in knowing more as I develop this program with Sheri Brautigam, please send me a note to add you to the list of interested people. email@example.com
Tonight the famed Santa Fe International Folk Art Market opens on Museum Hill to the thrill of all of us who embrace the work created by indigenous people as an expression of self, culture and community. It will continue through the weekend.
On Thursday afternoon, skirting a dramatic downpour of rain, the IFAM officially began with the Parade of Nations around the Santa Fe Plaza. Outstanding artisans from Mexico represented the best of the entire country and her dedication to craft preservation and culture.
It takes a village. It takes the ingenuity, dedication, years of creative work without the promise of recognition. It takes collectors and appreciators who reward talent by purchasing amazing pieces. It takes the support of NGOs and individuals who give time, energy and resources to step in to help artisans, most of whom speak no English, or may speak some Spanish, and who prefer to communicate in their indigenous language, which is probably their first language.
The International Folk Art Market brings people together from all around the world to celebrate native craft and creativity. It offers a forum to appreciate, understand and applaud.
The parade around the plaza brought tears to my eyes for many reasons. This joining, this coming together in celebration is a marvel. I recognized so many faces from the artisans I know in Oaxaca and Mexico. We waved. We embraced. The crowd responded.
The Market is juried and space is limited. Many talented people from Mexico apply and are not accepted. Space is limited. Most wouldn’t even dream of coming this far because it requires about $2,000 US dollars to fund the travel and expenses for one person. There is an application fee and artisans pay a percentage of sales to the organization, too. And, then, of course, there is the huge obstacle of getting a Visitor Visa to enter the USA.
So this is a special group in many ways.
To be here is to have pride in Mexico, what her people do and create, the tenacity required to get this far, the savvy to be able to translate creative work into an application, the perseverance to risk ridicule and jealousy by peers who wish they could have achieved.
There are joys for all us derived from being in a community of like people from around the world.
Why We Left, Expat Anthology: Norma’s Personal Essay
Norma contributes personal essay, How Oaxaca Became Home
Norma Contributes Two Chapters!
Click image to order yours!
Norma Schafer and Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university program development experience. See my resume.
Study Tours + Study Abroad are personally curated and introduce you to Mexico's greatest artisans. They are off-the-beaten path, internationally recognized. We give you access to where people live and work. Yes, it is safe and secure to travel. Groups are limited in size for the most personal experience.
Programs can be scheduled to meet your travel plans. Send us your available dates.
Designers, retailers, wholesalers, universities and other organizations come to us to develop customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Our Clients Include
*Penland School of Crafts
*North Carolina State University
*WARP Weave a Real Peace
We send printable map via email PDF usually within 48-hours after order received. Where to see natural dyed rugs in Teotitlan del Valle and layout of the Sunday Tlacolula Market, with favorite eating, shopping, ATMs. Click Here to Buy Map
Dye Master Dolores Santiago Arrellanas with son Omar Chavez Santiago, weaver and dyer, Fey y Lola Rugs, Teotitlan del Valle