I’m doing my best these days from my little apartment in Durham, North Carolina, to help promote Oaxaca artisans, primarily those who work in textiles. Today, I am excited to announce that I am representing the work from the natural dye studio Taller Teñido a Mano located in downtown Oaxaca city.
See below for photos and prices:
3 beautiful designer wool rugs, tapestries for floor or wall (ONE LEFT)
10 indigo-dyed face masks, size medium (SOLD OUT)
3 canvas and leather market bags, sturdy, lined, gorgeous
SOLD. Last One: Buy it NOW for $12 plus $6 mailing. SOLD OUT!SOLD. #1: Indigo, cochineal, wild marigold, natural grey sheep wool, 23″w x 36-1/2″L, $295
To Buy: Please email me normahawthorne@mac.com with your name, mailing address and item number. I will mark it SOLD, send you a PayPal link to purchase and add $12 per package for cost of mailing. Please be sure to select Send Money to Family and Friends!
The studio creates textiles using only natural dyes from local sources: indigo, wild marigold, mahogany bark, pomegranate, cochineal, and more. Color variations are also achieved using overdyes. For example, green tones come from dipping in a wild marigold dye bath and then again in an indigo dye bath. Gray tones are achieved when the dyer uses a cast iron pot which creates a ferrous oxide chemical reaction.
To Buy: Please email me normahawthorne@mac.com with your name, mailing address and item number. I will mark it SOLD, send you a PayPal link to purchase and add $12 for cost of mailing. Please be sure to select Send Money to Family and Friends!
THREE CANVAS MARKET BAGS WITH LEATHER
3 Sturdy Canvas Market Bags, Lined, Natural Dyes with Leather
There are so many uses for these sturdy, beautiful canvas and leather bags: market, beach, go-anywhere tote. Even use it as an overnight bag. These are beautifully crafted with excellent finish work. The solid leather handles are attached with brass grommets. The lining has two inside pockets, one with a zipper. The outside pouch is leather and is big enough to hold a cell phone. An elegant, practical shopping bag. Double straps are 28″ long — long enough to sling over your shoulder comfortably.
The studio also dyes cotton threads and hand-spun wool yarn that they sell to knitters and weavers. All pieces are unique and one-of-a-kind. Because of their handmade quality, there is variegation in the dyes and some imperfections.
#4: Mahogany-dyed canvas, leather pocket and base. 20″ w x 19″ h. $225#5 (L) 18×20, pomegranate in iron oxide pot, with pomegranate/indigo over-dye base. #6 (R) is also 18×20, pomegranate in iron oxide pot, with wild marigold base. $195 each. Each bag is lined, with two inside pouches, one with zipper
INDIGO-DYED FACE MASKS
Indigo-dyed face masks, $15 each. 2 left. Canvas, indigo dyed, face mask, $15 each
To Buy: Please email me normahawthorne@mac.com with your name, mailing address and item number. I will mark it SOLD, send you a PayPal link to purchase and add $12 for cost of mailing. Please be sure to select Send Money to Family and Friends!
Beautifully sewn face masks with solid blue lining
We have a no returns/no refunds policy. Thank you for understanding. All proceeds are sent immediately and directly to artisans.
Today I am offering 9 treasures from my collection for sale. These are pieces I have never or rarely worn. They live in my Durham, NC, closet. Many of you know that I am now walking 8,000 to 10,000 steps at least four times a week and have maintained size small for almost two years. These beautiful clothes are now way too big for me to wear. I’ve decided it is time for these pieces to be with others who appreciate them as much as I do.
To Buy: Send me an email — norma.schafer@icloud.com with your name, address, and item number. I will send you a PayPal invoice to pay with credit card. Please be sure to use the payment option “sending to family and friends.” Once I receive your funds, I will mail via USPS to anywhere in the USA. I will add on $12 for mailing to the invoice. Thank you VERY much.
#1 Pencil huipil with fuchsine dye, 24-3/4″ wide x 37-1/2″ long, $325
#1 is from the Oaxaca coast in Santiago Ixtlayutla, near Pinotepa de Don Luis. It uses fuchsine dye, which locals call “cochineal” but it isn’t! It actually creates a more purple stain on cotton cloth that then bleeds intentionally into the base fabric. Fine silk thread is woven as the supplementary weft creating the figures in the cotton cloth. It is the silk that takes the dye after the piece is finished. The style is to dye and fold the cloth, soaking it in water so that the dye runs into patterns that are mirrored into the surrounding cloth. Those of us who know these textiles, covet and cherish them. The finishing joinery stitches on this one are very secure and fine.
All fuchsine-dyed garments are rare and collectible!
SOLD. #2. Fine gauze cotton blusa with fuchsine dye, 30″ wide x 27″ long, $245
Notes from Traditional Innovation in Oaxaca Textiles: There is another colour that can be found in several textiles from Oaxaca: fuchsia. The costume of men and women from the Mixtec town of Santiago Ixtayutla use locally-raised silk from San Mateo Peñasco, where silk is dyed with fuchsine, a magenta dye invented in mid-19th century which chemical composition is rosaniline hydrochloride. Since these dyes arrived in Mexico during the second half of the 19th c., weavers started using them: they were quick to use and cheap to obtain.
#3. Fuchsine shawl, 24″ wide x 84″ long including fringes, $285SOLD. #4. Gauze Blouse from Venustiano Carranza, Chiapas, $145
SOLD. #4 is from the warm, humid coastal region of Venustiano Carranza, Chiapas, where lightweight hand-woven textiles are preferred. This is fine cotton woven on a back-strap loom. The colorful figures uses synthetically-dyed cotton in the supplementary weft. Measures 25″ wide x 25-1/2 long — size L-XL.
SOLD. #5. Olive and Rust Poncho, Chiapas, $165, one size
SOLD. #5 is woven on a back-strap loom in a Chiapas village of medium-weight cotton, hand-tied fringes. The design is incorporated in the weaving using the supplementary weft technique. It is not embroidered!
SOLD. #6 is a medium-weight cotton poncho with hot red needle work down the front to join the two pieces of cloth together. This is an unusual piece because of the texture of two different weaving styles used in the cloth (it does not have a seam). The front of the piece is shorter, hanging hip length and the back hangs longer to cover the rear!
SOLD. #7 was purchased from Remigio Mestas’ Oaxaca city shop Los Baules de Juana Cata. He is cited as a top authority on Oaxaca textiles, and offers only the finest woven and naturally dyed fabrics for sale, created by the best weavers. The dye is called Palo de Aguila, which translates to Alderwood, and is found in the Sierra Mixe of Oaxaca.
SOLD. #8 is from the back-strap loom weaving village of Pinotepa de Don Luis. There is a very fine young weaver there named Sebastiana Guzman Hernandez. She was educated and worked as an engineer but preferred to weave and rescue her family’s indigenous traditions. I purchased this huipil from her workshop studio in the village. She dyes the indigo and buys the caracol purpura threads from the few local dyers who collect the rare purple snail dye from the Oaxaca coast.
SOLD. #9 is a slinky blouse, machine embroidery on polyester, with see-through eyelet detail from Zinacantan, Chiapas. It is not hemmed because traditional women will tuck this inside their wrap-around skirts.
The Japan Textile Study Tour is filling up. We are a small group, limited to 10 people, and there are 4 spaces remaining! If you are thinking about coming with us to Japan, please don’t wait much longer.
Japanese ikat, indigo dye
I have confirmed plans to visit a noted Japanese national treasure, a textile artist who works in indigo, known as Japan Blue. Her studio is at the foot of Mt. Fuji near Lake Kawaguchi. We will spend a good part of the day with her, dyeing with indigo in her studio.
Variety of indigo cloth
I have explained to her that we are visitors who understand and appreciate the art of indigo dyeing. I am told that our dye master is very selective about who visits her and welcomes anyone who understands and appreciates her art.
Indigo colored dye equipment
We will have a several hour immersion experience with her as we learn about her dye process and participate ourselves in dyeing pure cotton cloth that she will provide. Since she is very serious about what she does, she asks that we participate fully rather than just coming to visit and observe. I have promised her that we are coming to honor the age-old tradition of indigo dyeing in Japan, and honor her work as a serious artist and dyer.
The man who is helping me put this experience together is Japanese, a Harvard graduate, and he will serve as our guide and translator for our time at Mt. Fuji. He tells me the following:
The dye master is “living” with 4 pots of indigos in her small atelier, and she cares for her indigos like her pots 24/7 — like they are her babies!
During cherry blossom season
In order to create the exact colors she needs in her art works, she precisely controls the fermentation of each of 4 indigo pots during the production processes of her art works. When she is preparing art works for big exhibition events, she pays special attention to the fermentation status of the indigo.
That is the basic reason why she does not usually provide easy-going, superficial “experience” programs for travelers; it will damage her indigos. From her artist’s point of view, she believes that brief“experience” programs that are business-focused and the art creation profession cannot co-exist.
Traditional indigo dye vats
What makes this indigo dye master’s art unique can be summarized into several points.
She is “building” indigo exactly in the same traditional way as the artisans back in 17th and 18th centuries.
She uses traditional fermented indigo grass which is now only produced in limited supply from Tokushima Prefecture.
She utilizes timber ash NOT sodium carbonate for the fermentation in the pots. To obtain good quality timber ash, she must use a wood-stove in her daily life.
Vintage indigo katazome cloth
So, our dye master is literally “living” with indigos.
She believes this was one of the most important aspects of traditional “Japan Blue” – artisans fed, cared for and raised indigo like it is their baby! They literally lived with indigos.
Our dye master is an artist first and foremost. She is creating contemporary art utilizing traditional indigos.
After the advent of chemical dyeing productions, and also Japanese apparel culture being westernized, traditional indigo dyeing has lost its position in the dyeing industry. But, our dye master believes that there must be artistic expressions which only “Japan Blue” can make. She is committed to proving that traditional “Japan Blue” can existent as a way of artistic expression in an era of high technology and streamlined processes. This is the only way that traditional “Japan Blue” can survive into the next generation.
To our best knowledge, there are no artisans or artists who are incorporating all of this.
Meiji period vest
We will be one of the few groups that our dye master will accept into her atelier, and let us “use” her indigo. We will have a unique opportunity to dye with Japan Blue and have our own piece of art to take with us.
She asks that if we appreciate what she does, we can also purchase her art work ONLY IF we like it!
We now have 6 people registered to come with me and Nathan Somers, a North Carolina indigo dye master, on this Japanese textile adventure. I will accept no more than 10 people. If you know of anyone else who would like to join us, please ask them to contact me. It is important that we have a small group experience that is meaningful for each of us.
Nathan, with a vintage indigo textile from his collection
Japan Textile Study Tour, November 6 – 19, 2020, 12 nights, 13 days, start in Kyoto and end in Tokyo — SOLD OUT. Get on the waiting list.
We take you on a textile adventure of a lifetime to the land of the Rising Sun. Japanese style elevates textiles to a fine art form. We go deep into the culture of hand-weaving and indigo dyeing, high fashion and simple garment construction, venturing into old mercantile shops, contemporary design studios and temple markets to discover how cloth defines a people. Along the way, we discover historical sites, eat traditional foods that have ceremonial significance, visit museums and immerse ourselves into a modern Japan that is underpinned with ancient tradition.
Geisha life on the streets of Gion, Kyoto
Japan is an amalgam of ancient craft wisdom that is translated into art as a metaphor for life – from pottery to textiles to knife-making to humble and refined cuisine to garden landscape. We visit craftsmen who were provisioners to emperors. Throughout our travels, we touch on the philosophy that girds the culture – aesthetic sensibility, wabi-sabi (perfection in imperfection), and iki (simplicity, originality, sophistication, spontaneity, refinement).
Vintage indigo stamped cloth, Kyoto antique textile shopBolts of beautiful cloth, Nuno Works, Tokyo
You will travel with Norma Schafer, Oaxaca Cultural Navigator LLC director, writer, producer and photographer. Our co-leader is Nathan Somers, textile artist, collector, indigo dyer and historian. You will visit many sites Norma and Nathan know from personal and professional experience.
Vintage indigo textile samples
This is a hands-on, slow-savor, deep cultural immersion travel experience for up to 10 active textile lovers.
Our itinerary concentrates on the textile culture
of Kyoto, Japan’s ancient capital, and Tokyo, once known as Edo, where day-glow
neon and phantasmagorical skyscrapers cast a futuristic glow over the old
Tokugawa Shogunate.
Vintage Boro patchwork textiles using sashiko stitching
In Kyoto and Tokyo, we will navigate the city and reach our local destinations using outstanding public transportation – faster and more reliable than private services. Bus and Metro service is punctual, frequent, safe and reliable. This gives us an opportunity to travel with the locals and familiarize ourselves with neighborhoods and the ease of travel in Japan. We have engaged locals to help us navigate and translate this fascinating culture.
Indigo dye vats where the plant ferments
Who goes on the Textile Study Tour to Japan? Artists, makers, educators, life-long learners, writers, textile
lovers, historians, photographers and those wanting to learn more about Japan, weaving
and natural dyeing there.
Preliminary Itinerary
F-11/6: Depart your home city and travel to Kyoto, Japan
Sa-11/7: Arrive Kyoto in late afternoon. If you are up to it, join us in the hotel lobby to meet up for an optional group dinner (cost is OYO)
Su-11/8: Meet at 1 PM for a Welcome Lunch, stroll the Imperial Palace, visit a traditional miso shop and confectionary maker (B, L)
In Gion, Kyoto, naturally dyed silk, linen and cotton — persimmon and cochinealSatoshi holding court at his Tokyo izakaya
M-11/9: After breakfast, we will set out to explore the Nishiki Market, meandering the famed fish and food stalls, have lunch, then stroll Teramachi Street where we will visit vintage textile galleries, then transition to the Geisha neighborhood of Gion for more! (B, L) Dinner OYO
Street food at a temple market, KyotoTime and space for meditative moments
Tu-11/10: Shibori Workshop and Shibori Museum. Hands-on session to make your own shibori-designed textile with indigo dye. (B, L)
W-11/11: Our focus today is on the old weaving center of Kyoto with a visit to Nishijin Textile Center and several shops that dye and make indigo garments. Afternoon OYO (B, L)
Arashiyama river scene, KyotoIn the Bamboo Forest, Arashiyama, Kyoto
Th-11/12: It’s important to have choices! Take the day to create your own itinerary or come with us to visit Arashiyama where we will stroll the famed Bamboo Forest. You have the option to take a rickshaw ride and meander sacred temples in this more rural Kyoto neighborhood, with optional and traditional keiseki multi-course lunch (B)
Norma’s boro and sashiko project — in progress
F-11/13: Travel to Kawaguchi Lake and stay overnight in guest house/lodge. (B, D)
Geisha in training at the Bamboo Forest
Sa-11/14: Visit the workshop studio of an indigo dyer in a small Japanese mountain village for a demonstration, to see her collection and shop. Take afternoon train to Tokyo. Check into our hotel. (B, L)
Buddhist monk stamps a Goshuin with a calligraphy messageSilk, hemp, linen and cotton shawls with natural dyes
Su-11/15: Attend two major Temple Markets — Takahata Market and Oedo International Forum — where you will find old kimono, pieces of vintage cloth including silks, natural dyes and hand-weaving, vintage collectibles such as ceramics, carved wood, figurines, jewelry, art and much more. (B)
Temple altar with prayers and incense
M-11/16: We set you loose in Ginza — high fashion center of Japan — for Department Store Shopping and to explore the Basement Food Courts. Department stores feature unparalleled designer boutiques and food treasures. If you prefer, you might like to go to Nuno Works in Roppongi and peek into the upmarket world of Akasaka boutiques. (B)
Bolt of vintage indigo-dyed cotton cloth, once intended to become a kimono
Tu-11/17: Tsukiji Market Meander. We love markets and the most famed in Japan is Tokyo’s Tsukiji Market where we will get to early in the morning to take in splendid company of super-fresh oysters the size of fists, sushi and sashimi bites, sake sips, and crispy tempura rolls. Then we are off to Nippori Fabric Town to shop for yardage, with a stop at Kata-Kata or Gallery Kawano (B, L)
W-11/18: After breakfast, Yu Design Studio show and sale. They are a new, innovative design studio working in hand-woven cotton, silk and hemp with indigo dyes. Then, set out on your own to chart your own course. You might like to visit the Imperial Palace, the National Museum or retrace steps to go back for a treasure that passed you by. We will meet again for our grand finale dinner to say our goodbyes. Dinner (B, D)
Th-11/19 Tour ends and participants depart (B)
*Travel Note: You can arrive to Osaka Kansai International Airport which is 40 minutes from Kyoto and depart from Tokyo Narita Airport. You might also find more favorable airfares flying to/from Tokyo. Check www.skyscanner.com for schedules and airfares. If you fly to Tokyo, you will take the Shinkansen bullet train (2 hours, 15 minutes) to Kyoto to meet up with the group on November 6. Rail tickets can be purchased in advance online. We will send more detailed information to the group after our travel cohort is formed. You can choose to arrive earlier or stay later at your own expense.
Norma Schafer is director of Oaxaca Cultural Navigator LLC, writer, blogger, photographer and food aficionado. Her love of indigo has taken her to Mexico, India and Japan to explore the culture of weaving and natural dyes. On this return visit to Japan, she takes you to her favorite textile haunts to meet makers and collectors.
Vintage peasant coat, indigo with sashiko stitching, sourced in Kyoto
Nathan Somers is an educator, textile artist and vintage Japanese fabric collector who lives in Durham, NC. Nathan teaches indigo resist throughout the southeast United States, and making guest presentations at spinning an weavers’ guilds. His primary area of study is Japanese textile traditions.
Nathan Somers with a textile from his collection, found at a temple market
In 2016, Nathan was the subject of a Japanese
television show that came to Durham to film his collection. The producers then tansported
him to the Island of Amami Oshima, Japan, to study with an indigo dyer.
How did it all begin for Nathan?
In 2007, Nathan found himself rummaging through a
box of Japanese textile scraps at a Portland, Oregon, antique sale. The fabric,
with its hand spun threads, uneven selvedges, complex patterns, and deep indigo
inspired him, but at the time he didn’t understand the techniques that had been
used to make the textiles.
Hand-spun, hand-woven Japanese cloth, textural beauty
Nathan began to study all he could about how these
fabrics were produced and what their designs were meant to convey. Nathan’s
textile collection comes from Japan’s temple and shrine markets and through
contacts with dealers. The collection spans the late Edo (1603-1868) and Meiji (1868-1912)
periods. He focuses on Tsutsugami (freehand paste resist), Katazome (stencil
paste resist), Sashiko (mending or reinforcing stitch), Zanshi (waste thread
fabrics) and Boro, (repeatedly mended and patched textiles). These textiles
heavily inspired Nathan’s own work, which focuses on the Katazome stencil paste
resist technique.
Fresh grilled octopus — skewered for eating while strolling
In
the years since first finding that box of fabric scraps, Nathan has researched traditional
Japanese fabrics to best understand their production and design. He has traveled
to China and Japan to deepen his knowledge about dyeing and weaving. Nathan
experiments extensively, grows cotton in his home garden that he weaves and
dyes, and also works with foraged fibers like Kudzu, wisteria and hemp – all essential
parts of fabric production in Old Japan.
Nathan is an outstanding resource to guide us on this textile adventure, explaining dyeing, weaving and design processes as we travel, helping us to identify cloth origins, quality and value.
What is included?
A total of 12 nights accommodation
12 breakfasts, 6 lunches and 2 dinners as outlined in the
itinerary
Hands-on indigo dye workshop
Textile fabric shopping – vintage and
new
Natural dye, weaving and stitching
demonstrations
Market and gallery tours that
encompass textiles, food, culture
Visits to cultural and historic sites
Shinkansen Bullet Train tickets or
luxury van transportation from Kyoto to Tokyo
Intra-city metro and bus tickets
Entry fees to museums and galleries
as part of the itinerary
Comprehensive pre-trip planning guide
Knowledgeable tour leaders – Norma
and Nathan
Shark skin wasabi grater, of course
What Nathan says:
I am so excited to have this opportunity to
co-lead this tour. Japan is an
amazing country and regardless of where you travel you have a strong connection
to the past and to the Japanese concepts of mottainai (make the best of what you have) and wabi sabi (beauty through imperfection). I am excited to share with others my
love and appreciation of Japan and its traditional textiles. The beauty and
simplicity of the fabric is plain to see, but by learning about the complex way
in which they are made offers a greater appreciation for the intricacies and
aesthetics of this textile tradition.
We reserve the right to
substitute instructors and alter the program as needed.
Cost • $6,495 per person double room with private bath (sleeps 2) in top-rated accommodations • add $985 for a single supplement
Hand-woven ikat with indigo dye
Reservations and Cancellations. We accept payment using online e-commerce only. If for any reason, Oaxaca Cultural Navigator LLC cancels the tour, a full-refund will be made.
We will send you an itemized
invoice when you tell us you are ready to register. If you cancel on or before August
22, 2020, we will refund 50% of your deposit received to date (less the $750
non-refundable deposit). After August 22, 2020, there are no refunds.
If you register after December 22, 2019 and before March 22, 2020, you will owe 1/4 of the balance due. If you register after March 22 and before May 22, you will owe 1/2 of the balance due. If you register after May 22 and before August 22, you will owe ¾ of the balance due. If you register after August 22, you will owe 100% of the balance due.
Old Japan is still very much present and alive
How to Register: Complete the Registration Form. Email it to norma.schafer@icloud.com
Who Should Attend:
Artists, makers, educators, life-long learners, writers, photographers, textile
lovers, historians and those wanting to learn more about Japanese art,
textiles, culture and history. If you love First World Exotic
Travel and the inspiration of the best of Asia influences, this trip is for
you.
Selection of sake at a Tsukiji market tasting stand
Required–Travel Health/Accident Insurance:
We require that you carry international accident/health insurance that includes
$50,000+ of emergency medical evacuation insurance. Proof of insurance must be
sent at least 45 days
before departure.
In addition, we will send you
by email a PDF of a witnessed waiver of responsibility, holding harmless Norma
Schafer and Oaxaca Cultural Navigator LLC. We ask that you return this to us by
email 45 days before departure. Unforeseen circumstances happen!
Chef’s choice — this array of dinner selection is not unusual
Reservations and Cancellations.
We accept online e-commerce payments only. We will send you an itemized invoice
when you tell us you are ready to register. All documentation for plane
reservations, required travel insurance, and personal health issues must be
received 45 days before the program start or we reserve the right to cancel
your registration without reimbursement.
Fitness Level – Moderate Terrain, Walking and Group Courtesy: Tour participants must be able to walk two miles, board buses and trains, carry their own luggage unaided, and navigate uneven surfaces including stairs. We may walk more on some days. We recommend you bring a walking stick if you need something to lean on! If you have mobility issues or health/breathing impediments, please consider that this may not be the study tour for you.
Traveling with a small group has its advantages and also means that independent travelers will need to make accommodations to group needs and schedule. We include plenty of free time to go off on your own if you wish.
My quest for Japanese indigo fabrics and clothing took us to remote villages and high-end designer boutiques. I searched old kimono stacked in department store corners and flea market stalls. In the old Geisha district of Gion, two vintage textile shops offer 100+ year-old pieces in varying condition. I traveled from Tokyo to Kyoto to the remote thatched roof village of Miyama with blue on my mind. We lingered at the Amuse Museum exhibition of boro cloth in awe of indigo-dyed hemp and cotton patchwork born of poverty.
Indigo is my passion. It’s why I wanted to go to Japan. Oh, and the food. Oh, yes, and the cherry blossoms. Temples. Zen. Gardens. Oh, my.
This indigo vintage undergarment from Gallery Kei, perfect as a tunic
My sister was more interested in Kabuki and Noh theatre, so we negotiated time dedicated to our interests. We attended performances of both and met with a foremost expert on Noh, a US ex-pat living and teaching in Japan for 40 years. We managed to walk blocks that became miles, traveled by bus, train and taxi, all in search of blue, art and food.
We saw the famed kabuki actor (far right) at Kyoto’s Minimiza Theatre
Finding indigo in Japan is not easy. Sometimes we couldn’t locate the address. Sometimes we got lost despite Google maps. Sometimes I would stand on a street corner and call out, Does anyone speak English? to help us get our bearings. (Always, a kind, helpful person came to our aid, even guiding us to where we needed to go!) Sometimes the source was in such a remote area that we couldn’t get there. Tokyo is a vast megalopolis, on a scale beyond my ken. Kyoto, described as smaller, hardly pales in comparison.
The art of dyeing with indigo today is uncommon, as it is in Oaxaca, Mexico, where it is necessary to travel twelve hours from Oaxaca City to meet the maker. In Japan, one must also ferret out the dye masters and makers who turn indigo-dyed cloth into clothing. The practice is almost extinct, just like Mexico. And, as with all things made-by-hand, quality comes with a price, when you can find it.
I also noticed construction similarities between traditional Oaxaca huipiles and Japanese kimonos. Both are simple assemblages of cloth squares and rectangles, with hand-stitchedSi seam sewing and no tailoring (ie. no darts). The long, drooping kimono sleeves are merely rectangles attached to the main robe. Hand-stitching for seams and embellishment a standard practice.
Meiji period shibori kimono, vintage and pristine, 100 years old
Few pieces, I discovered, are hand-loomed now. Indigo-dyed ready-to-wear can be designed in Japan and made in India to keep prices in check. I found one amazing Meiji period kimono in perfect condition. Price tag, $1,800 USD. Pass. I’m looking for wearable art and not creating a museum-level collection.
At Chingireya Vintage Textiles, this outstanding kimono, $1,800 USD
What I also discovered is that a focused quest for indigo takes time. Even more than a three-week introductory visit such as the one I just completed. Perhaps another trip is needed to go deeper and wider. Perhaps.
I’m grateful to Elli Sawada, a Kyoto-based indigo dye student originally from San Diego, who referred me to several sources for investigation. Elli is studying with famed master-dyer Fukumi Shimura. Elli and her brother participated in our Oaxaca One-Day Natural Dye and Weaving Study Tour last month.
Vintage indigo cotton cloth, once used to wrap gifts, repurposed as large scarf
I also want to thank Nancy Craft of Esprit Travel and Tours, Japan Travel Expert, who generously shared her list of Kyoto textile shopping resources with me. I hunted down those most relevant to my interests.
Resist-dyed detail of large cloth, patterns perfectly matched
My friend Madelyn wrote, I hope you found yourself a wonderful indigo garment or textile. Plural, I replied. I filled a duffle bag with blue. Ancient blue. New blue. Traditional blue. Deep, dark, almost black, blue. Kimono with wide, boxy sleeves. Cozy, contemporary long-sleeved jacket with roll-up cuffs. Vintage farmer’s coat with sashiko stitching. All perfect with blue jeans or black skirt. I have satisfied my lust for blue.
Sashiko stitching detail, indigo farmer’s jacket, all hand-sewn,
Sidebar: Barbara and I were flaneuring down the main street of Tokyo’s Aoyama district (which easily overshadows Fifth Avenue and Rodeo Drive) after visiting the Meiji Jingu Shrine. I noticed a pop-up shop and stepped in to find Yu Design Office featuring hand-crafted indigo clothing.
Cropped tunic, hand-woven by Yu Design Office, similar to the Oaxaca blusa
Yu Design Office was founded by artisan Hiromi Yamada and her architect son Yuji Yamada. They use natural indigo dye from Hanyu City, Saitama, employing a traditional kimono-making technique called itajime from Mizuho City, Tokyo, and fine cloth from Hachioji, Tokyo. Combining indigo, persimmon juice and pitch black, the wool-silk scarf they make takes on a deep greenish blue hue. The cloth is folded and stacked and pressed between wooden boards to give it texture.
Yuji Yamada showing us ai-zome from Yu Design Office
Aizenkobo, indigo workshop and gallery, Kyoto. Third generation workshop, producing traditional garments, scarves, yardage. People love it. I was underwhelmed.
Little Indigo Museum, Miyama, Kyoto Prefecture, is operated by Mr. Hiroyuki Shindo. In picturesque town of thatched-roof houses, this is a full-day trip. Small souvenir indigo samples and scarves are for sale. shindigo@cans.zaq.ne.jp
Indigo dye vats at The Little Indigo Museum, Miyama
Gallery Kei features vintage textiles and is operated by Kei Kawasaki on the famous Teramachi Street (671-1 Kuoinmae-cho Teramachi Ebisugawa-agaru), just south of the Kyoto Imperial Palace. At our visit, she had vintage boro from Northern Japan, garments and cloth fragments of hand-woven natural materials (hemp, linen, cotton, silk) and dyes. Write to confirm they are open. gallerykei@live.jp
With Kei Kawasaki at Gallery Kei. Shawl was once mosquito netting. Hemp and indigo.
Gran-Pie, also on Teramachi Street between Ebisugawa-dori and Nijo-dori, is a contemporary clothing store with garments designed in Japan, dyed and made in India.
I can’t publish this post without mentioning NUNOworks Fabrics in the Roppongi district of Tokyo. On our last afternoon in Japan, I went bonkers over the bolts of fabrics, and sewn-on-the-premises clothing. Delicious scarves. Beautiful garments. Outstanding design. Reasonable (by Japan standards) prices. Though few pieces are naturally dyed.
Department stores like Isetan (Kyoto Station), Takashimaya, Mitsukoshi and Matsuya Ginza feature contemporary Japanese designer boutiques, including Issey Miyake, Comme de Garçons, Yohji Yamamoto, and others. Some use indigo and other natural dyes, and are priced in the stratosphere.
Exquisite creativity is boro, from northernmost Japan
Where to Stay in Tokyo: the b roppongi hotel. Loved our stay here. Convenient to metro, restaurants, fair price, excellent service.
Where to Stay in Kyoto: we loved the YADO Hotel in Arashiyama. Book room #308. Recommend also staying in Gion area for more central experience.
We know the culture! We are locally owned and operated.
Eric Chavez Santiago is Zapotec, born and raised in Teotitlan del Valle, Oaxaca.
Norma Schafer has been living in Oaxaca for almost 20 years.
We have deep connections with artists and artisans.
63% of our travelers repeat -- high ratings, high satisfaction.
Wide ranging expertise: textiles, folk art, pottery, cultural wisdom.
We give you a deep immersion to best know Oaxaca and Mexico.
Creating Connectionand Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions ie. hand weaving and natural dyeing. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection.
OCN Creates Student Scholarship at Oaxaca Learning Center Giving back is a core value. Read about it here!
Why We Left, Expat Anthology: Norma’s Personal Essay
Norma contributes personal essay, How Oaxaca Became Home
We Contribute Two Chapters!
Click image to order yours!
Meet Makers. Make a Difference
Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *University of North Carolina at Chapel Hill
Oaxaca has the largest and most diverse textile culture in Mexico! Learn about it.
When you visit Oaxaca immerse yourself in our textile culture: How is indigenous clothing made, what is the best value, most economical, finest available. Suitable for adults only. Set your own dates.
One-Day Custom Tours: Tell Us When You Want to Go!
Ruta del Mezcal One-Day Tour.We start the day with pottery, visiting a master, then have lunch with a Traditional Oaxaca Cook who is the master of mole making. In Mitla, we meet with our favorite flying shuttle loom weaver, and then finish off with a mezcal tasting at a palenque you will NEVER find on your own! Schedule at your convenience!
October 27, 28, 29: People and Place Photography Workshop in Teotitlán Del Valle with Luvia Lazo, featured in The New Yorker Magazine. Portraits and Street Photography, recipient of Leica Women Foto Project Award Winner 2024. This is an insider's Street and Portrait photography experience. We visit families in their homes to arrange photo sessions, we take you on the back streets where tourists rarely go.
October 30: Day of the Dead in Teotitlan del Valle--Altars and Studio Visits. A one-day immersion into culture, traditions, and meaning in Teotitlan del Valle. In this traditional village, where the native language is still spoken, we take you to meet local artisans who also explain their personal family traditions including who and what is on the altar and why. P.S. We know Teotitlan. We live here!
November 1: Day of the Dead Magic in Mitla--Visit the cemetery with our local host, understand the meaning of the pre-Hispanic altar, help honor the ancestors with offerings, enjoy a traditional meal of mole negro, a feast day speciality in Mitla. A one-day immersion experience.
January 11-19, Oaxaca Coast Textile Study Tour. Visit five remote weaving villages on the Costa Chica--Pacific Coast. See backstrap loom weaving, natural dyeing with rare purple snail dye, diverse language, culture, food. Discover Afro-Mestizo roots. This is one of our more Amazing study tours! We will not offer this tour in 2026! Don't miss it.
February 6-15:Guatemala Textile Study Tour: Cloth and Culture. Discover Antigua, Lake Atitlan and Panajachel, Chichicastenango Market, and visit Coban where they weave fine gauze cloth called pikbil. SOLD OUT
March 12-17: Deep Into the Mixteca Alta: Oaxaca Textile + Folk Art Study Tour 2025. This is cultural immersion at its best! Following the Dominican Route, we visit potteries, churches, Triqui weavers working in natural dyes, a cooperative in Tijaltepec that makes smocked blouses, the expansive Tlaxiaco Saturday Tianguis. Experience another side of Oaxaca.
We require 48-hour advance notice for map orders to be processed. We send a printable map via email PDF after your order is received. Please be sure to send your email address. Where to see natural dyed rugs in Teotitlan del Valle and layout of the Sunday Tlacolula Market, with favorite eating, shopping, ATMs. Click Here to Buy Map After you click, be sure to check PayPal to ensure your email address isn't hidden from us. We fulfill each map order personally. It is not automatic.
Dye Master Dolores Santiago Arrellanas with son Omar Chavez Santiago, weaver and dyer, Fey y Lola Rugs, Teotitlan del Valle
