This afternoon I’m boarding an international flight for the Adriatic Coast of Europe, where I’ll be traveling with Hettie on a tour for two weeks — my first tour ever! (We shall see how it goes.)
In my move toward minimalism, I’m attempting to pack lighter (for me) and that means taking one medium sized 26″ suitcase. Yes, it will be checked.
A friend suggested that I share my packing tips with you. I welcome your additions to the suggestions offered below.
After extensive research, I ordered a set of Diniwell packing cubes. A Great way to organize your stuff. These have industrial strength zippers and are deeper than most. The mesh top allows you to see what’s inside.
(Note: For years, I have used clear plastic zipper bags recycled for this purpose after buying sheets, pillows, mattress covers sold in them. Over time, they have torn and are no longer useful. I always liked how I could see what I packed, so I wanted to replace this system with something similar.)
I take a sturdy Oaxaca handwoven basket and stuff it with boots, shoes or toiletries. I use it on the return trip to protect anything fragile I might buy. (On this trip, I intend to discard one pair of shoes at the end.) The bubble wrap and packing tape are in the outside zipper pouch of my TravelPro suitcase, which is now 10+ years old and still durable.
My carry on for this trip will not be a rollaboard. And, I’m not taking a computer, opting for an iPad with keyboard instead. I’ve decided on using my favorite Oaxaca woven shopping bag as carry-on container, along with my Topo duffle-style backpack and my Picuadro cross-body travel bag — it’s tough and sturdy. The money will be in a pouch tucked under my shirt. I have used the backpack comfortably throughout Mexico, India, Spain and Japan.
Packing List: Clothing and Shoes
1 pair blue jeans (Raleigh Denim is my preferred brand)
1 pair Raleigh Denim bermuda shorts
1 jean jacket (bought from Target)
1 dress (my Zayzelle design made with breathable Japanese cotton)
4 cotton/linen shirts
4 pair underpants
1 bra to pack, 1 to wear — one black, one white
5 pairs socks, 1 wool and 4 cotton
3 scarves to vary the look
boots for urban hiking (Caterpillar brand), sandals (Wolky), flip flops, black flats (Alegria) — foot comfort is essential
To Wear and Carry on Board
Comfy cotton Japanese loose-fitting worker pants
Short-sleeve cotton t-shirt and long-sleeve cotton t-shirt for sleeping
Linen long-sleeve jacket
REI long-sleeve polypropylene zipper jacket in case it gets cold
Wool quechquemitl (short poncho)
Cotton or wool scarf
Jewelry pouch — NO BLING
To Carry on for Overnight Travel
Neck support pillow (Cozzy brand) — I researched extensively, ordered and returned others, and found this one to be the most comfortable
Toiletries/make-up, toothbrush and toothpaste, face wipes
Ear plugs and eye mask
Snacks — power bars, 2 packages Ramen noodles, ginger candy
Printed itinerary with record locators, flights, lodging contacts
Passport and copies
Small travel notebook (Moleskine) and pens
Technology: Be sure everything is fully charged before you leave home
iPad and charger
Auxiliary power pack and charger
iPhone and charger
Adapter to use in-country
Power strip, small
Miscellaneous to Pack
Laundry soap, Tide stick, sewing kit
Scissors, nail clips, emory board
Shampoo, rinse, creams, lotions
2 clothespins for drapes that don’t shut
Jenny says: Bring clear plastic zipper bags
Joan says: Never check a bag — bring wash and wear
Helene says: leave plenty of time to get through security to avoid stress
Madelyn says: Bring bubble wrap and tape
Sandi says: Cut a water bottle in 2 pieces, 1/3 and 2/3; wrap your treasure in toilet paper, insert inside bottle, push both pieces together; great for protecting breakables
Becky says: Write a packing advice article
What are your tips? For those of you who can travel for 2 to 3 weeks with a carry-on, please share how you do it!
Japan Textile Study Tour, November 6 – 19, 2020, 12 nights, 13 days, start in Kyoto and end in Tokyo — 7 spaces open
We take you on a textile adventure of a lifetime to the land of the Rising Sun. Japanese style elevates textiles to a fine art form. We go deep into the culture of hand-weaving and indigo dyeing, high fashion and simple garment construction, venturing into old mercantile shops, contemporary design studios and temple markets to discover how cloth defines a people. Along the way, we discover historical sites, eat traditional foods that have ceremonial significance, visit museums and immerse ourselves into a modern Japan that is underpinned with ancient tradition.
Japan is an amalgam of ancient craft wisdom that is translated into art as a metaphor for life – from pottery to textiles to knife-making to humble and refined cuisine to garden landscape. We visit craftsmen who were provisioners to emperors. Throughout our travels, we touch on the philosophy that girds the culture – aesthetic sensibility, wabi-sabi (perfection in imperfection), and iki (simplicity, originality, sophistication, spontaneity, refinement).
You will travel with Norma Schafer, Oaxaca Cultural Navigator LLC director, writer, producer and photographer. Our co-leader is Nathan Somers, textile artist, collector, indigo dyer and historian. You will visit many sites Norma and Nathan know from personal and professional experience.
This is a hands-on, slow-savor, deep cultural immersion travel experience for up to 12 active textile lovers. Three people have already registered. There are 9 spaces open.
Our itinerary concentrates on the textile culture
of Kyoto, Japan’s ancient capital, and Tokyo, once known as Edo, where day-glow
neon and phantasmagorical skyscrapers cast a futuristic glow over the old
In Kyoto and Tokyo, we will navigate the city and
reach our local destinations using outstanding public transportation – faster
and more reliable than private services. Bus and Metro service is punctual,
frequent, safe and reliable. This gives us an opportunity to travel with the
locals and familiarize ourselves with neighborhoods and the ease of travel in
Who goes on the Textile Study Tour to Japan? Artists, makers, educators, life-long learners, writers, textile
lovers, historians, photographers and those wanting to learn more about Japan, weaving
and natural dyeing there.
F-11/6: Depart your home city and travel to Kyoto, Japan
Sa-11/7: Arrive Kyoto in late afternoon. If you are up to it, join us in the hotel lobby to meet up for an optional group dinner (cost is OYO)
Su-11/8: Meet at 1 PM for a Welcome Lunch, stroll the Imperial Palace, visit a traditional miso shop and confectionary maker (B, L)
M-11/9: After breakfast, we will set out to explore the Nishiki Market, meandering the famed fish and food stalls, have lunch, then stroll Teramachi Street where we will visit vintage textile galleries, then transition to the Geisha neighborhood of Gion for more! (B, L) Dinner OYO
Tu-11/10: Shibori Workshop and Shibori Museum. Hands-on session to make your own shibori-designed textile with indigo dye. (B, L)
W-11/11: Our focus today is on the old weaving center of Kyoto with a visit to Nishijin Textile Center and several shops that dye and make indigo garments. Afternoon OYO (B, L)
Th-11/12: It’s important to have choices! Take the day to create your own itinerary or come with us to visit Arashiyama where we will stroll the famed Bamboo Forest. You have the option to take a rickshaw ride and meander sacred temples in this more rural Kyoto neighborhood, with optional and traditional keiseki multi-course lunch (B)
F-11/13: Travel to Kawaguchi Lake, overnight at resort hotel with spa (B, D)
Sa-11/14: Morning natural dye demonstration with renowned indigo dyer in the mountains of Yamanashi. We will take a tour of her studio, where she will demonstrate indigo dyeing methods, and present a private showing and sale of her work. Travel to Tokyo in late afternoon. (B, L)
Sa-11/14: We love markets and the most famed in Japan is Tokyo’s Tsukiji Market where we will to early in the morning to take in splendid company of super-fresh oysters the size of fists, sushi and sashimi bites, sake sips, and crispy tempura rolls. Then we are off to Nippori Fabric Town to shop for yardage, with a stop at Kata-Kata or Gallery Kawano (B, L)
Su-11/15: Attend two major Temple Markets — Takahata Market and Oedo International Forum — where you will find old kimono, pieces of vintage cloth including silks, natural dyes and hand-weaving, vintage collectibles such as ceramics, carved wood, figurines, jewelry, art and much more. (B)
M-11/16: We set you loose in Ginza — high fashion center of Japan — for Department Store Shopping and to explore the Basement Food Courts. Department stores feature unparalleled designer boutiques and food treasures. If you prefer, you might like to go to Nuno Works in Roppongi and peek into the upmarket world of Akasaka boutiques. (B)
Tu-11/17: We discovered Yu Office Design during a no-particular-destination afternoon. They are a new, innovative design studio working in hand-woven cotton, silk and hemp with indigo dyes. We will visit their studio or invite them to our hotel for a show and sale. (B, L)
W-11/18: After breakfast, set out on your own to chart your own course. You might like to visit the Imperial Palace, the National Museum or retrace steps to go back for a treasure that passed you by. We will meet again for our grand finale dinner to say our goodbyes. Dinner (B, D)
Th-11/19 Tour ends and participants depart (B)
*Travel Note: You can arrive to Osaka Kansai International Airport which is 40 minutes from Kyoto and depart from Tokyo Narita Airport. You might also find more favorable airfares flying to/from Tokyo. Check www.skyscanner.com for schedules and airfares. If you fly to Tokyo, you will take the Shinkansen bullet train (2 hours, 15 minutes) to Kyoto to meet up with the group on November 6. Rail tickets can be purchased in advance online. We will send more detailed information to the group after our travel cohort is formed. You can choose to arrive earlier or stay later at your own expense.
Norma Schafer is director of Oaxaca Cultural Navigator LLC, writer, blogger, photographer and food aficionado. Her love of indigo has taken her to Mexico, India and Japan to explore the culture of weaving and natural dyes. On this return visit to Japan, she takes you to her favorite textile haunts to meet makers and collectors.
Nathan Somers is an educator, textile artist and vintage Japanese fabric collector who lives in Durham, NC. Nathan teaches indigo resist throughout the southeast United States, and making guest presentations at spinning an weavers’ guilds. His primary area of study is Japanese textile traditions.
In 2016, Nathan was the subject of a Japanese
television show that came to Durham to film his collection. The producers then tansported
him to the Island of Amami Oshima, Japan, to study with an indigo dyer.
How did it all begin for Nathan?
In 2007, Nathan found himself rummaging through a
box of Japanese textile scraps at a Portland, Oregon, antique sale. The fabric,
with its hand spun threads, uneven selvedges, complex patterns, and deep indigo
inspired him, but at the time he didn’t understand the techniques that had been
used to make the textiles.
Nathan began to study all he could about how these
fabrics were produced and what their designs were meant to convey. Nathan’s
textile collection comes from Japan’s temple and shrine markets and through
contacts with dealers. The collection spans the late Edo (1603-1868) and Meiji (1868-1912)
periods. He focuses on Tsutsugami (freehand paste resist), Katazome (stencil
paste resist), Sashiko (mending or reinforcing stitch), Zanshi (waste thread
fabrics) and Boro, (repeatedly mended and patched textiles). These textiles
heavily inspired Nathan’s own work, which focuses on the Katazome stencil paste
the years since first finding that box of fabric scraps, Nathan has researched traditional
Japanese fabrics to best understand their production and design. He has traveled
to China and Japan to deepen his knowledge about dyeing and weaving. Nathan
experiments extensively, grows cotton in his home garden that he weaves and
dyes, and also works with foraged fibers like Kudzu, wisteria and hemp – all essential
parts of fabric production in Old Japan.
Nathan is an outstanding resource to guide us on this textile adventure, explaining dyeing, weaving and design processes as we travel, helping us to identify cloth origins, quality and value.
What is included?
A total of 12 nights accommodation
12 breakfasts, 6 lunches and 2 dinners as outlined in the
Hands-on indigo dye workshop
Textile fabric shopping – vintage and
Natural dye, weaving and stitching
Market and gallery tours that
encompass textiles, food, culture
Visits to cultural and historic sites
Shinkansen Bullet Train tickets or
luxury van transportation from Kyoto to Tokyo
Intra-city metro and bus tickets
Entry fees to museums and galleries
as part of the itinerary
Comprehensive pre-trip planning guide
Knowledgeable tour leaders – Norma
What Nathan says:
I am so excited to have this opportunity to
co-lead this tour. Japan is an
amazing country and regardless of where you travel you have a strong connection
to the past and to the Japanese concepts of mottainai (make the best of what you have) and wabi sabi (beauty through imperfection). I am excited to share with others my
love and appreciation of Japan and its traditional textiles. The beauty and
simplicity of the fabric is plain to see, but by learning about the complex way
in which they are made offers a greater appreciation for the intricacies and
aesthetics of this textile tradition.
We reserve the right to
substitute instructors and alter the program as needed.
Cost • $5,895 per person double
room with private bath (sleeps 2) in top-rated deluxe accommodations • add $985 for
a single supplement
Reservations and Cancellations. A
$750 non-refundable deposit is required to guarantee your spot. The balance is
due in four equal payments – on December 22, 2019; March 22, May 22, August 22,
2020. We accept payment using online e-commerce only. If for any
reason, Oaxaca Cultural Navigator LLC cancels the tour, a full-refund will be
We will send you an itemized
invoice when you tell us you are ready to register. If you cancel on or before August
22, 2020, we will refund 50% of your deposit received to date (less the $750
non-refundable deposit). After August 22, 2020, there are no refunds.
If you register after December
22, 2019, you will owe $750 plus 1/4 of the balance due. If you register after March
22, you will owe the non-refundable $750 fee plus 1/2 of the balance due. If
you register after May 22, you will owe the non-refundable $750 plus ¾ of the
balance due. If you register after August 22, you will owe 100% of the balance
due (if there are openings).
How to Register: Send
an email to email@example.com
Tell us if you want a
shared/double room or a private/single room (single supplement). We will send
you an e-commerce invoice for $750 by email that is due on receipt.
Who Should Attend:
Artists, makers, educators, life-long learners, writers, photographers, textile
lovers, historians and those wanting to learn more about Japanese art,
textiles, culture and history. If you love First World Exotic
Travel and the inspiration of the best of Asia influences, this trip is for
Required–Travel Health/Accident Insurance:
We require that you carry international accident/health insurance that includes
$50,000+ of emergency medical evacuation insurance. Proof of insurance must be
sent at least 45 days
In addition, we will send you
by email a PDF of a witnessed waiver of responsibility, holding harmless Norma
Schafer and Oaxaca Cultural Navigator LLC. We ask that you return this to us by
email 45 days before departure. Unforeseen circumstances happen!
Reservations and Cancellations.
We accept online e-commerce payments only. We will send you an itemized invoice
when you tell us you are ready to register. All documentation for plane
reservations, required travel insurance, and personal health issues must be
received 45 days before the program start or we reserve the right to cancel
your registration without reimbursement.
Fitness Level – Moderate Terrain, Walking and Group Courtesy: Tour participants must be able to walk two miles, board buses and trains, carry their own luggage unaided, and navigate uneven surfaces including stairs. We may walk more on some days. We recommend you bring a walking stick if you need something to lean on! If you have mobility issues or health/breathing impediments, please consider that this may not be the study tour for you.
Traveling with a small group has its advantages and also means that independent travelers will need to make accommodations to group needs and schedule. We include plenty of free time to go off on your own if you wish.
Tuesday, September 1 – Wednesday, September 9, 2020 – 8
nights, 9 days
New Mexico was originally part of the Spanish land grant known as New Spain. It calls to me in a way that reminds me of Oaxaca: Vast vistas of mountains and desert punctuated by red and purple skies, stately organ-pipe cactus and gnarly mesquite, Rio Grande River oases lined with scrub oak, and unparalleled art and craft made by indigenous peoples.
Colonized by the Spanish in 1598 and referred to as New Mexico by them after the Aztec Valley of Mexico, the territory was integrated into a new nation after 1821 Independence from Spain. Mexico was forced to cede its northern territories to the US in 1848 in a period of political vulnerability. Deeply rooted locals identify more with Spanish or indigenous ancestry.
Today, New Mexico has the largest percentage of Latino and Hispanic Americans in the USA. America’s First Peoples lived here for thousands of years before European occupation. Anglos, the trappers, merchants and adventurers, arrived much later. This sequence of settlement is important for showing respect and appreciation.
Sheri Brautigam, textile author and operator of Living Textiles of Mexico, and I join together again to bring you this program that starts in Santa Fe, the state capitol and heart of Colonial New Mexico. Sheri lives in Santa Fe and I visit periodically. Our love of place is defined by the majestic natural world, exquisite art, textiles, jewelry and pottery created by Native American people, and a deep appreciation for cultural history.
On many levels, it seems only natural to add New Mexico to our travel repertoire. Here political borders give way to the shared cultural and aesthetic history of Mexico and the American Southwest.
We take you to Native American pueblos to meet favorite weavers and jewelry makers, and to galleries and public spaces where world-class examples are displayed. We introduce you to collectors and purveyors of folk art and craft who will talk about quality, authenticity, craftsmanship and style. We go deep rather than wide to offer insight and perspective.
Any exploration of New Mexico must include a look into the life of artist Georgia O’Keeffe. Our study tour takes you to her summer residence at Ghost Ranch where we spend the night and enjoy a morning walking tour of her favorite painting sites. We visit her Abiquiu winter home where her minimalist style shaped future generations.
Colonial Spanish and Mexican history, architecture and cultural influences
Sumptuous food spiked with rare New Mexico red Chimayo chile and green Hatch chile — try the Hatch flavored pozole or a green chile cheeseburger or buy a ristra to take home
Mezcal infused beverages that transcend Oaxaca origins
Here is the Preliminary Itinerary: Arrive September 1 and depart September 9, including Labor Day Weekend.
Tues, 9//1: Arrive and check in to hotel, welcome cocktail reception
Wed. 9/2: Breakfast with art and cultural history talk,
walking tour of Santa Fe galleries, the Governor’s Palace Portal and historic
sites, welcome lunch. Presentations by noted experts and collectors. Dinner
OYO. (B, L)
Thurs. 9/3: After breakfast, depart for Rio Grande River Kewa/Santo Domingo pueblo to meet Native American craftspeople where we will have private demonstrations of stone inlay and metal smithing, and a home-style lunch. We visit award-winners who exhibit at prestigious galleries and participate in the International Folk Art Market. (B, L) Dinner OYO
Friday. 9/4: After breakfast, we will take a private La Fonda Hotel art history tour, with lunch at the historic Fred Harvey restaurant, followed by a visit to the Georgia O’Keeffe Museum (B, L) Dinner OYO
Sat, 9/5: After breakfast, we will return to the Kewa pueblo to attend the big Labor Day Weekend Artisan Fair, an all Native American traditional arts and craft event that includes artisans from throughout New Mexico. (B) Lunch and dinner OYO.
Sun. 9/6: After breakfast, depart for Ghost Ranch with a stop in Sanctuario de Chimayo a famous shrine of miracles and Hispanic faith. We will visit the Rio Grande style weavers of the Chimayo region and have lunch at Rancho de Chimayo, overnight at Ghost Ranch (B, L)
Mon. 9/7: After breakfast, morning Art Walk at Ghost Ranch to see the locales where Georgia O’Keeffe painted. After lunch at the Inn at Abiquiu, we will tour O’Keeffe’s winter home in Abiquiu, then return to Santa Fe. (B, L) Dinner OYO.
Tues., 9/8: Breakfast and day on your own. Grand finale
dinner. (D) Breakfast and lunch OYO.
8 nights lodging at a top-rated Santa Fe historic center property within walking distance to the Plaza
1 cocktail reception
a curated itinerary with introductions to some of the region’s finest artisans
museum and other entry fees, as specified in itinerary
private demonstrations, presentations and lectures
private coach and chauffeur to/from pueblos and O’Keeffe sites
outstanding and personal guide services with Norma Schafer and Sheri Brautigam
The program does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and optional local transportation that is not specified in the itinerary.
You can fly in/out of either Albuquerque (ABQ) or Santa Fe (SAF), New Mexico. Check Skyscanner.com for best schedules and fares.
We reserve the right to substitute
instructors and alter the program as needed.
Cost • $3,845 double room with private bath (sleeps 2) • $4,435 single room with private bath (sleeps 1)
Important Note:All rooms at Ghost Ranch for one night on Sunday, September 6, are shared accommodations.
and Cancellations. A $750 non-refundable deposit is required
to guarantee your spot. The balance is due in three equal payments – on January
22, April 22, July 22, 2020. We
accept payment using online e-commerce only. If for any reason, Oaxaca Cultural Navigator LLC cancels the
tour, a full-refund will be made.
We will send you an itemized invoice
when you tell us you are ready to register. If you cancel on or before July 22,
2020, we will refund 50% of your deposit received to date. After July 22, 2020,
there are no refunds.
If you register after January 22, you will owe $750 plus 1/3 of the balance due. If you register after April 22, you will owe $750 plus 2/3 of the balance due. If you register after July 22, you will owe 100% (if there are openings).
to Register: Send an email to firstname.lastname@example.org
Tell us if you want a shared/double room or a private/single room. We will send you an e-commerce invoice for $750 by email that is due on receipt.
Who Should Attend: Artists, makers, educators, life-long learners, writers, photographers, jewelry and textile lovers, historians and those wanting to learn more about Native American art, culture and history. If you love off-the-beaten path adventure, the great outdoors, and the inspiration of the great Southwest as seen by Georgia O’Keeffe, this trip is for you.
Required–Travel Health/Accident Insurance: We require that you carry international accident/health insurance that includes $50,000+ of emergency medical evacuation insurance. Proof of insurance must be sent at least 45 days before departure.
In addition, we will send you by email a PDF of a witnessed waiver of responsibility, holding harmless Norma Schafer and Oaxaca Cultural Navigator LLC. We ask that you return this to us by email 45 days before departure. Unforeseen circumstances happen!
Reservations and Cancellations. We accept online e-commerce payments only. We will send you an itemized invoice when you tell us you are ready to register. All documentation for plane reservations, required travel insurance, and personal health issues must be received 45 days before the program start or we reserve the right to cancel your registration without reimbursement.
Terrain, Walking and Group Courtesy: We may walk a lot on some days. — up to 10,000 steps. We recommend you bring a walking stick if you need something to lean on!
If you have mobility issues or
health/breathing impediments, please consider that this may not be the study
tour for you.
Traveling with a small group has its
advantages and also means that independent travelers will need to make
accommodations to group needs and schedule. We include plenty of free time to
go off on your own if you wish.
January 31 to February 7, 2020, 8 days and 7 nights.
Come with us to explore the Oaxaca we know and love by going deep and personal. We offer you an unparalleled and eclectic cultural immersion travel experience by introducing you to the artisans we believe offer some of the finest examples of folk art and craft the Oaxaca City region has to offer. We know each of them personally and have cultivated their trust and friendship over the years. During our week together we take you into their homes and workshops to investigate and explore why they are makers, who they learned from, the value and importance of continuing their traditions, and the special techniques they have developed to become masters.
$2,795 per person for a shared room (2 rooms available)
$3,395 per person for private room (5 Queens and 2 Kings available).
The city of Oaxaca is a travel destination that is on the map. Her artisan craft, fine and unique cuisine, delicious beverages (from fruit waters to mezcal) and UNESCO Colonial Historic Center receive wide acclaim – and justly so! You’ll sample some of this as we also focus on meeting the masters who weave rugs and clothing, make silver filigree jewelry, ceramics, woodcarvings, lead-free ceramics, and more. Many have not yet achieved worldwide fame but they are equally as talented as those who have, and offer what they make at affordable prices.
Most importantly, we offer the opportunity to meet the makers and support them and their families directly. This is an important mission of ours as we travel into the backstreets of villages where not many have the opportunity to go.
This program is for collectors, lovers of Mexican art and folk art, and anyone with curiosity and an open heart who wants to learn more about Oaxaca, Mexico, and her creative traditions. Even if you have been to Oaxaca before, there is still a lot more to discover and we take you on that path.
We will be a small group of travelers — no more than 12 to 14 people — to give you an intimate and in-depth experience.
Oaxaca Cultural Navigator LLC and Norma Schafer is
pleased to tell you that Eric Chavez Santiago and his wife Elsa Sanchez Diaz
have joined our organization and will co-lead this tour. They are native
Oaxaquenos, possess a broad and deep knowledge of the region and have years of
experience working with Oaxaca’s outstanding craftspeople. Both are bilingual.
Elsa is an expert teacher and maker of natural dyes. Eric is a Zapotec weaver and
dyer who was born and raised in Teotitlan del Valle. Both have deep roots in
Oaxaca’s artisan communities, are knowledgeable about artisan
made textiles and folk art and know the best of the best.
Elsa, Eric and I developed this itinerary together to present to you for our first Oaxaca Discovery Study Tour.
Day 1, Friday, January 31: Travel day, arrive to Oaxaca City and check in to your hotel. Meet the group for a welcome supper. Please schedule your flights to arrive to our historic center hotel by 5 p.m. Welcome dinner included.
Day 2, Saturday, February 1: We set out after
breakfast for a Oaxaca city meander. This day is designed to give you an
overview introduction to see the best available of Oaxaca’s textiles and folk art.
We have curated visits to some of the finest shops and galleries to discuss,
discern and differentiate quality, and understand pricing. You’ll learn about
Oaxaca’s back-story – history, cultural appreciation, social and economic
forces, craft development and evolution. We will have lunch at a highly rated comedor
that serves authentic Oaxaca food. This is a big walking day. Please bring
comfortable shoes and all your stamina! Breakfast and lunch included. Dinner on
Day 3, Sunday, February 2: After breakfast we travel along the Ocotlan artisan route to explore the Oaxaca State Museum of Folk Art in San Bartolo Coyotepec. We will talk about why this museum is important to Oaxaca craft development. We continue on to meet the maker of amazing carved wood and painted whimsical figures in San Martin Tilcajete. After lunch on the road, we see back strap loom weavers in Santo Tomas Jalieza, and a noted primitive folk art pottery family in San Antonino Castillo Velasco. Breakfast and lunch included.
Day 4, Monday, February 3: After breakfast, we head
out for an overnight excursion to Teotitlan del Valle, where you will enjoy a market
tour and cooking class in a traditional Zapotec kitchen, see weaving and
natural dyeing demonstrations with weavers of wool and cotton rugs and clothing.
We think it’s important to introduce you to indigenous Zapotec history, so we
will loop through their new cultural center. Zapotec civilization was the most
sophisticated in Mesoamerica. Bring your overnight bag. Breakfast, lunch and dinner
Day 5, Tuesday, February 4: After breakfast we travel
along the Pan-American Highway to the apron-making village of San Miguel del
Valle, meet families who design and sew, and take a tour of the historic 16th
century, fresco-walled church. We continue on to San Pablo Villa de Mitla to
visit a dealer in regional antiquities – jewelry and historic artifacts, detour
for a mezcal tasting in Santiago Matalan, and finish off by meeting a flying
shuttle loom weaver who works in natural dyes. We return to Oaxaca in time for
dinner on your own. Breakfast and lunch included.
Day 6, Wednesday, February 5: After breakfast, we travel first to visit the workshop of one of the finest ceramic artists in the region. They are among the last workshops crafting high temperature, lead-free ceramics of unusual and fine-art quality, perfect for gifting, adding to home décor, and serving and preparing some of Oaxaca’s finest recipes after you return home. We then meet up with Oaxaca Eats for a concentrated foodie walking tour designed just for us. Your late afternoon is free to explore. Dinner is on your own.
Day 7, Thursday, February 6: After breakfast, we treat you to a curated expoventa (show and sale) at our hotel with some of our favorite artisans who are from outlying areas. Invited artisans include a Mixe grower, spinner, and weaver of silk garments who works in natural dyes, a noted embroiderer from the Papaloapan region that is 12 hours from the city, a tin-maker, and a weaver from San Juan Cotzocon in the Sierra Mixe. Our favorite filigree silversmith will join us, too, to show and tell about the intricacy of traditional Oaxaca jewelry making – a technique brought to Mexico shortly after the conquest by artisans who learned from the Moors of southern Spain. After the expoventa, you’ll have lunch and the afternoon on your own. We meet together for our grand finale gala dinner. Breakfast and dinner included. Lunch on your own.
Day 8, Friday, February 7: This is your departure
day. Breakfast is included. We will help you make transportation arrangements
to the Oaxaca airport or you may extend your trip (on your own) to explore
other parts of Mexico.
We reserve the right to alter the itinerary based on artisan availability and other unexpected circumstances.
What is Included
7 nights lodging at top-rated accommodations
One lunch includes custom Oaxaca Eats food walking tour
museum entry fees
artisan honoraria for demonstrations
van transportation as outlined in itinerary
complete guide services including cultural and language expertise
The program does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and optional local transportation as specified in the itinerary. It does not include taxi or shuttle service to/from airport and to/from hotel.
We reserve the right to substitute instructors and alter the program as needed.
Cost to Participate — We offer three options.
$2,795 double room with private bath (sleeps 2). Two rooms available in this category.
$3,395 for a single supplement (private room and bath, sleeps 1). We offer a luxury King or Queen option in this category on first come-first served basis. Eight rooms available in this category.
We are staying in a tranquil small boutique hotel in the historic center of Oaxaca City within walking distance of the Zocalo and other attractions.
Reservations and Cancellations. A 40% deposit is required to guarantee your reservation. The balance is due in two equal payments. The second payment of 30% of the total is due on or before September 1, 2019. The third 30% payment is due on or before November 25, 2019. We accept payment using online e-commerce that can be paid with a credit card. We will send you an itemized invoice when you tell us you are ready to register. After November 25, 2019, there are no refunds. If you cancel on or before November 25, 2019, we will refund 50% of your deposit received to date. After that, there are no refunds.
Notes. When you tell us you are ready to register, we will: Send you a Health Questionnaire to complete and return. We will then send you an itemized invoice when you tell us you are ready to register.
Health Questionnaire: Oaxaca is at almost 6,000 feet altitude and we will be walking a lot, especially on our first full day together. If you have a heart condition, have trouble breathing, have difficulty walking, or have other conditions that would have a mobility impact, please do not register for this program. The health questionnaire requires that you disclose any issues.
Required–Travel Health/Accident Insurance: We require that you carry international accident/health insurance that includes $50,000+ of emergency medical evacuation insurance. Proof of insurance must be sent at least 45 days before departure.
In addition, we will send you by email a PDF of a witnessed waiver of responsibility, holding harmless Norma Schafer and Oaxaca Cultural Navigator LLC. We ask that you return this to us by email 45 days before departure. Unforeseen circumstances happen! Be certain your passport has at least six months on it from the date you enter Mexico before it expires!
Plane Tickets, Arrivals/Departures: Please send us your plane schedule at least 45 days before the trip. This includes name of carrier, flight numbers, arrival and departure time to our destination.
All documentation for plane reservations and required travel insurance must be received 45 days before the program start or we reserve the right to cancel your registration without reimbursement.
Health Questionnaireand Your Well-Being: Oaxaca is at almost 6,000 feet altitude and we will be walking a lot, some on cobblestone streets, especially on our first full day together. Plus, we will be getting in and out of vans. If you have a heart condition, have trouble breathing, have difficulty walking, or have any other condition that would have a mobility impact, please do not register for this program. The health questionnaire requires that you disclose any issues.
Terrain, Walking and Group Courtesy: We will do some walking and getting in/out of vans. If you have mobility issues or health/breathing impediments, please let us know before you register. This may not be the study tour for you.
Traveling with a small group has its advantages and also means that independent travelers will need to make accommodations to group needs and schedule. We include free time to go off on your own if you wish.
It was a pilgrimage to the Little Indigo Museum in Miyama Chokita, Nantan, Kyoto Prefecture. After two trains and a bus, after two hours of travel, we arrived in the thatched roof village that is a national historic site.
Hiroyuki Shindo has been living here with his wife and family for 40 years. Born in Tokyo, art schooled in Kyoto, he wanted a more pastoral life to create an indigo workshop that would fulfill his passion for blue.
It is hard to get good water in the city, he tells me. The pH of water is everything for creating the finest indigo dye. It is pure here, mountain water, and the color he gets equals the finest in Japan.
There is plenty of ash, too, from the wood fires used for heat and cooking. Ash is added to make the dye pot alkaline. The plants come from Kobe Prefecture, sukimono composted leaves.
The Little Indigo Museum is an attraction in this tourist town where big buses bring travelers looking for a quaint view of Old Japan. We were there for the indigo rather than the atmosphere. However, it was a wonderful surprise to spend a couple of hours in the village to explore the gardens, the nearby river and join locals in a delicious soba noodle lunch at the diner.
The museum is filled with Mr. Hiroyuki Shindo’s personal collection. It is housed upstairs under the steep thatched roof, supported by bamboo. Each bamboo support beam is lashed for strength. Shibori and hand-stamped indigo on silk, cotton and hemp are displayed, along with related artifacts.
Mr. Shindo’s son works with him. The cotton cloth, above, is prepared with a paste resist that will repel the dye when the cloth is submerged into the indigo dye vat.
It’s colder up here than in Kyoto. The cherry blossoms were yet to bud, but there was still plenty in bloom for early spring in Japan — late March 2019.
What does this have to do with Mexico, you might ask? Few places around the world grow indigo. Fewer families are cultivating the plant that makes this extraordinary blue dye. Some say there may only be ten families around the world keeping the tradition alive. Blue. The color of royals.
Yes, the strain of Japanese indigo is different than the one that grows on the coast of Oaxaca, Mexico. The preparation of the plant is different. Color intensity depends on many variables.
The family I live with works with indigo as part of their natural dye color palette. The artisan skill required to use indigo dye necessitates a knowledge of chemistry — folk chemistry — recipes learned and passed down. It is an imprecise art and science. An experimentation of sorts.
What I see here is the same dedication to keeping the traditions and to innovate as well.
How to Get There: Get to Kyoto Station. Using your JR Pass, take the JR-Sagano Line (leaving from either Track 32 or 33, check the schedule) to Sonobe. This is unreserved seating. This leg takes about 45 minutes.
At Sonobe, change trains to the JR train to Hiyoshi. It will be on the opposite track. Change time is between 2-4 minutes. Get off at Hiyoshi. Trip from Sonobe to Hiyoshi is about 10 minutes. Using the JR Pass, the trip from Kyoto to Hiyoshi is included in your pass cost.
Exit the station. Go to the front of the building and find the Red Cone marking the spot in the parking lot where the #4 Nantan City Bus will take you to Miyama. The cost is 600 yen and the trip takes another 40 minutes.
The Red Cone is your bus terminal. The driver will show you a photo of the thatched house village and ask if this is where you want to go. Just say, Hai.
The Little Indigo Museum is at the top of the hill from the bus stop. Appointments are recommended before visiting. Telephone: 0771-77-0746. Mr. Shindo speaks English.
As I mentioned above, most of the visitors come to see the thatched roof houses, designated as an Important Preservation District for a Group of Historic Buildings since 1993. Mr. Shindo has a selection of small indigo-dyed gift items produced for tourists. There are a few indigo-dyed shibori cotton scarves, placemats, coasters, etc. and no garments. The attraction for visiting is the scenic route, the adventure in getting there, the stunning setting of the village, and Mr. Shindo himself. Of course, the museum, though small, contains a beautiful selection of pieces he has collected over the years. Definitely worth a day trip if you are in Kyoto for more than four or five days!
Zayzelle: Dress Simply is our new clothing line, one dress, one-of-a-kind, one size fits many, imaginative cloth. Plus, jewelry and an easy-to-wear pullover scarf. Keep checking back for What’s New.
Norma Writes for Selvedge Latin Issue
Why We Left, Expat Anthology: Norma’s Personal Essay
Norma contributes personal essay, How Oaxaca Became Home
Norma Contributes Two Chapters!
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Norma Schafer and Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university program development experience. See my resume.
Study Tours + Study Abroad are personally curated and introduce you to Mexico's greatest artisans. They are off-the-beaten path, internationally recognized. We give you access to where people live and work. Yes, it is safe and secure to travel. Groups are limited in size for the most personal experience.
Programs can be scheduled to meet your travel plans. Send us your available dates.
Designers, retailers, wholesalers, universities and other organizations come to us to develop customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Our Clients Include
*Penland School of Crafts
*North Carolina State University
*WARP Weave a Real Peace
We send printable map via email PDF usually within 48-hours after order received. Where to see natural dyed rugs in Teotitlan del Valle and layout of the Sunday Tlacolula Market, with favorite eating, shopping, ATMs. Click Here to Buy Map