Tag Archives: Mexico

Photo Story: Confiscated From Immigrants at the U.S. Border

Feature Shoot highlights the things that the U.S. Border and Customs Patrol confiscates from immigrants crossing over between Mexico and the United States. Photographer Thomas Kiefer and former janitor collected soap, t-shirts, rosaries, and more and then captured them. The mundane tells a story.  Thanks to my friend Janet Fish for sharing. This had a powerful impact for me and I want to share it with you. We can’t figure out the purpose in confiscating bars of soap and t-shirts.

SanJuanMarket-3

I’m in Mexico City on a hump day before I take a group of 10 wonderful women on a textile study tour to Tenancingo de Degollado to explore the Mexican jaspe or ikat rebozo. We are also going on to Taxco to visit the Spratling ranch and then to Metepec to meet master clay artisans. Stay tuned!

Annual Basket Fair in San Juan Guelavia, Oaxaca: River Reed Weaving

The Feria del Carrizo is happening this week in the Zapotec village of San Juan Guelavia. The last day is February 7. This annual fair is growing and this year there were hundreds of people on opening day, Sunday, January 31.

I have made this an annual tradition and this was my fourth year here. I love arriving just before 10 a.m. when the weavers are setting up shop and the cooking fires are roaring. This couple, above, still makes the reed fish traps. They make great lampshades or dried flower holders!

 

Just in time for a breakfast of traditional hot chocolate made with water (or milk, if you prefer). It’s a great accompaniment to hot off the griddle fresh made corn tortillas stuffed with yellow mole and chicken (above right) or squash blossoms , quesillo (string cheese) and mushrooms (above left). This was prepared by the volunteers from the Museo Comunitario, the community museum. Super Yummy!

 

The Community Museum is small, just two rooms and admission is by donation. Usos y Costumbres villages maintain museums to keep cultural history. San Juan was closely tied to neighboring Dainzu (now an archeological site) and Macuilxochitl (across the highway) was once the regional center.

Ancient map reproductions show this as well as a diorama of how salt was extracted from the earth by local women using clay vessels from nearby San Marcos Tlapazola. Villagers were active in the Mexican Revolution that hit the region hard because was dotted with haciendas that indentured indigenous labor, eradicated with the Revolution.

 

Of course, the food goes on all day and if you wait long enough and stay for lunch you can enjoy barbecue goat tacos along with a shot of Tobala mezcal (or Madrecuixe, as your taste dictates) straight from the palenque. Buy a bottle for 200 pesos, about 2/3 less than comparable quality in Oaxaca city!

 

The weavers in San Juan Guelavia work in river reed called carrizo. Their baskets were used by farmers, traders and cooks for centuries, long before the Spanish conquest in 1521.

Anthropologists have written and talked about the risks to this artisan craft of the Oaxaca valley. So much of the reed weaving is now replaced by plastic baskets because people everywhere love the bright colors.

But, preferred among the local ladies is the traditional market shopping basket –that round Carrizo basket with curved palm covered handle that fits comfortably in the crook of the elbow.

I use the low-sided baskets as “shipping containers” inside my luggage. I’ve put mezcal bottles and ceramics inside, wrapped in bubble, surrounded by soft clothes packed snugly and nothing ever arrives broken. Use a flat round tray to cover your stuff and secure with duct tape. Very easy!

 

Above left, the ladies prepare atole, a traditional corn drink. Mix it with chocolate for a special taste. Always served at festivals, it’s the drink of the Zapotec and Aztec gods. Above right, a grandmother ties the sash on her granddaughter’s skirt in preparation for the parade.

Above: This year, there were lots of necklaces strung with reed and bright beads. Some dangled with mini- baskets mini-atole cups (all handmade).

 

And, above right, toy trucks and airplanes and whistles for the children, bird cages and shelves for home decor.

 

How to Get There From Oaxaca City: Take a taxi or collectivo or bus that goes to Tlacolula. Get off at the San Juan Guelavia crucero (crossroads). From there, take a moto-taxi (we call them tuk-tuks into town.) The village is situated about a mile inland on the west side of the Carretera Nacional MX190 better known as the Pan-American Highway.

Oaxaca, Mexico: Source for Natural Dye Textiles

It’s an ongoing discovery. Finding the weavers who work with natural dyes. They live and work in humble homes or grander casas, on back alleys, dirt streets, cobbled avenues, main highways, hillsides and flat-lands. Their studios are filled with the aroma and sights of natural materials — stinky indigo dye vats, wood burning fires, prickly pear nopal cactus studded with insects that yield intense red.

All photos © Norma Schafer, Oaxaca Cultural Navigator LLC

JuanaGutierrez TreeMoss

In this photo, above left, dyer/weaver Juana prepares ground cochineal on the traditional metate, grinding the dried insect by hand until it is a fine powder, ready to make a dye bath for wool that will be used for rugs. Above right, tree moss waits for the dye pot.

That’s why I’ve organized one-day natural dye textile study tours to explore this artisanal process.

ArturoRebozo2 CochinealIndigoYarn

Above left, ikat rebozo with natural dyes of wild marigold, cochineal and indigo from San Pablo Villa de Mitla. Right, wool on the loom.

Cleaning a rug woven with naturally dyed wool

Cleaning a rug woven with naturally dyed wool

You know how committed I am to the artisans who work with natural dyes. It is a laborious and vertical process — winding the yarn, preparing the dye baths, dyeing the yarn, then weaving it. To create textiles using natural dyes takes time and is a many-step process. I believe the people who work this way deserve special attention and support.

Nopal Cactus and Indigo, copyright 2016 Norma Schafer, Oaxaca Cultural Navigator LLC

Nopal Cactus and Indigo, copyright 2016 Norma Schafer, Oaxaca Cultural Navigator

They start with the natural wool that comes from the mountains surrounding the Oaxaca valley. The best wool is hand-spun for strength and has no additives, like nylon or polyester, to lower cost.

IMG_6963 IndigoDyePot

Then, indigo and cochineal is bought from local Oaxaca sources. Both are expensive, now about 1,800 MXN pesos per kilo. Synthetic dyes are a fraction of this cost and only requires one-step to produce colored yarn.

DryPomegranates FedericoNuez

Other dye sources are wild marigold, pecan leaves and shells, pomegranate fruit, tree moss, eucalyptus bark, black zapote fruit and much more.  The wool needs to be washed of lanolin and mordanted to absorb and fix the natural dye so it will not fade. To get a full range of color, local weavers and dyers use over dyes, too.

IndigoPericoneOverdye Yellow2Green

When the yarns are colored they are then ready to weave. Depending on size and material density, a piece can take from one week to several months.

CochinealHands2 ArturoRebozo1

It takes a special person who understands quality of materials and finished product to work this way. The process is organic, sustainable and environmentally sound.

CochinealHand SteamyDyePot

Handmade Basket Fair, San Juan Guelavia, January 31-February 7, 2016

Each year, the traditional Zapotec village of San Juan Guelavia showcases its handmade baskets made from strips of river reed, called carrizo in Spanish. (Thanks, Christopher Hodge for this tidbit of clarification. Carrizo is not bamboo!) This is another artisanal weaving tradition in the Tlacolula valley. If you are on your way to the Tlacolula market this Sunday, making a stop off the Pan-American Highway-MEX 190 is well-worth your time to explore the 5th Annual Basket Fair or Feria del Carrizo. 

BasketFair

You might even want to stay awhile. The food is delicious. This is homemade, home-cooked food done with local flair. Barbecue, quesadillas, roasted chicken, tortillas made on the comal griddle, atole and mezcal tasting makes this a very special event.  There are even mezcal bottles (empty) covered in basketry.

And, you’ll drive along a beautiful curving road lined with maturing agave fields to get there.

The handmade baskets take center stage. They come in all shapes and sizes. Some are plain, coarse and used as storage containers. Others are finely woven and decorated with mini-baskets, which the local Zapotec ladies love for gathering fresh food at the daily markets. Last year there were bamboo fish traps, lamp bases, bird cages, floor mats, and also very pretty flowers made from corn husks. I love these baskets to use around the house for storage and to give as house gifts filled with fresh fruit. The handles are wrapped in palm leaves.

This basket making from San Juan Guelavia is a long-standing tradition. Help preserve it. The way of the world is giving over to plastic and we have a chance to make a difference and buy directly from the makers — usually the generation of grandfathers and grandmothers who are trying to keep the tradition alive.

But to do that, we know that there has to be customers!

San Juan Guelavia is just before you get to Teotitlan del Valle on the right (west) side of the Carretera Nacional as you are heading toward Tlacolula from Oaxaca city. Enjoy. Maybe I’ll see you there!

 

 

Open Studio with Visiting India Artists, January 30, 6-8 PM

Textile artist Nidhi Khurana and artist/painter Ruchin Soni are wrapping up their three-month Oaxaca residency, sponsored by the Mexican government as part of a Mexico-India cultural exchange program.

Nidhi

Both are well-known in Delhi, India, for their innovative approach to large format art installations. Nidhi came here to experiment with natural dyes, and especially cochineal which is not sourced in India. She dyed cloth that is becoming textile maps of Oaxaca.

Ruchin completed a larger-than-life wall art mural on the highway to Ocotlan, portraits, sketches, and woodcut prints. Their tiny apartment in Oaxaca served as laboratory and design space, too.

Ruchin

They are leaving Oaxaca in early February. We hope you have a chance to drop by to see their work and wish them good journeys.  Gracias, Maria Crespo for opening your space for this exhibition.

 

I had the pleasure of mentoring Nidhi and Ruchin during their stay, helping Nidhi complete her competitive application to the Mexican government, and introducing her to textile artists and artisans to make her experience more complete. They arrived at the time my mom was dying, so my sincerest thanks to friends Martha Sorensen and Hayley Samuel for stepping in for me during my absence from Oaxaca to make key introductions.