Shuko Clouse is here. She opened Mano del Sur recently, a beautiful online shop that combines her Japanese aesthetic — simplicity and quality — with Mexican handcraft excellence. Shuko came to Oaxaca to restock the shop.
She takes her time. She curates each item. She meets the makers and engages with them. She holds an article in her hands and savors its creation. She kneels down to touch a wool rug whose life is created on the loom. She traces the pattern with her fingertips, asking about ancient design origin.
It is a marvel to go shopping with Shuko. She chooses carefully. Selects one or two items that are the same. She is not a volume shopper. I learn from her. Take your time. Each moment with a handmade article is a blessing for the maker and eventually, the buyer.
Don’t rush. When I was in Japan, I saw that a large room with one extraordinary vase containing one exquisite flower was enough. This is antithetical to my own collecting sensibilities. It is a struggle to keep my living environment spare, and I confess I am unsuccessful. But I aspire to this — one object, beautifully crafted, as focal point.
Meanwhile, Shuko and I travel the villages; to San Marcos Tlapazola to visit the women makers of red clay pottery; to Mitla to see the weaver of natural dyed wool and cotton; deep into a Mitla neighborhood to visit the antique dealer whose eclectic collection tempts all; to old adobe houses of Teotitlan del Valle where humble weavers work magic.
Tuesday, September 1 – Wednesday, September 9, 2020 – 8
nights, 9 days
New Mexico was originally part of the Spanish land grant known as New Spain. It calls to me in a way that reminds me of Oaxaca: Vast vistas of mountains and desert punctuated by red and purple skies, stately organ-pipe cactus and gnarly mesquite, Rio Grande River oases lined with scrub oak, and unparalleled art and craft made by indigenous peoples.
Colonized by the Spanish in 1598 and referred to as New Mexico by them after the Aztec Valley of Mexico, the territory was integrated into a new nation after 1821 Independence from Spain. Mexico was forced to cede its northern territories to the US in 1848 in a period of political vulnerability. Deeply rooted locals identify more with Spanish or indigenous ancestry.
Today, New Mexico has the largest percentage of Latino and Hispanic Americans in the USA. America’s First Peoples lived here for thousands of years before European occupation. Anglos, the trappers, merchants and adventurers, arrived much later. This sequence of settlement is important for showing respect and appreciation.
Sheri Brautigam, textile author and operator of Living Textiles of Mexico, and I join together again to bring you this program that starts in Santa Fe, the state capitol and heart of Colonial New Mexico. Sheri lives in Santa Fe and I visit periodically. Our love of place is defined by the majestic natural world, exquisite art, textiles, jewelry and pottery created by Native American people, and a deep appreciation for cultural history.
On many levels, it seems only natural to add New Mexico to our travel repertoire. Here political borders give way to the shared cultural and aesthetic history of Mexico and the American Southwest.
We take you to Native American pueblos to meet favorite weavers and jewelry makers, and to galleries and public spaces where world-class examples are displayed. We introduce you to collectors and purveyors of folk art and craft who will talk about quality, authenticity, craftsmanship and style. We go deep rather than wide to offer insight and perspective.
Any exploration of New Mexico must include a look into the life of artist Georgia O’Keeffe. Our study tour takes you to her summer residence at Ghost Ranch where we spend the night and enjoy a morning walking tour of her favorite painting sites. We visit her Abiquiu winter home where her minimalist style shaped future generations.
Colonial Spanish and Mexican history, architecture and cultural influences
Sumptuous food spiked with rare New Mexico red Chimayo chile and green Hatch chile — try the Hatch flavored pozole or a green chile cheeseburger or buy a ristra to take home
Mezcal infused beverages that transcend Oaxaca origins
Here is the Preliminary Itinerary: Arrive September 1 and depart September 9, including Labor Day Weekend.
Tues, 9//1: Arrive and check in to hotel, welcome cocktail reception
Wed. 9/2: Breakfast with art and cultural history talk,
walking tour of Santa Fe galleries, the Governor’s Palace Portal and historic
sites, welcome lunch. Presentations by noted experts and collectors. Dinner
OYO. (B, L)
Thurs. 9/3: After breakfast, depart for Rio Grande River Kewa/Santo Domingo pueblo to meet Native American craftspeople where we will have private demonstrations of stone inlay and metal smithing, and a home-style lunch. We visit award-winners who exhibit at prestigious galleries and participate in the International Folk Art Market. (B, L) Dinner OYO
Friday. 9/4: After breakfast, we will take a private La Fonda Hotel art history tour, with lunch at the historic Fred Harvey restaurant, followed by a visit to the Georgia O’Keeffe Museum (B, L) Dinner OYO
Sat, 9/5: After breakfast, we will return to the Kewa pueblo to attend the big Labor Day Weekend Artisan Fair, an all Native American traditional arts and craft event that includes artisans from throughout New Mexico. (B) Lunch and dinner OYO.
Sun. 9/6: After breakfast, depart for Ghost Ranch with a stop in Sanctuario de Chimayo a famous shrine of miracles and Hispanic faith. We will visit the Rio Grande style weavers of the Chimayo region and have lunch at Rancho de Chimayo, overnight at Ghost Ranch (B, L)
Mon. 9/7: After breakfast, morning Art Walk at Ghost Ranch to see the locales where Georgia O’Keeffe painted. After lunch at the Inn at Abiquiu, we will tour O’Keeffe’s winter home in Abiquiu, then return to Santa Fe. (B, L) Dinner OYO.
Tues., 9/8: Breakfast and day on your own. Grand finale
dinner. (D) Breakfast and lunch OYO.
8 nights lodging at a top-rated Santa Fe historic center property within walking distance to the Plaza
1 cocktail reception
a curated itinerary with introductions to some of the region’s finest artisans
museum and other entry fees, as specified in itinerary
private demonstrations, presentations and lectures
private coach and chauffeur to/from pueblos and O’Keeffe sites
outstanding and personal guide services with Norma Schafer and Sheri Brautigam
The program does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and optional local transportation that is not specified in the itinerary.
You can fly in/out of either Albuquerque (ABQ) or Santa Fe (SAF), New Mexico. Check Skyscanner.com for best schedules and fares.
We reserve the right to substitute
instructors and alter the program as needed.
Cost • $3,845 double room with private bath (sleeps 2) • $4,435 single room with private bath (sleeps 1)
Important Note:All rooms at Ghost Ranch for one night on Sunday, September 6, are shared accommodations.
and Cancellations. A $750 non-refundable deposit is required
to guarantee your spot. The balance is due in three equal payments – on January
22, April 22, July 22, 2020. We
accept payment using online e-commerce only. If for any reason, Oaxaca Cultural Navigator LLC cancels the
tour, a full-refund will be made.
We will send you an itemized invoice
when you tell us you are ready to register. If you cancel on or before July 22,
2020, we will refund 50% of your deposit received to date. After July 22, 2020,
there are no refunds.
If you register after January 22, you will owe $750 plus 1/3 of the balance due. If you register after April 22, you will owe $750 plus 2/3 of the balance due. If you register after July 22, you will owe 100% (if there are openings).
to Register: Send an email to email@example.com
Tell us if you want a shared/double room or a private/single room. We will send you an e-commerce invoice for $750 by email that is due on receipt.
Who Should Attend: Artists, makers, educators, life-long learners, writers, photographers, jewelry and textile lovers, historians and those wanting to learn more about Native American art, culture and history. If you love off-the-beaten path adventure, the great outdoors, and the inspiration of the great Southwest as seen by Georgia O’Keeffe, this trip is for you.
Required–Travel Health/Accident Insurance: We require that you carry international accident/health insurance that includes $50,000+ of emergency medical evacuation insurance. Proof of insurance must be sent at least 45 days before departure.
In addition, we will send you by email a PDF of a witnessed waiver of responsibility, holding harmless Norma Schafer and Oaxaca Cultural Navigator LLC. We ask that you return this to us by email 45 days before departure. Unforeseen circumstances happen!
Reservations and Cancellations. We accept online e-commerce payments only. We will send you an itemized invoice when you tell us you are ready to register. All documentation for plane reservations, required travel insurance, and personal health issues must be received 45 days before the program start or we reserve the right to cancel your registration without reimbursement.
Terrain, Walking and Group Courtesy: We may walk a lot on some days. — up to 10,000 steps. We recommend you bring a walking stick if you need something to lean on!
If you have mobility issues or
health/breathing impediments, please consider that this may not be the study
tour for you.
Traveling with a small group has its
advantages and also means that independent travelers will need to make
accommodations to group needs and schedule. We include plenty of free time to
go off on your own if you wish.
Under the Palace of the Governors portal sit Native American artisans, displaying their craft. They may sit on small camp stools or cross-legged on a blanket waiting for us. Their hang tags tell their name, their pueblo, and authenticate what they sell. This is a juried system.
The portal at the Palace of the Governors calls to me because it is a place of discovery. I have spoken with gallery owners in Taos and Santa Fe who tell me they found artisans they represent here along this arcade. A keen eye can differentiate quality
Who is able to sell each day is based on a lottery. Just as I visit artisan studios throughout Mexico to understand the craftsmanship and to create connection, when I find someone who makes something extraordinary, I want to know more. To see how something is made is to understand the calculus of time and materials, passion, art and history. This is how we put value on something handmade.
It’s more than that. To see how people live and work, to meet their families, to understand their culture and origins, hear who they learned from and appreciate the traditions of creativity, gives added meaning to the experience. It becomes more than shopping. It is the next level to an ancient practice of sharing, bartering, collaboration and respect.
We got to the Plaza early that day, before 9:30 a.m. Leslie spotted Warren Nieto first, noticed his fine heishi beadwork and mosaic inlay. His thunderbird design earrings were perfectly executed. There were three pair, one for her, one for Kaola and one for me. We struck a bargain for the three and paid cash. I asked if we could visit his studio to see how he constructed his pieces and get a demonstration. We set a day and time.
Eugene Sanchez was also at the Palace portal that day. I didn’t recognize him but I recognized the fine, tiny pieces of gemstone inlay work I bought from his wife Georgia two years ago. I asked him if we could visit, too.
Eugene’s story is not unique. He’s a military veteran. He worked construction in northern California, had a back injury and returned to his family roots to revive their Native American jewelry making. He learned from his grandmother and father. The work is extraordinary.
I had traveled the Rio Grande River Valley pueblos in the 1970’s, but had never visited the Kewa (Santo Domingo) village. I was more interested in pottery then. This would be an adventure. We drove south on I-25 for about 40 minutes and then turned off to head west. In the distance, beyond the vast sand-colored desert was a ribbon of green cottonwood where the river flowed fast. Summer rains and winter snow melts ensure an abundance of water.
Warren Nieto lives with his family in a new modular home behind a vacant trading post, a vestige of the old west and tourism dream that didn’t materialize. He worked carpentry and framing before he returned to the craft he earned from his family. He’s 32 years old.
We were told to respect what your grandparents taught you, he says. Growing up, I learned to make heishi beads and tend the corn fields. We were taught that jewelry making was something to come back to. I do it to create something that others appreciate and value.
Warren speaks Keres to his son, who hovers nearby. This is an ancient language, he explains, and he’s not worried about losing it. The Kewa people adhere to tradition. He says its linguistic roots are Aztec (Nahuatl). I tell him common belief is that the Aztecs came from the north into what is now Mexico in search of a fertile land where the eagle would perch on a cactus, overcome the serpent and lead them to water. Is it likely they originated from this part of New Mexico?
I am organizing a 2020 folk art study tour into the tribal areas of New Mexico with Sheri Brautigam, who lives in Santa Fe. We will visit a curated group of jewelers, weavers and potters, and attend a Native American festival. If you are interested in joining us, please send me an email so I can add you to the announcement list: email firstname.lastname@example.org
January 31 to February 7, 2020, 8 days and 7 nights.
Come with us to explore the Oaxaca we know and love by going deep and personal. We offer you an unparalleled and eclectic cultural immersion travel experience by introducing you to the artisans we believe offer some of the finest examples of folk art and craft the Oaxaca City region has to offer. We know each of them personally and have cultivated their trust and friendship over the years. During our week together we take you into their homes and workshops to investigate and explore why they are makers, who they learned from, the value and importance of continuing their traditions, and the special techniques they have developed to become masters.
$2,795 per person for a shared room (2 rooms available)
$3,395 per person for private room (5 Queens and 2 Kings available).
The city of Oaxaca is a travel destination that is on the map. Her artisan craft, fine and unique cuisine, delicious beverages (from fruit waters to mezcal) and UNESCO Colonial Historic Center receive wide acclaim – and justly so! You’ll sample some of this as we also focus on meeting the masters who weave rugs and clothing, make silver filigree jewelry, ceramics, woodcarvings, lead-free ceramics, and more. Many have not yet achieved worldwide fame but they are equally as talented as those who have, and offer what they make at affordable prices.
Most importantly, we offer the opportunity to meet the makers and support them and their families directly. This is an important mission of ours as we travel into the backstreets of villages where not many have the opportunity to go.
This program is for collectors, lovers of Mexican art and folk art, and anyone with curiosity and an open heart who wants to learn more about Oaxaca, Mexico, and her creative traditions. Even if you have been to Oaxaca before, there is still a lot more to discover and we take you on that path.
We will be a small group of travelers — no more than 12 to 14 people — to give you an intimate and in-depth experience.
Oaxaca Cultural Navigator LLC and Norma Schafer is
pleased to tell you that Eric Chavez Santiago and his wife Elsa Sanchez Diaz
have joined our organization and will co-lead this tour. They are native
Oaxaquenos, possess a broad and deep knowledge of the region and have years of
experience working with Oaxaca’s outstanding craftspeople. Both are bilingual.
Elsa is an expert teacher and maker of natural dyes. Eric is a Zapotec weaver and
dyer who was born and raised in Teotitlan del Valle. Both have deep roots in
Oaxaca’s artisan communities, are knowledgeable about artisan
made textiles and folk art and know the best of the best.
Elsa, Eric and I developed this itinerary together to present to you for our first Oaxaca Discovery Study Tour.
Day 1, Friday, January 31: Travel day, arrive to Oaxaca City and check in to your hotel. Meet the group for a welcome supper. Please schedule your flights to arrive to our historic center hotel by 5 p.m. Welcome dinner included.
Day 2, Saturday, February 1: We set out after
breakfast for a Oaxaca city meander. This day is designed to give you an
overview introduction to see the best available of Oaxaca’s textiles and folk art.
We have curated visits to some of the finest shops and galleries to discuss,
discern and differentiate quality, and understand pricing. You’ll learn about
Oaxaca’s back-story – history, cultural appreciation, social and economic
forces, craft development and evolution. We will have lunch at a highly rated comedor
that serves authentic Oaxaca food. This is a big walking day. Please bring
comfortable shoes and all your stamina! Breakfast and lunch included. Dinner on
Day 3, Sunday, February 2: After breakfast we travel along the Ocotlan artisan route to explore the Oaxaca State Museum of Folk Art in San Bartolo Coyotepec. We will talk about why this museum is important to Oaxaca craft development. We continue on to meet the maker of amazing carved wood and painted whimsical figures in San Martin Tilcajete. After lunch on the road, we see back strap loom weavers in Santo Tomas Jalieza, and a noted primitive folk art pottery family in San Antonino Castillo Velasco. Breakfast and lunch included.
Day 4, Monday, February 3: After breakfast, we head
out for an overnight excursion to Teotitlan del Valle, where you will enjoy a market
tour and cooking class in a traditional Zapotec kitchen, see weaving and
natural dyeing demonstrations with weavers of wool and cotton rugs and clothing.
We think it’s important to introduce you to indigenous Zapotec history, so we
will loop through their new cultural center. Zapotec civilization was the most
sophisticated in Mesoamerica. Bring your overnight bag. Breakfast, lunch and dinner
Day 5, Tuesday, February 4: After breakfast we travel
along the Pan-American Highway to the apron-making village of San Miguel del
Valle, meet families who design and sew, and take a tour of the historic 16th
century, fresco-walled church. We continue on to San Pablo Villa de Mitla to
visit a dealer in regional antiquities – jewelry and historic artifacts, detour
for a mezcal tasting in Santiago Matalan, and finish off by meeting a flying
shuttle loom weaver who works in natural dyes. We return to Oaxaca in time for
dinner on your own. Breakfast and lunch included.
Day 6, Wednesday, February 5: After breakfast, we travel first to visit the workshop of one of the finest ceramic artists in the region. They are among the last workshops crafting high temperature, lead-free ceramics of unusual and fine-art quality, perfect for gifting, adding to home décor, and serving and preparing some of Oaxaca’s finest recipes after you return home. We then meet up with Oaxaca Eats for a concentrated foodie walking tour designed just for us. Your late afternoon is free to explore. Dinner is on your own.
Day 7, Thursday, February 6: After breakfast, we treat you to a curated expoventa (show and sale) at our hotel with some of our favorite artisans who are from outlying areas. Invited artisans include a Mixe grower, spinner, and weaver of silk garments who works in natural dyes, a noted embroiderer from the Papaloapan region that is 12 hours from the city, a tin-maker, and a weaver from San Juan Cotzocon in the Sierra Mixe. Our favorite filigree silversmith will join us, too, to show and tell about the intricacy of traditional Oaxaca jewelry making – a technique brought to Mexico shortly after the conquest by artisans who learned from the Moors of southern Spain. After the expoventa, you’ll have lunch and the afternoon on your own. We meet together for our grand finale gala dinner. Breakfast and dinner included. Lunch on your own.
Day 8, Friday, February 7: This is your departure
day. Breakfast is included. We will help you make transportation arrangements
to the Oaxaca airport or you may extend your trip (on your own) to explore
other parts of Mexico.
We reserve the right to alter the itinerary based on artisan availability and other unexpected circumstances.
What is Included
7 nights lodging at top-rated accommodations
One lunch includes custom Oaxaca Eats food walking tour
museum entry fees
artisan honoraria for demonstrations
van transportation as outlined in itinerary
complete guide services including cultural and language expertise
The program does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and optional local transportation as specified in the itinerary. It does not include taxi or shuttle service to/from airport and to/from hotel.
We reserve the right to substitute instructors and alter the program as needed.
Cost to Participate — We offer three options.
$2,795 double room with private bath (sleeps 2). Two rooms available in this category.
$3,395 for a single supplement (private room and bath, sleeps 1). We offer a luxury King or Queen option in this category on first come-first served basis. Eight rooms available in this category.
We are staying in a tranquil small boutique hotel in the historic center of Oaxaca City within walking distance of the Zocalo and other attractions.
Reservations and Cancellations. A 40% deposit is required to guarantee your reservation. The balance is due in two equal payments. The second payment of 30% of the total is due on or before September 1, 2019. The third 30% payment is due on or before November 25, 2019. We accept payment using online e-commerce that can be paid with a credit card. We will send you an itemized invoice when you tell us you are ready to register. After November 25, 2019, there are no refunds. If you cancel on or before November 25, 2019, we will refund 50% of your deposit received to date. After that, there are no refunds.
Notes. When you tell us you are ready to register, we will: Send you a Health Questionnaire to complete and return. We will then send you an itemized invoice when you tell us you are ready to register.
Health Questionnaire: Oaxaca is at almost 6,000 feet altitude and we will be walking a lot, especially on our first full day together. If you have a heart condition, have trouble breathing, have difficulty walking, or have other conditions that would have a mobility impact, please do not register for this program. The health questionnaire requires that you disclose any issues.
Required–Travel Health/Accident Insurance: We require that you carry international accident/health insurance that includes $50,000+ of emergency medical evacuation insurance. Proof of insurance must be sent at least 45 days before departure.
In addition, we will send you by email a PDF of a witnessed waiver of responsibility, holding harmless Norma Schafer and Oaxaca Cultural Navigator LLC. We ask that you return this to us by email 45 days before departure. Unforeseen circumstances happen! Be certain your passport has at least six months on it from the date you enter Mexico before it expires!
Plane Tickets, Arrivals/Departures: Please send us your plane schedule at least 45 days before the trip. This includes name of carrier, flight numbers, arrival and departure time to our destination.
All documentation for plane reservations and required travel insurance must be received 45 days before the program start or we reserve the right to cancel your registration without reimbursement.
Health Questionnaireand Your Well-Being: Oaxaca is at almost 6,000 feet altitude and we will be walking a lot, some on cobblestone streets, especially on our first full day together. Plus, we will be getting in and out of vans. If you have a heart condition, have trouble breathing, have difficulty walking, or have any other condition that would have a mobility impact, please do not register for this program. The health questionnaire requires that you disclose any issues.
Terrain, Walking and Group Courtesy: We will do some walking and getting in/out of vans. If you have mobility issues or health/breathing impediments, please let us know before you register. This may not be the study tour for you.
Traveling with a small group has its advantages and also means that independent travelers will need to make accommodations to group needs and schedule. We include free time to go off on your own if you wish.
Long before the Spanish conquest of the Americas beginning with Mexico in 1521, Maya land was contiguous. Maya peoples spanned what we now know as Chiapas, the Yucatan Peninsula, Guatemala, Belize, Honduras and El Salvador.
While spoken dialects differ, the language of cloth tells a similar and familiar story of the universe and creation: corn, stars, moon and sun, animals, fertility, and rain, the underworld and the heavens. The plumed serpent god Quetzalcoatl is a predominant figure.
The Aztecs, seeing the blond and bearded Hernan Cortes, confused him for the reincarnation of Quetzalcoatl and welcomed him. Before that, their empire reached as far south as Nicaragua, where they hunted for the feathers to adorn royal headdresses. Their historical outposts are evident throughout Chiapas, mostly through Nahuatl place names.
Maya communities were contiguous until the Mexican Revolution, when geo-political boundaries were drawn separating Guatemala from Mexico. The Usamincinta River was the demarcation line.
Along this river are two very important archeological sites: Yaxchilan and Bonampak. Symbols from fresco paintings here are depicted in the cloth woven by Maya women across the borders. It is also the region of the Lancandon jungle, home to the Lancandon tribal group that speak an ancient form of Maya. They were able to escape Spanish conquest by staying hidden deep in the jungle.
I write about this to better understand the context of the cloth, which has limited boundaries.
On our recent Chiapas Textile Study Tour, one of our travelers, Rosemary, told me she makes frequent visits to Guatemala to collect Maya huipiles. She said she always wondered why she had a hard time finding the huipiles from Colotenango and Huehuetenango in Antigua, until she came to San Cristobal.
These Guatemala villages are much closer to Chiapas than they are to Antigua. She surmised that it was easier to export them here. We found many superb examples of Guatemala textiles mingled among those from Chiapas for this reason.
We asked the weavers we met on this journey what they dreamed of for themselves and their families. What do they want/need? What are their hopes for their children?
I ask our travelers to think of themselves as amateur cultural anthropologists: to ask questions and to understand what is most important for women, children, families, and their economic well-being.
Every artisan we talked with had a similar answer: they need markets to sell what they make. They want their children to have an education beyond sixth grade. They want them to keep the traditions alive, too. They want autonomy and independence from neo-colonialism and government control. They want to be respected for their creativity and traditions.
In other words, they want what we want for ourselves and our children — a life of safety, security and economic well-being, with health care and a just, living wage.
Cultural Tourism: Why are we here?
Why are we here? Is the answer as simple as Cultural Tourism? Is our motivation to experience a world different from our own? We are lovers of the handmade and appreciators of the people who are the makers. We want to meet the makers directly and support them.
In the Academia.edu article What is Cultural Tourism? Greg Richards says, Another major cultural trend that has been important in the growth of the heritage industry has been the growth of nostalgia. The increasing pace of life and the feeling of disorientation and loss associated with modernity has ensured that the preservation of the past has become big business.
I am aware of this as we bring small groups into remote villages. I hope our footprint will be as small as possible. I hope we become observers with heart and empathy. I also want to talk about our tendency to romanticize what many visitors perceive as a simpler lifestyle.
We seem to yearn for a simpler lifestyle.
So, I ask the question of you: Is cooking over a smoky wood fire simpler if it means you or your children will develop emphysema? Is it simpler if you have to travel 20 miles to the nearest health care clinic? What if the school in your village doesn’t have a regular teacher and only goes to fourth grade? Is it a simpler lifestyle when your husband is an alcoholic and family violence is a reality, not a poster? Is it simpler when you find an hour or two a day to weave, after cooking, cleaning, tending children, husking corn, washing clothes?
Can we really know about people and their lives by interacting with them for a few hours and buying what they make? With this purchase, are we practicing cultural appropriation or cultural appreciation? By just being here, what is our impact on how people live and work? Will change happen? What is authentic, anyway?
Why We Left, Expat Anthology: Norma’s Personal Essay
Norma contributes personal essay, How Oaxaca Became Home
Norma Contributes Two Chapters!
Click image to order yours!
Norma Schafer and Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university program development experience. See my resume.
Study Tours + Study Abroad are personally curated and introduce you to Mexico's greatest artisans. They are off-the-beaten path, internationally recognized. We give you access to where people live and work. Yes, it is safe and secure to travel. Groups are limited in size for the most personal experience.
Programs can be scheduled to meet your travel plans. Send us your available dates.
Designers, retailers, wholesalers, universities and other organizations come to us to develop customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Our Clients Include
*Penland School of Crafts
*North Carolina State University
*WARP Weave a Real Peace
We send printable map via email PDF usually within 48-hours after order received. Where to see natural dyed rugs in Teotitlan del Valle and layout of the Sunday Tlacolula Market, with favorite eating, shopping, ATMs. Click Here to Buy Map
Dye Master Dolores Santiago Arrellanas with son Omar Chavez Santiago, weaver and dyer, Fey y Lola Rugs, Teotitlan del Valle