Tag Archives: pottery

Sleek, Functional Contemporary Oaxaca Pottery with Classical Influences: Innovating Tradition

Oaxaca’s cultural identity is defined, in part, by her ceramic arts. For thousands of years before the Spanish conquest, indigenous artisans were giving shape to local clay to form functional cooking and eating vessels, images of dieties for worship and jewelry for personal adornment.

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Now, after six years of operating from various temporary locations, La Tiendita del Barro/1050 grados and Innovando la Tradicion recently opened a gallery to promote its ceramic arts cooperative and new eco-tourism program. It is located at the corner of  plaza de la cruz de piedra, Rufino Tamayo 800-C and Xolotl, near the 16th century aqueducts and Calle Garcia Virgil.

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I want to say that this is social entrepreneurism, activist art. The program, developed by talented young Oaxaqueños, is committed to sustainable development.  Here you will find stunning pottery that satisfies both a classical and contemporary aesthetic. The work is sculptural and refined, smooth and simple. Emphasis is on form followed by function. The result is timeless beauty. The cookware and serving pieces are lead-free and can be used over a gas burner or in the oven.

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If you’ve never seen a Oaxaca potter at work, here’s a video of a traditional technique:

Rufina Ruiz haciendo una chilmolera from Innovando la Tradición on Vimeo.

Innovando la Tradicion is organizing half-day public tours to various villages, where visitors will meet potters, participate in hands-on demonstrations, and have an opportunity to buy directly from the artisans. Artisans receive 50% of the participant fees that go toward improving their workshop/studio space. The rest goes toward program administration.

                 Join Norma’s Pottery Tour with Innovando la Tradicion                                 Monday, January 5, 2015, Cost: 629 MXN pesos

I can’t participate in any of the January public programs already scheduled and I really want to go on this tour.  So, I’m inviting YOU to join me for a private tour on January 5.  Are you interested?  Send me an email. All the funds go directly to Innovando la Tradicion and I will send you registration information as soon as I hear from you!  Space for 5 people. Reserve before December 15.

1050 Mezcal Cups

 

Oaxaca Portrait Photography Workshop starts January 30. Join us!

Oaxaca Folk Art: Jose Garcia Antonio Ceramic Figures

Jose Garcia Antonio, one of Oaxaca’s best clay sculptors, participated in the 2014 International Folk Art Market in Santa Fe, New Mexico, this July. This is no small accomplishment. This juried exhibition invites only the most accomplished artisans from all over the world to show and demonstrate their craft.

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Last Friday, we drove out to San Antonino Castillo Velasco as part of an all-day excursion to celebrate my friend Carol’s birthday. She wanted our first stop to be with Don Jose.

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It’s dark inside the studio, atmospheric. Don Jose works intuitively, feels the clay, feels his wife’s face, the faces of his children and grandchildren. He inspires creativity for those with physical limitations.

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While we were there, he received a call from TV Azteca in Oaxaca. They wanted to come out to interview and film him that afternoon. He is becoming very famous.

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I remember going to his studio years ago when not many knew about him and he was far off the beaten path, long before tour guides had him on their radar to bring clients there.

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I remember when we drove into the entrance of San Antonino and inquired from a moto-taxi driver if he knew where Don Jose lived. We paid the driver 10 pesos to lead us there.

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I remember when I bought a life-size figure of a Juchitan woman carrying a basket on her head, hips swaying, braids hanging, skirt flowing, knowing she was too heavy to ever bring back to the USA, and putting her in the home of friends until the Oaxaca home I was to live in was completed — years later.

Each time I visit Don Jose Garcia Antonio, I am amazed how his magic hands inspire and create work his eyes cannot see. Each time, I am tempted to add something to my collection. This time, it was a pig planter, which my travel mates called Wilbur.

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His daughter, Sara, makes expressive clay face-mask planters to hang on a wall. All the children work the clay. The grandchildren are growing up in this clay culture, shaping simple figures of butterflies, mermaids, and winged angels. Small treasures to pack into suitcases to remember the artist, his family and the experience of being in the arts and artisans mecca of Oaxaca.

How to Find Jose Garcia Antonio: Turn into the village of San Antonino Castillo Velasco.  Turn right on Calle Independencia. Turn left at the first street. Go several blocks. Look on the left side of the street for the clay lion on the roof. There you are!

 

Oaxaca’s Grand Master of Pottery Angelica Delfina Vasquez Cruz

Overlooking the Oaxaca valley at the top of the Santa Maria Atzompa hill is the pottery studio of Angelica Delfina Vasquez Cruz.  She has been recognized as one of the great masters of Oaxaca folk art by Fomento Cultural Banamex, the foundation that recognizes the best crafts people of Mexico.

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We visited Angelica at her home and studio after taking a guided visit around Monte Alban, led by our excellent licensed tour guide Rene Cabrera Arroyo who is very knowledgeable and gives an in-depth discussion of the archeological site.

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Atzompa was a satellite city of Monte Alban and it’s artisans provided the clay vessels and altar pieces for the Zapotec religious and political leaders.

The skill to learn the traditional craft is passed from generation to generation and Angelica learned from her father, who learned from his father before him.  Helping her today is her daughter (above left), an artist in her own right.  Angelica’s granddaughter, a child of about three years old, brings her tools and clay as she constructed a devil for us — one of Angelica’s favorite figures.

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Angelica works in local clay.  The colors  that decorate the pieces come from rocks that are ground on the metate (ancient stone hand grinder) to make a powder, that is then reconstituted with water.

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The cookware, all lead-free, is constructed in the traditional method and is then wood-fired.   A gas kiln is used to fire the more elaborate, larger figures that can be used outdoors for garden art.

Contact: Voces del Barro, Angelica Delfina Vasquez Cruz, Ceramics, Independencia 637, Santa Maria Atzompa, Oaxaca, Mexico, Tel. 951-558-9061, Cellular 044-951-102-0149.  Email: vocesdelbarro@outlook.com

 

 

Oaxaca Show & Sale, July 25-26: To Benefit Artisans and Artists at Las Bugambilias B&B

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Don Jose Garcia Antonino: In the Pottery Studio

If you blink you will miss the turn-off to the village of San Antonino Castillo Velasco, just before arriving in Ocotlan de Morelos, where our friend Don Jose Garcia, known as the blind potter, lives and works. Some years ago, Don Jose developed cataracts and without expensive treatment, he lost most of his vision.

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Along with his wife, son, daughter and son-in-law, the family studio is a folk art haven for primitive pottery fired in a wood kiln that represents, for the most part, Don Jose’s vision of Oaxaca village life. He has magic hands and has taught his family well.

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Usually, people make this visit on busy Ocotlan market day Friday. Yesterday, Tuesday, it was quieter and we had the route to ourselves, except for the occasional donkey straying onto the highway.  During our visit we discovered hidden treasures: sculpted bulls, marigold decorated planters, face urns, regal figures of Tehuana women carrying bouquets of lilies, pregnant mermaids and proud couples entangled in dance.

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I always love bringing Oaxaca visitors here. The family appreciates the support and people are always mesmerized by the creativity. There are plenty of small things that aren’t too heavy that can be wrapped and brought home in a suitcase. I guarantee you will love the mermaids playing musical instruments and the jumble of clay figures everywhere.

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Allow a full day to go, return, visit and have lunch at Azucenas Zapotecas in San Martin Tilcajete.  You will want to stop at the women’s cooperative in San Antonino to browse the intricately embroidered blouses, at the wood-carving studios in San Martin Tilcajete, and look at Rodolfo Morales‘ stunning murals in the Ocotlan municipal building. If you have time, visit Abigail Mendoza in Santo Tomas Jalieza, too.

How to get there:  Travel down the Ocotlan highway.  Pass San Martin Tilcajete, the wood carving village. Turn right at the sign for San Antonino Castillo Velasco. Go to Libertad and turn right.  Turn left on Independencia.  Look for #24 painted on the door. On the roof are two large clay lions to guard the gate.  Knock hard!

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