Tag Archives: shopping

Soft Landing Oaxaca, and Teotitlan del Valle

It’s a four-and-a-half hour bus ride from Puebla CAPU to Oaxaca ADO bus station. Taxi from Puebla historic center to CAPU is 80 pesos. Bus ticket is about 450 pesos on ADO GL deluxe service. Easy. Scenic. The road dips and rises through mountains studded with mature saguaro and nopal cactus, flowing river beds (it’s the rainy season) and dramatic gorges. When going south, choose a seat on the right side of the bus.

Not Guelaguetza 24-16

Prep kitchen — al fresco — at La Biznaga Restaurant

A good time to write, read, lean back and enjoy the ride. I arrived in Oaxaca on Sunday night, just in time to skip the last Guelaguetza performances on Monday but not the crowds strolling the Andador Macedonio Alcala. Or, the sounds of the festivities echoing from the Cerro del Fortin pinnacle starting at 10 a.m.

Not Guelaguetza 24-4

People asked me, are you going to Guelaguetza? Did you go to Guelaguetza? I told them no. I went for the last two years, had a great time, took lots of photos and decided I didn’t need to repeat the experience for a while.

Sunday night, I discovered La Salvadora, a patio bar on Guerrero that serves great artesenal Mexican beer, sandwiches, salads, and usually has live music. A great way to land. Thanks, Hayley.

On Monday I walked over 12,000 steps Oaxaca is one of the best walking cities in Mexico with the Andador limited only to pedestrian traffic.

Not Guelaguetza 24

Carol and David invited me to lunch at their departamento under the shadow of Basilica de Soledad on the other side of town, so I walked there, passing colonial adobe buildings in need of renovation.

Before that, I walked to ceramic Galeria Tierra Quemada and recycled glass studio Xaquixe to check out mezcal cups that my sister asked me to get for her, and then I went back again as she honed the decision.

I finished off the day with a Spanish potato and egg torta (a famed tapas) with organic salad, and a glass of excellent, reasonably priced (40 pesos) red wine at Tastevins on Murguia close to Benito Juarez, with Hayley. This place is becoming a favorite, relaxed, good food, moderately priced.

Not Guelaguetza 24-7 Not Guelaguetza 24-9 Not Guelaguetza 24-8

On Tuesday, I clocked a bit over 10,000 steps. Janet and I met for a great breakfast — organic blue corn memelas with poached eggs, red and green salsa — at Cabuche before she went to work. (It’s my in-the-city-neighborhood-go-to-eating-spot.)

Handmade paper box at Xaquixe

Handmade paper box at Xaquixe

Then, a return trip to Tierra Quemada (meaning burnt earth) for the final order and shipping.

TierraQuemada2 Xaquixe

 

And a return to the Xaquixe shop on 5 de Mayo between Abasolo and Constitucion to oggle the handmade paper and glassware once again.

Prepping for comida corrida at La Biznaga

Prepping for comida corrida at La Biznaga

After taking care of fingers and toes from all the pavement pounding, I met Martha and Hayley at La Biznaga for a great vegetarian spinach lasagna (Tuesday is vegetarian comida corrida). The portions are so generous, there was enough for lunch today.

Not Guelaguetza 24-3

My good friend and taxista Abraham picked me up late afternoon and I arrived back in Teotitlan del Valle. I don’t have internet connection where I live, so I’m now at my Teoti go-to restaurant Tierra Antigua for reliable service and an excellent horchata.

This Saturday Abraham and Rosa are getting married. It’s been in the planning for a year. I’ve known Abraham for about eight years — smart, always reliable, taught himself English, muy dulce — very sweet. He asked me to be the madrina (godmother) of the photography! It’s my gift to them, and I’m excited about participating in all the related activities and then sharing them with you. I have permission!

Soft landing!

 

Red Pottery of San Marcos Tlapazola, Tlacolula, Oaxaca

My dad was a potter and I grew up with a potter’s wheel and an electric kiln in our garage.  Tools were piled on the table, where also sat clay forms drying to the leather hard before he put them into the oven.

San Marcos Tlapazola-44

This is where he would go to work when he came home from work.  For him, I think, putting his hands on the clay of earth and forming it into something beautiful or whimsical or functional was his joy, more fun than work.

San Marcos Tlapazola-27

I always have a special feeling for people who put their hands on clay.  In San Marcos Tlapazola, just 8 kilometers behind Tlacolula, in the foothills, the Mateo Family women work with an organic low fire clay body that becomes unglazed, utilitarian and decorative pieces for hearth and home.  It is lead-free and safe to eat from and cook with.

We work with our hands. We bring the mud from our fields. It takes a week to dry it.  We wet it. Stir it, strain it and mix it with sand.  Finally, we let it dry under the sun to make it. We are ready to work with it. 

San Marcos Tlapazola-31 San Marcos Tlapazola-37

The vessels are made on a simple turning wheel as the women sit on the floor.  They use pieces of wood, stone, coconut shell, gourds and corn cobs to shape and polish.

San Marcos Tlapazola-43 San Marcos Tlapazola-42

You might recognize them as they sit on their knees, on petate woven grass rugs at the Sunday Tlacolula market. You might notice them as they pass through the restaurants and food stalls calling out their wares for sale. Their dress is distinctive and colorful.  They sell comals of various sizes, bowls and plates, platters and large vessels perfect for cooking soups and stews.

San Marcos Tlapazola-53 San Marcos Tlapazola-50

But, the best, largest and most impressive pieces are in their San Marcos Tlapazola home workshop studio. Here, tall jugs are decorated with chickens and roosters, pot lid handles might be dancing dolphins or turkey heads or pig snouts. You might even come across a national award-winning bowl sitting regal on its clay pedestal throne. The selection is enormous and often you can see the black fire flash in the red clay form, giving it an elemental connection to the earth, wind, fire.

San Marcos Tlapazola-55 San Marcos Tlapazola-47

When we got there, we came into the courtyard filled with smoke.  It was firing day.  The pots were hidden under corrugated metal sheeting, piled with tree branches, dried corn husks, discarded bamboo sticks, twigs, brush, and protected by a ring of broken pots to keep the heat in at ground level. We arrived just in time to add our bundle of brush and branches to the fire.

San Marcos Tlapazola-25

Here at Matamoros No. 18, in San Marcos Tlapazola, live the parents, sisters, cousins and nieces of the extended family of Alberta Mateo Sanchez and Macrina Mateo Martinez.  The home phone number is 951-574-4201.  The Cel is 951-245-8207.

San Marcos Tlapazola-35 San Marcos Tlapazola-36

Their mother Ascencion is ninety years old.  Almost as old as my own mother who just turned ninety-nine.

San Marcos Tlapazola-29

Call to make an appointment to be sure they will be home.  Maybe you will be lucky enough to come during a firing, as we did.

San Marcos Tlapazola-39 San Marcos Tlapazola-46

As we shopped, the rains came and the wind whipped. It wasn’t a heavy downpour but a light Lady Rain drizzle that causes the smoke to curl through the courtyard and burn our eyes. As we left, the rains made a mist and droplets coated the car window through which I took these ethereal photos below.

San Marcos Tlapazola-58 San Marcos Tlapazola-57

Thanks to Merry Foss, Oaxaca folk art collector and dealer, and Sara Garmon of Sweet Birds Mexican Folk Art, Santa Fe, NM,  and Christopher Hodge for taking me on this adventure.

San Marcos Tlapazola-28

 

 

How to get there?  Go toward the hills behind Tlacolula, following the road that goes through the center of town.  There will be a crossroads at 4km.  Turn right and continue another 4 km until you get to the village.  You will see the traditional church in the distance as you wind to the right through high desert.  The main street is Matamoros and the sisters’ house is on the left past a couple of blocks past the church.  Look for the sign: Mujeres del Barro Roja.

 

Oaxaca Street Life: Guelaguetza Crush, Art and Expoventas

Thousands of people converge on the streets of Oaxaca for Guelaguetza. Only 11,000 were in the Guelaguetza auditorium to hear Lila Downs last night. OaxStreetLife-9

The rest were visitors strolling Macedonio Alcala, the walking avenue between the Zocalo and Santo Domingo Church, and roaming vendors selling everything from fragrant azucenas that only bloom at night to ice cream and hair decor.

Carnival rides bring smiles to children and parents.  OaxStreetLife-4

The perpendicular and parallel side streets are filled with pop-up outdoor food stands where you can get tortillas cooked on a comal any way you like them.

OaxStreetLife-18

OaxStreetLife-7 OaxStreetLife-8 OaxStreetLife-15

A must-see art exhibit at Instituto de Artes Graficas de Oaxaca across from Santo Domingo Church opened last night. A crowd of visitors and locals packed the galleries to see some stunning lithography and the beer flowed.

OaxStreetLife-14 OaxStreetLife-12

Mexico’s art is usually wrapped in social and political commentary and this exhibition is no exception. Here artist-illustrator Artemio Rodriguez paints the Virgin of Guadalupe on a shovel and the eagle on a cactus with a snake in its mouth, symbol of nationhood, on a wheelbarrow. Is this irreverent?

OaxStreetLife-13 OaxStreetLife-11

Images of farm workers and the iconic Porfirio Diaz, president/dictator, offer us visual contrast between poverty and poverty, honor and corruption.  Art here is something to chew on, not for matching with furniture and color palette.

OaxStreetLife-17 OaxStreetLife-19

Of course, shopping is King and Queen, and you can find some of the best Oaxaca artisans from many villages here in Oaxaca this time of year.

WHERE? At pop-up art and folk art Expoventa shows throughout the city:

OaxStreetLife-20 OaxStreetLife-2-2 OaxStreetLife-3-2

 

In Mexico City: Popular Art–Folk Art Shopping Hideaway

Tucked behind the tall 17th century heavy wood doors of an imposing colonial residence at Isabel la Catolica 97 is Victor Arts Populares Mexicanas.  There is no sign, only a small poster affixed to the only window facing the street.

Don’t knock on wood, the guard admonished me, after I did several times.  He instructed me to use the original brass knocker now burnished with age.  I smiled, assured him I would behave myself next time, and made my way up to the second floor where there are three rooms stuffed with an amazing collection of new and vintage collectibles from all the important craft villages of Mexico.

Diego_Frida_July2014-10 VictorFolkArt2

Here I met Pilar Fosado Vazquez (above left) and her assistant.  Pilar continues to run the shop her father founded many years ago.

Diego_Frida_July2014-11

Take note:  Hours are limited.  The shop is open 12:00 p.m. to 7:00 p.m. Monday through Friday.  Tel. (55) 55-12-12-63.  Email: victormex@hotmail.com.  There is a Facebook page, too.  But the shop recently relocated and most of the information available online is not updated.

Diego_Frida_July2014-13The family works with a silversmith in the State of Mexico (Estado de Mexico) to recreate outstanding jewelry pieces in the style of Frida Kahlo. Some are embellished with coral, turquoise, garnet, onyx and obsidian.  The workmanship is excellent and the prices are moderate for the quality.

Diego_Frida_July2014-12     There is lots of handmade tin, papier mache, textiles, and the Huichol art is of particular fine quality.  Some of the pieces for sale are over forty years old.

Diego_Frida_July2014-14

I searched out this spot to take people who attended the last Looking for Diego Rivera and Frida Kahlo art history tour, where we studied the famed Mexican muralists (Rivera, Orozco and Siquieros) and visited Casa Azul and the Dolores Olmedo Patiño Museum.  There are THREE spaces open for our August repeat program!

VictorFolkArt1

 

 

 

In Mexico City: FONART for Folk Art Shopping

FONART is the national fund for promoting arts and crafts in Mexico.  Folk art and crafts of every type from every Mexican state are represented.  Textiles, red and black ceramics, Talavera, carved wood figures, beeswax candles, tinware, etc. The pieces are more collector quality than what you would find in crafts markets like Mercado Cuidadela.  Prices are higher, too, and there is no bargaining.  Some FONART shops have more variety and a wider selection than others.

FONART-3 FONART-7

The largest and main repository where the pieces come in, are catalogued and priced, is the flagship FONART Galeria Patriotismo, Ave. Patriotismo. No. 691, Colonial Mixcoac, Mexico D.F. Tel. 50-93-60-60 or 50-93-60-61.  I discovered it on my search for a hand-hammered copper vase from Santa Clara del Cobre, Michoacan.

FONART-2

The trip by taxi from the zocalo/centro historico takes about 30 minutes in moderate traffic.  I went on Saturday morning at 10:30 a.m.  Weekdays are probably longer.  The hotel arranged the driver for me and I paid an astonishing 300 pesos for the round trip that included a 45-minute wait, but I was on a mission.  You could take the Metro or a taxi on the street for far less.

FONART-5

The next largest FONART store is Galeria Reforma, Avenida Paseo de la Reforma, is closer to the historic center than Galeria Patriotismo, but is not within walking distance.

Galeria Juarez is within walking distance of the Zocalo, but has limited choice and staff helpfulness is variable.  When I returned to buy a copper piece I had seen on my last visit in August, I arrived to find the store dismantled and the copper display decimated.  The clerk told me all the copper was moved to Galeria Patriotismo, which is why I ended up paying 300 pesos to go there.   When I arrived, the staff told me, no, they didn’t have any pieces from Galeria Juarez.  I asked them to call to find out the discrepancy in stories. Seems all the copper had been moved to the Juarez storeroom.  The clerk either didn’t know, didn’t ask, or couldn’t be bothered. So, when I returned, someone else took me to the storeroom where I climbed a 20-foot ladder to find my pot piled up on one of the upper shelves.

FONART-6 FONART-4

Why a copper pot from Santa Maria del Cobre?  It represents an important pre-Hispanic indigenous craft. Usually, I like to go directly to the source and find the artisan who creates the most outstanding work.  But, Michoacan is one of those places where the drug cartels have established a foothold.  Because of that, it is not someplace I plan to visit soon.  And, these pieces are incredibly beautiful.

Allan Gurganus wrote a piece in last week’s New York Times about why he collects, the passion and the psychology.  I understand.  I struggle with my desire to live a simpler life and have it surrounded by artfully made beauty in support of artists and crafts people whom I admire.  How to reconcile this?  I don’t know.

No photos allowed.  No exceptions.  Bags are checked at the door.  A guard watches over the treasures.  Still, with the obstacles, the best place for folk art shopping.

FONARTAt Remigio’s, an indigenous textile clothing shop at Isabel la Catolica #30, Centro Historico, Mexico City, I found this antique hand-woven Triqui maize basket.  I asked my friend Lupe to model so I could show it to you.