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Oaxaca Valley and Coast Textile Study Tour 2018

Oaxaca Valley and Coast Textile Study Tour is set to start Sunday, January 14, 2018, in Oaxaca city and end Wednesday, January 24, 2018, in Puerto Escondido, on Oaxaca’s Pacific coast. In between, you will meet artisans in their homes and workshops, enjoy great cuisine, dip your hands in an indigo dye-bath, travel to remote villages you may not go to on your own. This is an eclectic study tour with a focus on textiles and Oaxaca’s vast weaving culture. It also includes visits to graphic arts studios in the city.

Sold Out! Contact me to add your name to the waiting list.

Study Tour Itinerary*

1) Sunday, Jan 14. – Arrive in Oaxaca City and check into our comfortable bed and breakfast inn.

2) Monday, Jan. 15 – After breakfast, we will introduce you to Oaxaca folk art and textile culture with a noted local expert. Then, we’ll explore more with afternoon visits to meet textile collectors and artisans, and graphic artists. We will gather for a welcome dinner at one of Oaxaca’s outstanding restaurants. (B, L, D)

Hand-carved gourd art from Pinotepa Don Luis

3) Tuesday, January 16 — Natural Dye and Weaving Textile Study Tour in the Oaxaca Valley, a full-day exploration into the small weaving and dye studios of some of Oaxaca’s greatest artisans. We will travel by luxury van and have lunch at a great village comedor (family restaurant). (B, L)

Wild marigold over-dyed with indigo will become green

5) Wednesday, January 17 – Half-Day Natural Dye Workshop: Indigo Blue. You will understand the principles and chemistry of working with indigo, then make a cotton shibori scarf. Afternoon on your own. Oaxaca is famed for fine silver and gold filigree jewelry. We fit in a silver jewelry expoventa, too. (B)

6) Thursday, January 18 —  Fly from Oaxaca to Puerto Escondido very early in the morning, settle in and relax at our hotel on the Pacific Coast beach. Includes airfare from Oaxaca City to Puerto Escondido. (B)

Tending the dye bath in Teotitlan del Valle

7) Friday, January 19 – – Follow the textile trail high into the mountains to visit the famed weavers of San Pedro Amuzgos and San Juan Colorado, where they use back strap looms and natural dyes.  We’ll stop at coops, visit markets, and have a few surprises along the way. Overnight on the Costa Chica.  (B, L)

Intricate figures woven into Pinotepa Don Luis textile

8) Saturday, January 20 — Continue our adventure into textile villages along the Costa Chica, and then make our way back to Puerto Escondido in time for dinner. (B, L)

Odilon’s aunt, from San Pedro Amusgo, embroiders cloth together for huipil

9) Sunday, January 21 – We’ll attend Dreamweavers Expoventa, a highlight of our textile study tour, to be held at our hotel. This is a textile extravaganza with the Tixinda Cooperative from Pinotepa Don Luis! They bring their finest garments dyed with murex (purple snail), woven with coyuchi (natural wild Oaxaca brown cotton), and posahuanco skirts You will meet the weavers, see demonstrations, and be amazed by what they make. Plus, the artful hand-painted Converse tennis shoes will be here, too. (B)

10) Monday, January 22 – We’ll take a three-hour early morning or late afternoon birding/ecology tour on the Manialtepec lagoon — beautiful and fascinating — where you will see a rare bio- luminescence…one of only two lagoons in the world to have this phenomena. And, perhaps a surprise visit from Chatino embroiderers (we are working on this).  (B)

Chatino blouse detail, cross-stitch. Photo from Barbara Cleaver.

11) Tuesday, January 23 — This is a day on your own to take a day trip to the sea turtle sanctuary in Mazunte/San Agustinillo, or to explore the town of Puerto Escondido, and begin packing for the trip home.  Grand finale dinner to say our goodbyes. (B, D)

Fine example of Chatino bag from Barbara Cleaver

12) Wednesday, January 24 – Transfer to Huatulco airport and your connecting flights home. Please schedule your departure after 12:00 p.m. (noon). (B)

Sunset on the Pacific coast of Oaxaca in winter

Our resource experts are Sheri Brautigam, author of Textile Fiestas of Mexico, and Barbara Cleaver, collector and owner, Hotel Santa Fe, Puerto Escondido. Sheri will travel with us on the coast to offer her textile expertise. You can read more about Dreamweavers Expoventa in Sheri’s book.

*Note: Itinerary is subject to change. You may want to arrive early in Oaxaca city to acclimate to the 6,000 foot altitude. You may also want to stay later at the beach or travel elsewhere in Mexico when the study tour ends. After you register, we will provide you with hotel contact information if you want to make these arrangements directly.

Odilon Morales promotes his people through Arte de Amuzgo cooperative

Take this study tour to learn about:

  • the culture, history and identity of cloth
  • carding and spinning wool, and weaving with natural dyes
  • clothing design and construction, fashion adaptations
  • symbols and meaning of textile designs
  • choice of colors and fibers that reflect each woman’s aesthetic while keeping with a particular village traje or costume
  • graphics arts to express Mexico’s social, political culture

I have invited textile collector Sheri Brautigam to join me at the Oaxaca coast to give you a special, in-depth experience. Sheri writes the blog Living Textiles of Mexico and is recognized for her particular knowledge of Oaxaca textiles. She is author of the Thrums Textile Fiestas of Mexico: A Traveler’s Guide to Celebrations, Markets, and Smart Shopping. (I’ve contributed two chapters with photos, one for Tenancingo de Degollado and the other for Teotitlan del Valle!)

What Is Included

  • 10 nights lodging at top-rated accommodations
  • 10 breakfasts
  • 5 lunches
  • 2 dinners
  • luxury van transportation for day trips as outlined in itinerary
  • complete guide services
  • airfare from Oaxaca to Puerto Escondido
  • transfer from Puerto Escondido to Huatulco airport

Example of very fine Amusgo back strap loom weaving

The workshop does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation as specified in the itinerary.  We reserve the right to substitute instructors and alter the program as needed.

Cost to Participate

  • $2,695 double room with private bath (sleeps 2)
  • Add $400 for a single supplement (private room and bath, sleeps 1)

Who Should Attend

  • Textile and fashion designers
  • Weavers, embroiderers and collectors
  • Home goods wholesalers/retailers who want a direct source
  • Photographers and artists who want inspiration
  • Anyone who loves cloth, culture and collaboration

Reservations and Cancellations.  A 40% deposit is required to guarantee your spot. The balance is due in two equal payments. The first 30% payment is due on or before October 15, 2017. The second 30% payment is due on or before December 15, 2017. We accept payment with PayPal only. We will send you an itemized invoice when you tell us you are ready to register. After December 15, 2017, refunds are not possible. You may send a substitute in your place. If you cancel on or before December 15, 2016, we will refund 50% of your deposit.

Templo Santo Domingo at sunset, Oaxaca, Mexico

The Terrain and Walking: Oaxaca is a colonial town on a 6,000 foot high desert plateau surrounded by 12,000 foot mountains. Streets and sidewalks are cobblestones, some narrow and some with high curbs.

The stones can be a bit slippery, especially when walking across driveways that slant across the sidewalk to the street. We will do a lot of walking. Being here is a walker’s delight but we do tread with caution.

If you have mobility issues or health impediments, please let me know. I would encourage you to consider that this may not be the study tour for you. When you tell me you are ready to register, I will send you a health questionnaire to complete first.

 

Chiapas Notebook: Tenejapa Textiles and Thursday Market

Tenejapa, Chiapas is a regional center in the highlands of Chiapas about an hour- and-a-half beyond San Cristobal de las Casas. It’s a regional administrative center, about midway between the city and the remote village of Cancuc, past Romerillo. Most roads splay out from San Cristobal like spikes on a wheel hub, dead-ending down a canyon or mountain top at a remote village where traditional weavers create stunning cloth.

Tenejapa supplementary weft on cotton warp, with handmade doll

There are two reasons to go to Tenejapa.

Tenejapa market scene, the perfect village tianguis

First is the Thursday market that covers the length of four to six blocks (depending on the season) where everything needed to maintain a household is sold, including fresh roasted and ground coffee cultivated from bushes on nearby hillsides.

Rich, roasted, fresh ground coffee in the market, locally grown

This includes fresh dried beans, ground and whole chili peppers, ribbons and lace for sewing, seasonal fruits and vegetables, and an occasional textile find.

See highlights from 2017 Chiapas Textile Study Tour.

We will offer this Study Tour again, from February 13-22, 2018.  Contact me if you are interested in itinerary and price. Taking a wait list!

Limited to 9 people maximum!

Beautiful handwoven bag, a market find, random delights

Most of the textiles on the street are woven for local consumption. So, fabric and the materials to make it reflects the current fashion tastes of traditional ladies who weave to adorn themselves and their neighbors. Cotton takes longer to dry, so cotton thread has been replaced by synthetic. Now, the shinier the better.

Chili peppers, whole or ground, take your pick

We see this throughout the villages in the Chiapas Highlands where glittery threads are incorporated into the weft and warp, and polyester gives the textile a sheen that is now preferred.

Inspect carefully. Bright colors can be synthetics, as are these. Glorious, nevertheless.

Where to find the traditional textiles of five, ten, twenty years ago? Sometimes, you can find them hanging from ropes strung from wall to wall inside the shops along the market avenue. Sometimes, they are folded under a stack of the more contemporary pieces that Tenejapa fashionistas like.

Corn for sale, displayed in traditional handwoven ixtle market bag

The second, and perhaps more important reason to visit Tenejapa is to spend time in the cooperative operated by Maria Meza Giron. The building is next to the church, across from the zocalo and municipal building.

Sheri Brautigam, author and our textile tour resource, chats with Maria Meza

Maria and her son Pedro Meza, are co-founders of Sna Jolobil textile cooperative with anthropologist/friend/guide Walter “Chip” Morris.  We bumped into him there that day as we were deep into textile heaven.

An amazing ceremonial cloth, hand-woven, snatched up by Kathleen

These textiles — huipils, ponchos, purses, blankets, rugs, shirts, belts, woven ixtle bags, skirts and ceremonial garb — are the finest examples with the most traditional quality of weaving found in Tenejapa.

What will this become? Textile in progress on back strap loom.

Some pieces are dense with wool supplementary weft woven onto a one hundred percent cotton warp. All created on the back strap loom. Garments are always as wide as the loom they are woven on.

Barbara looks at fine detail work on this Tenejapa sash

It was hard to choose. Hard to focus. Hard to pull away and say goodbye when the time came. The examples available for sale would sell for twice the price in San Cristobal de las Casas in finer galleries. It was well worth the trip for this, and for the experience of mingling among the people.

Tenejapa woman shopping for a comal — clay griddle

Just a note: Not many visitors come here. We were the only foreigners walking through the market. People are resistant to having their pictures taken. Photographs of fruits and veggies are okay. I always asked if I could take a photo (the people, not the vegetables). Most said no. Once, I shot from the hip and felt guilty.

Handwoven bags on display stand for sale.

Our anthropologist guide advised us to never photograph inside a village church. We didn’t. I did not shoot from the hip there. I attended to watching where I stepped. Lit candles blazed on the floor in front of altars to saints.  As a consequence, you will see lots of textiles, tomatoes, oranges, and shoes.

Zocalo is also the taxi station, constant round trips to San Cristobal

The people who travel with me tend to be those with a deep appreciation for Mexicans and their creativity. Folk art or popular art in Mexico is made one piece at a time, one thread at a time. By coming here, we gain an understanding for craftsmanship that is passed down from mother to daughter, father to son.

Our guide explains Maya-Catholic Church traditions and what we will see inside

There is no magical way of being appreciative, warm and gracious. The feelings between visitor and host are reciprocal. We value the inspiration, hard work and dedication to keeping hand-made craft alive. Those who make and sell value our support and appreciation for what they do. It’s a bonus if we buy.

Being a locavore isn’t trendy, it’s a way of life

But shopping isn’t everything and that’s not why we are here. We are here because creative people are tucked in every corner and behind every hillock, using their open hearts and strong hands to bring color and joy into the world.

Beautiful, intricate Tenejapa huipil, wool weft for the design on cotton

We will offer this Study Tour again, from February 13-22, 2018.  Contact me if you are interested with itinerary and price. This study tour is limited to 9 people!

Chiapas Notebook: Magdalena Aldama Weavers

Our recent textile study tour took place over nine days. We were based in San Cristobal de las Casas, Chiapas, Mexico, with so much to see and do, and no time to write!. I’m going to start now with one highlight that happened in the middle: a visit to Magdalena Aldama, Chiapas.

A few of our group with hosts Rosa and Cristobal, Magdalena Aldama

Some of us know this village, about two-and-a-half hours from San Cristobal, as Magdalenas. Others call it Aldama. It is one and the same. Officially, it is known as Santa Maria Magdalena.

Indigenous justice and liberty are elemental here, as is native Non-GMO corn.

It took on the name Aldama in 1934 in honor of Mexican insurgent Ignacio Aldama. This is a Tzotzil village strongly aligned with the Zapatistas.

Rosa with Barbara, and a neighboring Chenalho blue emboidered top

Not many foreigners show up here. Without an introduction to a family, it would be difficult to know where to go to see extraordinary back strap loom weaving and intricate embroidery that the women here are known for.

Susie admires a finely woven, embroidered huipil

We pulled up to the village zocalo and parked near the church. Cristobal was waiting for us and took us to his family home where his wife Rosa greeted us. She was joined by family members who were busy weaving and doing fine stitching, surrounded by children.

Children hover close to mom when strangers show up

This would not have been possible without our knowledgeable guide who arranged the visit through an anthropologist friend who has been working here for some time.

Every garment handmade: the woven cloth, fine embroidery, seams, hem

After demonstrations and a stunning expoventa of very fine work, the family invited us into their kitchen where they prepared Caldo de Gallina over a wood fire.

Work continues with babies bundled across backs with rebozos

They make the soup from organic free-range chicken and fresh local vegetables. The tortillas come hot off the comal. We toast the day with posh, the local fermented drink made from corn and sugar cane.

It is quite tasty!

Indigenous rights are fragile. People here take a stand for themselves. Viva Zapata!

Women work hard here, staying close to home. Tending babies, preparing meals, cleaning up, weaving, sewing. Extended families live together in the same household and next door.

Fifteen enjoying a family meal, altar with Mayan cross in background

I saw no young men and assume they were in the fields tending to vegetables or herds of cows. Or, perhaps they were in El Norte USA trying to make a few dollars to send home. At 20 pesos to 1 US dollar now, it’s an economic advantage to go north to work. Regardless of what Agent Orange says, families do not like to be separated. They do it out of necessity. 

A village Mayordomo came by to check us out and stayed for lunch

Since the village is not frequented by tourists, we had a social call by one of the village leaders, a mayordomo and friend of our host family. He saw that we were supportive of the cultural norms and stayed to talk and have lunch with us. We were not a rowdy group!

Waddle and daub traditional village construction, perfect backdrop

The large kitchen space where we had lunch, the traditional outbuilding where the expoventa (show/sale) was held, and some of the surrounding cottages, were all constructed with waddle and daub. This is different from adobe bricks. It is a great insulator, keeping the house warm in winter and cool in summer.

Yes, smoke gets in your eyes, clothes, hair and lungs in traditional kitchens

The only problem was the ventilation from the smoke, which rose to the ceiling in billows but didn’t escape readily from the open areas near the rafters. In some villages, NGOs are working with locals to create better vents so they don’t breathe the wood smoke and develop lung disease.

Britt wears an elegant dress, traditional in design

Magdalena Aldama is about ten minutes further from San Andres Larrainzar, another amazing weaving village, much larger than Magdalena. There seems to be some crossover in stitching and fashion, though for the most part women like to identify with where they are born and live by their costume.

Mom and toddler, infant sleeping behind

The finely woven mesh bags you see below are hand-woven from ixtle, the washed, pounded and softened fiber of the agave cactus leaf. The finer and smaller the bag, the more costly. The shoulder straps are soft leather. Sometimes they are finished with colorful woven edging. We love them and bought lots!

Display of blouses, bags, table runners, dresses, pillow covers

Often, the difficulty for western women is to find a garment large enough to fit us. The width here is as wide as the loom, but the arm holes and necklines can be small. So small, we can’t get the blouse over our heads or arms through the sleeves. Here, it wasn’t a problem! They knew we were coming!

Rosa holds up one her group’s fine blouses. They sold out!

On our way back to San Cristobal de las Casas, we made a quick stop in Larrainzar to check out the street scene.  On the way, we passed a family of sheep herders. While the animals grazed, the women tied their looms to the trees. No one here is idle.

Looms tied to trees. Always something to weave.

In San Andres Larrainzar, we stopped at a commercial cooperative outside of town. I was disappointed in the quality and offerings, though a few of us managed to find a treasure. It’s best to find a private group!

San Andres Larrainzar main street. Hard to find a huipil for sale here.

Local women buy the embroidered bodice pieces and then stitch their own cotton or poplin (cotton/poly blend) to make the complete blouse. They like the polyester because it dries much faster. So, it’s getting more difficult to find a pure cotton garment. The embroidered pieces cost 1,000 to 1,500 pesos before being made into the blouse.

Embroidered blouse pieces, Larrainzar. White area is for head opening.

Back in San Cristobal, I wore the Magdalena Aldama blouse I bought from Rosa and Cristobal on the following day. People stopped me. Where did you find that? I told them. I visited a local Mayan coop and the manager said, “We don’t carry anything that fine. It’s hard to find and too expensive.”  Well, not really. Not for us at the current exchange rate!

The weaving group in black and white.

Making a trip into the village to meet the family, share a meal and support their work was one of the highlights of this trip.

Weaving on the street, Magdalena Aldama

We are going to offer this again at the end of February 2018. Contact me if you are interested and I’ll put you on the list to let you know dates and cost. This study tour will be limited to 9 people maximum!

Games little boys play, in the doorway to the kitchen.

 

From Mexico City: Under the Cathedral, An Aztec Empire

Far below Mexico City’s Metropolitan Cathedral, the largest in the Americas, lies the archeological treasure trove that was once Tenochtitlan, the City of the Aztecs. It is known as Templo Mayor.

Archeological discovery continues in Mexico City under the Cathedral

First discovered and excavated in 1978, archeologists believe there are seven pyramid levels beneath what is now visible at the site next to the great Catholic church.

Only a fraction has been excavated under the Cathedral

It was the Spanish practice throughout New Spain, in Mesoamerica and South America, to destroy indigenous religious/cultural edifices and use the building materials to construct churches and administrative centers on top of the toppled.

Braziers used for sacrifice in Templo Mayor Museum

Each layer, filled in with silt by a succession of Moctezuma‘s, who built taller and grander edifices to mark their ascendency to lead the Aztec empire, now sinks into the swamp that underlies the great North American city.

Stucco and painted friezes in the Eagle Temple, Templo de las Aguilas, Tenochtitlan

Most of the buildings in the historic center of Mexico City are sinking, leaning and are at risk of toppling. The entire Zocalo area is designated a UNESCO World Heritage Site for this reason.

Entry to Carmelite Ex-convent Santa Teresa, circa 1616, Mexico City

Next to the Templo Mayor is a contemporary art exhibition space that was once home to Carmelite Ex-Convento de Santa Teresa, built in 1616. You will pass by as you exit the archeological site onto Moneda Street that borders the Palacio Nacional.  Click here for a printable Map.

My camera is square; the floor isn’t. Extreme slant!

The Ex-Convento is leaning dramatically. Its front gates have always been closed. Over the New Years holiday weekend, when Jacob and I visited the Templo Mayor, lo and behold, the gates were open and I wanted to explore. As I stepped over the threshold, we entered a dizzying space — stepping onto a steeply tilting floor. My instincts were to grab the walls.

Sistine Chapel-esque, Ex Convento Santa Teresa ceiling

When I stay in Mexico City, I usually choose the Hotel Catedral, just two blocks from the Zocalo at Donceles 95. Nothing fancy. Good customer service, basic rooms, clean, and a delicious breakfast.

Torment of Cuauhtemoc, by David Alfaro Siquieros, at Museo Bellas Artes

There is so much to revisit, see and do, within eight square blocks. I never tire of repeating visits to the Rivera, Orozco and Siquieras murals. I never tire of eating at Azul Historico or Los Girasoles or El Mayor. I never tire of people watching.

I’ve watched this dig develop over the last two years

I always ask for a room at the back of the hotel facing the Cathedral. For the last several years, I have watched a vacant colonial house being transformed into an archeological dig from my hotel window.

On the walking street, Francisco I. Madero, Mexico City

All around the area there is transformation related to restoration and archeological discovery. Beneath Argentina Street you can see newly exposed Aztec carved stone covered by plexiglas pyramids. It gives perspective about where we walk and what came before us.

Black Christ, Metropolitan Cathedral, Mexico City

Mexico City is now one of the world’s most important travel destinations. It is safe and filled with amazing art, culture, food and shopping. I hope it’s on your bucket list.

 

 

Happy New Year 2017 From Mexico City

The clock strikes 2017. Yet the Zocalo in Mexico City today is almost empty. All museums and most shops are closed, too. Most Mexican families celebrate the new year at home.  On New Years’ Eve last night there were only a few strollers in the Historic Center as everything closed up by 4 p.m. and people dispersed.

Restaurant Azul Historico patio, Mexico City, festive blue

I had an early birthday dinner with my son Jacob at Entremar in Polanco. After a great fish dinner and superb bottle of Valle de Guadalupe Nebbiolo, we returned to Hotel Catedral and I climbed into bed. It was not yet 8:30 p.m. I did not dream about sugar plums and fairies, but thought about the year past and the one to come.

Organ grinders on Mexico City streets, a dying breed

Tips for Visiting Mexico City Over the New Year Holidays

  • January 1 is a National Holiday. Most museums, shops and restaurants are closed. They begin to shut down at 2 p.m. on December 31.
  • Check hours and make reservations in advance. Do your museum visits on December 29, 30 and 31
  • We were turned away at Casa Azul Museo Frida Kahlo, even though we got there well before it opened at 10 a.m. on December 31. Most in line had bought advance tickets via the Internet, something I didn’t think of. And, the museum closes at 2 p.m. on December 31,  is not open January 1.
  • Use UBER. It’s totally safe and reasonably priced. We did not have to wait more than 5 minutes for a car to take us anywhere.  No cash. Just a payment through your PayPal account.

Aztec city of Tenochtitlan, Templo Mayor, under the Cathedral

No specific resolutions for me other than to walk and live with intention, focus on travel only between Mexico and the USA, spend time with family and friends, walk, reflect and do good in the world. The world needs our help.

Alameda Park, Mexico City. Warm enough for fountain play in December.

My son Jacob has been with me this weekend, the best gift I could ever receive. It was his first time in Mexico City. On our first full day, we explored the Diego Rivera murals at the Secretariat de Educacion Publica and the Orozco murals at the Colegio San Ildefonso, had lunch at Restaurant El Mayor, then pushed on to the Tenochtitlan Templo Mayor archeological site and adjoining museum.

Day of the Dead Altar to Frida and Diego, Museo Dolores Olmedo

On the second day, December 31, we started out for a visit to Casa Azul but when we got there discovered they were closing at 2 p.m. and had sold out all tickets in advance through online sales.

Special exhibition at Museo Dolores Olmedo

While we missed getting into the Casa Azul, we took an UBER from there to the Museo Dolores Olmedo Patiño near Xochimilco to see early Rivera works, the hairless xoloitscuincle dogs, and a special exhibition of Pablo O’Higgins, Rivera’s protege. NOTE: All paintings by Frida Kahlo in this museum are on traveling exhibition in Europe until April 2017.

Man, Controller of the Universe by Diego Rivera

Then, we saw more Rivera, Orozco, Siquieras and Tamayo murals at Museo Bellas Artes.  When you get here, pay attention to the second floor mural painted by Diego Rivera, Man, Controller of the Universe. He recreates what was destroyed at Rockefeller Center.

The New Democracy, by David Alfaro Siquieros, Museo Bellas Artes, Mexico City

Art historians interpret the Siquieros mural (close-up above) as liberation from oppression. This was especially meaningful for me as we are experiencing damaging political changes in the USA that could likely effect social justice and environmental causes well into the future.

Close-up, The Torment of Cuauhtemoc, Siquerios depicts the oppressors

Here, art is a universal language and reminds us that we must be vigilant.

Another section of Siquieros’ The Torment of Cuauhtemoc mural, riveting, painful.

On the same day, we visited Rivera’s mural Dream of a Sunday Afternoon on the Alameda at the Museo de Mural de Diego Rivera.

Dream of a Sunday Afternoon in the Alameda Park, 500 years of Mexican history

Gathering for an outdoor Scrabble game on the plaza, Mexico City

Out in front on the plaza in front of this last museum, the chess and Scrabble players gather. I accepted an invitation to join a Scrabble game until I realized they were playing in Spanish and returned my tiles to the bag.

Jacob Singleton takes a photo of an Orozco mural

Museo Palacio Bellas Artes, Mexico City

In 2016, I legally changed my name to Schafer, bought a condo-apartment in Durham, NC, organized over a dozen workshops and study tours, contributed chapters and photographs to Textile Fiestas of Mexico book, volunteered at the International Folk Art Market in Santa Fe, commemorated the anniversary of our mother’s death, traveled to India, and went back and forth between Mexico and the USA to vote, attend to health care, visit family and reconnect with friends.

Cathedral candles, Mexico City

In 2017, I want to stay put more and be present in Durham, North Carolina, and Oaxaca, Mexico. I have friends who dream of becoming vagabonds, taking to the open road, living with more freedom and unpredictability.

Aztec sculpture, Tenochtitlan, Mexico City

I want to think globally and act locally, make a difference in North Carolina, USA to effect change and make a difference, continue to bring people to Mexico to understand her art, history, culture, textiles.

Happy New Year to all. May we each participate in creating a world we are proud to live in, with respect for family, diversity and uniqueness.