Tag Archives: rebozo

Summer Wraps from Mexico for Sale

In my getting ready to go back to Oaxaca from Durham, NC, I’m going through the boxes of my collection to decide what I’m ready to send off from my house to yours! My departure date is June 22, so please, if you are interested in making a purchase, let me know immediately, and I’ll mail to you as soon as I receive payment. Mail deadline is Wednesday, June 20. Eight pieces offered.

How to order:

  1. Send me an email: norma.schafer@icloud.com
  2. Tell me which piece(s) you want by Number.
  3. Send me your mailing address.
  4. I will send you a PayPal invoice that includes $8 USD postage.
  5. I’ll mail to you within 24 hours.

Also see my last post for Summer Frocks — big price reductions!

1. From Pinotepa de Don Luis on Oaxaca’s Costa Chica

#1. SOLD. This is a hand-spun native Oaxaca cotton gauze shawl embellished with local coastal figures like crabs and seahorses along with traditional symbols of fertility and wildlife. The brown is rare, native coyuchi cotton and is part of the woven cloth, called supplemental weft. Measure’s 22-1/2″ wide x 86″ long — long enough to serve as  shawl, rebozo or stole or a throw over a favorite chair or bed. $125 USD.

#1. Coyuchi and white cotton rebozo detail.

Is there a summer wedding or garden party in your future?

#2. Tlahuitoltepec, Oaxaca shawl woven on a fly-shuttle loom, indigo + cochineal

#2 SOLD is a fine quality jacquard rebozo, hand-woven on a fly-shuttle loom with the finest cotton hand-dyed with indigo and cochineal and banana bark. It comes from the Oaxaca village of Tlahuitoltepec where one weaving family creates all natural dye cotton textiles. Measures 25″ wide x 88″ long (including the macrame hand-knotted fringe called the punta). $145 USD.

#2, detail of Tlahuitoltepec rebozo

Will you be dining al fresco and want the perfect wrap?

#3 Chiapas shawl of many colors, from the Oxchuc people

#3 SOLD is a multi-colored shawl/rebozo that includes hand-twisted fringes. It will go with anything! The textile was hand-woven on the back-strap loom in a remote Oxchuc village by Catalina, a young mother who learned from her mother, who learned from her mother! To keep the tradition going it’s important to have buyers, so I chose to support them and bring their work to you. The village, where I visited, is about an hour and a half up the mountain from San Cristobal de Las Casas. Measures 23″ wide x 78″ long. $145 USD.

#3. Detail, Oxchuc rebozo, called a Chal in Chiapas.

What about that summer concert under the stars?

#4 is a lightweight gauze shawl from Venustiano Carranza, Chiapas

#4 is a beautiful white shawl hand-woven on the back-strap loom and embellished with red, rust, yellow and purple accents in designs unique to the village of Venustiano Carranza. The region is closer to the Pacific coast and gets pretty hot and steamy, so the fabrics woven there are lightweight cotton and comfortable. Drapes beautifully. Measures 26″ wide x 76″ long. $135 USD.

#4, full view of soft, white shawl from Venustiano Carranza

#5 is a Venustiano Carranza wrap in luscious pale peach

#5 shawl from Venustiano Carranza is a beautiful, subtle luscious peach color cotton woven on the back-strap loom. Imagine this draped over your shoulders. The design that is woven into the textile is also a contrasting peach color using thread that has a sheen. This gives a lovely matte-shiny finish to this piece. Measures 26-1/2″ wide x 80″ long. $135 USD.

#5 Peach rebozo detail

#6 is an ikat scarf hand-woven by Luis Rodriguez from Tenancingo de Degollado

SOLD. This #6 ikat scarf features warp threads dyed with indigo and wild marigold. The pattern created on the loom looks like a Matisse painting. The blue and yellow together offer a range of shades from yellow to chartreuse, a great compliment to the indigo blue. The punta, or fringes, are hand-knotted. Measures 16-1/2″ wide x 72″ long. $75 USD.

#6 ikat scarf detail

#7 Coyuchi cotton quechquemitl from Khadi Oaxaca

#7 is a luxuriously soft native brown coyuchi cotton hand-spun on the charkha — Ghandi spinning wheel — in the Oaxaca mountain village of San Sebastian Rio Hondo. The intricate needlework trim and joinery is forest green. The quechquemitl is a pre-Hispanic Mesoamerican garment favored by women as an over-the-head short poncho. I call it a pull-over scarf. It is perfect to wear of an evening or to cover the bodice or shoulders of a sun dress. Measures 21″ long from the V-neck to the point and 31″ wide across the front. Rotate it to get a different look. Wear it like a scarf, too. $95 USD.

#7 detail of coyuchi cotton quechquemitl

#8 Indigo and Wild Marigold Quechquemitl from Khadi Oaxaca

#8 SOLD Quechquemitl combines cotton dyed with Oaxaca-grown indigo and native wild marigold flowers. The iridescent color combination sometimes tricks you into thinking there might be some green in there. Because the cotton is hand-spun, it offers beautiful texture and slubs. Similar measurements as #7. $85 USD.

#8 Detail of indigo blue and wild marigold quechquemitl

 

Let’s Go Shopping: Eleven Mexican Shawls, Scarves, Rebozos for Sale

Rebozos are part of Mexican female identity and culture. Frida wore them. So did the women of the Mexican Revolution, 1910-1920. Aristocrats from Spain loved their shoulder coverings as they strolled the Alameda. Indigenous women still rely on them to swaddle and carry infants. Women in El Norte (USA and Canada) find them comforting on a chilly fall evening or to adorn a favorite outfit.

These rebozos I am offering for sale today are part of my collection. They are new and never worn. Most are from Tenancingo de Degollado, Estado de Mexico, where the men weave ikat cotton and women hand-knot elaborate fringes. I have one piece from Zinacantan, Chiapas, two from Santa Maria del Rio, San Luis Potosi, and one from Teotitlan del Valle, Oaxaca.

How to Buy: Send me an email and identify which one you want by NUMBER, plus your mailing address. I will then send you a PayPal invoice that will include mailing costs.  I will mail on the next business day.

Style 1: Zinacantan Chal, machine embroidered on back strap loomed cloth, 45″ x 20-1/2″, with handmade tassels.  Zinacantan is a village outside of San Cristobal de Las Casas, Chiapas. Floral motifs are predominant here. $120 USD plus shipping.

P.S. I have two spaces open for the February textile study tour to Chiapas. Email me if you are interested and I’ll send you the program description.

Style 1: Zinacantan Chal, $120

Style 1. Zinacantan Chal detail.

Style 2: SOLD. Large Navy Blue Ikat Rebozo, $175, hand-woven in Tenancingo on a flying shuttle loom with hand-knotted fringe. This large shawl measures 92″ long (including an 11″ hand-knotted fringe) and 29″ wide.

Style 2: Navy Blue Rebozo, $175

Style 2: Navy Blue Ikat Rebozo, detail

Style 3: SOLD. Multi-Rebozo with Blue, Red and Yellow, $175. This is what is known as Grande, 92″ long (including 11″ fringe) and 29″ wide. It is a very fine ikat cotton. Hand-woven in Tenancingo with a hand-knotted fringe.

Style 3, Red, Blue, Yellow Rebozo, extra large, $175

Style 3: Blue, Red, Yellow Rebozo

Style 4: SOLD. This striking contrast of rose and black together with a hand-knotted fringe that says Remember Me gives this very fine quality rebozo a subtle, yet powerfully contrasting design. $125. Size Medium. 88″ long (including a 12″ fringe) and 27″ wide.

Style 4: Rose and Black rebozo, Medium Size, $125 — Recuerdame

Style 4: Recuerdame detail

Style 5: SOLD. Chakira Chalina, $150. Rare, pale blue/gray shawl in plain weave, with intricate fringe that is knotted with beadwork.  Each bead in the fringe is part of the hand-knotting process.  A dying art form! Size medium, measures 82″ long (incuding 11″ fringe) and 29″ wide. Made in Tenancingo de Degollado, Estado de Mexico.

Style 5: Chakira Chalina, $150

Style 5: Chakira Chalina, fringe detail

Style 6: Black and Red Ikat Scarf. $95. This is loomed in Santa Maria del Rio, San Luis Potosi, and woven of rayon, which the locals call seda or silk, because it has a smooth, shiny, silky finish. The scarf measures 90″ long (including an 8″ fringe) and 13-3/4″ wide.

Style 6, Red/Black Ikat Scarf, $95

Style 6: Red/Black Ikat Scarf, detail

Style 7: SOLD. Small Black/Brown Ikat Scarf, $35. Measures 50″ long (including 5″ fringe) by 18-3/4″ wide. A nice addition to keep your neck warm as the weather chills.

Style 7: Black/Brown Ikat Scarf, $35

Style 7: Black/Brown Ikat Scarf, detail

Style 8: SOLD. Indigo-dyed Scarf, $115, by Juan Carlos from Teotitlan del Valle, Oaxaca. Juan Carlos is my neighbor and his work is exceptionally fine. This is a deep, rich blue, all natural with hand-spun wool. 72″ long (including 4″ fringe) by 14″ wide. The fringe is hand-knotted by his wife.

Style 8: Indigo dyed wool scarf, $115

Style 8: Indigo Scarf, detail

Style 9: SOLD. Super Grande Rebozo, $150. This is made in Santa Maria del Rio, San Luis Potosi, handwoven rayon that the locals call seda (or silk) because of its smooth, silky hand. Color is predominantly dark blue and lime green. Measures 114″ long (with huge 20″ hand-knotted fringe) by 30″ wide. A stunner.

Style 9: Super Grande Shawl, $150

Style 9: Fringe detail

Style 10: SOLD. This Rose Chalina shawl, $125,  is made from the highest quality cotton and has a very fine hand. The fabric is soft and glows. The intricate fringe is all hand-knotted. It’s called a Chalina because it is a plain weave with no pattern. It measures 90″ long (including a 12″ fringe) by 28″ wide. Made in Tenancingo.

Style 10: Rose Chalina, Super Fine and Large, $125

Style 10: Rose Chalina detail

Style 11: SOLD. Black with Coral Accents Ikat Rebozo, $110, size medium, measures 78″ long (including 9″ fringe) by 28″ wide. A graphic masterpiece. Made in Tenanciingo de Degollado, Estado de Mexico on a flying shuttle loom.

Style 11: Black Ikat with Coral Accents, $110

Style 11: Black Ikat Shawl detail

Rebozo Weaving Technology in Mexico: How to Make an Ikat Shawl

On our textile study tour to Tenancingo de Degollado, Estado de Mexico (State of Mexico) we met ikat rebozo weavers, called reboceros, who use up to 6,400 cotton warp threads on a back strap loom.

Evaristo Borboa, grand master of Mexican folk art, weaves on a back strap loom

About 3,000 to 5,000 cotton warp threads are used on the fixed frame pedal floor loom.

Rebozo weaver Gabriel Perez at his floor loom

The technology is simple. The fabric created is complex.

The floor loom is faster.  Weavers can produce a rebozo in about a week using this loom. It takes three months or more to make a rebozo on the back strap loom.

Weaver Jesus Zarate defies imagination with his ikat butterfly design

Because fewer warp threads are used on the floor loom, the cotton threads can be thicker and the finished cloth might be coarser.

A weaver’s took kit

As you might imagine, the cost for a rebozo made on a back strap loom is much more than one woven on a pedal loom. Except for the rebozos woven by Jesus Zarate! What do rebozos cost? From 400 to 16,000 pesos.

Bits and pieces of supplies that might be needed for dyeing

Would you work six months to earn $800 USD?

The pattern can be more blurred and not as detailed as those created on the back strap loom. Except for the rebozos woven by Jesus Zarate!

Fermin Escobar marks stiff bundles of thread with ink to make a pattern

There are fourteen different steps required to make an ikat rebozo. The most difficult and time-consuming part is the preparation of the threads before they are dressed on the loom.

Threads are soaked in starch to dry and stiffen before marking.

Ikat pattern markers are coated with ink, rolled along stiffened cords.

The weavers we met all repeated that the actual weaving is the simplest part of the process.

Weavers throw hardwood bobbins between the warp sheds to make the weft

Dipping the yarn into the starch to stiffen it

A better view of the pattern marked on the stiff cotton cords

Separating the cords so they dry evenly

Each mark must be hand tied to create the dye resist

Once the cords are marked in ink with the pattern, each mark is hand tied. The cloth will then be dipped in the dye bath. It is then washed and dried. The knots are cut and the pattern emerges on the warp thread, ready to be threaded on the loom.

Mexicans innovate and cobble together materials to keep things running

For rebozos with multiple colors, they can be hand-dipped in the dye pot or the part that is already colored will be tied off so it does not absorb the new color.

Over 4,000 warp threads pass through the hettles of these looms

The loom might be considered low technology, but it is a complex system for making cloth. Today, industrial cloth is made totally by machine. We are interested in the hand-made process.

Bobbin making system — a bicycle wheel

Making ikat for a rebozo on the pedal loom

One of Evaristo’s beautiful blue ikat shawls in blue, finely detailed

The enpuntadora hand ties each knot to create fringe, the finishing touch

Knotting the rebozo can take equally as long as weaving it — three months or more, depending on intricacy. We know one enpuntadora who takes a year to tie a complex fringe.

The fringe must equal or exceed the beauty of the shawl

Ikat Rebozo Fashion Show: Tenancingo de Degollado, Mexico

The rebozo is to Mexico what the sari is to India — integral to cultural identity. Worn by women, the rebozo or shawl has its Mexican origins in the Spanish conquest. Many historians and cultural anthropologists believe the rebozo was adapted from the Philippines, which adapted it from China’s silk shawls.

Lanita with 90-year old Evaristo Borboa, and his new graphic design.

Last year, after our rebozo textile study tour to Tenancingo de Degollado, Estado de Mexico, I wrote at length about the history of the rebozo.

Camelia Ramos shows Elizabeth how to wrap a rebozo

We just finished an intensive nine-day study tour through the rebozo capital of Mexico, Tenancingo de Degollado. Here, beautiful ikat cotton shawls and scarves are woven on pedal and back strap looms.

Patti with rebocero Gabriel Perez and his work

We also took a day trip to visit Violante Ulrich at the Spratling Ranch in Taxco de Alarcon, Guerrero. I’ll write more about that later.

Cookie loves this blue beauty.

Meanwhile, our group of fourteen enjoyed meeting the rebozo weavers, visiting the Sunday rebozo market, watching women hand-knot the fringe of the rebozo into a web of lace.

This is Linda’s butterfly rebozo woven by Jesus Zarate

The fringe, called the punta, is equally as important as the woven cloth. Fine, tightly knotted, long puntas of eight inches or more can make an average rebozo into something magnificent!

Sandi and Janet learn to tie fringes with empuntadora Fidelina, while Cheri looks on

We visited eight different rebozo weavers during our time in Tenancingo de Degollado. Each has a different weaving style. Only two we visited are working on back strap looms, a dying art form.

Sandi with rebocero Luis Rodriguez who works in shibori

The back strap loom is able to hold over 6,000 warp threads, so the ikat design on the fabric is much more detailed and the material is denser because it uses a finer cotton thread. It can take three months or more to weave a rebozo using this method.

Christine wears a fine rebozo woven by Jesus Zarate on the back strap loom

An ikat rebozo woven on the pedal loom is much less expensive and can be completed after about a week on the loom.

Sandi loves purple and this rebozo by Gabriel Perez is a stunner

That does not take into account the preparation time, which includes counting the threads to form cords, washing them in a paste to harden the cords, marking the cords with a design, then tying the cords, dying them, and then threading the loom. All tallied, it’s a 14-step process.

Cynthia found this lovely one in Malinalco

We found some great spots for lunch, like Don Chano’s and El Meson, and some nights we were so tired from visiting rebozo weavers that we opted for pizza and a mezcal or soft drink on the terrace.

Rebozo shopping at the workshop studio of Adofo Garcia

At the end of the trip we were going to offer up confessions of how many each of us bought. We never got around to it, but I heard that one of us went home with eleven rebozos.

Susanne studies the details of this rebozo as she decides whether it’s for her

Ikat rebozo weaving in Mexico is a dying art. In the 1960’s there were over 250 rebozo weavers in Tenancingo. Now there are fewer than thirty. With the strength of the U.S. dollar in Mexico now, it was easy to justify an extra purchase to give one of these beautiful textiles as a gift.

Cheri with rebozo woven by Gabriel Perez. He showed us how to wear them.

Most importantly, each of us felt we were supporting artisans whose hand-work is special and valuable. Without tourism, we risk losing Mexican artisans to an industrial economy where the labor of creating beauty, one article at a time, will fade into non-existence.

Janet, our translator, shows us how to wear yellow!

Thanks to everyone who participated this year. It’s likely I won’t be offering this study tour again until 2019 or later. Stay tuned for new 2018 textile study tours with destinations to Oaxaca and Michoacan and/or Chiapas.

 

 

 

3-Day Pop Up Huipil Sale: Mexican Folk Art Dresses

These textiles — dresses and blouses — huipiles and blusas — are from my personal collection. I’ve decided it’s time to send them on to others who will also appreciate their handwoven and embroidered beauty.

If you buy by Wednesday, March 30, I will bring your purchase with me to the USA and mail to you. Send me an email and tell me which piece(s) you want.

7 pieces left! Scroll down to see. Take 20% off remaining pieces! Monday-Tuesday-Wednesday sale. Say SALE when you email.

  1. San Antonino floral dress, embroidered and crocheted, finest quality. Size L-XL. New. Never worn! See the little dolls that form the bodice gathers? Cotton. Hand wash. $295. USD includes shipping to anywhere USA.

 

2. Traditional Chinantla Huipil from San Felipe Usila. Size L-XL. Handwoven on back strap loom. New, never worn! Bought on a visit to Usila, 12 hours from Oaxaca. 100% cotton. $375 USD includes shipping to anywhere USA.

3. San Miguel Soyaltepec huipil, size L-XL. Chinantla region of Oaxaca. New, never worn! Hand stitched on finest quality muslim cotton. Bought on a visit to the island village on the Miguel Aleman dam. $295 USD includes shipping to anywhere USA.

 

4. San Bartolo Yautepec huipil from the Sierra Sur of Oaxaca, hand-woven on back strap loom with 100% fine cotton (cream color), with blue figures and butterscotch yellow accents woven into the cloth (called supplemental weft). Size L-XL. $295 USD include shipping to anywhere USA.

5. SOLD. San Antonino Castillo Velasco blouse. Size L-XL. $85USD includes shipping to anywhere USA. 

6. From the Yucatan, machine stitched cotton dress with cutwork, perfect for a garden party summer, size L-XL. New, never worn! $125 USD includes shipping to anywhere USA.

7. SOLD. Lightweight, easy-to-wear cotton dress from Yalag, all hand embroidered. Size L-XL. $125 USD includes shipping to anywhere USA.

 

8. From San Juan Bautista Valle Nacional, near Tuxtepec, Oaxaca. Needlepoint embroidery called punto de cruz (cross stitch) on back-strap loomed cotton, breathable and easy-to-wear. $195 USD includes shipping to anywhere USA.

9. Huipil blouse from Amantenango, Chiapas. I loved the graphic beauty of this piece. All hand-embroidered. Size L-XL. Could be repurposed to make a pillow cover. New, never worn! $140 USD includes shipping to anywhere USA.

10. SOLD. From Puebla, Mexico. Hand-embroidered blouse with great detail. Size L-XL. $125 USD includes shipping to anywhere USA.

 

11. SOLD. Iconic Oaxaca huipil from the Mixteca region, with intricate and finest embroidery on cotton woven on the back-strap loom. Size L-XL. $295 USD includes shipping to anywhere USA.

 

12. SOLD. Black Rebozo from Tenancingo de Degollado. $125 USD includes shipping to anywhere USA. A beautiful, largest size shawl with hand-knotted fringe.