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Tribal Art and Georgia O’Keeffe: New Mexico Study Tour

Tuesday, September 1 – Wednesday, September 9, 2020 – 8 nights, 9 days

New Mexico was originally part of the Spanish land grant known as New Spain. It calls to me in a way that reminds me of Oaxaca: Vast vistas of mountains and desert punctuated by red and purple skies, stately organ-pipe cactus and gnarly mesquite, Rio Grande River oases lined with scrub oak, and unparalleled art and craft made by indigenous peoples.

Ubiquitious adobe bricks, New Mexico desert
Lapidary work by Kewa pueblo master

Colonized by the Spanish in 1598 and referred to as New Mexico by them after the Aztec Valley of Mexico, the territory was integrated into a new nation after 1821 Independence from Spain. Mexico was forced to cede its northern territories to the US in 1848 in a period of political vulnerability. Deeply rooted locals identify more with Spanish or indigenous ancestry.

Today, New Mexico has the largest percentage of Latino and Hispanic Americans in the USA. America’s First Peoples lived here for thousands of years before European occupation. Anglos, the trappers, merchants and adventurers, arrived much later. This sequence of settlement is important for showing respect and appreciation.

Sheri Brautigam, textile author and operator of Living Textiles of Mexico, and I join together again to bring you this program that starts in Santa Fe, the state capitol and heart of Colonial New Mexico.  Sheri lives in Santa Fe and I visit periodically. Our love of place is defined by the majestic natural world, exquisite art, textiles, jewelry and pottery created by Native American people, and a deep appreciation for cultural history.

Iconic skull, O’Keeffe house
Abiquiu, New Mexico landscape

On many levels, it seems only natural to add New Mexico to our travel repertoire. Here political borders give way to the shared cultural and aesthetic history of Mexico and the American Southwest.

We take you to Native American pueblos to meet favorite weavers and jewelry makers, and to galleries and public spaces where world-class examples are displayed.  We introduce you to collectors and purveyors of folk art and craft who will talk about quality, authenticity, craftsmanship and style. We go deep rather than wide to offer insight and perspective.

Georgia O’Keeffe treasure at the La Fonda Hotel

Any exploration of New Mexico must include a look into the life of artist Georgia O’Keeffe. Our study tour takes you to her summer residence at Ghost Ranch where we spend the night and enjoy a morning walking tour of her favorite painting sites. We visit her Abiquiu winter home where her minimalist style shaped future generations.

Kewa pueblo jewelry artist Mary L. Tafoya
Mezcal laced Smoky Rosa at the Secreto Lounge, Hotel San Francisco

We invite you to join us to explore and discover:

  • An O’Keeffe landscape of the White Place and the Pedernal
  • Westward migration and the lure of the Santa Fe Trail, Route 66
  • Ancient indigenous Native American Pueblos nestled along the Rio Grande River banks
  • Colonial Spanish and Mexican history, architecture and cultural influences
  • Sumptuous food spiked with rare New Mexico red Chimayo chile and green Hatch chile — try the Hatch flavored pozole or a green chile cheeseburger or buy a ristra to take home
  • Mezcal infused beverages that transcend Oaxaca origins
Inlay stone work, Thunderbirds: turquoise, mother-of-pearl, apple coral, gaspeite
Vintage tin mirror, La Fonda Hotel collection

Here is the Preliminary Itinerary: Arrive September 1 and depart September 9, including Labor Day Weekend.

Tues, 9//1: Arrive and check in to hotel, welcome cocktail reception (R)

Wed. 9/2:  Breakfast with art and cultural history talk, walking tour of Santa Fe galleries, the Governor’s Palace Portal and historic sites, welcome lunch.  Presentations by noted experts and collectors. Dinner OYO.  (B, L)

Finest heishi bead work, Santo Domingo Pueblo (Kewa)

Thurs. 9/3: After breakfast, depart for Rio Grande River Kewa/Santo Domingo pueblo to meet Native American craftspeople where we will have private demonstrations of stone inlay and metal smithing, and a home-style lunch. We visit award-winners who exhibit at prestigious galleries and participate in the International Folk Art Market. (B, L) Dinner OYO

Friday. 9/4: After breakfast, we will take a private La Fonda Hotel art history tour, with lunch at the historic Fred Harvey restaurant, followed by a visit to the Georgia O’Keeffe Museum (B, L) Dinner OYO

Vintage Navajo rug with churro sheep wool
Bumble bee painting at La Fonda Hotel

Sat, 9/5: After breakfast, we will return to the Kewa pueblo to attend the big Labor Day Weekend Artisan Fair, an all Native American traditional arts and craft event that includes artisans from throughout New Mexico. (B) Lunch and dinner OYO.

Sun. 9/6: After breakfast, depart for Ghost Ranch with a stop in Sanctuario de Chimayo a famous shrine of miracles and Hispanic faith. We will visit the Rio Grande style weavers of the Chimayo region and have lunch at Rancho de Chimayo, overnight at Ghost Ranch (B, L)

O’Keeffe wall, subject of numerous paintings
Rudy Coriz feather motif inlay stone work

Mon. 9/7: After breakfast, morning Art Walk at Ghost Ranch to see the locales where Georgia O’Keeffe painted. After lunch at the Inn at Abiquiu, we will tour O’Keeffe’s winter home in Abiquiu, then return to Santa Fe. (B, L) Dinner OYO.

Tues., 9/8: Breakfast and day on your own. Grand finale dinner. (D) Breakfast and lunch OYO.

Wed. 9/9: Depart

Painting, Native American festival dances
Colonial furniture, hand-carved wood

You may wish to arrive early or stay later to add a visit to Taos, Ojo Caliente Mineral Springs, or Santa Clara or San Ildefonso pottery villages.  So many places to visit, so much to see and do.

What Is Included

  • 8 nights lodging at a top-rated Santa Fe historic center property within walking distance to the Plaza
  • 6 breakfasts
  • 5 lunches
  • 1 dinner
  • 1 cocktail reception
  • a curated itinerary with introductions to some of the region’s finest artisans
  • museum and other entry fees, as specified in itinerary
  • private demonstrations, presentations and lectures
  • private coach and chauffeur to/from pueblos and O’Keeffe sites
  • outstanding and personal guide services with Norma Schafer and Sheri Brautigam
Inlay pin by Mary Tafoya
Exterior landscape, O’Keeffe in Abiquiu

The program does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and optional local transportation that is not specified in the itinerary.

You can fly in/out of either Albuquerque (ABQ) or Santa Fe (SAF), New Mexico. Check Skyscanner.com for best schedules and fares.

We reserve the right to substitute instructors and alter the program as needed.

Cost • $3,845 double room with private bath (sleeps 2) • $4,435  single room with private bath (sleeps 1)

Important Note: All rooms at Ghost Ranch for one night on Sunday, September 6, are shared accommodations. 

Native American Feast Day Mask

Reservations and Cancellations.  A $750 non-refundable deposit is required to guarantee your spot. The balance is due in three equal payments – on January 22, April 22, July 22, 2020.  We accept payment using online e-commerce only.  If for any reason, Oaxaca Cultural Navigator LLC cancels the tour, a full-refund will be made.

We will send you an itemized invoice when you tell us you are ready to register. If you cancel on or before July 22, 2020, we will refund 50% of your deposit received to date. After July 22, 2020, there are no refunds.

If you register after January 22, you will owe $750 plus 1/3 of the balance due. If you register after April 22, you will owe $750 plus 2/3 of the balance due. If you register after July 22, you will owe 100% (if there are openings).

How to Register: Send an email to norma.schafer@icloud.com

Tell us if you want a shared/double room or a private/single room. We will send you an e-commerce invoice for $750 by email that is due on receipt.

Who Should Attend: Artists, makers, educators, life-long learners, writers, photographers, jewelry and textile lovers, historians and those wanting to learn more about Native American art, culture and history.   If you love off-the-beaten path adventure, the great outdoors, and the inspiration of the great Southwest as seen by Georgia O’Keeffe, this trip is for you.

To Register, Policies, Procedures & Cancellations–Please Read

Work in progress, Warren Nieto

Required–Travel Health/Accident Insurance: We require that you carry international accident/health insurance that includes $50,000+ of emergency medical evacuation insurance. Proof of insurance must be sent at least 45 days before departure.

In addition, we will send you by email a PDF of a witnessed waiver of responsibility, holding harmless Norma Schafer and Oaxaca Cultural Navigator LLC. We ask that you return this to us by email 45 days before departure. Unforeseen circumstances happen!

Reservations and Cancellations.  We accept online e-commerce payments only. We will send you an itemized invoice when you tell us you are ready to register. All documentation for plane reservations, required travel insurance, and personal health issues must be received 45 days before the program start or we reserve the right to cancel your registration without reimbursement.

Terrain, Walking and Group Courtesy:  We may walk a lot on some days.  — up to 10,000 steps. We recommend you bring a walking stick if you need something to lean on!

If you have mobility issues or health/breathing impediments, please consider that this may not be the study tour for you.

Warren Nieto with sacred corn pendant, inlay stones and sterling silver

Traveling with a small group has its advantages and also means that independent travelers will need to make accommodations to group needs and schedule. We include plenty of free time to go off on your own if you wish.

Old West hand-carved lamp base, La Fonda Hotel

Jeweler’s Studio: Kewa-Santo Domingo Pueblo, New Mexico

Under the Palace of the Governors portal sit Native American artisans, displaying their craft. They may sit on small camp stools or cross-legged on a blanket waiting for us. Their hang tags tell their name, their pueblo, and authenticate what they sell. This is a juried system.

The portal at the Palace of the Governors calls to me because it is a place of discovery. I have spoken with gallery owners in Taos and Santa Fe who tell me they found artisans they represent here along this arcade. A keen eye can differentiate quality

This Warren Nieto pendant is for sale. $185.

Who is able to sell each day is based on a lottery. Just as I visit artisan studios throughout Mexico to understand the craftsmanship and to create connection, when I find someone who makes something extraordinary, I want to know more. To see how something is made is to understand the calculus of time and materials, passion, art and history. This is how we put value on something handmade.

Warren and his son in the studio

It’s more than that. To see how people live and work, to meet their families, to understand their culture and origins, hear who they learned from and appreciate the traditions of creativity, gives added meaning to the experience. It becomes more than shopping. It is the next level to an ancient practice of sharing, bartering, collaboration and respect.

The swirls are inlaid slices of shell
A pile turquoise, mother-of-pearl, apple coral, spiny oyster, river shell, jet (fossilized coal)

We got to the Plaza early that day, before 9:30 a.m. Leslie spotted Warren Nieto first, noticed his fine heishi beadwork and mosaic inlay. His thunderbird design earrings were perfectly executed. There were three pair, one for her, one for Kaola and one for me. We struck a bargain for the three and paid cash. I asked if we could visit his studio to see how he constructed his pieces and get a demonstration. We set a day and time.

Warren Nieto’s Thunderbird Earrings, NFS
Fossilized stone with shell impression

Eugene Sanchez was also at the Palace portal that day. I didn’t recognize him but I recognized the fine, tiny pieces of gemstone inlay work I bought from his wife Georgia two years ago. I asked him if we could visit, too.

Eugene and Georgia Sanchez earrings and Thunderbird necklace, NFS
Eugene Sanchez and granddaughter

Eugene’s story is not unique. He’s a military veteran. He worked construction in northern California, had a back injury and returned to his family roots to revive their Native American jewelry making. He learned from his grandmother and father. The work is extraordinary.

Warren’s unfinished work — in the rough

I had traveled the Rio Grande River Valley pueblos in the 1970’s, but had never visited the Kewa (Santo Domingo) village. I was more interested in pottery then. This would be an adventure. We drove south on I-25 for about 40 minutes and then turned off to head west. In the distance, beyond the vast sand-colored desert was a ribbon of green cottonwood where the river flowed fast. Summer rains and winter snow melts ensure an abundance of water.

Raw materials: spiny oyster and caracol shells

Warren Nieto lives with his family in a new modular home behind a vacant trading post, a vestige of the old west and tourism dream that didn’t materialize. He worked carpentry and framing before he returned to the craft he earned from his family. He’s 32 years old.

We were told to respect what your grandparents taught you, he says. Growing up, I learned to make heishi beads and tend the corn fields. We were taught that jewelry making was something to come back to. I do it to create something that others appreciate and value.

Warren speaks Keres to his son, who hovers nearby. This is an ancient language, he explains, and he’s not worried about losing it. The Kewa people adhere to tradition. He says its linguistic roots are Aztec (Nahuatl). I tell him common belief is that the Aztecs came from the north into what is now Mexico in search of a fertile land where the eagle would perch on a cactus, overcome the serpent and lead them to water. Is it likely they originated from this part of New Mexico?

I am organizing a 2020 folk art study tour into the tribal areas of New Mexico with Sheri Brautigam, who lives in Santa Fe. We will visit a curated group of jewelers, weavers and potters, and attend a Native American festival. If you are interested in joining us, please send me an email so I can add you to the announcement list: email norma.schafer@icloud.com

Native American Jewelry Making — Ancient Art of Identity

The tombs of Monte Alban, the ancient Zapotec civilization perched atop a mountain in Oaxaca, Mexico, revealed, when excavated, unparalleled Mesoamerican gold metal smithing, stone and beadwork. For many of us who live in Oaxaca or visit there, we become attached to filigree work in traditional designs brought to Mexico via the Moors who taught the Spanish this intricate technique.

I’m offering Oaxaca and New Mexico jewelry for sale from my collection. If you are interested, please indicate by number and send me an email norma.schafer@icloud.com with your mailing address. I will add $10 USD to mail within US and $28 USD to mail to Canada to invoice.

SOLD. #1. Large mosaic pin/pendant, 3″ x 1-3/8″, Mary Tafoya, Santo Domingo Pueblo, $295

Throughout the Americas adornment was and continues to be a symbol of tribal identity and pride. Distinct styles developed which continue today, made by makers who live along the Rio Grande River Valley of New Mexico, and Navajo and Hopi groups who inhabit the mesas and desert of western New Mexico and northern Arizona.

Silversmithing techniques migrated from Mexico to the Southwest, where these techniques were taught to Native Americans. Horsemen need spurs, bridles, belt buckles and bolo ties. Women need earrings, necklaces and rings.

Necklaces and pendants were fashioned from hand-drilled, cut and polished stones, shells, animal teeth, fossilized plant materials, and wood.

#2 Heshi rope and feathers by Ray Coriz, 16″, $295

To visit Santa Fe is to go back into this history for me. It is a personal history, too. One of migration along the Santa Fe Trail, traveling Old Route 66, and our own family’s trek from the Midwest to California in the early 1950’s.

Every day, Native American jewelry makers and artisans sit under the Palace of the Governors portal on the Santa Fe Plaza. Every day, based on lottery, a lucky few can spread their blankets and display their work. This is like attending a juried show. Each vendor is licensed and must adhere to strict quality guidelines to sell here. I’m drawn to this place for many reasons.

#3 Yalalag Cross, Oaxaca, 22″ handmade with milagros, sterling silver, $895 USD

I’m going back to the memory of our stop in Albuquerque after two days of travel on the Atchison Topeka and Santa Fe Railroad Super Chief in September 1953, on our way to resettle in Los Angeles. I was young, my sister a toddler, our mom cautious. There were Indians sitting cross-legged on blankets as we stepped onto the platform. Laid out before them was silver and turquoise jewelry, blankets, ceramics, trinkets. Were they wearing buckskin and feathered headdresses? I can only imagine. It was the time of Wild West romanticism, Cowboys and Indians, Roy Rogers, Dale Evans and Hopalong Cassidy.

#4 Oaxaca filigree by Grand Master Jose Jorge Garcia, $185 USD

I was curious. Our mom shooed us into the dining room and then back to the train. It’s likely we passed by Fred Harvey bracelets, real Navajo blankets, tooled leather belts, Hopi pottery, Zuni petit point, squash blossom necklaces: Native American jewelry we dream about today.

SOLD. #5 Zuni vintage petit point necklace, 15″. $145

As mom and daughters traveled west by train, our dad drove the Plymouth station wagon along Route 66, pulling a small tarp-covered trailer through the desert, a water bottle hanging from the front grill. The manual shifter was on the steering column. Only he could drive it. He later became a huge admirer of Maria Martinez, the famed black pottery maker from San Ildefonso Pueblo, attempting her iconic style.

#6 Oaxaca coral and sterling silver milagro necklace, 20″ — $495

I’m taking you back to Santa Fe Plaza and the Palace of the Governors. Here is an opportunity to meet artisans, talk with and buy directly from them. Many come from miles away. Navajo silversmiths will travel from Gallup, NM. They might do other things, like teach school or repair cars or serve as tribal administrators. Sometimes, a family member like a mother, father or brother, might sell in their stead.

#7 Inlaid Mosaic Pendant by Warren Nieto, shell, turquoise, mother of pearl, silver. $155 USD

If you are adventuresome, like me, you might strike up a conversation and ask to visit a home and workshop. Many live within a two-hour radius. That’s how I got to the Santo Domingo Pueblo to see where Warren Nieto lives and creates.

#8 Flora Maria Mexican Designer, amethyst + moonstone, sterling earrings, $165 USD

I’m considering organizing a September 2020 folk art study tour of northern New Mexico, based in Santa Fe or environs. This could include visits to Native American jewelry makers, weavers and potteries. We will also include a Native American Feast Day. This feels like a good fit with my love of indigenous arts and my desire to directly support native artisans, as we learn about life, culture, craft and continuity. If you are interest in knowing more as I develop this program with Sheri Brautigam, please send me a note to add you to the list of interested people. norma.schafer@icloud.com

Rare Find: 18th C. San Pedro Quiatoni Necklace, Coral and Blown Glass Rod Pendants

This necklace is SOLD.

It could be that this San Pedro Quiatoni necklace is from as early as the 17th century, or maybe even the 16th century. When Hernan Cortes, the Spanish Conquistador, came to Mexico and other parts of the Americas in 1521, he brought with him Venetian glass trade beads to use for barter. 

For some reason, there is only one village that adopted this particular style of beading using these trade beads — San Pedro Quiatoni, which is high up in the Sierra Madre del Sur mountains almost three hours from Oaxaca city. 

These necklaces are rare, prized and very collectible.

I came across one last week in my wanderings around the Tlacolula valley with my friend Gretchen who was visiting from Puerto Peñasco, Sonora, located on the Sea of Cortes within an hour’s drive from the Mexico-USA border. I was showing her some of my favorite haunts. It just so happened that someone had just brought this necklace down from the mountains.  

Since I already have two in my collection that I do wear, I decided to send this necklace on into the world for someone else to enjoy. Perhaps that someone is YOU!

22 inches long, coral and blown glass necklace, San Pedro Quiatoni, Oaxaca

16 vintage, mouth-blown glass pendants suspend from this double-strand coral and Venetian trade bead necklace likely from the 17th or 18th century, found only in the Oaxaca mountain village of San Pedro Quiatoni, located about 2 hours from Oaxaca city. Hernan Cortes brought trade beads and European glass rods to the new world in 1521 with the conquest. The people in this village coveted the beads and strung them with Mediterranean coral on hemp and agave rope to hang around their necks. The more beads, the greater the symbol of wealth.

This particular necklace has blue and clear glass rods that are uniform and rare in color. I had the necklace professionally restrung (it was strung by the man who took it in trade) so it is now more secure with a sterling silver hook clasp. Traditionally, the necklaces were tied with blue ribbon (which has a tendency to come loose). This is a rare and collectible piece, perfect for wearing on that special occasion, too. The necklace is 22 inches long. Each rod measures approximately 2-3/4″ long, with some variation in each because they are hand-made. I just came across this spectacular beauty and want to pass this along to another collector since I already have two in my collection.

Here is the listing I have published on ETSY, priced at $695. If I sell it on Etsy, I will need to pay a fee. If you buy it HERE from me directly, the price is $595 USD plus $8 USPS priority mailing. Extra for insurance. Please purchase by Tuesday, December 11. I leave for the USA on December 12.

16 vintage, mouth-blown glass pendants suspend from this double-strand coral and Venetian trade bead necklace likely from the 17th or 18th century, found only in the Oaxaca mountain village of San Pedro Quiatoni, located about 2 hours from Oaxaca city. Hernan Cortes brought trade beads and European glass rods to the new world in 1521 with the conquest. The people in this village coveted the beads and strung them with Mediterranean coral on hemp and agave rope to hang around their necks. The more beads, the greater the symbol of wealth.

This particular necklace has blue and clear glass rods that are uniform and rare in color. I had the necklace professionally restrung (it was strung by the man who took it in trade) so it is now more secure with a sterling silver hook clasp. Traditionally, the necklaces were tied with blue ribbon (which has a tendency to come loose). This is a rare and collectible piece, perfect for wearing on that special occasion, too. The necklace is 22 inches long. Each rod measures approximately 2-3/4″ long, with some variation in each because they are hand-made. I just came across this spectacular beauty and want to pass this along to another collector since I already have two in my collection.

Exvotos Mexican Folk Art, Vintage + Silver Jewelry, Pillow Covers Sale

Mexico’s Ex-Votos are collectible naive folk art that tell a story of thanksgiving for being saved from near-death or disaster. Yes, it was a miracle to survive.  Usually, the person who escaped tragedy would hire a local artist to paint a tin square depicting the scene. The message of thanks may have included many misspellings, as the painters were not educated. They often include depictions of the saint to whom the supplicant is sending prayers of thanks.

Three of the exvotos are reproductions by famed Mexico City artist Rafael Rodriguez. One is a vintage piece dating from the 1950’s, acquired from a collector friend.

To Buy: Send me an email and tell me which piece(s) you want indicating the number of the item, your name and mailing address. I will send you a PayPal invoice and add-on $8 USD for USPS priority mail if you are in the lower 48 states.

Time sensitive. Purchases must be made by Monday, December 10, 2018. I fly away to North Carolina on December 12, and I’ll need time to package for taking with me.

#1. Vintage Exvoto, 1950s, $495

#1 is a whimsical, vintage exvoto, rare and in excellent condition for its age, is a perfect example of naive folk art, painted at Chapala, Jalisco in the 1950s, according to my collector friend in Mexico City (and she should know!). It says: Gracias a la virgencita y el niño por senar a mi hijo enfermo de Tifoidea a anto de morir. El sans infinitamente agracidas. (signed) Lupe Ma. Miraflores Lopez, Chapala, Jalisco.  (Thanks to the little virgin and her son for saving my son from typhoid before he died. He is infinitely thankful.) Measures 10-1/4″ x 8-1/2″

#2, Skeletons, $135

#2 is a reproduction by famed Mexico City exvoto artist Rafael Rodriguez, painted on tin. It measures 14-1/4″ x 10-1/4″ and says: Roperta Lara da las gracias con esta laminita pues unas calaveras nos atacaran a mi y mi vieja. Puebla, 9 de julio de 1940. Roperta Lara gives thanks with this plaque since the skeletons didn’t attack me and my old lady.

#3, The Temptress Snake Woman, $110

#3 is a reproduction by famed Mexico City exvoto artist Rafael Rodriguez. It measures 12″ x 9-3/4″ and says: Contava la gente que salia una serpiente mujer que se lleva va a los hombres a su gruta y alli se los come hasta con zapatos y zombrero.  Jalisco a 5 de Julio de 1938.  Saved from Contava the snake woman who comes out of her cave and captures men and eats them, except for their shoes and hat.

#4 Rufina Estrada is saved, $75

#4 is an exvoto reproduction by Mexico City artist Rafael Rodriguez. It measures 10″ x 7-1/2″ and says: Rufina Estrada dedica esta laminita porque me salve de la huesuda. San Luis, a 11 de enero 1939. Rufina Estrada dedicates this plaque because she was saved from death. San Luis, January 11, 1939.

#5 Vintage Patzcuaro, Michoacan, Silver & White Heart Necklace, $795

#5 is a rare necklace, attributed to Patzcuaro, Michoacan, according to famous Oaxaca jeweler Federico, from whom I bought this some years ago. The beads are vintage, rare and collectible Venetian glass trade beads called White Hearts, brought to the Americas by Cortes. There are 15 handmade silver Virgin of Soledad (?) pendants, each 1-1/2″ long by 7/8″ wide. Pendants have various designs. The necklace is 20″ long. An outstanding piece.

#5 detail, pendants have several unique designs

#6 is a vintage sterling silver beaded necklace, Taxco, $265

#6 is one of those unusual finds, 40 perfectly formed 15 mm beads made in the heyday of Taxco silversmithing, probably from the 1960’s. 23-1/2″ long. I bought these beads in Puebla. The chain broke and I had them restrung on very sturdy jewelers wire.

#6 detail of Taxco bead necklace

#8 new, Spratling sterling silver chain, $395

#8 detail, Spratling stamp

#8 is a new William Spratling sterling silver chain, made in the Spratling studios in Taxco, Guerrero, and is 22″ long. It is a contemporary piece cast from Spratling’s original molds by the Ulrich sisters, who own the famed franchise and whose father was Spratling’s business partner before Spratling died. 

#9 sterling and inlaid abalone shell fish pin, $95

#9 is a perfect specimen of Taxco silver and inlay mastery, from the 60’s or 70’s. 1-1/4″ wide by 1″ high. The abalone shell glimmers and the silver work is pristine. Fish pin, inlaid abalone on silver. Excellent. $95.

#9 Detail

Three Pillow Covers From Chiapas

These pillow covers are woven by the famed cooperative El Camino de Los Altos by women who use back strap looms. The designs are not embroidered, they are woven into the cloth. They each measure 17″ x 16-1/2″ and they are $35 each.

#10 Deep Gray, $35

#11, Gold, $25

#12, White, $35