At the end of a winding road about an hour-and-a-half up the mountain from MEX 200, the coastal highway leading north to Acapulco and beyond, is the Mixtec village of San Juan Colorado. Here, almost all the women weave and there are over thirty registered cooperatives. One of our favorites is Las Sanjuaneras. Why? They spin native cotton, make thread using the drop spindle (malacate), and use natural dyes.
About five years ago, two Oaxaca designers, Ana Paula Fuentes and Maddalena Forcella, got a grant to work with the cooperative to teach them natural dyeing and to introduce a weaving technique to create a lighter weight huipil that would be more comfortable in the hot, humid coastal climate. Of course, they still used traditional iconography in their textiles, telling the story of the village and traditions. The innovation has been successful and many collectors value what they create.
This is the fifth year we have come to visit them. When we arrived, the clothing was strung along lines between concrete posts, but before jumping in to the fray, we sat to hear about the cooperative and each woman’s story — when they started weaving, who they learned from, their hopes and dreams for themselves and their families.
So many are supporting their families because they are able to bring in a cash income from the sale of their textiles. This goes to pay for medical care (many of the elderly are sick, have problems with blood pressure or diabetes), educational costs for children and grandchildren, and food that supplements what the men are able to grow in the fields.
The cooperative is getting smaller. There were fifteen women last year. This year, two died. The eldest member of the coop is age 78 and the youngest in in her thirties.
They prepared a delicious lunch for us of caldo de pollo (chicken soup), homemade tortillas hot off the comal, grilled tasajo (seasoned beef), and lots of agua de jamaica (hibiscus water). Muy rico. I was so hungry, I forgot to take photos of the food.
And then, we got to put our hands on the glorious textiles!
Come with us in 2025! Send an email to say you are interested.
Photo by British photographer Tessa Bunney, who traveled with us
We invited Las Sanjuaneras coop members to choose the piece that was their favorite, and that they were most proud of. This was a wonderful way to see the range of colors and garments.
Above left, cooperative president Camerina Contreras, is finishing a huipil, dyed with jicara gourd, indigo, and embellished with native, hand-spun pre-Hispanic white cotton.
The oldest member of the coop speaks to us in Mixtec. Camerina translates to Spanish, and our cultural anthropologist guide Denise translates to English.
On the right, women wear the traditional wrap-around skirt of the region call a posahuanco. Today, it is made with synthetic dyes. It used to be dyed with indigo, cochineal, and purple snail dye. If you find one that is, it will cost 30,000 pesos. So rare.
Tixinda is the Mixtec word for the purple snail, also known as caracol púrpura in Spanish. It produces a rich purple dye used for ceremonial clothing in the Oaxaca coast village of Pinotepa de Don Luis. The weavers here make beautiful garments on the back strap loom using touches of this rare dye in the supplementary weft designs they create representing ancient symbols important to their culture.
Today we visited 83 year-old Don Habacuc Avedano, who has been dyeing native cotton with tixinda since he was a boy. His son Rafael is following in his footsteps, searching the tide pools along the rocky coast for the illusive snail that is now almost extinct.
This is one reason why the huipiles and blusas are more costly. Another is that it usually takes two months to make a huipil. First the cotton is cleaned, hand-spun, then dyed. Usually they use natural dyes like indigo, cochineal, jicara gourd, wild marigold, mahogany bark, and other plants. Then, the loom is prepared with complementary warp threads.
After a delicious lunch of chiles rellenos in the dirt floor courtyard of the humble family home, we had an opportunity to talk, learn, and understand the traditional culture and weaving process. And, then there was the chance to look at the beautiful work and buy if we wished.
Rafa kept a skein of snail dye in the refrigerator in preparation of our visit and we saw the oxidization process as the color of the cotton changed from yellow to green to blue then to purple when exposed to the sunlight.
It was a magical day.
Let us know if you want to go with us in 2025. We will be making an announcement soon. Send us an email.
Posted onMonday, December 18, 2023|Comments Off on Day of the Dead Altars + Studio Visits in Teotitlan del Valle 2024
On October 30, 2024, we immerse ourselves in the rich cultural and social history of Teotitlan del Valle. No where is Day of the Dead celebrated with more authenticity than in the villages. Our one-day tour starts at 9:00 a.m. We pick you up at a central location in the Historic District of Oaxaca city and return you there by 6:00 p.m. We will let you know the location two-weeks before the tour. Your guide is Eric Chavez Santiago with Norma Schafer.
Why you want to travel with us:
We know the culture! We are locally owned and operated.
Eric Chavez Santiago is Zapotec, tri-lingual, born and raised in Teotitlan del Valle.
Norma Schafer has been living in Oaxaca for almost 20 years.
We have deep connections with artists and artisans.
63% of our travelers repeat — high ratings, high satisfaction.
Wide ranging expertise.
We give you a deep immersion to best know Oaxaca and Mexico.
We welcome you into the Altar Room of each artisan we visit to pay respects to the family and their ancestors. We have arranged for permission for you to take photos and participate in some of the rituals, including tasting Pan de Muertos and Hot Chocolate made locally from toasted cacao beans. All along the way, you will learn more about how this tradition is celebrated, with its deep pre-Hispanic indigenous roots.
The artisans we visit in Teotitlan del Vallenot only talk about and demonstrate their craft, they discuss their personal experiences and traditions growing up and honoring their ancestors during Day of the Dead. When you participate with us, you will go deep into a rich Zapotec history and culture that pre-dates the Spanish conquest of Oaxaca in 1522, and the settlement of Oaxaca as a colonial capitol.
While we spent most of the day in Teotitlan del Valle learning about the Day of the Dead traditions here, we start out in Santa Maria El Tule at the home studio of a flying shuttle loom weaver who uses naturally dyed threads to create clothing — blouses and shawls. He also has a selection of beautifully woven home goods — tablecloths, napkins, and dish towels. We learn that ancient traditions pre-date Catholicism, and those who don’t adhere to a religion still observe Day of the Dead.
Our itinerary includes stops to see:
a traditional flying shuttle loom weaver who creates award winning home goods and clothing
a famous rug weaving family that works only in the highest quality wool and natural dyes
a chocolate maker who uses grandmothers’ recipes to make delicious eating + drinking chocolate
an accomplished women’s cooperative that fashions leather trimmed handbags
lunch prepared by a traditional chef who prepares exquisite food
In El Tule, Alfredo tells us that Day of the Dead is not a religious holiday but a cultural one, hearkening back to the pre-Hispanic ancestors. Building an altar is his way of honoring his grandmothers and grandfathers who taught him to weave. He works on several looms that he inherited from his grandfather that are more than ninety years old. They have been repaired repeatedly and the wood frames are pocked with insect holes that accumulated over the years. Nothing here is discarded and age in whatever form — human or inanimate — is revered.
We make three more stops during the day. First to a favorite rug weaving studio. Here we will feel the emotional connection with the altar, learning about the importance of celebrating in the home. We will be welcomed with the perfume of copal incense, candlelight, and marigold flowers — all important for guiding the spirits of deceased loved ones back home for this twenty-four hour period when they return from the underworld to visit us.
The difuntos enter this world through the sugar cane arches flanking the altar and this portal is necessary to ensure an easy passage. Almost everyone here will have their altars complete by November 1, just in time for the spirits to return at three o’clock in the afternoon. They will stay with their families until November 2, consuming the ceremonial foods from the altar. At three o’clock on November 2, the church bells will ring and announce the time for the difuntos to return to their resting places in the cemetery. We accompany them, leading the way with copal, to ease them back to the underworld, offering prayers for a smooth passage and a promise that we will see them next year.
The offerings on the altars in Teotitlan del Valle include chocolate, bread, and candles. Other foods can include those favored by the deceased: beer, mezcal, coffee, coca cola, tortillas, tamales stuffed with mole amarillo (a village tradition). There will always be peanuts and pecans, eaten here long before the Spanish arrived.
Our last stop before returning to the city will be to a women’s cooperative whose members who weave beautiful small tapestries colored with natural dyes that they make into totes and handbags, trimmed with leather straps. It takes about two weeks to make a bag and the craftsmanship is superb.
Lunch is a culinary exploration into the traditional foods of the season, including yellow mole tamales, mezcal, and fruit water prepared by a local traditional cook.
Registrationand Cancellation. Tour cost is $155 per person. This includes transportation in a luxury van, bilingual guide services with translation, altar and studio visits, and lunch. Payment in full is required to reserve. In the event cancellation is necessary, we request a 10-day notice (by October 20) to receive a 50% refund. We accept payment with Zelle (no fees) or with a credit card (3.5% fee). Tell us when you are ready to register and we will send you a request for funds.
Registration is now open. A $750 non-refundable deposit will reserve your space. We offered this tour first to those who expressed interest a couple of months ago, and we have filled seven out of fourteen spaces. We hope that if you want to go to Guatemala with us in February 2025, you won’t hesitate to tell us and send your deposit as soon as possible!
Guatemala delegation at WARP
Guatemala Textile Study Tour: Cloth and Culture will be held February 6-15, 2025, nine nights and ten days. Join Olga Reiche, Eric Chavez Santiago, and Norma Schafer to explore Maya hand weaving, natural dyeing techniques, markets, and remote artisan villages where women work on back strap looms.
We begin first in Antigua, Guatemala’s colonial city where the Spanish conquest left its mark on art, architecture, food and culture. Antigua, founded in 1524, is a UNESCO World Heritage Site. After settling into our hotel, we meet Olga, visit her Indigo studio where she dyes threads with natural plants that she provides to weavers with whom she works in the Coban region where they make fine gauze textiles using the pikbiltechnique. Later in the tour we will visit this region, off the beaten path where few venture.
Olga Reiche and a client
We also visit master weaver Lidia Lopez, who Norma met at the Santa Fe Folk Art Market this year. Lidia also attended and exhibited at the 2023 WARP annual conference. Her rendition of flower gardens in her weaving is nothing short of extraordinary.
Lidia Lopez at WARP
Of course, we travel to Panajachel, take a boat launch across Lake Atitlan, and visit weaving cooperatives there with whom Olga has relationships. Before going to Lake Atitlan, we spend time at the famed Chichicastenango market. I was there in the mid-2000’s and was amazed by the indigenous Maya culture, mysticism practiced in the church — a testimony to syncretism that blends ancient beliefs with Catholicism, and one of the most vibrant outdoor marketplaces in Latin America. The abundance of textiles is beyond belief! As we meander, we will have expert guidance on textile iconography, region, quality, and rarity.
Amalia Gue at Santa Fe International Folk Art Market
From Chichi, we travel to Coban to meet Amalia Gue, who many collectors know as being one of the greatest weavers of fine gauze cloth. Amalia has exhibited at the Santa Fe Folk Art Market, the Museo Textil de Oaxaca, and we have invited her to Oaxaca Cultural Navigator expoventas at our Taller Teñido a Mano dye studio and weaving workshop in Teotitlan del Valle. In addition, we spend several days in this area to discover other talented artisanbs who also work in the same pikbil gauze weaving technique.
We make our way back to Antigua via Lake Atitlan and Panajachel to explore villages accessible only by boat, where women are also weaving huipiles and blusas using naturally dyed threads.
Guatemala delegation at WARP
Preliminary Itinerary: February 6 – 15, 2025, 9 nights, 10 days
Day 1, Thursday, February 6: Arrive to Guatemala City, travel to Antigua before 4 p.m. by airport shuttle (at your own expense) to avoid traffic. Check in to our group hotel. Dinner included.
Day 2, Friday, February 7: Drive to San Antonio Aguas Calientes to visit the town and Lidia Lopez home with a textile weaving demonstration. Then, we visit Olga Reiche´s Studio at San Juan Del Obispo, with natural dye demonstration and discussion about natural dyes. Lunch at La Cascade Marc in San Juan Del Obispo. The afternoon is free to explore Antigua. Breakfast and lunch included. Dinner on your own.
Day 3, Saturday, February 8: Antigua morning tour, with visits to places of interest. Breakfast included. Lunch and dinner on your own.
Day 4, Sunday, February 9: Early departure to Chichicastenango Market – Visit the market and have an early brunch at Hotel Mayan Inn. We then depart to nearby Santa Cruz del Quiche to visit artisans and then go on to Coban, Alta Verapaz. Our travel time is approximately 3-1/2 hours by luxury van. Arrive at Coban Alta Verapaz in mid-afternoon. Dinner at Restaurant Casa Acuña. Breakfast and dinner included.
Day 5, Monday, February 10: After breakfast, drive to Samac to visit famed pikbil weaver Amalia Gue who participates in the Santa Fe International Folk Art Market. We will invite other nearby weaving groups of Coban to an expoventa at our hotel. Dinner at X’Kape Coban with a local food. Breakfast, lunch and dinner included.
Day 6, Tuesday, February 11: One more day in Coban to visit other weaving groups or return to Amalia’s or visit and tour orchid farm. Breakfast, lunch and dinner included.
Day 7, Wednesday, February 12: After Breakfast, visit Coban’s market and depart mid-morning. Travel to Panajachel, Lake Atitlan. Afternoon free to wonder around the shops on Santander Street. Breakfast included. Lunch and Dinner on your own.
Day 8, Thursday, February 13: Visit De Colores Studio in Panajachel, with an explanation of the work they do. Cross the lake on a private boat to Santiago Village and visit Cojolya Cooperative of weavers. Continue to travel by boat to San Juan La Laguna to visit artisans that practice natural dyes, with demonstrations. Return to Panajachel. Breakfast and lunch included. Dinner on your own.
Day 9, February 14: Return to Antigua, free afternoon to visit museums and galleries. Grand finale dinner. Overnight in Antigua.
Day 10, February 15: Departure to Guatemala City airport. Please schedule flights to depart after 11 a.m. It will take 1-1/2 hours to get there, and you need to be there two hours ahead to check in to international flights.
On your own options are to arrive a day or two earlier or stay a day or two later to visit Guatemala City. The Archeological Museum there has an extensive textile collection, and next door is a vast Craft Market which has a nice selection of artisan made craft from different regions of Guatemala.
Olga Reiche and Leslie Roth at Santa Fe International Folk Art Market
About the Tour Leaders
Olga Reiche is a Guatemala textile artisan, dye master, and social justice advocate who has worked with local artisans and indigenous groups for over 30 years to train them to use natural dyes. Her concern for environmental and artisan sustainability is a driving force in her work around Lake Atitlan and in the northern Coban region of Guatemala.
She has been an invited participant at the Santa Fe International Folk Art Market for many years, teaches natural dyeing and weaving, has written numerous articles about natural dyes and sustainability, indigenous culture, and continuity.
She mentors weavers, developing new designs and products, teaching them how to manage a business, and how to competitively market products in the international arena.
Olga heads the sustainable eco-fashion brand Indigo that works with craftspeople from different regions to create clothing from recycled and reused materials. The name of her brand is inspired by the rich blue pigment which comes from the native Guatemalan indigo plant.
Olga is the lead designer and produces naturally-dyed threads that are used by a team of weavers with whom she collaborates—mostly women working out of their homes. They make pieces according to Olga’s instructions, weaving almost exclusively on backstrap looms, incorporating patterns and symbols inspired by their shared Mayan heritage. Once the pieces are fabricated, they are returned to Olga for assembly into comfortable and luxurious handmade garments that have been featured in Harper’s Bazaar and Vogue Mexico.
Eric Chavez Santiago is a fourth-generation weaver and natural dyer from Teotitlan del Valle, Oaxaca. He is fluent in Spanish and English, and is managing partner of Oaxaca Cultural Navigator. He joined OCN in 2021. Eric was founding director of education at the Museo Textil de Oaxaca, where he organized artisan-led programs for eight years. After that, he was asked by the Alfred Harp Helu Foundation to open and direct the Oaxaca folk art gallery Andares del Arte Popular, which he did for six years. Eric is knowledgeable about all aspects of weaving and naturally dyeing, having developed over 100 different shades of cochineal before the age of 21, and is deeply embedded in the folk art and craft culture of Mexico.
Norma Schafer founded Oaxaca Cultural Navigator LLC in 2007, and has been offering educational programs, workshops and tours since then. She served for thirty years in university leadership roles, and has a keen personal interest in artisan economic development, all things textiles and folk art.
.Reservations and Cancellations. A $750 non-refundable deposit (first payment) is required to guarantee your place. The balance is due in two equal payments. The second payment of 50% of the balance is due on or before August 1, 2024. The third payment, 50% balance, is due on or before November 1, 2024. We accept payment using Zelle cash transfer or a credit card with Square. For a Zelle transfer, there is no service fee. We add a 3.5% service fee to use Square. We will send you a request for funds to make your reservation deposit when you tell us you are ready to register. Please tell us how your account is registered (email or phone number).
After November 1, 2024, there are no refunds. If you cancel on or before November 1, 2024, we will refund 50% of your deposit received to date (less the $750 non-refundable deposit). After that, there are no refunds UNLESS we cancel for any reason. If we cancel, you will receive a full 100% refund.
Required–Travel Health/Accident Insurance: We require that you carry international accident/health insurance that includes $50,000+ of emergency medical evacuation insurance. Check out Forbes Magazine for best travel insurance options. https://www.forbes.com/advisor/travel-insurance/best-travel-insurance/
Proof of insurance must be received at least 45 days before the tour start date.
About COVID. Covid is still with us and new variants continue to arise. As of this writing (December 2023), we request proof of latest COVID-19 vaccination and all boosters to be sent to us 30 days before departure. We suggest that you test two days before traveling to the tour. Please bring Covid test kits with you in the event you feel sick during the tour. Face masks are strongly suggested for airport and air travel, van travel, densely populated market visits, and artisan visits that are held indoors. We ask this to keep all travelers safe, and to protect indigenous populations who are at higher risk.
A group of us spent five days at Original this past week. This is a textile extravaganza in Mexico City that honors indigenous weavers and designers from throughout Mexico. With over 1,000 artisans showing and selling what they make, to say the event was mind-boggling is an understatement. The show also featured pottery, lacquerware, copper, basketry, jewelry, and so much more.
We needed five days to do justice to Original! The event was held at Los Pinos in Chapultepec Park. It is the former residence and grounds of Mexico’s past presidents. When Lopez Obrador took office five years ago, he converted the mansions and grounds into a cultural center accessible to all.
Prominently featured were the textile makers of Chiapas. They work on backstrap looms as wide as their hips. Each finished length of cloth is then meticulously sewn together using intricate needle stitching that when complete looks like embroidery — but it isn’t!
A highlight was our meeting with Alberto Lopez Gomez, a weaver, designer, and one of the volunteer event organizers. We sat together under the shade of a large tree just beyond his exhibition booth while he showed us an extraordinary teal blue and black collector’s huipil and explained the meaning of each symbol in the cloth.
This particular huipil tells a story that is significant in his village, which is part of the municipality of Magdalena Aldama, one of the most accomplished weaving villages in the region.
Alberto talks about how important snakes are in Maya symbolism, and points to the first row of design in this huipil. Then he shows us Señor de la Tierra, Lord of the Earth holding up the universe. The next image is one of a bat, which is a messenger in his culture; after that is the corn god named Culiacán, then the sun, mother and father, representing the family.
There are images of clay pitchers used to water the field crops, and triangles denoting the four cardinal points.
Diamonds also represent flowers, corn, and large stars that depict the cycle of planting. Farmers arise in the pre-dawn and are guided by the stars. When stars smaller in the sky, ancient farmers knew the rainy season coming and it was time to plant.
Snakes, worms, and caterpillars are highly respected in Maya mythology and used for traditional medicine. Mayas also honor the underworld, and this is also reflected in the designs.
In this huipil, we also see white orchids, which are gathered in the mountains by the elderly. They are the only ones allowed to collect these. The orchids are the border design around the collar.
If a garment has fringes or tassels, these represent the braided hair of the women. This particular textile is very special, Alberto says, because it represents the story of his pueblo.
He now works with over 200 weavers in various municipalities in Chiapas.
We visit Alberto in his private home studio in San Cristobal de las Casas during our Chiapas Textile Study Tour. We have spaces open and invite you to join us as we explore the Maya textile culture of southern Mexico this February 2024.
Eric Chavez Santiago, Oaxaca Cultural Navigastor managing partner, with Alberto Lopez Gomez
We know the culture! We are locally owned and operated.
Eric Chavez Santiago is Zapotec, born and raised in Teotitlan del Valle, Oaxaca.
Norma Schafer has been living in Oaxaca for almost 20 years.
We have deep connections with artists and artisans.
63% of our travelers repeat -- high ratings, high satisfaction.
Wide ranging expertise: textiles, folk art, pottery, cultural wisdom.
We give you a deep immersion to best know Oaxaca and Mexico.
Creating Connectionand Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions ie. hand weaving and natural dyeing. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection.
OCN Creates Student Scholarship at Oaxaca Learning Center Giving back is a core value. Read about it here!
Why We Left, Expat Anthology: Norma’s Personal Essay
Norma contributes personal essay, How Oaxaca Became Home
We Contribute Two Chapters!
Click image to order yours!
Meet Makers. Make a Difference
Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *University of North Carolina at Chapel Hill
Oaxaca has the largest and most diverse textile culture in Mexico! Learn about it.
When you visit Oaxaca immerse yourself in our textile culture: How is indigenous clothing made, what is the best value, most economical, finest available. Suitable for adults only. Set your own dates.
One-Day Custom Tours: Tell Us When You Want to Go!
Ruta del Mezcal One-Day Tour.We start the day with pottery, visiting a master, then have lunch with a Traditional Oaxaca Cook who is the master of mole making. In Mitla, we meet with our favorite flying shuttle loom weaver, and then finish off with a mezcal tasting at a palenque you will NEVER find on your own! Schedule at your convenience!
October 27, 28, 29: People and Place Photography Workshop in Teotitlán Del Valle with Luvia Lazo, featured in The New Yorker Magazine. Portraits and Street Photography, recipient of Leica Women Foto Project Award Winner 2024. This is an insider's Street and Portrait photography experience. We visit families in their homes to arrange photo sessions, we take you on the back streets where tourists rarely go.
October 30: Day of the Dead in Teotitlan del Valle--Altars and Studio Visits. A one-day immersion into culture, traditions, and meaning in Teotitlan del Valle. In this traditional village, where the native language is still spoken, we take you to meet local artisans who also explain their personal family traditions including who and what is on the altar and why. P.S. We know Teotitlan. We live here!
November 1: Day of the Dead Magic in Mitla--Visit the cemetery with our local host, understand the meaning of the pre-Hispanic altar, help honor the ancestors with offerings, enjoy a traditional meal of mole negro, a feast day speciality in Mitla. A one-day immersion experience.
January 11-19, Oaxaca Coast Textile Study Tour. Visit five remote weaving villages on the Costa Chica--Pacific Coast. See backstrap loom weaving, natural dyeing with rare purple snail dye, diverse language, culture, food. Discover Afro-Mestizo roots. This is one of our more Amazing study tours! We will not offer this tour in 2026! Don't miss it.
February 6-15:Guatemala Textile Study Tour: Cloth and Culture. Discover Antigua, Lake Atitlan and Panajachel, Chichicastenango Market, and visit Coban where they weave fine gauze cloth called pikbil. SOLD OUT
March 12-17: Deep Into the Mixteca Alta: Oaxaca Textile + Folk Art Study Tour 2025. This is cultural immersion at its best! Following the Dominican Route, we visit potteries, churches, Triqui weavers working in natural dyes, a cooperative in Tijaltepec that makes smocked blouses, the expansive Tlaxiaco Saturday Tianguis. Experience another side of Oaxaca.
We require 48-hour advance notice for map orders to be processed. We send a printable map via email PDF after your order is received. Please be sure to send your email address. Where to see natural dyed rugs in Teotitlan del Valle and layout of the Sunday Tlacolula Market, with favorite eating, shopping, ATMs. Click Here to Buy Map After you click, be sure to check PayPal to ensure your email address isn't hidden from us. We fulfill each map order personally. It is not automatic.
Dye Master Dolores Santiago Arrellanas with son Omar Chavez Santiago, weaver and dyer, Fey y Lola Rugs, Teotitlan del Valle
