Tag Archives: retablo

Mexican Folk Art for Sale: Vintage and Reproduction Ex-Votos

Ex-votos came to Mexico from Spain with the 1521 conquest. They are devotional prayer plaques applied to shrines in thanksgiving for a miracle received from a particular saint. These small votive offerings are hand-painted on tin and naive folk art. Usually the supplicant, the person giving thanks for the miracle, hired a local untrained artist who could also write to express gratitude.

Often, though, you find misspelled and illegible words, which reflects the lack of sophistication and charm of the piece. The painting often includes the name of the town or province and the date of the offering. They were usually nailed to an altar or shrine.

Frida Kahlo and Diego Rivera had one of the largest collections of Ex-votos, many of which are on display at Casa Azul in Mexico City.

Vintage Ex-Votos for Sale: 1930’s-1940’s

#1. San Martin Caballero. This first one, below, is a naive vintage painting on tin, surrounded by the original tin frame, of Saint Martin on Horseback.  Saint Martin (San Martin) of Tours is usually depicted giving a piece of his cloak to the poor. My art collector friend says this is from the 1930’s to 1940’s, though it is undated. Size: approx. 6″ wide x 8″ high. $345 USD plus shipping and insurance.

San Martin Caballero ex-voto in original tin frame, vintage, primitive. $345

Back of San Martin Caballero frame

Giving thanks for a miraculous recovery from typhoid fever. $345 USD.

#2. XXX Garcia La Pez, my son (first name partly illegible), has recovered from typhoid and is now healthy because of this miracle. Created by Fresnillo. Zacatecaz, in memory of my father Lupercio Garcia B.  Size: 6-1/2″ x 10-3/4″

$345 USD plus shipping. Note: Colors are pure, as depicted in photo. Small tear at bottom of the tin border. 1930’s-1940’s.

Back side of Fresnillo, Zacatecaz, ex-voto

Thanks for a prodigious miracle.

#3. Lupema Lora Rosales from Zacatecas gives thanks for a prodigious miracle. We don’t know what it is, but we see her photo affixed to the ex-voto in the lower left corner — an unusual application! The saint is surrounded by flowers, a burning skull, a naively painted Jesus, and children. $345 plus shipping. Size is 6-3/4″ high x 9-3/4″ wide (approx.).

photo of back of A Prodigious Miracle ex-voto

Condition of Vintage Pieces: These are between 70 and 80 years old. There will be some surface scratches, rust and imperfections due to age.

Ex-Voto Reproductions for Sale: New

These two ex-votos (below) are painted and signed by contemporary Mexico City artist Rafael Rodriguez, noted for his whimsical ex-voto depictions. They are reproductions based on the artist’s knowledge of the genre. I acquired them. from a well-known collector in Mexico City. It is offered to you for sale. Size: 9-1/2″ high x 12″ wide, at $95 each, plus shipping.

Wild turkey guajolote did not devour the boy Jose Luis Arreola. Give thanks. New. $95.

# 1. The wild turkey, Mr. Guajolote, was about to gobble me up!

Ruperto Chaves offers thanks for being saved from the giant octopus. New. $95.

#2. Imagine being strangled by a giant octopus that suddenly appears from a cave.

Terms of Purchase: Please contact me you are interested in purchasing and refer to the subject of the ex-voto or the number. Payment is requested in full with PayPal. I will calculate shipping and insurance based on your mailing address and send you a link for payment. There are no returns or refunds. Thank you.

 

Exvotos: Mexico’s Naive Folk Art Painting of Thanksgiving

In the third room of Casa Azul you will see a small sampling of a vast collection of exvotos amassed by Frida Kahlo and Diego Rivera. It is said they had one of the largest collections of these small tributes of thanks to a saint for a miracle, for saving a life, a favor received.

Domera Morales Rojas Milagro con ce vida. Cholula, Puebla. 1940’s.

These are charming, naive paintings on laminate, tin, paper or cardboard, made by the person giving thanks.  It usually includes a personal message below the scene, along with the name of the petitioner, and sometimes a date. You often see misspellings, incomplete sentences. A hammer and nail was all that was needed to attach the ex voto to the shrine in offering.

New ex voto painted by Rafael Rodriguez, collectible, riding a guajalote.

It is now difficult to find antique ex votos.  Many we see are painted on distressed tin or steel to look old.  Buyers can be deceived and pay a higher price than the piece is worth.

A prodigious miracle. Lupema Lora Rosales. Zacatecas. Circa 1940. Vintage.

Yet, my tried and true motto is: If you like it, buy it.  You may never see a piece like the one in front of you again. Meaningful mementos are important.

My other motto, that I learned a long time ago is: There will always be a sale. That is, there will always be something to fall in love with.  If you pass it by, there will be something else, but it won’t be the same!

Saved from octopus strangulation in Baja, California, by Rafael Rodriguez. New.

Back to ex votos.

The day after my visit to Casa Azul last week, I took the Australian group to Bazaar del Sabado in Plaza San Jacinto, San Angel. This is now my favorite place for imaginative, creative shopping in Mexico City. The bazaar, held only on Saturdays, is filled with contemporary art, jewelry, clothing, textiles and artisan designed wares.

Early ex voto, 1931. Saved from pulminary sickness, infinitely grateful.

Adjacent streets are lined with boutiques, galleries, and street artisans selling crafts from all over Mexico. Painters and print makers show their work displayed on easels in the surrounding parks. It is a lively place to meet, eat and spend the day.

Vintage exvoto, giving thanks for safe journey on treacherous mountain road.

My greatest discovery was the small shop operated by Karima Muyaes, whose father was an antique dealer and one of the original founders of Bazaar del Sabado. Karima is a talented painter who is in process of publishing a collection of her vast body of work.

Giving thanks for surviving this train robbery in Chihuahua in 1937. Reproduction.

The shop has a selection of fine contemporary ex voto reproductions and I became enamored with the idea of owning one, a la Frida and Diego. Karima is forthcoming about what is old and what is a reproduction. After I bought a blue six-headed sea monster who, ojala (god willing), did not strangle the supplicant, Karima and I talked about our mutual love for Oaxaca.

You need a magnifying glass to read this old one!

She also told me she had a few vintage ex-votos at her home and invited me to come to visit, which I happily did. The environment is a visual feast in tribute to the work of her father, his collections, and her amazing paintings.

Galley proofs of Karima’s new book, The Color of Spirit

She is in process of putting together a photo book of her life’s work. I had a chance to look at the early galleys and meet the graphic designer from Chicago who is working with her on her project.

Portrait of me and Karima in her living room, Mexico City; her paintings

Painting on ceramic, by Karima Muyaes

I am thinking of purchasing a few ex votos for resale. If you are interested, please let me know. norma.schafer@icloud.com

Painting on canvas, unframed, by Karima Muyaes

Tabletop still life, home of Karima Muyaes

It is likely I will meet Karima again before I leave Mexico City to return to North Carolina on this trip. We will probably visit her studio, where I will take more photos to share with you.

Paint brushes, home of Karima Muyaes

Vintage sterling silver milagros –folk charms, a father’s collection

 

 

Artist Hollie Taylor Creates Frida Kahlo Retablos

At Casa Azul in Coyoacan, Mexico City, one of the largest collections of folk art ex-votos (also called retablos) hangs along with pre-Columbian art and memorabilia collected by Frida Kahlo and Diego Rivera.

Ex-voto in Casa Azul, the Frida Kahlo Museum in Mexico City

Traditional ex-voto/retablo in Casa Azul, the Frida Kahlo Museum in Mexico City

They were avid supporters of artists who had no formal training but who represented the naive, populist art of Mexico.

I am broken but I am happy. Frida Kahlo Retablo by Hollie Taylor

Ex-votos are small devotional paintings that offer thanks or prayers to a saint for a gift granted, wish fulfilled or for good health. It usually includes a hand-written note of gratitude at the bottom of the painting.

After a foot amputation, Kahlo gave us this inspiration, interpreted by Hollie Taylor

Hollie Taylor is a North Carolina artist who loves Mexico and Frida Kahlo. On Friday, April 8, the North Carolina Crafts Gallery in Carrboro, hosts an opening reception for Hollie and artist colleague Madelyn Smoak from 6-9 p.m., Dreaming of Frida: Hollie & Madelyn at Casa Azul. 

Frida Kahlo Retablo by Hollie Taylor Novak

Hollie has  adapted the ex-voto concept to offer thanks to Frida for her courage, strength, femininity, resolve and creativity by creating Frida Retablos. These are small devotional wall plaques with many of the icons and sayings that represent Frida Kahlo.

Looking for Frida Kahlo + Diego Rivera in Mexico City Art History Study Tour

Kahlo studio at Casa Azul

Kahlo studio at Casa Azul, just as she left it

As we know, Frida’s health issues — childhood polio and a debilitating accident at age 18 that rendered it impossible for her body to carry a child — defined her and shaped her art. French artist Andre Breton named her a surrealist, a brand she refuted.

I paint because I need to. Frida Kahlo Retablo by Hollie Taylor

She was a woman who painted her emotions and that is what makes her a great artist. We can identify with her pain, passion and joy.

I paint self-portraits because. Frida Kahlo Retablos by Hollie Taylor

Hollie captures the spirit of Frida Kahlo in the retablos she created for this show. At the gallery, the retablos are offered at $58 USD.

Shrine to Frida Kahlo by Hollie Taylor

Shrine to Frida Kahlo by Hollie Taylor

You can order your retablo from Hollie at a direct-from-artist price.  They are lightweight, ready for hanging, made from collected objects on hand-painted rice-paper covered foam core.

Looking for Frida Kahlo + Diego Rivera in Mexico City Art History Study Tour

Hollie also teaches retablo workshops in her Chapel Hill home studio. Email her at hollietaylorart@icloud.com her for details about ordering and scheduling a workshop.

Hollie Taylor Novak, mixed media artist

Hollie Taylor Novak, mixed media artist

 

Evoking Frida Kahlo: Making Memory Altars and Shrines

Mexico is filled with altars that usually include sacred images and a Virgin of Guadalupe retablo. During Day of the Dead a family altar displays photographs of departed loved ones. We are taking this mixed media art workshop, based in Teotitlan del Valle, Oaxaca, Mexico, beyond the norm to create a three-dimensional altar suitable for display. Frida Kahlo is our muse.

4 Days, February 25 – 28, 2016

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e·voke. əˈvōk/. verb

bring or recall to the conscious mind, conjure up, summon up, invoke, elicit, induce, kindle, stimulate, awaken, arouse, call forth

Frida offers us inspiration for constructing an altar about life, womanhood, loved ones, family, health issues, successes and set-backs. We hold up Frida’s image, perhaps in self-reflection, to imagine her life and its challenges and to evoke meaning for our own. We then translate these concepts into an altar or shrine that can be used for wall art, to display on a surface or to design as a shelving unit for collected objects.

Consider making this a self-portrait altar!

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Frida was an avid collector of exvotos and perhaps you would like to merge this simple expression of thanksgiving and devotion in your work, too.

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When we think of Frida Kahlo, we may conjure up many images and words to describe her: a woman of strength, power, frailty, independence, weakness, accomplishment, talent. Biographers say she was fierce, passionate, defiant, innovative, creative, vulnerable. We know she was deformed, in pain, proud.

 

Your personal altar can be based on your own experience. We embrace Frida as a metaphor to jump into a new creative realm. Your altar might be a tribute to someone you love who is living or passed on. Your altar might contain a message to send or include as a gift. It can be about you, friends, family or Frida herself.

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About Hollie Taylor, MFA, Workshop Leader

Hollie Taylor earned the BFA from the University of North Carolina at Chapel Hill focusing on painting and printmaking. She then went on to the University of Georgia and received the MFA with a concentration in printmaking.

Hollie taught drawing, printmaking, painting and ceramics at the college, middle and high school levels. For over 20 years, she has taught adult workshops in handmade paper-making, screen-printing, woodcutting, photo-imaging on clay, ceramic hand-building, mixed media art and art journaling.  

She is a recipient of the North Carolina Museum of Art annual artist scholarship award. Her work is published in Art Voices South and The Village Rambler. She earned the prestigious National Board Certification for Teaching Excellence and her students placed repeatedly in national shows. 

Hollie encourages deep personal exploration, offers demonstrations and samples of finished products.  Art produced at her workshops is highly individualistic, broad ranging in style and expressive of the maker. Participants come to the table with varied past creative experiences and she accommodates fully for this range of novice to accomplished artist. She gives personal feedback and encouragement and holds informal discussions to compare intent with outcome, noting what has been learned. A workshop with Hollie is engaging and fun!

A new project for Hollie involves making a book using found family letters and archival photos from Brazil during World War II. This will become a mixed media art show installation based on composites she is rendering in Photoshop to glean new meaning from the material. 

 

Process and Materials

Using found objects, copies of photographs, paint, paper, memorabilia and embellishments, you will construct either a 8” x 10” three-dimensional sculptural piece or a 12” x 16” flat art wall piece.

Materials We Provide: We provide step-by-step altar-making directions and construction materials, plus selected art supplies such as self-healing cutting mats, box cutters, some acrylic inks, assorted decorative papers, handmade clay medallions and selected ephemera art associated with Frida Kahlo.

8.Frida.Paint altar parts with acrylic ink.800KBcopy

Materials To Bring: A sharp pencil, rubber bands, assorted size small brushes, embellishments such as stamps, charms, shells, milagros, copies of photographs, textiles. Try to imagine what will symbolize the different attribute’s of your altar’s theme and bring what will enhance its meaning. After you register, we will send you a complete list of supplementary supplies to bring. Participants often share for a wider range of choice.

 

Resources: Hollie recommends Crafting Personal SHRINES, Using Photos, Mementos & Treasures to Create Artful Displays, by Carol Owen, Lark Books, 2004.

Our Schedule: Daily, 9:30 a.m. to 3:00 p.m. includes catered lunch  

Day One, Thursday, February 25: We look at images of altars and sacred boxes, visit church and private home altars, and talk about Frida Kahlo – her style and what she valued. You will come with a concept for your creation, and with Hollie’s guidance you will finish the design and begin to build your project.

Day Two, Friday, February 26: Continue to build your altar, wrapping it, painting it, and gluing it together to form a completed container for what will come next. You may also want to add a door and small shadow boxes to display memorabilia reflecting your concept.

Rolling on Matte Medium to seal the foam core.

Rolling on Matte Medium to seal the foam core.

Day Three, Saturday, February 27: Finish altar construction. Begin to decorate and embellish your altar with photos (copies), writing, drawing, found objects and memorabilia you have brought with you.

Day Four, Sunday, February 28: You will add the finishing touches before we hang your finished work for a group show and presentation of your piece, followed by a grand finale mezcal margarita cocktail reception.

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Workshop Cost

Base Cost – Workshop Only: $495 per person, includes all instruction, materials to construct your altar or wall art, hand-outs, guided visits to family homes and churches for altar research, 4 lunches and cocktail reception. This option is designed for people who do not need lodging, and want to travel back and forth daily from Oaxaca city.

Upgrade 1 – Workshop + Share Room: $665 per person shared room with private bath en suite. Includes all of the above plus 4 nights lodging, arriving on Wednesday, February 24 and departing Sunday, February 28 by 6 p.m. Includes 4 continental breakfasts. We assign rooms in order of registrations received. Contact us for availability.

Upgrade 2 — Workshop and Private Room/Bath: $795. Includes all of the above.

How to Register

The workshop does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation to and from Oaxaca city.  We can arrange taxi pick-up and return from/to the Oaxaca airport at your own expense (approximately 280 pesos).

Reservations and Cancellations A 50% deposit is required to guarantee your spot. The last payment for the balance due (including any add-ons) shall be paid by January 6, 2016. We accept payment with PayPal only. We will send you an itemized invoice when you tell us you are ready to register.  After January 6, refunds are not possible.  You may send a substitute in your place.  If you cancel before January 6, we will refund 50% of your deposit.

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Required–Travel Health/Accident Insurance:  We require that you carry international accident/health/emergency evacuation insurance. Proof of insurance must be sent at least two weeks before departure.  If you do not wish to do this, we ask you email a PDF of a witnessed waiver of responsibility, holding harmless Norma Hawthorne Schafer and Oaxaca Cultural Navigator LLC. Unforeseen circumstances happen!

Workshop Details and Travel Tips.  Before the workshop begins, we will email you a map, instructions to get to the workshop site from the airport, and documents that includes extensive travel tips and information. To get your questions answered and to register, contact: oaxacaculture@me.com

This retreat is produced by Norma Schafer, Oaxaca Cultural Navigator LLC. We reserve the right to make itinerary changes and substitutions as necessary.

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