Finally, home to North Carolina and then back to Mexico in two weeks. If you follow me on Facebook you know I’ve been traveling in Eastern Europe. This was a tour offered by one of the largest operators in the world. Their buses and ships zigzag the continents and oceans.
See below for a few treasures I am offering for sale from the trip.
In eleven days, we traveled from Tirana, Albania, to the Dinaric Alps and coast of Montenegro, to historic Adriatic fortified towns occupied by Greeks, then Romans, then Venetians, then Ottomans, then Austro-Hungarians, then Italians and Germans. After WWI, they became part of what we knew as Yugoslavia. The break-up happened after the death of Tito and in the aftermath of the Serbia-Croatian War of 1991. These are new republics.
This is a land of the conquered and conquerors. We entered Kotor, Montenegro, for a one hour-fifteen minute lunch stop, climbed through winding mountain passes to visit crystal clear glaciated lakes and limestone caves filled with stalactites and stalagmites, came to Split for a one-and-a-half hour walkabout. A full day in Dubrovnik was pure luxury. We slipped through Bosnia’s sliver of an access to the Adriatic, before entering Slovenia, part of the European Union. We used Lek,Kuna and Euros along the way.
I went out of curiosity, to be a roommate to my friend, and because the cost was low enough to justify the impulse. Will I do it this way again? Not likely.
We all wear name tags and use headsets, move in lock-step according to the schedule. Most mornings, this 43-person group was on the road by 7:30 a.m. (sometimes earlier) to cover miles of territory, luggage packed and loaded, breakfast inhaled. Many of my photos were taken from the bus window. There was no interaction with native people other than shopkeepers we met along the way. Local tour guides provided interpretive historical and cultural commentary during the one- to two-hour city walking tours.
I learned that there are villages in Slovenia where needle lace is still being made. In towns where we stopped, during free time, I tried to seek out antique dealers who were selling vintage textiles and jewelry. The selection was sparse. Eventually, I succumbed to the rhythm of the group, took a deep breath, and went along for the ride.
Note: From Left to Right, #1, #2 and #3. These three pairs of sterling silver earrings are hand-crafted. The first pair #1 is new with delicate, intricate filigree. Price is $175. #2 is vintage and I bought these earrings in the seaside town of Makarska from a silversmith whose family has been in the business for generations. Price is $165. #3 is a vintage pair of large sterling filigree earrings from Kosovo that I bought in Opatija, Slovenia. Price is $395. Mailing for any pair is $12 USD. Send me an email if you are interested. firstname.lastname@example.org You can see the influences of Austro-Hungarians and Ottoman Turks in the designs and workmanship.
What I validated was an important lesson in how I put together experiences for travelers who choose Oaxaca Cultural Navigator excursions: it is more valuable to go deep than wide. It is essential to meet local people to learn about and understand life, culture, values, challenges and opportunities. A middleman interpreting social and political issues isn’t enough. To really be in a country, one must go to where people live and work, take meals with them, share who we are with each other. For me, a small group is defined as ten to fifteen travelers.
Yes, people want to see the world. Most want to see the world for less money, to go to as many countries as possible, to get the Passport stamped. Do do so, one must join the crowds. I heard from fellow travelers that they go on river cruises with 125 people, which they consider a small group. The mega-cruise ships that hold thousands docked in Dubrovnik and Venice, spit out day-trippers who overrun these once beautiful cultural sites. Perhaps they buy a double-scoop of gelato and then re-board the ship for the endless buffet. Imagine these cities now as shopping malls with all the international brands paying high rents, pushing out local artisans and residents — a topic we never discussed.
Still rough around the edges, coming out of Communism with heart and hopefulness, Albania and Montenegro are undiscovered jewels and most promising. Worth a trip back to explore the Ionian coast that borders Greece, worth a trip back for the delicious dark and crusty bread and seafood, worth a trip back to go deeper. We shall see.
I´m in Eastern Europe, starting out along the southern Adriatic Coast of Albania in the capitol city of Tirana. I’m on a cultural tour of the region that has no particular focus, with a friend who needed a roommate. It would never have occured to me to put this on a travel bucket list, but I´m glad I did.
I call this Eastern Europe because it was once part of the Communist bloc pre-Gorbachev, that turned it’s loyalties to China and Mao, a stricter version communism after Glasnost.
This is a developing country. It broke its shackles of repression after more than 30 years of isolation, forced labor camps, concentration camps, and extermination of liberal opposition. This is a city of bunkers built between 1960´s and 1980´s out of paranoid fear of invasion by foreign powers. By 1983, over 173,000 bunkers were built. Tirana today dedicated two to the martyrs who died in opposition, a memorial to a holocaust.
With this in mind, the group I´m traveling with visited the National History Museum. The galleries are devoted to Albania history with ties to Greece, Italy, Macedonia and the Ottoman Empire. Artifacts, including marble busts, bronze weapons and jewelry from archeological sites are on display here.
An entire gallery is devoted to remembering those who suffered and died under the regime of Enver Hoxha. Here, I cried. This is fresh history. Recent history. Living history. And politics here is everywhere.
Albanians love Americans. Woodrow Wilson said Albania should be independent after the Balkans were divided after WWI. In 2007, George W. Bush was the first US president to visit here. Two young students told me it is their dream to go to America. It is heartwarming to be welcomed so enthusiastically by people we meet. The history is dark, yet there is a sunrise to the east in the second poorest (only to Kosovo) country in Europe.
There is a small gift shop at National History Museum. It is filled mostly with vintage textiles that are 60 to 80 years old. The cloth is handwoven wool or cotton, embellished with embroidery or appliqué. The symbol of the country, the double-headed eagle, reminds me of some of the indigenous regions of Oaxaca where the same iconography is central to the language of cloth.
I see weaving patterns that look like Zapotec rugs. I see tiny joining stitches that looks like Mexican randa. I see belts woven on backstrap looms embellished with fringed and wrapped tassels. I see the creativity of a people who desired to adorn themselves in beauty, a consistent them worldwide.
There are mostly European visitors here in this city of one million people, in this country of three million. We were told that there are six million visitors here annually now and the country is struggling to keep up with tourism infrastructure. The time to come here is now!
I am meandering on my own after the museum. I want to go to New Market and head in the direction a museum guard points me to. At a corner, I hesitate. I ask two young people where to find it.
That’s how I meet Casey and Ben. They speak English. I ask them if they will be my guide for the afternoon. They have free time. They are university students starting their first year, and classes are delayed because the registration system is kerfluffled. Along the way they tell me that young people don’t stay here. There is huge unemployment and the jobs are in Italy or Germany. Their dream is to go to the US. They are delighted to help me and I am delighted to give them each 500 Lek, about $5 USD each. Lucky us!
After New Market, I continue on my own to Oda Restaurant and have a traditional Albanian lunch of stuffed eggplant with veggies, corn bread and beer. Then, back to Hotel Rogner for a rest.
Tomorrow, we are off to Montenegro. Who knows what I’ll find there!
Japan Textile Study Tour, November 6 – 19, 2020, 12 nights, 13 days, start in Kyoto and end in Tokyo — 6 spaces open
We take you on a textile adventure of a lifetime to the land of the Rising Sun. Japanese style elevates textiles to a fine art form. We go deep into the culture of hand-weaving and indigo dyeing, high fashion and simple garment construction, venturing into old mercantile shops, contemporary design studios and temple markets to discover how cloth defines a people. Along the way, we discover historical sites, eat traditional foods that have ceremonial significance, visit museums and immerse ourselves into a modern Japan that is underpinned with ancient tradition.
Japan is an amalgam of ancient craft wisdom that is translated into art as a metaphor for life – from pottery to textiles to knife-making to humble and refined cuisine to garden landscape. We visit craftsmen who were provisioners to emperors. Throughout our travels, we touch on the philosophy that girds the culture – aesthetic sensibility, wabi-sabi (perfection in imperfection), and iki (simplicity, originality, sophistication, spontaneity, refinement).
You will travel with Norma Schafer, Oaxaca Cultural Navigator LLC director, writer, producer and photographer. Our co-leader is Nathan Somers, textile artist, collector, indigo dyer and historian. You will visit many sites Norma and Nathan know from personal and professional experience.
This is a hands-on, slow-savor, deep cultural immersion travel experience for up to 10 active textile lovers.
Our itinerary concentrates on the textile culture
of Kyoto, Japan’s ancient capital, and Tokyo, once known as Edo, where day-glow
neon and phantasmagorical skyscrapers cast a futuristic glow over the old
In Kyoto and Tokyo, we will navigate the city and reach our local destinations using outstanding public transportation – faster and more reliable than private services. Bus and Metro service is punctual, frequent, safe and reliable. This gives us an opportunity to travel with the locals and familiarize ourselves with neighborhoods and the ease of travel in Japan. We have engaged locals to help us navigate and translate this fascinating culture.
Who goes on the Textile Study Tour to Japan? Artists, makers, educators, life-long learners, writers, textile
lovers, historians, photographers and those wanting to learn more about Japan, weaving
and natural dyeing there.
F-11/6: Depart your home city and travel to Kyoto, Japan
Sa-11/7: Arrive Kyoto in late afternoon. If you are up to it, join us in the hotel lobby to meet up for an optional group dinner (cost is OYO)
Su-11/8: Meet at 1 PM for a Welcome Lunch, stroll the Imperial Palace, visit a traditional miso shop and confectionary maker (B, L)
M-11/9: After breakfast, we will set out to explore the Nishiki Market, meandering the famed fish and food stalls, have lunch, then stroll Teramachi Street where we will visit vintage textile galleries, then transition to the Geisha neighborhood of Gion for more! (B, L) Dinner OYO
Tu-11/10: Shibori Workshop and Shibori Museum. Hands-on session to make your own shibori-designed textile with indigo dye. (B, L)
W-11/11: Our focus today is on the old weaving center of Kyoto with a visit to Nishijin Textile Center and several shops that dye and make indigo garments. Afternoon OYO (B, L)
Th-11/12: It’s important to have choices! Take the day to create your own itinerary or come with us to visit Arashiyama where we will stroll the famed Bamboo Forest. You have the option to take a rickshaw ride and meander sacred temples in this more rural Kyoto neighborhood, with optional and traditional keiseki multi-course lunch (B)
F-11/13: Travel to Kawaguchi Lake and stay overnight in guest house/lodge. (B, D)
Sa-11/14: Visit the workshop studio of an indigo dyer in a small Japanese mountain village for a demonstration, to see her collection and shop. Take afternoon train to Tokyo. Check into our hotel. (B, L)
Su-11/15: Attend two major Temple Markets — Takahata Market and Oedo International Forum — where you will find old kimono, pieces of vintage cloth including silks, natural dyes and hand-weaving, vintage collectibles such as ceramics, carved wood, figurines, jewelry, art and much more. (B)
M-11/16: We set you loose in Ginza — high fashion center of Japan — for Department Store Shopping and to explore the Basement Food Courts. Department stores feature unparalleled designer boutiques and food treasures. If you prefer, you might like to go to Nuno Works in Roppongi and peek into the upmarket world of Akasaka boutiques. (B)
Tu-11/17: Tsukijii Market Meander. We love markets and the most famed in Japan is Tokyo’s Tsukiji Market where we will get to early in the morning to take in splendid company of super-fresh oysters the size of fists, sushi and sashimi bites, sake sips, and crispy tempura rolls. Then we are off to Nippori Fabric Town to shop for yardage, with a stop at Kata-Kata or Gallery Kawano (B, L)
W-11/18: After breakfast, Yu Design Studio show and sale. They are a new, innovative design studio working in hand-woven cotton, silk and hemp with indigo dyes. Then, set out on your own to chart your own course. You might like to visit the Imperial Palace, the National Museum or retrace steps to go back for a treasure that passed you by. We will meet again for our grand finale dinner to say our goodbyes. Dinner (B, D)
Th-11/19 Tour ends and participants depart (B)
*Travel Note: You can arrive to Osaka Kansai International Airport which is 40 minutes from Kyoto and depart from Tokyo Narita Airport. You might also find more favorable airfares flying to/from Tokyo. Check www.skyscanner.com for schedules and airfares. If you fly to Tokyo, you will take the Shinkansen bullet train (2 hours, 15 minutes) to Kyoto to meet up with the group on November 6. Rail tickets can be purchased in advance online. We will send more detailed information to the group after our travel cohort is formed. You can choose to arrive earlier or stay later at your own expense.
Norma Schafer is director of Oaxaca Cultural Navigator LLC, writer, blogger, photographer and food aficionado. Her love of indigo has taken her to Mexico, India and Japan to explore the culture of weaving and natural dyes. On this return visit to Japan, she takes you to her favorite textile haunts to meet makers and collectors.
Nathan Somers is an educator, textile artist and vintage Japanese fabric collector who lives in Durham, NC. Nathan teaches indigo resist throughout the southeast United States, and making guest presentations at spinning an weavers’ guilds. His primary area of study is Japanese textile traditions.
In 2016, Nathan was the subject of a Japanese
television show that came to Durham to film his collection. The producers then tansported
him to the Island of Amami Oshima, Japan, to study with an indigo dyer.
How did it all begin for Nathan?
In 2007, Nathan found himself rummaging through a
box of Japanese textile scraps at a Portland, Oregon, antique sale. The fabric,
with its hand spun threads, uneven selvedges, complex patterns, and deep indigo
inspired him, but at the time he didn’t understand the techniques that had been
used to make the textiles.
Nathan began to study all he could about how these
fabrics were produced and what their designs were meant to convey. Nathan’s
textile collection comes from Japan’s temple and shrine markets and through
contacts with dealers. The collection spans the late Edo (1603-1868) and Meiji (1868-1912)
periods. He focuses on Tsutsugami (freehand paste resist), Katazome (stencil
paste resist), Sashiko (mending or reinforcing stitch), Zanshi (waste thread
fabrics) and Boro, (repeatedly mended and patched textiles). These textiles
heavily inspired Nathan’s own work, which focuses on the Katazome stencil paste
the years since first finding that box of fabric scraps, Nathan has researched traditional
Japanese fabrics to best understand their production and design. He has traveled
to China and Japan to deepen his knowledge about dyeing and weaving. Nathan
experiments extensively, grows cotton in his home garden that he weaves and
dyes, and also works with foraged fibers like Kudzu, wisteria and hemp – all essential
parts of fabric production in Old Japan.
Nathan is an outstanding resource to guide us on this textile adventure, explaining dyeing, weaving and design processes as we travel, helping us to identify cloth origins, quality and value.
What is included?
A total of 12 nights accommodation
12 breakfasts, 6 lunches and 2 dinners as outlined in the
Hands-on indigo dye workshop
Textile fabric shopping – vintage and
Natural dye, weaving and stitching
Market and gallery tours that
encompass textiles, food, culture
Visits to cultural and historic sites
Shinkansen Bullet Train tickets or
luxury van transportation from Kyoto to Tokyo
Intra-city metro and bus tickets
Entry fees to museums and galleries
as part of the itinerary
Comprehensive pre-trip planning guide
Knowledgeable tour leaders – Norma
What Nathan says:
I am so excited to have this opportunity to
co-lead this tour. Japan is an
amazing country and regardless of where you travel you have a strong connection
to the past and to the Japanese concepts of mottainai (make the best of what you have) and wabi sabi (beauty through imperfection). I am excited to share with others my
love and appreciation of Japan and its traditional textiles. The beauty and
simplicity of the fabric is plain to see, but by learning about the complex way
in which they are made offers a greater appreciation for the intricacies and
aesthetics of this textile tradition.
We reserve the right to
substitute instructors and alter the program as needed.
Cost • $6,495 per person double room with private bath (sleeps 2) in top-rated accommodations • add $985 for a single supplement
Reservations and Cancellations. A
$750 non-refundable deposit is required to guarantee your spot. The balance is
due in four equal payments – on December 22, 2019; March 22, May 22, August 22,
2020. We accept payment using online e-commerce only. If for any
reason, Oaxaca Cultural Navigator LLC cancels the tour, a full-refund will be
We will send you an itemized
invoice when you tell us you are ready to register. If you cancel on or before August
22, 2020, we will refund 50% of your deposit received to date (less the $750
non-refundable deposit). After August 22, 2020, there are no refunds.
If you register after December
22, 2019, you will owe $750 plus 1/4 of the balance due. If you register after March
22, you will owe the non-refundable $750 fee plus 1/2 of the balance due. If
you register after May 22, you will owe the non-refundable $750 plus ¾ of the
balance due. If you register after August 22, you will owe 100% of the balance
due (if there are openings).
How to Register: Send
an email to email@example.com
Tell us if you want a
shared/double room or a private/single room (single supplement). We will send
you an e-commerce invoice for $750 by email that is due on receipt.
Who Should Attend:
Artists, makers, educators, life-long learners, writers, photographers, textile
lovers, historians and those wanting to learn more about Japanese art,
textiles, culture and history. If you love First World Exotic
Travel and the inspiration of the best of Asia influences, this trip is for
Required–Travel Health/Accident Insurance:
We require that you carry international accident/health insurance that includes
$50,000+ of emergency medical evacuation insurance. Proof of insurance must be
sent at least 45 days
In addition, we will send you
by email a PDF of a witnessed waiver of responsibility, holding harmless Norma
Schafer and Oaxaca Cultural Navigator LLC. We ask that you return this to us by
email 45 days before departure. Unforeseen circumstances happen!
Reservations and Cancellations.
We accept online e-commerce payments only. We will send you an itemized invoice
when you tell us you are ready to register. All documentation for plane
reservations, required travel insurance, and personal health issues must be
received 45 days before the program start or we reserve the right to cancel
your registration without reimbursement.
Fitness Level – Moderate Terrain, Walking and Group Courtesy: Tour participants must be able to walk two miles, board buses and trains, carry their own luggage unaided, and navigate uneven surfaces including stairs. We may walk more on some days. We recommend you bring a walking stick if you need something to lean on! If you have mobility issues or health/breathing impediments, please consider that this may not be the study tour for you.
Traveling with a small group has its advantages and also means that independent travelers will need to make accommodations to group needs and schedule. We include plenty of free time to go off on your own if you wish.
January 31 to February 7, 2020, 8 days and 7 nights.
Come with us to explore the Oaxaca we know and love by going deep and personal. We offer you an unparalleled and eclectic cultural immersion travel experience by introducing you to the artisans we believe offer some of the finest examples of folk art and craft the Oaxaca City region has to offer. We know each of them personally and have cultivated their trust and friendship over the years. During our week together we take you into their homes and workshops to investigate and explore why they are makers, who they learned from, the value and importance of continuing their traditions, and the special techniques they have developed to become masters.
$2,795 per person for a shared room (2 rooms available)
$3,395 per person for private room (5 Queens and 2 Kings available).
The city of Oaxaca is a travel destination that is on the map. Her artisan craft, fine and unique cuisine, delicious beverages (from fruit waters to mezcal) and UNESCO Colonial Historic Center receive wide acclaim – and justly so! You’ll sample some of this as we also focus on meeting the masters who weave rugs and clothing, make silver filigree jewelry, ceramics, woodcarvings, lead-free ceramics, and more. Many have not yet achieved worldwide fame but they are equally as talented as those who have, and offer what they make at affordable prices.
Most importantly, we offer the opportunity to meet the makers and support them and their families directly. This is an important mission of ours as we travel into the backstreets of villages where not many have the opportunity to go.
This program is for collectors, lovers of Mexican art and folk art, and anyone with curiosity and an open heart who wants to learn more about Oaxaca, Mexico, and her creative traditions. Even if you have been to Oaxaca before, there is still a lot more to discover and we take you on that path.
We will be a small group of travelers — no more than 12 to 14 people — to give you an intimate and in-depth experience.
Oaxaca Cultural Navigator LLC and Norma Schafer is
pleased to tell you that Eric Chavez Santiago and his wife Elsa Sanchez Diaz
have joined our organization and will co-lead this tour. They are native
Oaxaquenos, possess a broad and deep knowledge of the region and have years of
experience working with Oaxaca’s outstanding craftspeople. Both are bilingual.
Elsa is an expert teacher and maker of natural dyes. Eric is a Zapotec weaver and
dyer who was born and raised in Teotitlan del Valle. Both have deep roots in
Oaxaca’s artisan communities, are knowledgeable about artisan
made textiles and folk art and know the best of the best.
Elsa, Eric and I developed this itinerary together to present to you for our first Oaxaca Discovery Study Tour.
Day 1, Friday, January 31: Travel day, arrive to Oaxaca City and check in to your hotel. Meet the group for a welcome supper. Please schedule your flights to arrive to our historic center hotel by 5 p.m. Welcome dinner included.
Day 2, Saturday, February 1: We set out after
breakfast for a Oaxaca city meander. This day is designed to give you an
overview introduction to see the best available of Oaxaca’s textiles and folk art.
We have curated visits to some of the finest shops and galleries to discuss,
discern and differentiate quality, and understand pricing. You’ll learn about
Oaxaca’s back-story – history, cultural appreciation, social and economic
forces, craft development and evolution. We will have lunch at a highly rated comedor
that serves authentic Oaxaca food. This is a big walking day. Please bring
comfortable shoes and all your stamina! Breakfast and lunch included. Dinner on
Day 3, Sunday, February 2: After breakfast we travel along the Ocotlan artisan route to explore the Oaxaca State Museum of Folk Art in San Bartolo Coyotepec. We will talk about why this museum is important to Oaxaca craft development. We continue on to meet the maker of amazing carved wood and painted whimsical figures in San Martin Tilcajete. After lunch on the road, we see back strap loom weavers in Santo Tomas Jalieza, and a noted primitive folk art pottery family in San Antonino Castillo Velasco. Breakfast and lunch included.
Day 4, Monday, February 3: After breakfast, we head
out for an overnight excursion to Teotitlan del Valle, where you will enjoy a market
tour and cooking class in a traditional Zapotec kitchen, see weaving and
natural dyeing demonstrations with weavers of wool and cotton rugs and clothing.
We think it’s important to introduce you to indigenous Zapotec history, so we
will loop through their new cultural center. Zapotec civilization was the most
sophisticated in Mesoamerica. Bring your overnight bag. Breakfast, lunch and dinner
Day 5, Tuesday, February 4: After breakfast we travel
along the Pan-American Highway to the apron-making village of San Miguel del
Valle, meet families who design and sew, and take a tour of the historic 16th
century, fresco-walled church. We continue on to San Pablo Villa de Mitla to
visit a dealer in regional antiquities – jewelry and historic artifacts, detour
for a mezcal tasting in Santiago Matalan, and finish off by meeting a flying
shuttle loom weaver who works in natural dyes. We return to Oaxaca in time for
dinner on your own. Breakfast and lunch included.
Day 6, Wednesday, February 5: After breakfast, we travel first to visit the workshop of one of the finest ceramic artists in the region. They are among the last workshops crafting high temperature, lead-free ceramics of unusual and fine-art quality, perfect for gifting, adding to home décor, and serving and preparing some of Oaxaca’s finest recipes after you return home. We then meet up with Oaxaca Eats for a concentrated foodie walking tour designed just for us. Your late afternoon is free to explore. Dinner is on your own.
Day 7, Thursday, February 6: After breakfast, we treat you to a curated expoventa (show and sale) at our hotel with some of our favorite artisans who are from outlying areas. Invited artisans include a Mixe grower, spinner, and weaver of silk garments who works in natural dyes, a noted embroiderer from the Papaloapan region that is 12 hours from the city, a tin-maker, and a weaver from San Juan Cotzocon in the Sierra Mixe. Our favorite filigree silversmith will join us, too, to show and tell about the intricacy of traditional Oaxaca jewelry making – a technique brought to Mexico shortly after the conquest by artisans who learned from the Moors of southern Spain. After the expoventa, you’ll have lunch and the afternoon on your own. We meet together for our grand finale gala dinner. Breakfast and dinner included. Lunch on your own.
Day 8, Friday, February 7: This is your departure
day. Breakfast is included. We will help you make transportation arrangements
to the Oaxaca airport or you may extend your trip (on your own) to explore
other parts of Mexico.
We reserve the right to alter the itinerary based on artisan availability and other unexpected circumstances.
What is Included
7 nights lodging at top-rated accommodations
One lunch includes custom Oaxaca Eats food walking tour
museum entry fees
artisan honoraria for demonstrations
van transportation as outlined in itinerary
complete guide services including cultural and language expertise
The program does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and optional local transportation as specified in the itinerary. It does not include taxi or shuttle service to/from airport and to/from hotel.
We reserve the right to substitute instructors and alter the program as needed.
Cost to Participate — We offer three options.
$2,795 double room with private bath (sleeps 2). Two rooms available in this category.
$3,395 for a single supplement (private room and bath, sleeps 1). We offer a luxury King or Queen option in this category on first come-first served basis. Eight rooms available in this category.
We are staying in a tranquil small boutique hotel in the historic center of Oaxaca City within walking distance of the Zocalo and other attractions.
Reservations and Cancellations. A 40% deposit is required to guarantee your reservation. The balance is due in two equal payments. The second payment of 30% of the total is due on or before September 1, 2019. The third 30% payment is due on or before November 25, 2019. We accept payment using online e-commerce that can be paid with a credit card. We will send you an itemized invoice when you tell us you are ready to register. After November 25, 2019, there are no refunds. If you cancel on or before November 25, 2019, we will refund 50% of your deposit received to date. After that, there are no refunds.
Notes. When you tell us you are ready to register, we will: Send you a Health Questionnaire to complete and return. We will then send you an itemized invoice when you tell us you are ready to register.
Health Questionnaire: Oaxaca is at almost 6,000 feet altitude and we will be walking a lot, especially on our first full day together. If you have a heart condition, have trouble breathing, have difficulty walking, or have other conditions that would have a mobility impact, please do not register for this program. The health questionnaire requires that you disclose any issues.
Required–Travel Health/Accident Insurance: We require that you carry international accident/health insurance that includes $50,000+ of emergency medical evacuation insurance. Proof of insurance must be sent at least 45 days before departure.
In addition, we will send you by email a PDF of a witnessed waiver of responsibility, holding harmless Norma Schafer and Oaxaca Cultural Navigator LLC. We ask that you return this to us by email 45 days before departure. Unforeseen circumstances happen! Be certain your passport has at least six months on it from the date you enter Mexico before it expires!
Plane Tickets, Arrivals/Departures: Please send us your plane schedule at least 45 days before the trip. This includes name of carrier, flight numbers, arrival and departure time to our destination.
All documentation for plane reservations and required travel insurance must be received 45 days before the program start or we reserve the right to cancel your registration without reimbursement.
Health Questionnaireand Your Well-Being: Oaxaca is at almost 6,000 feet altitude and we will be walking a lot, some on cobblestone streets, especially on our first full day together. Plus, we will be getting in and out of vans. If you have a heart condition, have trouble breathing, have difficulty walking, or have any other condition that would have a mobility impact, please do not register for this program. The health questionnaire requires that you disclose any issues.
Terrain, Walking and Group Courtesy: We will do some walking and getting in/out of vans. If you have mobility issues or health/breathing impediments, please let us know before you register. This may not be the study tour for you.
Traveling with a small group has its advantages and also means that independent travelers will need to make accommodations to group needs and schedule. We include free time to go off on your own if you wish.
While I was traveling in Japan this spring, I received an email from Selvedge Magazine editor Laura Gray inviting me to contribute an article to the June 15, 2019 publication. Topic: Anything you want to write about Chiapas textiles, she said.
As I thought about the Maya women in Chiapas villages who weave, the most impact they have on me is how they choose to incorporate the designs of their beliefs and everyday life into the cloth. Cloth has meaning which gives it life and longevity. So, the article is about what these designs mean and their significance to the weavers.
You may have difficulty reading the text of the article I wrote above. I reformatted it from PDF to JPG so I could publish it here. I encourage you to purchase the issue that will be published on June 15, 2019. It contains an compendium of information by other contributors, too, including Marcella Echavarria, Anne Menke and Ana Elena Mallet who live and work in Mexico, collect and study the indigenous textiles woven and embroidered here.
I will be leading a Chiapas Textile Study Tour during winter 2020 with Textile Fiestas of Mexico author Sheri Brautigam. Dates are February 25 to March 4, 2020. There are a few spaces open. Please send an email to firstname.lastname@example.org if you want to join us.
Selvedge, Magazine organizing and hosting a World Fair in London, July 2020. I’d like to go and have applied to do a presentation with my goddaughter, Zapotec linguist Janet Chavez Santiago. If accepted, our talk will be about cultural appreciation, cultural appropriation, identity and the politics of indigenous cloth. I’ll keep you posted about whether it will come to pass!
Why We Left, Expat Anthology: Norma’s Personal Essay
Norma contributes personal essay, How Oaxaca Became Home
Norma Contributes Two Chapters!
Click image to order yours!
Norma Schafer and Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university program development experience. See my resume.
Study Tours + Study Abroad are personally curated and introduce you to Mexico's greatest artisans. They are off-the-beaten path, internationally recognized. We give you access to where people live and work. Yes, it is safe and secure to travel. Groups are limited in size for the most personal experience.
Programs can be scheduled to meet your travel plans. Send us your available dates.
Designers, retailers, wholesalers, universities and other organizations come to us to develop customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Our Clients Include
*Penland School of Crafts
*North Carolina State University
*WARP Weave a Real Peace
We send printable map via email PDF usually within 48-hours after order received. Where to see natural dyed rugs in Teotitlan del Valle and layout of the Sunday Tlacolula Market, with favorite eating, shopping, ATMs. Click Here to Buy Map
Dye Master Dolores Santiago Arrellanas with son Omar Chavez Santiago, weaver and dyer, Fey y Lola Rugs, Teotitlan del Valle