Tag Archives: tour

Oaxaca, Mexico: Source for Natural Dye Textiles

It’s an ongoing discovery. Finding the weavers who work with natural dyes. They live and work in humble homes or grander casas, on back alleys, dirt streets, cobbled avenues, main highways, hillsides and flat-lands. Their studios are filled with the aroma and sights of natural materials — stinky indigo dye vats, wood burning fires, prickly pear nopal cactus studded with insects that yield intense red.

All photos © Norma Schafer, Oaxaca Cultural Navigator LLC

JuanaGutierrez TreeMoss

In this photo, above left, dyer/weaver Juana prepares ground cochineal on the traditional metate, grinding the dried insect by hand until it is a fine powder, ready to make a dye bath for wool that will be used for rugs. Above right, tree moss waits for the dye pot.

That’s why I’ve organized one-day natural dye textile study tours to explore this artisanal process.

ArturoRebozo2 CochinealIndigoYarn

Above left, ikat rebozo with natural dyes of wild marigold, cochineal and indigo from San Pablo Villa de Mitla. Right, wool on the loom.

Cleaning a rug woven with naturally dyed wool

Cleaning a rug woven with naturally dyed wool

You know how committed I am to the artisans who work with natural dyes. It is a laborious and vertical process — winding the yarn, preparing the dye baths, dyeing the yarn, then weaving it. To create textiles using natural dyes takes time and is a many-step process. I believe the people who work this way deserve special attention and support.

Nopal Cactus and Indigo, copyright 2016 Norma Schafer, Oaxaca Cultural Navigator LLC

Nopal Cactus and Indigo, copyright 2016 Norma Schafer, Oaxaca Cultural Navigator

They start with the natural wool that comes from the mountains surrounding the Oaxaca valley. The best wool is hand-spun for strength and has no additives, like nylon or polyester, to lower cost.

IMG_6963 IndigoDyePot

Then, indigo and cochineal is bought from local Oaxaca sources. Both are expensive, now about 1,800 MXN pesos per kilo. Synthetic dyes are a fraction of this cost and only requires one-step to produce colored yarn.

DryPomegranates FedericoNuez

Other dye sources are wild marigold, pecan leaves and shells, pomegranate fruit, tree moss, eucalyptus bark, black zapote fruit and much more.  The wool needs to be washed of lanolin and mordanted to absorb and fix the natural dye so it will not fade. To get a full range of color, local weavers and dyers use over dyes, too.

IndigoPericoneOverdye Yellow2Green

When the yarns are colored they are then ready to weave. Depending on size and material density, a piece can take from one week to several months.

CochinealHands2 ArturoRebozo1

It takes a special person who understands quality of materials and finished product to work this way. The process is organic, sustainable and environmentally sound.

CochinealHand SteamyDyePot

Agave Beverage of Choice? Aguamiel, Pulque and Mezcal

Here we are in Oaxaca, Mexico, center of the universe for the cultivation, production, distilling and bottling of agave nectar we call mezcal.  Mezcal is hot. A hot commodity, that is.

I stand corrected! Agave is not a cactus. It is a succulent. Thanks to reader Andrew for bringing this to my attention. I’ve changed the post title.

A local friend told me his uncle sold his espadin agave field for 40,000 pesos when it reached maturity after seven years. It takes a long time to make $2,200 USD equivalent here, even at today’s exchange rate. But, that’s a lot of lana (money) and a farmer is happy to hold this crop for a while. The price of agave piña has risen exponentially, 15 times greater than it was seven years ago, according to Alvin Starkman, operator of Mezcal Educational Excursions.

For the last week, I’ve been drinking a cup of aguamiel in the morning. Zapotecs in the know say that aguamiel has curative, medicinal powers and aids in daily digestion. I’m a believer.

 

Aguamiel is the sap that comes from the heart of the agave when you cut the top off.  Honey water. That’s what they call it, and it tastes like it. After one day unrefrigerated, it begins to ferment and after a few days will become pulque. An acquired taste. After four days of fermentation, you are drinking pure bubbling alcohol that goes from clear to cloudy. Some flavor it with fruit or oatmeal to sweeten the taste.

Last week, I tasted tepache in the Tlacolula market. (Find the stand next to the row of ice cream vendors on the rug sellers street.) This is pulque with fermented fresh pineapple. A half a cup before lunch and I needed the arm of a friend to steady me. But, it sure was tasty. In the U.S. with the absence of pulque, some tepache recipes call for beer and pineapple!

 

Which brings me to mezcal, the epitome of distilled beverage in these parts.

 

I am not even close to being knowledgeable, but I now have about 14 bottles of locally produced mezcal in my collection. I added the last six — plastic bottles, mostly with the Coke label, filled at the source — during a day-long mezcal education tour with Alvin Starkman. (Plenty of tasting, too.) Nine family members and friends joined me. Those who flew away, left with officially bottled and sealed beverages, thanks to Alvin.

It takes an education and time to understand mezcal and one-day is just the beginning. So is a collection of 14 bottles. Hardly enough to matter to the serious collector.

On the trip with Alvin, I learned that I like tepeztate and clay distilled espadin. Clay gives the mezcal the flavor of loam and fire. I used to really like añejo and reposado, and these are very smooth. Now, however, what tickles my nose and throat are the nuances of the herbs and earthiness of the wild agaves.

 

Stick your nose in the glass. Inhale. Get that full smokey aroma from the roasted-over-wood agave heart (called piña or pineapple) into your lungs. Then sip. Just a little bit. Second sip, take a little more. You’ll see that what might have felt harsh to your throat at first is now subtle and delightful.

 

Each type of cactus will make a different type of mezcal. Maybe it’s an espadin distilled with a turkey breast (pechuga de pavo) hanging over the copper pot. Now, there’s a flavor worth trying. Is it fermented in oak, pine, a bull skin, plastic or stainless steel, and for how long? This impacts the flavor. Is it made from a tobala, Karwinskii or madrecuixe agave. Are fruits or poleo (wild mint) added for flavor? And what about that worm?

 

And what about the microclimates and soil types? Yes, the same agave will produce a different taste with a variation in soil temperature, altitude, and whether the field is shared with weeds or with squash and beans, and when it was last plowed.

 

Whether you live here or are visiting, mezcal is worth knowing about. It is an ancient artisanal craft on par with rug weaving, natural dyeing, clay making and more recently wood carving. Getting out to the palenques on country back roads is a unique experience.

 

Meeting the men and women who grow the agave and distill it is even more amazing. Many live very simple, humble lives and their production is small. They may not be certified but what they make can be every bit as delicious.

 

When you go to the source, you are able to buy, too, at a fraction of what you would pay for a bottle in the city. But, it’s not really about price, it’s about the adventure!

Mezcal Factoids, thanks to Alvin Starkman:

  • No 2 batches of mezcal is the same
  • Mezcal improves with age
  • 95% of tequila is made from blue agave in Jalisco, Mexico
  • In the State of Oaxaca there are about 8 species of agave used to make mezcal
  • Each of these species has as many as 20 sub-species resulting in many flavor profiles from just the varietal of the plant
  • On the other hand, while tequila has different flavors resulting from different influences, only blue agave can be used to achieve them
  • While most tequila is made with 100% agave, it can be made with as little as 51% agave bsed sugars. Read the label carefully, especially the more popular commercial brands made in the most industrialized way.

 

  • True artesanal mezcal uses natural yeast in the environment
  • Gusano worm in a bottle of mezcal changes the flavor of the spirit significantly, while some stil use it as a marketing tool
  • Most artisanal agave grows without irrigation
  • The most accepted theory is that the Moors brought the distillation process to Spain, and the Spanish brought it to the New World where they found agave

 

A Few Mezcal Resources:

  • Mezcal Educational Tours
  • La Mezcaleria — a new favorite, where to taste/buy aguamiel, pulque and artisanal mezcal — on the Macedonio Alcala walking street in the first block beyond Santo Domingo Church on the right
  • Las Mezcalistas — Susan Coss and Max Garrone, consultants and aficionados, talk about all things mezcal on their blog

 

 

Note: Most of these photos were taken on the trip with Alvin Starkman. Others were shot during an independent adventure I took with my son, sister and brother-in-law to San Juan del Rio the week before.

 

Travel Oaxaca’s Cochineal Trail–Natural Dye Textiles One-Day Study Tours

In this new program, we take you along Oaxaca’s Cochineal Trail to introduce you to weavers who work with organic natural dyes. This one-day educational study tour gives you in-depth knowledge about the artisanal process for making hand-woven cloth using sustainable technologies. We visit home studios and workshops to meet some of Oaxaca’s outstanding weavers in this curated day trip.

Schedule your dates directly with Norma Schafer.

You reserve for the dates you prefer. This  is designed as a private program. You are welcome to organize your own small group.  We will do our best to match your travel schedule with our availability.

Dyeing_Australian_Chicas_Eric-94

Oaxaca has many talented weavers working on different types of looms: the two-harness pedal loom, the flying shuttle loom and the back-strap loom. They create many different types of cloth from wool, cotton and silk – to use, wear and walk on.

Wool Coch Red Bobbins62K

The yarns or threads can be hand-woven and made into tapestry carpets or wall hangings. They might become lighter weight garments such as shawls, ponchos and scarves or fashion accessories and home goods like handbags, travel bags, blankets, throws and pillow covers.

Most weavers dye their material using pre-mixed commercial dyes. Some buy their yarns pre-dyed. This streamlines and simplifies the production process, making the finished piece less costly. Often, there are wide quality differences.

DyeWkshp_1-24

A growing number of weavers are going back to their indigenous roots and working in natural dyes. They use a time-consuming process to gather the dye materials, prepare them with tested recipes, dye the yarns and then weave them into cloth. These colors are vibrant and long-lasting. There is a premium for this type of hand work.

Master weaver from Teotitlan del Valle makes perfect curves with natural dyes

Master weaver from Teotitlan del Valle makes perfect curves with natural dyes

Dyeing and then weaving can take weeks and months, depending upon the finished size of the textile and type of weaving process used.

For each visit, we will select artisans who live and work in small villages scattered in the countryside around Oaxaca where families have co-created together for generations to prepare the yarn and weave it.

indigo-dye-pot

Natural dyes we will investigate include plant materials like nuts, wild marigold, fruit (pomegranate, persimmon, zapote negro), wood bark and indigo.

Shades of cochineal -- a full range of color

Shades of cochineal — a full range of color

Another important dye source is cochineal, which is the parasite that feeds on the prickly pear cactus. The Spanish kept the cochineal secret well hidden for over 400 years, calling it grana cochineal or grain, so that English and Italian competitors could not detect its source.

Cochineal on prickly pear cactus paddle Striking design in cochineal, indigo, pericone, and natural wool

During this one-day outing, we will visit four or five weavers, see complete natural demonstrations of yarns and threads, learn about over-dyeing to get a full rainbow of colors, and savor the beautiful results that master weavers create.

We may not always visit the same weavers on each tour, based on their availability. At each home studio you will see some of the steps that go into the completed process. By the end of the day, you will have gained a fuller understanding of the difference between natural and commercial dyed cloth as well as the various weaving techniques. This will help you become a more educated collector, able to discern nuances in fiber and dye quality.

DyeWkshp_1-15

More than this, you will learn about the local culture, the family enterprise of weaving, how weavers source their materials, the dedication to keeping this ancient practice alive. You will see how using natural dyes is a small-batch, organic and environmentally sustainable process. And, you will try your hand in the dye pot and at the loom, too, if you like.

DyeWkshp_1-14

During this complete one-day study tour you will:

  • Meet master weavers and their families in their home workshop/studio
  • See the raw materials used for coloring wool, cotton and silk
  • Watch the weaving process and try your hand (and feet) at the fixed frame 2-harness pedal loom and flying shuttle loom
  • Discuss the origin of cochineal, its impact on world trade and its many uses today
  • Learn how to tell the difference between dyed fibers – are they natural or chemical?
  • Observe processes for dyeing with indigo, cochineal, wild marigold and other organic materials
  • Understand quality differences and what makes a superior product
  • Discover the meaning of the various designs, some taken from ancient codices
  • Receive a Resource Guide and Glossary to take with you
  • Have an opportunity to shop, if you choose, at the source
  • Order a customized size, if you prefer

You are under no obligation to buy.

This is an educational study tour to give you more in-depth knowledge about the weaving and natural dye process. We offer a stipend to the weavers who take part to compensate them for their knowledge, time and materials. This is included in your tour fee.

Weavers do not pay commissions on any purchases made and 100% of any sales go directly to them.

Also consider these educational options:

About Norma Schafer, your study tour leader

Norma Schafer has organized educational programs and workshops in Oaxaca since 2006 through Oaxaca Cultural Navigator LLC. She is an educator, not a tour guide, and is recognized for her knowledge about textiles and natural dyes.

Norma is living in the weaving village of Teotitlan del Valle, Oaxaca, since she retired from The University of North Carolina at Chapel Hill in 2011. Before that, she made frequent visits each year beginning in 2005. Norma has access to off-the-tourist-path small production family workshops where the “manufacturing” process is vertical and hand-made.

  • Earned the B.A. in history from California State University at Northridge
  • Holds the M.S. in business administration from the University of Notre Dame
  • 30-year career in higher education administration and program development
  • Created/produced international award-winning programs at Indiana University, University of Virginia, George Washington University and The University of North Carolina at Chapel Hill
  • Recognized by the International University Continuing Education Association for outstanding educational program development
  • Founder/creator of Oaxaca Cultural Navigator LLC arts workshops/study tours in 2006
  • Founder/author of Oaxaca Cultural Navigator blog in 2007
  • Learned to weave and use natural dyes as a graduate student in San Francisco too many years ago to count!
  • Has a personal collection of more than 100 textiles made with natural dyes
  • Consultant to textile designers, wholesalers and retailers who want to include sustainable, organic textiles in their body of work and inventory
  • Consultant on tourism/economic development, State of Guanajuato, Mexico Office of Tourism
  • Embedded in the cultural and social history of Oaxaca’s Zapotec village life

IMG_4423 Dolores with Shadows

Note: From time-to-time, we will invite other distinguished and knowledgeable natural dye experts to join us or to substitute for Norma to lead the study tour, based upon schedules and availability. If Norma is not available on the date(s) you request, we will give you the option to take the study tour with another qualified leader.

Pricing for a 7-8 hour day. Customized programs on request.  The rate constititutes the time you arrive to and depart from Teotitlan del Valle.

  • 1 or 2 people, $200 USD flat rate total, includes lunch
  • 3 to 4 people, $90 USD per person total, includes lunch
  • 5 to 8 people, $70 USD per person total, includes lunch
  • For larger groups, please contact us for special pricing

Includes transportation from/to Oaxaca city to our meeting place in Teotitlan del Valle, and lunch. Please let us know if you need vegetarian options. We will pre-order a tasting menu that includes a fresh fruit drink (agua fresca). Alcoholic beverages are at your own expense.

Schedule your dates directly with Norma Schafer. We will do our best to accommodate your requests.

Silk worms dining on mulberry leaves, Oaxaca, Mexico Wool dyed w moss

Reservations and Cancellations

We require a 50% deposit with PayPal (we will send an invoice) to reserve with the balance due on the day of the tour in USD or MXN pesos (at the current conversion rate). The PayPal amount billed will be based on the number of people you reserve for.

If you decide to cancel up to 30 days before the study tour, we will refund 50% of your deposit. If you reduce the number of people in your party with 30 days notice, we will pro-rate the deposit and offer a 50% refund for the number of cancelations.

After 30 days before your scheduled study tour, your deposit is not refundable. We will have made transportation arrangements and secured the dates/times with the weavers, plus paid them a stipend in advance for participating. We have learned, living in Mexico, that it is essential to keep commitments to sustain relationships. Thank you for understanding.

Folded pedal looms waiting for the next project

Folded pedal looms waiting for the next project

A Day of Clay: Visiting Santa Maria Atzompa with Innovando la Tradicion

In their own words, Innovando la Tradicion is a creative platform where artisans, designers and artists share skills, knowledge and stories to rethink and honor the ceramic traditions of Oaxaca.  The group helps potters and pottery communities in Oaxaca with support to develop their trade.

Francisco finishing the clay comal (griddle)

Francisca finishing the clay comal (griddle)

Before the new year, my sister and I joined a one-day excursion to Santa Maria Atzompa sponsored by Innovando la Tradicion and hosted by Gregorio Desgarennes Garzón who everyone calls Goyo. The idea was to spend time with a local family, part of the Innovando la Tradicion collective, and learn how they work with clay to make functional and decorative pieces.

 

This was not a shopping trip. It was a meaningful educational and cultural experience to go deeper into Oaxaca’s indigenous traditions. In Atzompa, craftsmen have worked in clay for centuries. They shaped religious articles, storage and cooking vessels for the Monte Alban ruling class, long before the Spanish conquest.

  

These same traditions continue today with some modification of the ancient technologies.  In addition to firing the wood kiln, there is also a modern propane oven for cooking clay at higher temperatures. Traditional shapes take form alongside innovative contemporary sculpture.

 

Our multi-national group spent the day with Francisca, her husband Guillermo and their three daughters Karina, Vianney and Maité. Clay has always been in my family, say the couple. We added our impressions: It is the material of possibility, the smell of the earth, it evokes chocolate, bread, eating, family and nature.

Guillermo took us into the yard first to demonstrate how the large clay chunks are broken up with a mallet made from a hardwood tree limb. He digs the clay himself from a pit not far from the village center. Some of us volunteered to give it a try and didn’t last too long.

 

After the clay is pulverized to a fine powder and put through a sieve, it is mixed with black clay that comes from the bottom of a nearby lake. This gives it strength and elasticity. It is Guillermo who does all the heavy prep work.

How do you know when it’s ready? someone in the group asks. We can tell by touching it, was the answer. There is no written recipe.

My sister and I loved watching all this because our dad was a potter in Los Angeles and the entire process reminded us of our growing up years, watching dad knead the clay, then work it on the wheel into functional and whimsical objects of beauty.

 

Just as we did, the children here play with clay when they are young, forming simple shapes made with the coil or pinch pot method.

Each day, Guillermo prepares a batch of clay that Francisca will make into comals for sale to clients or at the local market. They make only enough for that day. Francisca is known for her fine clay comals. Her mold is a 12-year old comal that is the correct diameter and thickness. She will make about eight comals in a day. Each one, used for making tortillas or their variation, may last for about two months.

 

Her tools are trees and gourds. She uses her fingers to feel the thickness of the clay, testing it, determining if she needs to add more to the center for strength.

Her children know how to do this, too, now. But she dreams that her children will go to university and have a profession. Yet, she also wants them to make ceramics.

As Francisca pulls and shapes the clay, we watch mesmerized as she forms a beautifully round, perfect comal with lip that is desired by all who work with corn, another artisan craft.

The comals will sell for 55 to 70 pesos each. It takes about an hour to make a large one.  In the currency exchange rate of pesos to dollars, that’s about $3 to $4.50 each. At the rate of eight per day, the gross is $24 to $36 USD per day including labor and materials.

 

When the comal is finished, Guillermo carries it to the sun to dry. Francisca and Guillermo can fit about 36 comales into the adobe kiln, stacked vertically. The kiln is covered and fueled with wood. After about two hours the temperature reaches a low-fire 900 degrees Fahrenheit. The fire burns out and the clay contents cool, then are removed and prepared to transport to market.

After the demonstration, we took a lump of clay and began to form our own pieces. Some of us used a small wheel the size of a plate, balanced on a rock, to turn our work. Others shaped the clay using forefinger and thumb or rolling coils and stacking them. The pieces were primitive and imaginative. It was like being a child again! Totally freeform.

Then, the tables were made ready and Francisca served us a wonderful lunch of sopa de guias, tlayudas and horchata water that she prepared. The family joined us in celebrating the end of a very satisfying day.

A special thanks to Goyo for translating everything from Spanish to English and giving us great insights into the clay making process.

Contact Innovando la Tradicion at the little clay shop 1050 Grados, Rufino Tamayo 800, Oaxaca Centro, phone 951-132-6158 to find out when their next clay tour is scheduled. It’s a wonderful experience. Don’t miss it.

 

 

 

 

2016 Looking for Frida Kahlo + Diego Rivera: Mexico City Art History Study Tour

Come to Mexico City to explore the lives of Frida Kahlo and Diego Rivera through their art. This is in-depth art history education at its best! We offer you a narrated cultural immersion that you can miss if you visit on your own. Come solo, with a partner or friend. Norma Schafer participates in all programs. Small group size limited to 8 people for quality experience.

 

2016 Schedule

  • February 11-15, 2016
  • March 31-April 4, 2016

Arrive and meet for a group dinner on Thursday at 7 p.m. We will have a long weekend — three full days —  to learn about Diego Rivera‘s stunning Mexico City murals, visit Casa Azul where Diego and Frida Kahlo lived, and see the largest private collection of their work at the Dolores Olmedo Museum.

Man Controller of the Universe 1934 replicates mural destroyed at Rockefeller Center

Through their eyes, you will better understand Mexico’s political, cultural and social history, and their personal lives together. Theirs is a story of Mexico’s development as a post-revolutionary modern nation. You will also meet their contemporaries, muralists Jose Clemente Orozco and David Alfaro Sequieros, as you compare and contrast their collective work.

If you want to register, send me an email. Tell me the dates you prefer!

A few little nips

A few little nips — Frida painted this after Rivera’s affair with her sister

This is an incredible experience! The Rivera murals at the Secretary of Public Education building were like nothing I expected. The scale, the intensity, the variation of themes, the continual flow of connecting  vignettes – just mind blowing! It isn’t just an art tour. It is an intense immersion into the beginning of an art movement, a cultural movement, and a culmination of historic events that come alive. — Christine Bouton, North Carolina

 

Our expert guide is a noted art historian who holds a master’s degree in art history who is about to embark on a doctoral program. She shares her passion for the Mexican Muralists, narrates the expedition, and leads us through these spaces to give you the most meaningful educational experience:

  • Palacio Nacional
  • Palacio Bellas Artes
  • Museo de Mural de Diego Rivera
  • Secretaria de Educacion Publica (SEP)
  • San Ildefonso National Preparatory School
  • Abelardo Rodriguez market
  • Casa Azul — the home of Diego Rivera and Frida Kahlo
  • Museo Dolores Olmedo Patiño

MuralsSEP+Best81-28 

Yes, you can visit these places independently. But it’s not likely you will get the same in-depth knowledge, insights, and perspectives if you do.

 

She called him toad. He was 20 years older. They were passionate about life, politics, each other. They shaped the world of modern art and she became an icon in her own right, creating an independent identity that serves as a role model for women. They were twice married and unfaithful, the subjects of books and film, and art retrospectives around the world.

Dream of a Sunday Afternoon in the Alameda Park mural covers 500 years of Mexican history

Rivera’s Dream of a Sunday Afternoon in the Alameda Park survived 1985 earthquake

Casa Azul  — Museo Frida Kahlo is a tribute to the life of both artists. Museo Dolores Olmedo Patiño holds the largest private collection of Frida and Diego paintings in the world. Lola Olmedo was a benefactor and life-long personal friend of Rivera who became executor of his estate that included Casa Azul.

 

Rivera’s mural at the Palacio Nacional (National Palace) covers detailed Mexican history, from pre-Hispanic America to the Spanish Conquest through industrialization, including the French and U.S. invasions, from 1521 to 1930.

David Alfaro Sequieros, Rivera rival, painted this mural at Palacio Bellas Artes

David Alfaro Sequieros, Rivera rival, painted this mural at Palacio Bellas Artes

Plus, you will have lots of options for independent exploration: shop for outstanding folk art, and eat at local markets, historic and fine contemporary and traditional restaurants!

Lunch at the gourmet Mercado San Juan

Lunch at the gourmet Mercado San Juan

See our reviews on Trip Advisor!

Base Trip Includes:

  • welcome dinner at renown restaurant Azul Historico
  • guided discussions by an expert art historian educated at UNAM and Southern Methodist University
  • introduction to Norma’s favorite restaurants (meals not included) and folk art galleries
  • transportation to Casa Azul and Dolores Olmedo Museum
  • complete travel packet and readings sent in advance via email

DiegoFrida4Group2-5 copy 

Also consider Evoking Frida Kahlo: Making Altars + Shrines Mixed Media Art Workshop — honor a loved one or create a self-portrait visual memoir

Preliminary Itinerary

  • Day 1, Thursday:  Meet for group dinner at 7 p.m. at Restaurant Azul Historico near the Zocalo. Dinner included in your tour cost. Overnight in Mexico City.
  • Day 2, Friday: guided visit to SEP, Colegio de San Idlefonso, where Diego met Frida, and the Abelardo Rodriguez market where Rivera’s students, including Pablo O’Higgins, painted. Lunch and dinner on your own. Overnight in Mexico City.
One of 125 Rivera painted at SEP, 1923-28

One of 125 Rivera painted at SEP, 1923-28, this one mocking the bourgeoisie

  • Day 3, Saturday: guided visit to Palacio Bellas Artes and Museo Mural de Diego Rivera. Optional folk art shopping or visit to Anthropology Museum. Lunch and dinner on your own. Overnight in Mexico City.
Palacio Bellas Artes built during Porfirio Diaz presidency

Palacio Bellas Artes built during the 30-year Porfirio Diaz presidency

  • Day 4, Sunday:  guided visit to Casa Azul and Museo Dolores Olmedo Patiño. Includes transportation. Lunch on your own. Overnight in Mexico City.
  • Depart on Monday for home.
The oldest street in Mexico next to the Palacio Nacional

The oldest street in Mexico next to the Palacio Nacional looks like Europe

Be ready to WALK and then, walk some more!  Don’t forget to bring an extra suitcase to pack treasures you pick up along the way.

  • Base Cost:  $595 USD per person without lodging.
  • Upgrade: $895 USD per person double occupancy, includes 4 nights lodging.
  • Single Supplement offered: $1,195 USD

Choose the upgrade and stay with us at a comfortable bed and breakfast inn located in the historic center of Mexico City with breakfast included.

Tiffany glass ceiling at El Gran Hotel Ciudad de Mexico

Tiffany glass ceiling at El Gran Hotel Ciudad de Mexico — an optional stop on our tour

What the base cost does not  include:

  • lodging — we can recommend wonderful hotels in the historic center of Mexico City where you can make and pay for your own lodging arrangements directly, such as Chill Out Flat B&B, Hotel Catedral or Gran Hotel Ciudad de Mexico.
  • meals except noted in itinerary, alcoholic beverages
  • transportation to/from Mexico City
  • museum admission fees
  • mandatory international health/accident insurance
  • tips for hotels, meals and other services

Base Cost:  $595. USD per person. Small group experience. Maximum: 8 people.

MuralsSEP+Best81-22 MuralsSEP+Best81-21MuralsSEP+Best81-24 

Upgrade: $895. USD per person double occupancy, includes B&B lodging with breakfast, private bath for four nights, Thursday, Friday, Saturday, Sunday. Otherwise, all exceptions noted above apply.

Single Supplement: $1,195. USD for private room and bath.

Optional: Arrive early and/or stay later to discover Mexico City and her incredible museums and restaurants. We will give you a list  of recommendations to explore on your own.

Katharsis, 1934 mural by Jose Clemente Orozco, Palacio Bellas Artes

Katharsis, 1934 mural by Jose Clemente Orozco, Palacio Bellas Artes

Reservations and Cancellations.  A 50% deposit will guarantee your spot.  The last payment for the balance is due 45 days before the program start date. Payment shall be made by PayPal.  We will send you an itemized PayPal invoice.

Please understand that we make arrangements months in advance of the program. Deposits or payments in full are often required.  If cancellation is necessary, please tell us in writing by email. After 45 days before the program starts, no refunds are possible. However, we will make every possible effort to fill your reserved space or you may send a substitute. If you cancel on or before the 45 day date, we will refund 50% of your deposit.

Frida died July 12, 1954 not long after she painted these watermelons

Frida died July 13, 1954, at age 47, not long after she painted these watermelons

Required–Travel Health/Accident Insurance:  We require that you carry international accident/health/emergency evacuation insurance.  Proof of insurance must be sent at least two weeks before departure.  If you do not wish to do this, we ask you email a PDF of a signed and witnessed waiver of liability, holding harmless Norma Hawthorne Schafer and Oaxaca Cultural Navigator LLC. Unforeseen circumstances happen!

 

To register, email us at norma.schafer@icloud.com. We accept payment with PayPal only. Thank you.

Frida’s sketchbook and journal. Notice the one deformed leg from childhood polio.

This workshop is produced by Norma Schafer, Oaxaca Cultural Navigator LLC.  We reserve the right to adjust the itinerary and substitute leaders without notice.

A note to Frida from Diego two years after her death … “you live in my heart.”

Paint brushes in Frida’s studio at Casa Azul, exactly as she left them