Tag Archives: textiles

Mexican Anthropologist Marta Turok to Give Keynote at WARP Textile Conference

Marta Turok, the noted Mexican applied anthropologist and specialist in folk art and textiles, will give the keynote address at the WARP (Weaving a Real Peace) International Conference in Oaxaca, on Saturday, June 9, 2017.

I’ve been working with WARP and program chair Judy Newland for the better part of a year to help organize the conference. Marta just wrote this morning to summarize the remarks she will make.

Textiles from the village of Cancuc, Chiapas

“My talk will focus on how I learned that a project requires a methodology. It begins with a good assessment (diagnostic) in order to draw a master plan.  There are many imponderables as the project continues and one has to be constantly evaluating to see how to make adjustments.  

This diagnostic includes understanding the role of crafts production and marketing in the community/region, the number of craftspeople/families involved, the capacities that exist and those that need to be developed, how raw materials are acquired and distributed, what the means of production are, what markets one wants to target.   

The approach should be integral, analyzing the environmental, cultural and socio-economic issues surrounding the community and the group.  The clearer the goals, the more investment in capacity building and decision-making, the better chance the group will be able to appropriate the process.”

Applied anthropologist Marta Turok to speak in Oaxaca

Click Here to see the complete program and to register. It’s not too late!

Other conference speakers include Alfredo Harp Helu Foundation representative Lorena de la Piedra, Zapotec weaver Porfirio Gutierrez, designer and natual dye expert Rocio Mena Gutierrez, University of Wisconsin-Madison faculty member Carolyn Kallenborn, social entrepreneur Ana Paula Fuentes, and founder of Chamuchic project Claudia Muñoz Morales.

There will be an expoventa (exhibition and sale) of folk art and textiles on June 9 in the ex-convento San Pablo patio presented by Andares Arte Popular.  On Saturday, June 10, conference-goers will travel to villages to meet textile artisans as part of their conference registration.

Here is the complete Program

Saturday, June 9, 2017

8:00 a.m. Breakfast

Morning Sessions –

9:30 Cindy Lair, WARP President – Welcome and Acknowledgments

9:45-10:30 Marta Turok, our keynote speaker from Mexico City, an applied anthropologist who focuses on socio-economic artisan development in Mexico; she is considered one of the foremost experts on Mexican Folk Art and will discuss her work and what it means for artisans in a global world market

10:30-11:15 Lorena De la Piedra will discuss the work of the Alfredo Harp Helu Foundation, it’s commitment to artisan development, bringing products to market and the natural dye culture of Oaxaca

11-30-12:15 Porfirio Gutierrez, Teotitlan del Valle master weaver, will present innovation and preservation in Zapotec Weaving – the evolution of design and the incorporation of innovative materials

LUNCH from 12:30 – 1:45pm

Afternoon sessions

2pm-3pm Panel Presentation followed by roundtables discussions with all attendees participating

Topic: Working with Indigenous Artisans to create fashion and design projects, bringing products to market, design influences, integrity of design, cultural impact, ethical issues and challenges.

  • Rocio Mena Gutierrez: WARP member and panel moderator, founder and designer of Zikuri Natural Dyes, Mexico City
  • Ana Paula Fuentes: consultant/textile designer currently working with Fabrica Social
  • Claudia Munoz Morales: textile designer, creator of the initiative Viernes Traditional, counselor for Impacto Textil and leads the Chamuchic group
  • Carolyn Kallenborn – Associate Faculty at University Wisconsin Madison has worked with textile artisans in Oaxaca since 2003, and produced/directed the film, “Woven Lives”

3:00–3:30 Attendees will select discussion questions prior to meeting and break into small groups with leaders to talk about issues/ideas facing textile artisans around the world, including attribution, copyright, and working with foreign designers

3:45 Scholarship winners 5 minute presentations

1:00–7:00 ExpoVenta – a marketplace of regional artisans at San Pablo Cultural Center

6:00–7:30       Reception with visits to Museo Textil de Oaxaca which is next door

Saturday, June 10, 2017

8:00 a.m. Breakfast – we will have the WARP Annual Meeting during our Saturday breakfast

9:30 a.m. to 5:30 p.m. Natural Dye Weaving and Textile Tour, includes van transportation, lunch and visits to artisan studios with demonstrations and discussion of the natural dye tradition in Oaxaca, Mexico. Participants will meet weavers of rugs, home goods, handbags and clothing in their home studios. Tour will make four stops. You will see weavers working on the flying shuttle loom and tapestry loom. See traditional carding, spinning and dyeing methods using cochineal, indigo and other local plant sources. We offer honoraria to artisan-demonstrators on your behalf. Tour provider is Norma Schafer, Oaxaca Cultural Navigator LLC.

 

Poco a Poco: Unpacking Oaxaca in North Carolina

My first week here was busy. The North Carolina Tar Heels won the NCAA men’s basketball tournament and are crowned champions. I managed to stay up until midnight to watch it all and celebrate.

North Carolina living space with Oaxaca treasures.

The NCAA, in its infinite ignorance, announced it would lift the sanctions and bring sports tourneys back to NC since the state legislature amended the anti-transgender bathroom law (a sham piece of legislation that still violates civil rights).

Colorful Oaxaca armadillo alebrije now tops my bookcase.

And, I’m unpacking and settling in. A work in progress. One of the greatest pleasures of being here is rediscovering and becoming acquainted with my Oaxaca folk art collection that I haven’t lived with for four years.

I thought I had downsized to the bare bones when I dismantled my household back then, keeping only what would fit into a five foot by fifteen foot storage unit. But, my goodness, there are many more filled boxes in the upstairs loft space to unload. But, there’s no rush.

I’ll be here until mid-May. And, perhaps a folk art sale is in the offing!

Old brick tobacco warehouse walls in urban Durham condo

My new space is in an old tobacco warehouse listed on the National Historic Register. Ceilings are twenty feet high. One wall is old brick. The floor is beat-up maple, solid, showing almost one hundred years of wear. I’m downtown, within walking distance of shops and restaurants.

In the morning and again at night, there is the sound of the engine whistle as the train moves between Washington, D.C. and Atlanta. Cars on the street below are muffled reminders of city life.  From the top floor, I look out on tree tops.

Galley kitchen.  Alfredo Hernandez Orozco cloth/copper lampshades

This is a juxtaposition to living in the Teotitlan del Valle, Oaxaca countryside, beneath the mountains where my rooftop terrace commands a 360-degree view of the Tlacolula valley. It is not quiet there either, but the sounds are different.

Arturo Hernandez, Mitla, Oaxaca, wove the bed spread, Chiapas pillows

I hear donkeys, goats and turkey. I hear the SONI Gas truck announcing its arrival via loudspeaker. The tortilla vendor sings in the distance. The church bell announces a wedding or funeral. Then, all goes quiet, and there is nothing to capture my attention but my own imagination.

Cozy corners, lots of light, another retreat

Here in Durham, the lulls are less frequent. I am embraced by long-time friends. The circle of life expands so that I have the pleasure of enjoying both spaces, different and comfortable. I am no longer an ex-pat but a seasonal bird.

On Monday, I managed to host twelve of us for a Passover seder, including four wiggly little boys who loved jumping on the hardwood floors and climbing the loft stairwell. Our three core families have known each other for forty years and now we get to “enjoy” the grandkids. My poor neighbors!

 

 

 

 

 

Oaxaca Valley and Coast Textile Study Tour 2018

Oaxaca Valley and Coast Textile Study Tour is set to start Sunday, January 14, 2018, in Oaxaca city and end Wednesday, January 24, 2018, in Puerto Escondido, on Oaxaca’s Pacific coast. In between, you will meet artisans in their homes and workshops, enjoy great cuisine, dip your hands in an indigo dye-bath, travel to remote villages you may not go to on your own. This is an eclectic study tour with a focus on textiles and Oaxaca’s vast weaving culture. It also includes visits to graphic arts studios in the city.

There are THREE (3) spaces open! Contact me to register.

Limited to 10 participants.

Study Tour Itinerary*

1) Sunday, Jan 14. – Arrive in Oaxaca City and check into our comfortable bed and breakfast inn.

2) Monday, Jan. 15 – After breakfast, we will introduce you to Oaxaca folk art and textile culture with a noted local expert. Then, we’ll explore more with afternoon visits to meet textile collectors and artisans, and graphic artists. Then, we will gather for a welcome dinner at one of Oaxaca’s outstanding restaurants. (B, L, D)

Hand-carved gourd art from Pinotepa Don Luis

3) Tuesday, January 16 — Natural Dye and Weaving Textile Study Tour in the Oaxaca Valley, a full-day exploration into the small weaving and dye studios of some of Oaxaca’s greatest artisans. We will travel by luxury van and have lunch at a great village comedor (family restaurant). (B, L)

Wild marigold over-dyed with indigo will become green

5) Wednesday, January 17 – Half-Day Natural Dye Workshop: Indigo Blue. You will understand the principles and chemistry of working with indigo, then make a cotton shibori scarf. Afternoon on your own. Oaxaca is famed for fine silver and gold filigree jewelry. We fit in a silver jewelry expoventa, too. (B)

6) Thursday, January 18 —  Fly from Oaxaca to Puerto Escondido very early in the morning, settle in and relax at our hotel on the Pacific Coast beach. Includes airfare from Oaxaca City to Puerto Escondido. (B)

Tending the dye bath in Teotitlan del Valle

7) Friday, January 19 – – Follow the textile trail high into the mountains to visit the famed weavers of San Pedro Amuzgos and San Juan Colorado, where they use back strap looms and natural dyes.  We’ll stop at coops, visit markets, and have a few surprises along the way. Overnight on the Costa Chica.  (B, L)

Intricate figures woven into Pinotepa Don Luis textile

8) Saturday, January 20 — Continue our adventure into textile villages along the Costa Chica, and then make our way back to Puerto Escondido in time for dinner. (B, L)

Odilon’s aunt, from San Pedro Amusgo, embroiders cloth together for huipil

9) Sunday, January 21 – We’ll attend Dreamweavers Expoventa, a highlight of our textile study tour, to be held at our hotel. This is a textile extravaganza with the Tixinda Cooperative from Pinotepa Don Luis! They bring their finest garments dyed with murex (purple snail), woven with coyuchi (natural wild Oaxaca brown cotton), and posahuanco skirts You will meet the weavers, see demonstrations, and be amazed by what they make. Plus, the artful hand-painted Converse tennis shoes will be here, too. (B)

10) Monday, January 22 – We’ll take a three-hour early morning or late afternoon birding/ecology tour on the Manialtepec lagoon — beautiful and fascinating — where you will see a rare bio- luminescence…one of only two lagoons in the world to have this phenomena. And, perhaps a surprise visit from Chatino embroiderers (we are working on this).  (B)

Chatino blouse detail, cross-stitch. Photo from Barbara Cleaver.

11) Tuesday, January 23 — This is a day on your own to take a day trip to the sea turtle sanctuary in Mazunte/San Agustinillo, or to explore the town of Puerto Escondido, and begin packing for the trip home.  Grand finale dinner to say our goodbyes. (B, D)

Fine example of Chatino bag from Barbara Cleaver

12) Wednesday, January 24 – Transfer to Huatulco airport and your connecting flights home. Please schedule your departure after 12:00 p.m. (noon). (B)

Sunset on the Pacific coast of Oaxaca in winter

Our resource experts are Sheri Brautigam, author of Textile Fiestas of Mexico, and Barbara Cleaver, collector and owner, Hotel Santa Fe, Puerto Escondido. Sheri will travel with us on the coast to offer her textile expertise. You can read more about Dreamweavers Expoventa in Sheri’s book.

*Note: Itinerary is subject to change. You may want to arrive early in Oaxaca city to acclimate to the 6,000 foot altitude. You may also want to stay later at the beach or travel elsewhere in Mexico when the study tour ends. After you register, we will provide you with hotel contact information if you want to make these arrangements directly.

Odilon Morales promotes his people through Arte de Amuzgo cooperative

Take this study tour to learn about:

  • the culture, history and identity of cloth
  • carding and spinning wool, and weaving with natural dyes
  • clothing design and construction, fashion adaptations
  • symbols and meaning of textile designs
  • choice of colors and fibers that reflect each woman’s aesthetic while keeping with a particular village traje or costume
  • graphics arts to express Mexico’s social, political culture

I have invited textile collector Sheri Brautigam to join me at the Oaxaca coast to give you a special, in-depth experience. Sheri writes the blog Living Textiles of Mexico and is recognized for her particular knowledge of Oaxaca textiles. She is author of the Thrums Textile Fiestas of Mexico: A Traveler’s Guide to Celebrations, Markets, and Smart Shopping. (I’ve contributed two chapters with photos, one for Tenancingo de Degollado and the other for Teotitlan del Valle!)

What Is Included

  • 10 nights lodging at top-rated accommodations
  • 10 breakfasts
  • 5 lunches
  • 2 dinners
  • luxury van transportation for day trips as outlined in itinerary
  • complete guide services
  • airfare from Oaxaca to Puerto Escondido
  • transfer from Puerto Escondido to Huatulco airport

Example of very fine Amusgo back strap loom weaving

The workshop does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation as specified in the itinerary.  We reserve the right to substitute instructors and alter the program as needed.

Cost to Participate

  • $2,695 double room with private bath (sleeps 2)
  • Add $400 for a single supplement (private room and bath, sleeps 1)

Who Should Attend

  • Textile and fashion designers
  • Weavers, embroiderers and collectors
  • Home goods wholesalers/retailers who want a direct source
  • Photographers and artists who want inspiration
  • Anyone who loves cloth, culture and collaboration

Reservations and Cancellations.  A 40% deposit is required to guarantee your spot. The balance is due in two equal payments. The first 30% payment is due on or before October 15, 2017. The second 30% payment is due on or before December 15, 2017. We accept payment with PayPal only. We will send you an itemized invoice when you tell us you are ready to register. After December 15, 2017, refunds are not possible. You may send a substitute in your place. If you cancel on or before December 15, 2016, we will refund 50% of your deposit.

Templo Santo Domingo at sunset, Oaxaca, Mexico

The Terrain and Walking: Oaxaca is a colonial town on a 6,000 foot high desert plateau surrounded by 12,000 foot mountains. Streets and sidewalks are cobblestones, some narrow and some with high curbs.

The stones can be a bit slippery, especially when walking across driveways that slant across the sidewalk to the street. We will do a lot of walking. Being here is a walker’s delight but we do tread with caution.

If you have mobility issues or health impediments, please let me know. I would encourage you to consider that this may not be the study tour for you. When you tell me you are ready to register, I will send you a health questionnaire to complete first.

 

Pop-Up Textile Fiesta Sale: Mexico and India Cloth and Clothes

Gosh, so many textiles, so little time. Just back from weeks of textile travels in Mexico! After a month of textile adventures in India!

Ikat rebozo on the loom, Tenancingo de Degollado

And, in my desire to support the weavers and block printers of Bhuj, Gujarat, India; Tenancingo de Degollado, Estado de Mexico, who make ikat rebozos; the embroiderers and back-strap loom weavers of Chiapas and Oaxaca, Mexico, and the beaders and embroiderers of Puebla State, I have collected too much.

Pop-Up Textile + Jewelry Sale 

Tuesday and Wednesday,  February 28 and March 1

Noon to 4 p.m. 

Where: Norma’s Casita Alegria, Teotitlan del Valle, Oaxaca

RSVP: email norma.schafer@icloud.com to get directions

  • Rebozos, shawls and scarves
  • Huipiles, dresses and blouses
  • Bolsas, bags and totes
  • Array of jewelry — some new, some vintage
  • Miscellaneous — come see what you will find

I have invited an excellent local cook to come with her amazing tamales. She will offer these for sale at village prices, plus hand crafted hot chocolate made from cacao beans she roasts herself! Come and spend the day on the terraza.

Block printed cotton collected over weeks in India

Textiles from the village of Cancuc, Chiapas

 

India Journal: Ajrakh Block Prints and Indigo

On the second day after I landed in New Delhi, I went to visit the Sanskriti Museum of Textiles near the Qutub Minar 15th century historic site on the south side of town.

Block printed cotton I collected over weeks in India, mostly indigo

It’s a small, private collection hidden away behind gates on the expansive grounds of an estate that is now an educational center. I was able to combine this stop with one at nearby Nature Bazaar for textile shopping.  You could visit these three destinations in a day!

Assortment of wood blocks, all made by hand, another artisan craft

The Sanskriti Museum of Textiles is important because it explains the process to make ajrakh block printing that ultimately colors the cloth in layers of complexity and depth.  Usually, it is blue and red, combining indigo and madder root. 

Guide Kuldip Gadhvi, wears natural dyed indigo and madder turban cloth

It’s Muslim origins come from the Sindh (Pakistan) and Gujarat, Kutch, India. These areas, now politically distinct, share ancient common artistic, cultural, historical and religious roots.

Turmeric, madder, indigo dye cloth, Abduljabbar Mohammed Khatri studio, Dhamadka

Paste of red clay is first used to set the pattern on cotton

Peopled by nomadic herders who traveled on camels in search of grazing lands, the block printed cloth was traditionally used for men’s turbans and wrap-around pants. These block prints are among the most treasured in the world.

Indigo and madder botanical drawing, Sanskriti Museum

The Sanskriti Museum tells the block printing story by showing the stages on cloth panels. You first start by washing the cotton, then you use a mud past to apply the first pattern with a hand carved wood block. A few steps of the multi-step process are below.

   

After each step, the cloth is washed and then laid out on the ground to dry.

Mud paste for first printing

India is the world’s largest producer of cotton. Some of it, like the finest organic muslin, has the hand of silk, is diaphanous and soft, drapes beautifully.

Applying the first series of designs to cotton, Abduljabbar Mohammed Khatri workshop

Block printing, a close-up of the handwork. Each piece of cloth is imperfect, unique

In India, they use turmeric for yellow. In Mexico, it is wild marigold.

Here you can see the next layer of block print being applied.

A new town, Ajrakhpur, devoted only to block printing, was recently established by Abduljabbar Mohamed Khatri. The dominant figure living and working here is his son Sufiyan, who goes regularly to the International Folk Art Market in Santa Fe. Of course, there are other unknown talents to discover here.

Sufiyan Ismail Khatri, son of the master, at his home workshop in Ajrakhpur

I became so overwhelmed by the choice of textiles that I couldn’t focus and only bought one small indigo block printed wool/silk scarf, that is now in the possession of my sister. Fortunately, I managed to concentrate enough to take a few photos!

Washing the cloth after each stage of printing — labor intensive process!

Master Abduljabbar Mohammed Khatri calling card and cloth example

Second step after washing the cotton, printing the design with red clay.

When I was in Ahmedabad, my first priority was to get to the famous block printing shop of the Gamthiwala family, just across the Nehru Bridge in the new city a short distance from House of MG.  They have a smaller shop in the old city, much more romantic, where the selection isn’t as extensive.

Several of these are from Gamthiwala Fab block print textiles, Ahmedabad

In the photo above, the block print on the left (red and blue) is from Khavda, Kutch and is an original Sindh design from Pakistan. From the top right, indigo print from Gamthiwala Fab; indigo and turmeric dyed block print from Rajisthan; next indigo block print, Gamthiwala Fab; next, block print indigo and madder scarf from Fab India made in Gujarat; next, indigo and madder block print from Rajasthan; next from Gamthiwala, an indigo, madder and iron (ferrous oxide) block print; block print dress bought at Fab India.

Having a smoke with friends at the Little Rann of Kutch

And, just so you know that I was having fun, this is a betel leaf cigarette. Do you believe I didn’t inhale? Caught in the act at the Little Rann of Kutch, Dasada, Gujarat. Thanks, Jumed.

Life size terracotta horses Tamil Nadu at Sanskriti Museum, New Delhi

Tamil Nadu is the India state source for indigo. It is in the south, tropical and perfect for production. It is also the place where terracotta figures were discovered. When I saw them, they reminded me of the soldiers unearthed in Xian, China, that I saw in the early 1990’s, though on a much smaller scale.

Tomorrow, I leave Southern California for Oaxaca, where life resumes not as usual either! I am almost recovered from jet lag. Stay tuned for the next installment.

Fascinating that garbanzo beans are used as dye for ajrakh, called gram

Stack of mud printed cloth waiting for next steps

Block printer, Gujarat, India