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Chiapas Textile Study Tour 2021: Deep Into the Maya World

The Maya World of Chiapas, Mexico, spans centuries and borders. Maya people weave their complex universe into beautiful cloth. Symbols are part of an ancient pre-Hispanic animist belief system. In the cloth we see frogs, the plumed serpent, woman and man, earth and sky, the four cardinal points, moon and sun, plus more, depending on each weaver.

Andrea with her award-winning huipil, San Andres Larrainzar
San Juan Chamula woman, Los Leñateros print + paper making studio

We go deep into the Mayan world of southern Mexico, from February 23 to March 3, 2021. While we focus on textiles, we also explore what it means to be indigenous, part of cooperative, live in a remote village, have agency and access to economic opportunity. We meet creative, innovative and talented people who open their doors and welcome us.

Church official, Zinacantan, Chiapas
Melanie brought 25 boxes of crayons to give to children along the way

Our dates of February 23 to March 3, 2021, are reserved in a fine historic hotel. 8 nights, 9 days in and around the San Cristobal de Las Casas highlands.

Cost • $2,695 double room with private bath (sleeps 2) • $3,195 single room with private bath (sleeps 1)

We are based in the historic Chiapas mountain town of San Cristobal de las Casas, the center of the Maya world in Mexico. Here we will explore the textile traditions of ancient people who weave on back strap looms.

Ancient Maya cemetery, San Juan Chamula
We distributed more than 50 pairs of glasses to help weavers see

Women made cloth on simple looms here long before the Spanish conquest in 1521 and their techniques translate into stunning garments admired and collected throughout the world today. Colorful. Vibrant. Warm. Exotic. Connecting. Words that hardly describe the experience that awaits you.

Home goods for export made on flying shuttle pedal loom
Extraordinary gauze woven huipil from Venustiano Carranza, Chiapas

We are committed to give you a rich cultural immersion experience that goes deep rather than broad. We cover a lot of territory. That is why we are spending eight nights in this amazing Pueblo Magico — Magic Town — to focus on Maya textiles, weaving and embroidery traditions.

Saints dress in traditional garments, Magdalena Aldama
Julia and friends in Tenejapa during Carnival

Our cultural journey takes us into villages, homes and workshops to meet the people who keep their traditions vibrant. We explore churches, museums and ancient cemeteries. This is an interpersonal experience to better know and appreciate Mexico’s amazing artisans.

Embroidered skirts and shawls, Zinacantan Sunday Market

There will be only ONE study tour to Chiapas in 2021.

Your Study Tour Leader is Norma Schafer, Oaxaca Cultural Navigator LLC. Sheri Brautigam, author of Living Textiles of Mexico, will be your expert resource guide.

Lynn and Andrea — of course! She bought it.

Take this study tour to learn about:

  • culture, history and identity of cloth
  • cultural appropriation or cultural appreciation
  • wool spinning and weaving
  • clothing design and construction
  • embroidery and supplementary (pick-up) weft
  • Maya textile designs — iconography and significance
  • village and individual identity through clothing
  • social justice, opportunities and women’s issues
  • market days and mercantile economy
  • local cuisine, coffee, cacao and chocolate
  • quality and value
Men wear flowers, too, in Zinacantan

We work with one of San Cristobal’s best bilingual cultural guides who has worked with weavers and artisans in the region. Alejandro is a native Mexican who knows textiles and can explain the meaning of the woven symbols embedded in the cloth. You will enjoy learning from him.

Keeping the edges straight on a back-strap loom

We will travel in a comfortable van as we go deep into the Maya world.

  • We visit 6 Maya weaving villages
  • We enjoy home-cooked meals
  • We meet makers and directly support them
  • We go far and away, off-the-beaten path
  • We decode the weaving designs unique to each woman and village
  • We explore three towns on their market days
  • We understand the sacred, mysterious rituals of Maya beliefs
Innovative colors with traditional designs from Alberto Lopez Gomez

Who Should Attend  Anyone who loves cloth, culture, and collaboration • Textile and fashion designers • Weavers, embroiderers and collectors • Photographers and artists who want inspiration • Resellers

Winn finds a treasure at our Regrets Sale on the last day

Daily Itinerary

Tuesday, February 23: Travel day. Arrive and meet at our hotel in San Cristobal de las Casas. You will receive directions to get from the Tuxtla Gutierrez airport to our hotel. The airport is a clean and modern facility with straightforward signage. You will book your flight to Tuxtla from Mexico City on either Interjet, AeroMar, Volaris or Aeromexico. There are plenty of taxis and shuttle services to take you there. Your cost of transportation to/from San Cristobal is on your own. Taxis are about $55 USD or 800 pesos. Shared shuttle is 180 pesos or about $10 USD.

Fine food and beverage is a cornerstone of our visit, too

Wednesday, February 24: On our first day in San Cristobal de las Casas, we orient you to the textiles of the Maya World. You will learn about weaving and embroidery traditions, patterns and symbols, women and villages, history and culture. After a breakfast discussion, we will visit Centro Textiles Mundo Maya museum, Sna Jolobil Museum Shop for fine regional textiles, meander the Santo Domingo outdoor market that takes over the plaza in front of the church, and visit two outstanding textile shops. We guide you along the walking streets to get your bearings. We finish the morning together with a Group Welcome Lunch. (B, L)


Carnival in Tenejapa, Chiapas

Thursday, February 25: Tenejapa is about an hour and a world away from San Cristobal de Las Casas. Today is market day when villagers line the streets filled with fresh fruits, vegetables, meats, and household supplies. Peer into dimly lit doorways to find hidden textile treasures. We’ll meander the market to see what’s there. In years past, I’ve found some stunning shawls, huipils and bags. Keep your eyes open. Then, we will visit the outstanding textile cooperative founded by Doña Maria Meza Giron. After a box lunch at the centuries- old Romerillo Maya cemetery, we continue on up another mountain to visit Maruch (Maria), a Chamula woman at her rural home. Surrounded by sheep and goats, Maruch will demonstrate back strap loom weaving and wool carding, and how she makes long-haired wool skirts, tunics and shawls. Perhaps there will be some treasures to consider. Return to San Cristobal de Las Casas in time for dinner on your own. (B, L)

Maruch using a warp board called stairway to the moon to prepare back-strap loom
It was cold in the Chamula highlands at over 7,000 feet altitude

Friday, February 26: After breakfast, we set out for a full morning at Na Bolom, Jaguar House, the home of anthropologist Franz Blom and his photographer wife, Gertrude Duby Blom. The house is now a museum filled with pre-Hispanic folk art and jewelry. We walk the gardens and learn about Franz and Trudy’s work with the Lacandon tribe and their relationship with Frida Kahlo and Diego Rivera. After hot chocolate there we go to the outskirts of town to an outstanding women’s weaving cooperative that was founded over 40 years ago. You will learn about international collaborations and textile design that conserves traditions while meeting marketplace needs for exquisite and utilitarian cloth. After lunch on your own, we meet in the early evening to visit Museo de Trajes Regionales and humanitarian healer Sergio Castro, who has a large private collection of Maya indigenous daily and ceremonial dress representing each Chiapas region. (B)

Sergio Castro explains Naha Lacondon jungle rituals

Saturday, February 27: We set out by foot to a nearby textile collaboration that houses three different cooperative groups, one of which is founded by Alberto Lopez Gomez who was invited to New York Fashion Week in 2019. We hear presentations about creativity, style, innovation, and how to incorporate tradition while breaking new ground. Next, we stop at Los Leñateros, the hand-made paper workshop that is also a graphics arts print studio. You will have the afternoon and evening on your own. (B)

Alberto Lopez Gomez combines tradition with innovation and creativity

Sunday, February 28: This is a big day! First we go to San Lorenzo Zinacantan, where greenhouses cover the hillsides. Here, indigenous dress is embellished in exquisite floral designs, mimicking the flowers they grow. First we meander the open-air market, then visit the church, bedecked in fresh flowers. Next stop is magical, mystical San Juan Chamula where the once-Catholic church is given over to a pre-Hispanic pagan religious practice that involves chickens, eggs and coca-cola. You’ll find out why. We’ll roam Chamula’s abundant textile market, compare and contrast fabrics and designs. (B, L) Dinner on your own.

Alejandro and Maria Meza Giron, Tenejapa
Magdalena Aldama back-strap loom weaving, the finest

Monday, March 1: Today, we make a study tour to the textile villages of San Andres Larrainzer and Magdalena Aldama. This is another ultimate cultural experience to immerse yourself into families of weavers in their humble homes. We will see how they weave and embroider beautiful, fine textiles, ones you cannot find in the city markets or shops. They will host a show and sale for us, and we will join them around the open hearth for a warming meal of free range chicken soup, house made tortillas, and of course, a sip of posh! (B, L)

Hearty lunch Rosita + Cristobal, Magdalena Aldama, Chiapas
Bitty peeks out from behind exquisite cloth, San Andres Larrainzar

Tuesday, March 2: This is expoventa day! We have invited one of the finest embroiderers of Aguacatenango blouses, an amber wholesaler, an organic coffee grower/roaster, and other artisans to show and sell their work. Afternoon is on your own to do last minute shopping and packing in preparation for your trip home. We end our study tour with a gala group goodbye dinner. (B, D)

Enjoying cocktail hour in hotel garden before gala dinner

Wednesday, March 3. Depart. You will arrange your own transportation from San Cristobal to the Tuxtla Gutierrez airport. The hotel guest services can help. It takes about 1-1/2 hours to get to Tuxtla, plus 1-2 hours for check-in. Connect from Tuxtla to Mexico City and then on to your home country.

What Is Included

• 8 nights lodging at a top-rated San Cristobal de las Casas hotel within walking distance to the historic center and pedestrian streets

• 8 breakfasts • 4 lunches • 1 grand finale gala dinner

• museum and church entry fees

• luxury van transportation

• outstanding and complete guide services

The workshop does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation as specified in the itinerary. We reserve the right to substitute instructors and alter the program as needed.

Cost • $2,695 double room with private bath (sleeps 2) • $3,195 single room with private bath (sleeps 1)

Melanie adorned in pompoms and her Cancuc huipil

Reservations and Cancellations.  A 40% deposit is required to guarantee your spot. The balance is due in two equal payments. The second payment of  30% of the total is due on or before October 1, 2020. The third 30% payment is due on or before December 15, 2020. We accept payment using online e-commerce only. We will send you an itemized invoice when you tell us you are ready to register. After December 15, 2020, there are no refunds. If you cancel on or before December 15, 2020, we will refund 50% of your deposit received to date. After that, there are no refunds.

All documentation for plane reservations, required travel insurance, and personal health issues must be received 45 days before the program start or we reserve the right to cancel your registration without reimbursement.

How to Register:  First, complete the Registration Form and send it to us. We will then send you an invoice to make your reservation deposit.

To Register, Policies, Procedures & Cancellations–Please Read

Pom poms are us, and Sheri models them well!
Meet our guide, Alejandro — a knowledgeable textile and cultural translator, too

Terrain, Walking and Group Courtesy: San Cristobal de las Casas is a hill-town in south central Chiapas, the Mexican state that borders Guatemala. The altitude is 7,000 feet. Streets and sidewalks are cobblestones, mostly narrow and have high curbs. Pavement stones are slippery, especially when walking across driveways that slant across the sidewalk to the street. We will do a lot of walking. Being here is a walker’s delight because there are three flat streets devoted exclusively to walking. We walk a lot — up to 10,000 steps per day at a moderate pace. We recommend you bring a walking stick.

NOTE: If you have mobility issues or health/breathing impediments, please consider that this may not be the program for you.

Traveling with a small group has its advantages and also means that independent travelers will need to make accommodations to group needs and schedule. We include plenty of free time to go off on your own if you wish.

Sunnie and Phoebe from behind a flying shuttle pedal loom at rest

In the Villages: Tenejapa, Romerillo and Chamula, Chiapas

The weather turned. It got cold. Cold enough for wool socks, down jackets and mittens. There are fourteen of us and we climbed into the van with our guide Alejandro and our resource expert Sheri. Our destination was the weekly Thursday market in Tenejapa.

Leslie, Felicia, Marsha, Biddy and Irene at the Tenejapa market
Selling threads for weaving and embroidery, Tenejapa

It’s Carnival time here. In Tenejapa, this coincides with a pre-Hispanic celebration to pray for a good corn planting. This is a mash-up time of celebration — to mock political leaders including Lopez Obrador, the president of Mexico, and El Señor Trump whose costumed character paraded around in arrogant style. It is a time for drinking posh, the local distilled alcoholic beverage made from sugar cane, and eating tamales.

Recognize this man?
Young men participating in village rituals and celebrations
We saw a woman working on this embroidered piece inside a pharmacy

I advised our travelers to look deep and carefully along the market street, into dimly lit shops selling food, medicines, household goods, shoes, to find handwoven textiles suspended in the shadows. This is how they might find a treasure to take home from this distinctive backstrap loom weaving village.

Julia found this amazing furry shawl hidden away in the Tenejapa market

At the cooperative founded by 65-year-old Maria Meza and others in 1980, we learned about women’s lives, the passing on of the tradition to young women, and how everything in the cooperative is made without compromise on the traditional backstrap loom — from simple bags to elaborate huipiles.

The Mayordomo of the Fiesta and his Wife, two steps behind

The cold fog never lifts and it seems it got colder by the time we arrived at Romerillo cemetery. Everything was shrouded in fog. We ate our lunch of sandwiches and chips like campers, huddled under the the Maya crosses adorned with dried pine branches, sitting on the concrete base or standing. It was a quick visit.

Maria Meza, 62 years old, cooperative founder, with naturally-dyed textile
Innovation with new colors, traditional designs — key to the future
Melanie with a favorite bag
Organic (criollo) homegrown radishes, Tenejapa market

Our final stop was at the home of Maruch and her son Tesh, in a remote Chamulan village about 30 minutes from Tenejapa up a winding dirt mountain road. This is not standard tourism. Here, they showed us how they weave the furry Chamula-style wool skirts dyed with mud filled with minerals that turns brown sheep wool the color of black.

Pine trees and Maya crosses, pre-Hispanic symbols of life, cardinal points
Maya cemetery, the graves are covered with boards, the door to the underworld`
Maruch wrapping warp on the stairway to the moon, the counting board

After the demonstration and the opportunity to buy ponchos, shawls, and embroidered bags, we ended our day with a sip of nanche-flavored posh and a demonstration of ancient Chamula musical instruments — including ocelet skins with bells — and song performed by Tesh and his brother Alejandro.

Mary, Sunnie and Margaret present reading glasses to Maruch, Tesh’s mother
Weaver acculturates her infant daughter at the backstrap loom

We were back in San Cristobal de las Casas in time for dinner!

Lynn with her dazzling, sparkly bolsa (bag)

Sheri Brautigam, author of Living Textiles of Mexico, and I are organizing another Deep Into the Maya World: Chiapas Textile Study Tour in 2021. The 2021 dates are February 223-March 3, 2021 and the itinerary will be about the same. Our trips usually sell-out, so if you are interested in joining us on this adventure, please complete the registration form at the top of this website and send it to me. Registration is now OPEN.

Our group of 14 travelers with Tesh’s family — we supported them!

Sophisticated San Cristobal de Las Casas: A Changing Scene

It’s different this year in San Cristobal de Las Casas. There are more upscale shops and sophisticated clothing designs using indigenous textiles. Just meandering the three andadors — cobblestone walking streets here — I see remarkable differences.

Sophisticated handwoven pillow covers at Sna Jolobil Cooperative

There are more visitors coming who are interested in textiles and the Maya culture. There is a greater influence from designers and the styles are definitely geared to a more upscale buyer. Some of the jackets and tops encorporate small elements of the Maya counting system but are magnified into stunning graphic designs.

Ex Convent Santo Domingo, now Museo Mundo Maya

It seems as if there is a new energy in San Cristobal. Yes, there are still young European back-packers who pass through on their way from Guatemala to Mexico, populating the busy new pox (posh) bars after 6 p.m.

Frogs, feathered serpents and diamonds representing the center of the universe

However, there is innovation in the air, the kind I haven’t seen in the five years I’ve been bringing small groups of textile travelers here.

Perhaps this is because young weaver and designer Alberto Lopez Gomez from Magdalenas Aldama made a big buzz this year at New York Fashion Week. We are going to his cooperative this Saturday morning.

Today we are off to the traditional weekly market in Tenejapa.

Intricate embroidery work on a huipil of birds and flowers

Sheri Brautigam and I have committed to repeating this popular and always sold-out Chiapas Textile Study Tour in 2021. Our dates are February 23 to March 3. Send us a Registration Form if you are interested in participating. The itinerary will be mostly the same. Only the dates will change.

Japan Blue: Textile Study Tour to Mt. Fuji Indigo Studio

The Japan Textile Study Tour is filling up. We are a small group, limited to 10 people, and there are 4 spaces remaining! If you are thinking about coming with us to Japan, please don’t wait much longer.

Japanese ikat, indigo dye

I have confirmed plans to visit a noted Japanese national treasure, a textile artist who works in indigo, known as Japan Blue. Her studio is at the foot of Mt. Fuji near Lake Kawaguchi. We will spend a good part of the day with her, dyeing with indigo in her studio.

Variety of indigo cloth

I have explained to her that we are visitors who understand and appreciate the art of indigo dyeing. I am told that our dye master is very selective about who visits her and welcomes anyone who understands and appreciates her art. 

Indigo colored dye equipment

We will have a several hour immersion experience with her as we learn about her dye process and participate ourselves in dyeing pure cotton cloth that she will provide. Since she is very serious about what she does, she asks that we participate fully rather than just coming to visit and observe. I have promised her that we are coming to honor the age-old tradition of indigo dyeing in Japan, and honor her work as a serious artist and dyer. 

The man who is helping me put this experience together is Japanese, a Harvard graduate, and he will serve as our guide and translator for our time at Mt. Fuji. He tells me the following:

The dye master is “living” with 4 pots of indigos in her small atelier, and she cares for her indigos like her pots 24/7 — like they are her babies!

During cherry blossom season

In order to create the exact colors she needs in her art works, she precisely controls the fermentation of each of 4 indigo pots during the production processes of her art works. When she is preparing art works for big exhibition events, she pays special attention to the fermentation status of the indigo.

That is the basic reason why she does not usually provide easy-going, superficial “experience” programs for travelers; it will damage her indigos. From her artist’s point of view, she believes that brief“experience” programs that are business-focused and the art creation profession cannot co-exist.

Traditional indigo dye vats

What makes this indigo dye master’s art unique can be summarized into several points.

  1. She is “building” indigo exactly in the same traditional way as the artisans back in 17th and 18th centuries.
  2. She uses traditional fermented indigo grass which is now only produced in limited supply from Tokushima Prefecture.
  3. She utilizes timber ash NOT sodium carbonate for the fermentation in the pots. To obtain good quality timber ash, she must use a wood-stove in her daily life.
Vintage indigo katazome cloth

So, our dye master is literally “living” with indigos.

She believes this was one of the most important aspects of traditional “Japan Blue” – artisans fed, cared for and raised indigo like it is their baby! They literally lived with indigos.

Our dye master is an artist first and foremost. She is creating contemporary art utilizing traditional indigos.

After the advent of chemical dyeing productions, and also Japanese apparel culture being westernized, traditional indigo dyeing has lost its position in the dyeing industry. But, our dye master believes that there must be artistic expressions which only “Japan Blue” can make. She is committed to proving that traditional “Japan Blue” can existent as a way of artistic expression in an era of high technology and streamlined processes. This is the only way that traditional “Japan Blue” can survive into the next generation.

To our best knowledge, there are no artisans or artists who are incorporating all of this.

Meiji period vest

We will be one of the few groups that our dye master will accept into her atelier, and let us “use” her indigo. We will have a unique opportunity to dye with Japan Blue and have our own piece of art to take with us.

She asks that if we appreciate what she does, we can also purchase her art work ONLY IF we like it! 

We now have 6 people registered to come with me and Nathan Somers, a North Carolina indigo dye master, on this Japanese textile adventure. I will accept no more than 10 people. If you know of anyone else who would like to join us, please ask them to contact me. It is important that we have a small group experience that is meaningful for each of us.

Nathan, with a vintage indigo textile from his collection

Into the Villages on the Oaxaca Coast: Women Who Weave

For me, the most emotional part of our visits to the remote Oaxaca villages along the coast of Oaxaca is to meet the women who weave and hear their stories.

Our Oaxaca Coast Textile Study Tour takes us north out of Puerto Escondido along Mexico Highway 200. This region is called the Costa Chica and extends from Puerto to Acapulco, Guerrero. Small roads, often winding, are like fingers carrying people to/from the main towns of Jamiltepec, Pinotepa Nacional and Ometepec.

We travel deep into the foothills into these weaving villages where isolation has preserved a traditional way of life.

Three generations in San Juan Colorado, Oaxaca

We meet the women who are the backbone of their families. For the most part they work in cotton. Their work is intense. They grow and pick native cotton. They clean and card it. They preserve the seeds of natural cream-colored, green and coyuchi brown cotton. They use the malacate drop-spindle to make thread. And, they weave wefts of cloth using the back-strap loom, creating designs formed by a technique called brocade or supplementary weft.

Grandson works the Internet to use credit cards

There is a growing market for natural, hand-made cloth dyed with natural plants and cochineal and the caracol purpura snail. But the market is still not big enough to create widespread prosperity. It takes years to be recognized and sometimes, not at all.

Nanache tree bark and indigo dye, hand-woven cotton

Women and families struggle. Mostly it is the women’s work that brings the income that buys medicine for aging parents or a sick relative. Mostly it is the women’s work that pays the school tuition, buys books and uniforms for children and grandchildren. Mostly it is the women’s work that brings food to the table — the tortillas, the hot chocolate, the occasional chicken for a fiesta.

Use the Registration Form to tell us you want to participate in the 2021 Oaxaca Coast Textile Study Tour.

Weaving natural, native cotton dyed with indigo on a back-strap loom

Men work the fields. They raise corn, beans and squash. They tend the animals. This work is not income producing because every family grows its own corn, beans and squash to feed themselves. There is no commercial market for the basics that go on the table. This work for men is subsistence farming. In the socio-economic life of a village, weaving cloth can mean a path out of poverty.

Native, pre-Hispanic wild green a coyuchi cotton on the looms

Another path out of poverty is the long road north, to El Norte, where uneducated village men can migrate with a coyote across the desert at night, cross a border without papers, and become undocumented workers. They are the farm laborers, restaurant dishwashers and cooks, gardeners, poultry slaughterers and handymen, doing the work that few others want. They stand in line on Friday afternoon, wiring remittances home, sometimes never returning.

The women continue on.

A few women go on to university in Pinotepa Nacional or Acapulco and become accountants or lawyers or teachers, but not many. Some women choose not to marry, a bond that requires them to go live with a husband’s family, taking on their livelihood and craft, contributing to the household of the in-laws. Some women see that the men are in despair, turn to alcohol for consolation when they have little earning capacity and lose their self-esteem. For this reason, many choose a life of independence.

Kristy holds a huipil made with coyuchi and caracol purpura dyed cotton

We come not to judge but to understand. We do what we can. We support their work by visiting and buying direct. We are the appreciators who admire, wear and collect what they make. We are cultural appreciators rather than cultural appropriators.

Sebastiana who left a technology job for full-time weaving, her passion

The women who make cloth learned from their mothers and grandmothers. They have been around thread all their lives. Most started weaving at age twelve. They might sit tethered to the back-strap loom for six or eight hours a day or longer. It can take three months or longer to make a fine huipil.

Maximina shows us algodon verde, wild green cotton, Xochistlahuaca, Guerrero

Do you love what you do? One of us asks a weaving cooperative member.

I weave to help feed my children and family, and cover costs for school, one woman answers.

I do love to weave, and I’m proud to continue the work of my grandmother, answers another. It provides for us, but we need places to sell.

We must support each other economically, says a cooperative spokeswoman. It’s in our solidarity that we will help each other and raise us up. It’s more than a social get-together. It is our livelihood.

Handmade dolls, Muñecas, wear handmade huipiles, Xochistlahuaca, Guerrero

Children, boys and girls, age eight to twelve, are learning to weave. This is our future. Our boys are also learning to make loom parts and grow cotton. Men can always help and we encourage their participation, she continues.

In the outdoor kitchen, at the comal, a group of women pat masa into tortillas. They turn the corn dough with thumb and forefinger, careful not to burn themselves. Their fingers are worn with years of cleaning cotton, turning tortillas, washing clothes, spinning, caring for others. Some have lost their fingerprints to hard work.

They salt the hot tortilla, picking up the salt between thumb and forefinger, drizzling the tortilla, rolling it and handing it to us as a gift of welcome. It is fresh, slightly chewy and crunchy, the taste of real food. A simple life can also be a harsh one, and I caution our visitors not to romanticize the experience of being here.

Making the randa is time-consuming and adds beauty

In our home countries, we are absorbed with technology, family isolation and the intensity of politics. Indigenous women in Mexico are absorbed with finding access to markets for their work, good health care and education for their children. What unites us is our humanity and our mutual respect.

Eye glasses are a luxury. Mike brings them to give as gifts.

For many of us who go off-the-beaten-path to visit makers, we can first be surprised, even shocked at how humbly they live. Some of the most famous artisans I know live in adobe houses or those made with concrete blocks. They may not be able to afford a finished floor or it is not a life-style value.

Homemade green corn pozole, pickled cabbage and carrots, potato flautas

We go into homes with packed dirt floors, swept clean. We go into outdoor kitchens where amazing food is prepared over a simple wood-fired stove; sometimes this is a grill over a cut off garbage can. Occasionally, the sanitary facilities are not plumbed and we must put a bucket of water into the toilet to flush it. We note these differences and appreciate the abundance in our lives.

Jesus Gomez and his weaver mother, Zacoalpan, reviving lost traditions

We also appreciate the abundance in the lives of Mexican families who live close to the land: they live among their mothers, fathers and grandparents. They are supported by a deep network of community, of friends and tradition. They eat homegrown food. They yearn for the same things we do: health, education, contentment and prosperity. They create works of art.

The children are our future