Tag Archives: Frida Kahlo

2016 Looking for Frida Kahlo + Diego Rivera: Mexico City Art History Study Tour

Come to Mexico City to explore the lives of Frida Kahlo and Diego Rivera through their art. This is in-depth art history education at its best! We offer you a narrated cultural immersion that you can miss if you visit on your own. Come solo, with a partner or friend. Norma Schafer participates in all programs. Small group size limited to 8 people for quality experience.

 

2016 Schedule

  • February 11-15, 2016
  • March 31-April 4, 2016

Arrive and meet for a group dinner on Thursday at 7 p.m. We will have a long weekend — three full days —  to learn about Diego Rivera‘s stunning Mexico City murals, visit Casa Azul where Diego and Frida Kahlo lived, and see the largest private collection of their work at the Dolores Olmedo Museum.

Man Controller of the Universe 1934 replicates mural destroyed at Rockefeller Center

Through their eyes, you will better understand Mexico’s political, cultural and social history, and their personal lives together. Theirs is a story of Mexico’s development as a post-revolutionary modern nation. You will also meet their contemporaries, muralists Jose Clemente Orozco and David Alfaro Sequieros, as you compare and contrast their collective work.

If you want to register, send me an email. Tell me the dates you prefer!

A few little nips

A few little nips — Frida painted this after Rivera’s affair with her sister

This is an incredible experience! The Rivera murals at the Secretary of Public Education building were like nothing I expected. The scale, the intensity, the variation of themes, the continual flow of connecting  vignettes – just mind blowing! It isn’t just an art tour. It is an intense immersion into the beginning of an art movement, a cultural movement, and a culmination of historic events that come alive. — Christine Bouton, North Carolina

 

Our expert guide is a noted art historian who holds a master’s degree in art history who is about to embark on a doctoral program. She shares her passion for the Mexican Muralists, narrates the expedition, and leads us through these spaces to give you the most meaningful educational experience:

  • Palacio Nacional
  • Palacio Bellas Artes
  • Museo de Mural de Diego Rivera
  • Secretaria de Educacion Publica (SEP)
  • San Ildefonso National Preparatory School
  • Abelardo Rodriguez market
  • Casa Azul — the home of Diego Rivera and Frida Kahlo
  • Museo Dolores Olmedo Patiño

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Yes, you can visit these places independently. But it’s not likely you will get the same in-depth knowledge, insights, and perspectives if you do.

 

She called him toad. He was 20 years older. They were passionate about life, politics, each other. They shaped the world of modern art and she became an icon in her own right, creating an independent identity that serves as a role model for women. They were twice married and unfaithful, the subjects of books and film, and art retrospectives around the world.

Dream of a Sunday Afternoon in the Alameda Park mural covers 500 years of Mexican history

Rivera’s Dream of a Sunday Afternoon in the Alameda Park survived 1985 earthquake

Casa Azul  — Museo Frida Kahlo is a tribute to the life of both artists. Museo Dolores Olmedo Patiño holds the largest private collection of Frida and Diego paintings in the world. Lola Olmedo was a benefactor and life-long personal friend of Rivera who became executor of his estate that included Casa Azul.

 

Rivera’s mural at the Palacio Nacional (National Palace) covers detailed Mexican history, from pre-Hispanic America to the Spanish Conquest through industrialization, including the French and U.S. invasions, from 1521 to 1930.

David Alfaro Sequieros, Rivera rival, painted this mural at Palacio Bellas Artes

David Alfaro Sequieros, Rivera rival, painted this mural at Palacio Bellas Artes

Plus, you will have lots of options for independent exploration: shop for outstanding folk art, and eat at local markets, historic and fine contemporary and traditional restaurants!

Lunch at the gourmet Mercado San Juan

Lunch at the gourmet Mercado San Juan

See our reviews on Trip Advisor!

Base Trip Includes:

  • welcome dinner at renown restaurant Azul Historico
  • guided discussions by an expert art historian educated at UNAM and Southern Methodist University
  • introduction to Norma’s favorite restaurants (meals not included) and folk art galleries
  • transportation to Casa Azul and Dolores Olmedo Museum
  • complete travel packet and readings sent in advance via email

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Also consider Evoking Frida Kahlo: Making Altars + Shrines Mixed Media Art Workshop — honor a loved one or create a self-portrait visual memoir

Preliminary Itinerary

  • Day 1, Thursday:  Meet for group dinner at 7 p.m. at Restaurant Azul Historico near the Zocalo. Dinner included in your tour cost. Overnight in Mexico City.
  • Day 2, Friday: guided visit to SEP, Colegio de San Idlefonso, where Diego met Frida, and the Abelardo Rodriguez market where Rivera’s students, including Pablo O’Higgins, painted. Lunch and dinner on your own. Overnight in Mexico City.
One of 125 Rivera painted at SEP, 1923-28

One of 125 Rivera painted at SEP, 1923-28, this one mocking the bourgeoisie

  • Day 3, Saturday: guided visit to Palacio Bellas Artes and Museo Mural de Diego Rivera. Optional folk art shopping or visit to Anthropology Museum. Lunch and dinner on your own. Overnight in Mexico City.
Palacio Bellas Artes built during Porfirio Diaz presidency

Palacio Bellas Artes built during the 30-year Porfirio Diaz presidency

  • Day 4, Sunday:  guided visit to Casa Azul and Museo Dolores Olmedo Patiño. Includes transportation. Lunch on your own. Overnight in Mexico City.
  • Depart on Monday for home.
The oldest street in Mexico next to the Palacio Nacional

The oldest street in Mexico next to the Palacio Nacional looks like Europe

Be ready to WALK and then, walk some more!  Don’t forget to bring an extra suitcase to pack treasures you pick up along the way.

  • Base Cost:  $595 USD per person without lodging.
  • Upgrade: $895 USD per person double occupancy, includes 4 nights lodging.
  • Single Supplement offered: $1,195 USD

Choose the upgrade and stay with us at a comfortable bed and breakfast inn located in the historic center of Mexico City with breakfast included.

Tiffany glass ceiling at El Gran Hotel Ciudad de Mexico

Tiffany glass ceiling at El Gran Hotel Ciudad de Mexico — an optional stop on our tour

What the base cost does not  include:

  • lodging — we can recommend wonderful hotels in the historic center of Mexico City where you can make and pay for your own lodging arrangements directly, such as Chill Out Flat B&B, Hotel Catedral or Gran Hotel Ciudad de Mexico.
  • meals except noted in itinerary, alcoholic beverages
  • transportation to/from Mexico City
  • museum admission fees
  • mandatory international health/accident insurance
  • tips for hotels, meals and other services

Base Cost:  $595. USD per person. Small group experience. Maximum: 8 people.

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Upgrade: $895. USD per person double occupancy, includes B&B lodging with breakfast, private bath for four nights, Thursday, Friday, Saturday, Sunday. Otherwise, all exceptions noted above apply.

Single Supplement: $1,195. USD for private room and bath.

Optional: Arrive early and/or stay later to discover Mexico City and her incredible museums and restaurants. We will give you a list  of recommendations to explore on your own.

Katharsis, 1934 mural by Jose Clemente Orozco, Palacio Bellas Artes

Katharsis, 1934 mural by Jose Clemente Orozco, Palacio Bellas Artes

Reservations and Cancellations.  A 50% deposit will guarantee your spot.  The last payment for the balance is due 45 days before the program start date. Payment shall be made by PayPal.  We will send you an itemized PayPal invoice.

Please understand that we make arrangements months in advance of the program. Deposits or payments in full are often required.  If cancellation is necessary, please tell us in writing by email. After 45 days before the program starts, no refunds are possible. However, we will make every possible effort to fill your reserved space or you may send a substitute. If you cancel on or before the 45 day date, we will refund 50% of your deposit.

Frida died July 12, 1954 not long after she painted these watermelons

Frida died July 13, 1954, at age 47, not long after she painted these watermelons

Required–Travel Health/Accident Insurance:  We require that you carry international accident/health/emergency evacuation insurance.  Proof of insurance must be sent at least two weeks before departure.  If you do not wish to do this, we ask you email a PDF of a signed and witnessed waiver of liability, holding harmless Norma Hawthorne Schafer and Oaxaca Cultural Navigator LLC. Unforeseen circumstances happen!

 

To register, email us at norma.schafer@icloud.com. We accept payment with PayPal only. Thank you.

Frida’s sketchbook and journal. Notice the one deformed leg from childhood polio.

This workshop is produced by Norma Schafer, Oaxaca Cultural Navigator LLC.  We reserve the right to adjust the itinerary and substitute leaders without notice.

A note to Frida from Diego two years after her death … “you live in my heart.”

Paint brushes in Frida’s studio at Casa Azul, exactly as she left them

 

Remembering Frida Kahlo: Icon of Passion and Pain

We ended the four-day Looking for Frida Kahlo and Diego Rivera Art History Study Tour in Mexico City with a morning at Casa Azul and the Frida Kahlo Museum followed by an afternoon at the Dolores Olmedo Patiño Museum. (I’ll be setting 2016 dates soon. Contact me to be notified.)

A few little nips

Frida Kahlo is a great source of inspiration and admiration. I see Frida differently each time I visit her home and look deeper into her art. Many are self-portraits about her accident, deformities, wish to be a mother, miscarriages and marital infidelities. Her work is honest and vulnerable.

Evoking Frida Kahlo: Making Memory Altars and Shrines

Consider making a self-portrait altar — a visual memoir!

Art historians and her admiring public describe her work as intensely personal and something we can all relate to, which is why, even today, her following is immense. She is compared to a contemporary Virgin of Guadalupe.

 

On this visit I was most interested in capturing close-up photographs of some of Frida’s most important works that are on exhibit. I am also continuing to experiment with my new Olympus OMD5 Mark II mirrorless camera that I used to take all the photos here.

 

We will repurpose the images for a 4-day mixed media art workshop, February 25-28, 2016.

Evoking Frida Kahlo: Making Memory Altars and Shrines

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In this mixed media art workshop, led by North Carolina artist Hollie Taylor, participants will build an altar or shrine to remember loved ones or to honor Frida Kahlo, feminist icon of passion and pain.

You can also use the workshop to make a self-portrait altar, incorporating images and experiences from your own life, much like a visual memoir.

 

We look at Frida’s life as an example. She was a woman of strength and complexity. While she lived with intense chronic pain, both physical and emotional, her face to the world successfully hid her deformities and shaped her identity. We see this in the Casa Azul exhibit, Appearances Can Be Deceiving.

  

A new documentary film shown at Casa Azul tells the story of Frida, a woman who has become a contemporary role model, honored for her courage and honesty, and for her ability to paint with emotion as a tool for self-reflection and healing.

Evoking Frida Kahlo: Making Memory Altars and Shrines gives us a chance to personally interpret Frida’s life and employ it as a jumping off point to create our own art altar in memory of Frida or our own special someone. Frida’s courage and obstacles, successes and set-backs are a metaphor for all of us.

  

It offers us an opportunity, through art, to explore identity, image, impression, impact, intent. To create an art altar is to interpret and to understand, to reveal what is hidden, to emotionally connect in a very visual way, and to offer homage.

  

Akin to the Mexican approach to death and dying through Day of the Dead, by building a memory altar or shrine, we create a space where we embrace and examine a loved one’s life using photos and memorabilia.

Consider making a self-portrait altar — a visual memoir!

 

Evoking Frida Kahlo: Making Memory Altars and Shrines

Mexico is filled with altars that usually include sacred images and a Virgin of Guadalupe retablo. During Day of the Dead a family altar displays photographs of departed loved ones. We are taking this mixed media art workshop, based in Teotitlan del Valle, Oaxaca, Mexico, beyond the norm to create a three-dimensional altar suitable for display. Frida Kahlo is our muse.

4 Days, February 25 – 28, 2016

Frida with monkey copy 800 kb self-portrait-with-necklace-of-thorns

e·voke. əˈvōk/. verb

bring or recall to the conscious mind, conjure up, summon up, invoke, elicit, induce, kindle, stimulate, awaken, arouse, call forth

Frida offers us inspiration for constructing an altar about life, womanhood, loved ones, family, health issues, successes and set-backs. We hold up Frida’s image, perhaps in self-reflection, to imagine her life and its challenges and to evoke meaning for our own. We then translate these concepts into an altar or shrine that can be used for wall art, to display on a surface or to design as a shelving unit for collected objects.

Consider making this a self-portrait altar!

Diego_Frida_July2014-115 Frida close up2.800KB.copy

Frida was an avid collector of exvotos and perhaps you would like to merge this simple expression of thanksgiving and devotion in your work, too.

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When we think of Frida Kahlo, we may conjure up many images and words to describe her: a woman of strength, power, frailty, independence, weakness, accomplishment, talent. Biographers say she was fierce, passionate, defiant, innovative, creative, vulnerable. We know she was deformed, in pain, proud.

 

Your personal altar can be based on your own experience. We embrace Frida as a metaphor to jump into a new creative realm. Your altar might be a tribute to someone you love who is living or passed on. Your altar might contain a message to send or include as a gift. It can be about you, friends, family or Frida herself.

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About Hollie Taylor, MFA, Workshop Leader

Hollie Taylor earned the BFA from the University of North Carolina at Chapel Hill focusing on painting and printmaking. She then went on to the University of Georgia and received the MFA with a concentration in printmaking.

Hollie taught drawing, printmaking, painting and ceramics at the college, middle and high school levels. For over 20 years, she has taught adult workshops in handmade paper-making, screen-printing, woodcutting, photo-imaging on clay, ceramic hand-building, mixed media art and art journaling.  

She is a recipient of the North Carolina Museum of Art annual artist scholarship award. Her work is published in Art Voices South and The Village Rambler. She earned the prestigious National Board Certification for Teaching Excellence and her students placed repeatedly in national shows. 

Hollie encourages deep personal exploration, offers demonstrations and samples of finished products.  Art produced at her workshops is highly individualistic, broad ranging in style and expressive of the maker. Participants come to the table with varied past creative experiences and she accommodates fully for this range of novice to accomplished artist. She gives personal feedback and encouragement and holds informal discussions to compare intent with outcome, noting what has been learned. A workshop with Hollie is engaging and fun!

A new project for Hollie involves making a book using found family letters and archival photos from Brazil during World War II. This will become a mixed media art show installation based on composites she is rendering in Photoshop to glean new meaning from the material. 

 

Process and Materials

Using found objects, copies of photographs, paint, paper, memorabilia and embellishments, you will construct either a 8” x 10” three-dimensional sculptural piece or a 12” x 16” flat art wall piece.

Materials We Provide: We provide step-by-step altar-making directions and construction materials, plus selected art supplies such as self-healing cutting mats, box cutters, some acrylic inks, assorted decorative papers, handmade clay medallions and selected ephemera art associated with Frida Kahlo.

8.Frida.Paint altar parts with acrylic ink.800KBcopy

Materials To Bring: A sharp pencil, rubber bands, assorted size small brushes, embellishments such as stamps, charms, shells, milagros, copies of photographs, textiles. Try to imagine what will symbolize the different attribute’s of your altar’s theme and bring what will enhance its meaning. After you register, we will send you a complete list of supplementary supplies to bring. Participants often share for a wider range of choice.

 

Resources: Hollie recommends Crafting Personal SHRINES, Using Photos, Mementos & Treasures to Create Artful Displays, by Carol Owen, Lark Books, 2004.

Our Schedule: Daily, 9:30 a.m. to 3:00 p.m. includes catered lunch  

Day One, Thursday, February 25: We look at images of altars and sacred boxes, visit church and private home altars, and talk about Frida Kahlo – her style and what she valued. You will come with a concept for your creation, and with Hollie’s guidance you will finish the design and begin to build your project.

Day Two, Friday, February 26: Continue to build your altar, wrapping it, painting it, and gluing it together to form a completed container for what will come next. You may also want to add a door and small shadow boxes to display memorabilia reflecting your concept.

Rolling on Matte Medium to seal the foam core.

Rolling on Matte Medium to seal the foam core.

Day Three, Saturday, February 27: Finish altar construction. Begin to decorate and embellish your altar with photos (copies), writing, drawing, found objects and memorabilia you have brought with you.

Day Four, Sunday, February 28: You will add the finishing touches before we hang your finished work for a group show and presentation of your piece, followed by a grand finale mezcal margarita cocktail reception.

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Workshop Cost

Base Cost – Workshop Only: $495 per person, includes all instruction, materials to construct your altar or wall art, hand-outs, guided visits to family homes and churches for altar research, 4 lunches and cocktail reception. This option is designed for people who do not need lodging, and want to travel back and forth daily from Oaxaca city.

Upgrade 1 – Workshop + Share Room: $665 per person shared room with private bath en suite. Includes all of the above plus 4 nights lodging, arriving on Wednesday, February 24 and departing Sunday, February 28 by 6 p.m. Includes 4 continental breakfasts. We assign rooms in order of registrations received. Contact us for availability.

Upgrade 2 — Workshop and Private Room/Bath: $795. Includes all of the above.

How to Register

The workshop does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation to and from Oaxaca city.  We can arrange taxi pick-up and return from/to the Oaxaca airport at your own expense (approximately 280 pesos).

Reservations and Cancellations A 50% deposit is required to guarantee your spot. The last payment for the balance due (including any add-ons) shall be paid by January 6, 2016. We accept payment with PayPal only. We will send you an itemized invoice when you tell us you are ready to register.  After January 6, refunds are not possible.  You may send a substitute in your place.  If you cancel before January 6, we will refund 50% of your deposit.

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Required–Travel Health/Accident Insurance:  We require that you carry international accident/health/emergency evacuation insurance. Proof of insurance must be sent at least two weeks before departure.  If you do not wish to do this, we ask you email a PDF of a witnessed waiver of responsibility, holding harmless Norma Hawthorne Schafer and Oaxaca Cultural Navigator LLC. Unforeseen circumstances happen!

Workshop Details and Travel Tips.  Before the workshop begins, we will email you a map, instructions to get to the workshop site from the airport, and documents that includes extensive travel tips and information. To get your questions answered and to register, contact: oaxacaculture@me.com

This retreat is produced by Norma Schafer, Oaxaca Cultural Navigator LLC. We reserve the right to make itinerary changes and substitutions as necessary.

DiegoFrida4Group-77 copy

 

 

 

 

Frida Kahlo Mania: See Her in the USA

Our iconic Frida Kahlo, her life, art, clothing, jewelry, pain, sorrow, tragedies, affairs and everything else worth examining about her is featured in 2015 exhibitions around the United States of America.

Frida Kahlo: Art, Garden, Life is an exhibition at the New York Botanical Garden featuring the plants that Frida loved to wear and had in her Mexico City gardens.

p0080 self-portrait-with-necklace-of-thorns

Several famous paintings shown include one of Luther Burbank who she and Rivera admired, and “Self-Portrait with Thorn Necklace and Hummingbird” (1940), a parting gift to Nicholas Muray, Hungarian photographer and lover.

The Burbank portrait, which I have seen many times as part of our Looking for Frida Kahlo and Diego Rivera in Mexico City: Art History Tour, is on loan from the Dolores Olmedo Museum.

The blockbuster Detroit Institute of Arts exhibition featuring Kahlo and Rivera will run until July 12, 2015. I know many who have bought plane tickets to go see it.

The New Yorker magazine says, “The exhibition is nothing if not an event, which is fitting, given how much of a moment Kahlo is having this year (see The Striking Absence in the Detroit Intitute of Arts’s Diego Rivera and Frida Kahlo Blockbuster and Frida Kahlo Love Letters Sell For $137,000—That’s Over $1,000 Per Page!).

For about the same price to travel to Detroit or New York, why not come to Mexico City for our art history tour that will take you to Frida’s paintings, Diego’s murals, Casa Azul and the Dolores Olmedo Museum where you can see it all (except those pieces out on loan!)

We have offered Looking for Frida Kahlo + Diego Rivera in Mexico City: Art History Tour multiple times a year since early 2014 to rave reviews.

Plus, you will see the amazing gardens and the endangered xoloitzcuintle, too.

 

Diego Rivera Murals in San Francisco: Critical Guide for Visiting

There are three Diego Rivera frescoes in San Francisco, California. To get in to see them all is not easy, but it is well worth the effort. It was an incredible treat to be able to see these frescoes up close and personal. A word of advice: it’s very important to plan and confirm your visits in advance.

In Mexico, Rivera intended his murals to be accessible to the public. That was an important social and political premise of the Mexican Muralist Movement — art for and of the people. All are filled with consistent Rivera themes: the worker, the common soldier, the peasant farmer and industry. These murals mirror those in Mexico City of the same era (like Man, Controller of the Universe) and I recognize similar scenes and characters.

Looking for Diego Rivera + Frida Kahlo in Mexico City: 3-Day Art History Tour

These are the three murals in order of their creation:

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Pan American Unity, left half

Pan American Unity, left half

Pan American Unity, right side

Pan American Unity, right half

These are the three murals in order of accessibility:

San Francisco Art Institute

The most accessible fresco is The Making of a Fresco Showing the Building of a City at the San Francisco Art Institute, open 9 a.m. to 7 p.m. This is a private, degree-granting university. Doors are open to students and to the public Monday through Friday. Check for weekend hours. The challenge is to find parking around the steep Cow Hollow hills. But if you are in a taxi or take UBER, no worries.

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The mural is at the end of a student exhibition gallery space on the main level to the left of the entry courtyard. We followed good directional signs to get there. Once inside, the floor to ceiling wall art dominates the space.

This is a painting within a painting. Rivera included himself (back to viewer, with his ample frame centered on the scaffolding) with helpers making a fresco. His patrons who financed the project are part of the set. It reminds me of the caricature portraits we see at the Palacio Nacional depicting the history of Mexico that Rivera started in 1929 at about the same time. In fact, this Mexico City mural was not completed for another ten years because of commissions like this one in the U.S. It is very Rivera with a bold figures, the central one wearing a red star. You will see a lot of similarities here if you are familiar with his style.

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There is a small donation box in front suggesting support for mural preservation. We didn’t find hand-out information, art history notes or guestbook. The best descriptions are online, which I suggest you read before visiting.

800 Chestnut Street (between Jones and Leavenworth), San Francisco, CA 94133. Phone: 415-771-7020

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Looking for Diego Rivera + Frida Kahlo in Mexico City: 3-Day Art History Tour

City College of San Francisco

Located in the Sunset on a hill overlooking the Pacific Ocean, City College of San Francisco boasts a comprehensive historical reference mural to The Marriage of the Artistic Expression of the North and the South on this Continent.  Informally called The Pan American Unity Mural, Rivera painted it in 1940 for the Golden Gate International Exposition on Treasure Island.

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He was invited by civic and arts leaders to participate in the Exposition’s “Art in Action” program, joining other prominent artists. Fair-goers watched while Rivera and his assistants painted!

Frida Kahlo, who marries Rivera for the second time in San Francisco in 1940, stands front and center, while Rivera, his back to the viewer, holds the hand of actress Paulette Goddard. This mural is the most political of the three San Francisco pieces and is parallel in style to the Palacio Nacional mural of the same era, each featuring the founding fathers of Mexico and the USA.

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Because of state funding cuts, visiting hours at SFCC are limited. Please consult the website to see when there is a volunteer faculty/staff member scheduled to open the Diego Rivera Theatre where the mural can be seen.

This important mural is housed in a very cramped space. I was told that for years the intent has been to build a larger gallery to view it. But … the college depends on designated private gifts to realize project goals. A small donation box sits in front of the mural. We gave more than requested for a beautiful, thorough art history brochure with color photo. Thanks to the college for providing this!

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Notes: Be sure to walk upstairs to a small balcony (don’t trip, it’s also used for storage) to get the most expansive view of the mural. From above, the center view is obstructed by a large carved wood sculpture that obstructs the experience. Free street parking available.

50 Phelan Avenue, San Francisco, CA 94112. Viewing Hours are posted on the website. Phone only goes to voicemail: 415-452-5313

The City Club of San Francisco

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Rivera asked Olympic swimmer Helen Willis to model.

Our experience at The City Club of San Francisco, an exclusive, members only space on the 10th floor of the former Pacific Stock Exchange, proved that you can’t always trust what you read online, even from USA Today. We read the mural was open for viewing from 3 to 5 p.m., Monday through Friday. Not exactly true.

We found out the hard way that you can only gain entrance to see the mural if you make an appointment in advance with a City Club staffer. Denied entry and after repeated phone calls from the lobby that all went to voicemail, we finally connected with a live person. When I introduced myself and requested a visit, I got a harsh scolding about not having an appointment, a tirade about this being a private club, a rant about not to trust internet information, then a reluctant agreement to allow us upstairs to see the mural for ten minutes. We were shocked by staff behavior because of the club’s great reputation for hospitality.

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As we emerged from the elevator, the staffer hid a candy jar from her desktop where she sits sentry on the landing in front of the mural. Seems other riffraff before us dipped into the candy dish and she is keeping a watchful eye.

Lobby, Stock Exchange Tower Building, Art Deco

Lobby, Stock Exchange Tower

The staffer we met is definitely the gatekeeper. You need to call in advance, make an appointment and purr. I wouldn’t say you know me.

Do you think Diego would roll over in his grave?

Stock Exchange Tower, 155 Sansome Street, San Francisco, CA 94104. Phone: 415-362-2480

 

 

Recommendations:

  • Call in advance to each site to confirm opening times.
  • Make an advance appointment directly with The City Club to see the mural there.
  • Educate yourself. Read about each mural in advance since only the City College of San Francisco may publish an art history description.
  • Devote a half-day for visiting the three murals. They are in different parts of the city and traffic can be difficult.
  • Be ready to pay at least $16 per hour to park near the City Club if you are driving a car. Park farther out and use UBER.
  • Be prepared to be disappointed. You may not get in to all venues.
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View from the rooftop terrace, SF Art Institute with Alcatraz.

Looking for Frida Kahlo + Diego Rivera in Mexico City: Art History Tour

Suggested Visiting Route:

  • 11 a.m. — San Francisco Art Institute (open 9 a.m.-7 p.m.)
  • 1 p.m. — City College of San Francisco (open 1-3 p.m.)
  • 3:30 p.m. City Club of San Francisco (by appointment only — call 415-362-2480 well in advance. Purr when you talk to staff.)

A BIG thank you to East Bay friend Mary Ann for organizing this day and driving to all parts of The City.

Coit Tower from the SF Art Institute rooftop terrace.

Coit Tower from the SF Art Institute rooftop terrace. See the Bay Bridge?