Tag Archives: workshop

Memoir Writing Workshop: Pilgrims, Immigrants, and Travelers

Memoir is a way to express where we are, where we have been and where we are going. Both women and men are welcome to participate. Everyone has an important story to tell.

Arrive Sunday March 13, 2016 and depart Saturday, March 19, 2016.

This six-day intensive writing workshop uses memoir to position the self and understand our worlds. We’ll focus on themes related to life’s journeys, starting with roots and family stories. Using inspiration drawn from food, art, nature, politics and more, we’ll tell our own tales of culture, identity, change, loss and transformation.

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As a literary nonfiction genre, memoir represents reminiscence — a story, an event or a turning point. Akin to autobiography, memoir can have more focus and is similar to narrative nonfiction. However you choose to approach it, each of us has a story to tell about the evolution of our life and how we came to this place called now. We open this door to you to bring your memoir to life – to start it, continue it or take it to its rightful conclusion.

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Memoir writing raises the issue of truth—is what we remember accurate, and is that even important? Craft and focus allow truth to emerge within the container of writing. Ruth Benedict beautifully said: Experience, contrary to common belief, is mostly imagination. Combining both experience and imagination, we’ll tell our stories.

We will also learn and explore classic and traditional memoir forms, including the letter, the list, the diary, personal essay, and the haibun (poetry with prose). Expect examples from the ancient world, Japan, Mexico, and contemporary literature.

In addition, there will be an emphasis on revision and completion, and on writing for an audience. We include an overview of markets for memoir, including short pieces, personal blogs, and independent publishers. Each participant will also meet with Miriam privately for a personal review and coaching session.

About Workshop Leader Miriam Sagan

Miriam Sagan, associate professor in creative writing at Santa Fe (NM) Community College, where she created and directs the creative writing program, is our memoir writing workshop leader. Miriam has over twenty-five award-winning books of memoir, poetry and fiction published with academic presses, independent publishers, and well-known literary presses. Honors include a New Mexico Book Award, Best Memoir of the Year from Independent Publishers Association, Pushcart Prize nominations, and a finalist from New Mexico PEN women, and Mountains and Plains Booksellers.

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She has taught workshops at the Aspen Writer’s Conference, Taos Institute of Arts, Wheaton College, Antioch College, Colorado College, Georgia O’Keeffe Museum, and the Border Book Festival.

A versatile author, Miriam Sagan’s published books include poetry, fiction, memoir as well as writing techniques. In the past several years, she has participated in mixed-media installations that include writing, poetry and art.

Miriam’s work has appeared in over 200 magazines in the United States, Canada, England, Japan, and France, including: Agni Review, American Poetry Review, Blue Mesa Review, Boston Phoenix, Christian Science Monitor, Exquisite Corpse, Family Circle, Fish Drum, Frank, Hollis Critic, Indiana Review, Luna, Mademoiselle Magazine, Maenad, Mothering Magazine, Ms. Magazine, New Mexico Humanities Review, Painted Bride Quarterly, Paragraph, Permafrost, Ploughshares, Poetry Northwest, Poetry Now, Poets On, The Sun, Yellow Silk, and West Branch.

She is editor of Another Desert: Jewish Poetry of New Mexico, Sherman Asher Publishing 1998, with Joan Logghe; and New Mexico Poetry Renaissance: 41 Poets, a Community on Paper, Red Crane, 1994, with Sharon Niederman. Benjamin Franklin Award.

Miriam Sagan holds degrees in writing and English from Harvard University and Boston University.

Her blog, Miriam’s Well, has a thousand daily readers. The blog has published and promoted the work of hundreds of writers and artists, with a special emphasis on Santa Fe’s West Side and Railyard neighborhoods

About Norma Schafer

Norma Schafer has produced arts and educational programs in Oaxaca, Mexico, through Oaxaca Cultural Navigator LLC since 2006. She is a published writer and photographer. The workshops she organizes are attended by participants from throughout the U.S., Canada and from as far as Australia. During her twenty-five year career in higher education, Norma has produced national award-winning programs for Indiana University, University of Virginia, George Washington University, and The University of North Carolina-Chapel Hill. She holds the B.A. from California State University at Northridge and the M.S. from the University of Notre Dame.

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The Workshop Schedule

Our location is inspiring and tranquil. You are immersed in an indigenous village with 8,000 years of language, history and culture.

Sunday, March 13:  Arrive and check-in to our Teotitlan del Valle, Oaxaca, B&B inn. Informal supper included for those who arrive by 8 p.m. (D)

Monday, March 14 to Friday, March 18: After breakfast, meet for learning session and workshop. The workshop is time to give and take feedback about works in progress. Take a lunch break and then use the afternoon for independent writing and/or to explore this ancient Zapotec village. Dinner is daily at 7:30 p.m. You may want to gather on the rooftop terrace to watch the sunset, sip a refreshment and talk with instructor and participants, or spend your time in evening writing and reflection.

Friday, March 18: End-of-Workshop Evening Celebration and Reading – an opportunity to select your best of week work to read before the group.

Saturday, March 19: After breakfast, leave for home or continue your travels independently.

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What Is Included

For participants in residence, daily 8:30 a.m. breakfast and 7:20 p.m. dinner are included in your workshop fee. Daily lunch is on your own. The workshop includes all instruction, a private coaching session with Miriam, and the gala celebration dinner. For non-resident participants, lodging and meals are not included except noted below.

Optional Activities

During the week, we will schedule optional outings that are sure to inspire your creativity: cooking class, temescal sweat lodge, Zapotec massage, weaving and natural dye demonstrations, local hikes, visits to nearby archeological sites and more. We will send more details and costs of these activities to you before the workshop starts.

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About Lodging and Accommodations

Our workshop is in the rural Zapotec village of Teotitlan del Valle. Yes, there is Internet connection and coffee shops that prepare good cappuccino and chai latte! The bed and breakfast inn where we stay is a family home within a large patio. Accommodations are clean and basic. We offer a few rooms with private bath. Other rooms share a guest bath across the courtyard.

Workshop Cost

Non-Resident Participant:  $695 per person, does not include lodging or meals. It includes all instruction, one private one-hour coaching session, one gala dinner.

Resident Participant: A limited number of double occupancy rooms with private bath, and single occupancy rooms with private bath are available. Please indicate your preference below.  Requests are filled on a first-come, first-serve basis.

[  ]  $795 per person, shared room, double occupancy with shared bath.

[  ] $995 per person, shared room, double occupancy, with private bath.

[  ]  $1,095 per person, single room with private bath.

Residency Program cost includes 6 nights lodging, 6 breakfasts, 6 dinners, all instruction, one private coaching session for one-hour.

The program does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation to and from Oaxaca city.

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Reservations and Cancellations

A 50% deposit guarantees your reservation. The last payment for the balance due (including any supplemental costs) shall be made by January 15, 2016.  We use PayPal for all deposits and final payments.  Tell us you are ready to register and we will send you an invoice for the deposit.

If cancellation is necessary, please notify us in writing by email.   After January 15, 2016, no refunds are possible. However, we will make every possible effort to fill your reserved space.  If you cancel before January 15, 2016, we will refund 50% of your deposit.

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Required Travel and Medical Insurance

We require that you take out an international travel insurance policy that includes $500,000 of emergency evacuation and medical insurance before you begin your trip. We will ask for proof of purchase. Thank you for understanding since unforeseen circumstances are possible and that’s what “accidents” are.

To get your questions answered and to register, contact:  norma.schafer@icloud.com

Norma Schafer, Oaxaca Cultural Navigator LLC, produces this workshop.

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Antiques in San Pablo Villa de Mitla, Tlacolula, Oaxaca

There is a tall, inconspicuous door on a San Pablo Villa de Mitla side street. Open it and discover a home gallery filled with antique treasures. The inventory is small and includes ancient stone metates, glass vases hand-painted with flowers and edged in gold, reliquaries and ex votos. Señor Epifanio knows his stuff.

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Scott Roth holding an old Mitla hand-woven textile

Upstairs via a narrow, concrete passageway painted in brilliant blue is a gallery filled with blown glass mezcal bottles, remnants of the time when this was how the agave liquor was stored. They are hard to find and very expensive.

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Dolls, old photos, books, chachkeh from Mitla, Oaxaca

Occasionally, there is a jewelry find, like the Mexican silver coin earrings from the early part of the 20th century. I returned a month later to buy them and they were gone. Rule for Shopping in Mexico: buy it when you see it. Usually, these things are one-of-a-kind.

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Hand-blown mezcal and water bottles, most from Oaxaca, 1950’s-1960’s

I’m reluctant to share the address and contact information. Only because I haven’t asked permission to cite the location, plus these things are getting scarce, and with scarcity comes higher prices. As demand rises, prices do, too. So, why am I publishing this?

So you can see the photos, of course.

Faces and Festivals Chiapas Photography Workshop

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Portrait of Scott Roth with old Zapotec textile from Teotitlan del Valle

 

Teotitlan del Valle Young Photographers Show at Oaxaca Photography Center

The work of young photographers, ages seven to twelve, from Teotitlan del Valle, Oaxaca, were featured at a festive gallery exhibition that opened last Saturday at the Centro Fotografico Manuel Alvarez Bravo.

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They participated in a year-and-a-half photography education project called Nuevas Visiones. Narrando historias visuales en Teotitlán del Valle —  New visions: Narrating Visual Histories in Teotitlan del Valle, sponsored by the photography center and various donors.

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The students met monthly in their village learning camera techniques, lighting and composition, and were given assignments, mostly just to wander and capture what interested them most.

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Juan Enrique Mendoza Sanchez, age 12, Teotitlan del Valle, in front of his photo

Participants

  • Uriel Bazán
  • Adriana Vicente Gutierrez
  • Montserrat Vicente Gutierrez
  • Juan Enrique Mendoza Sánchez
  • Beatriz Ruíz Lazo
  • Antonio Ruiz Lazo
  • Juan Diego Gutierrez Martínez
  • Uziel Montaño Ruiz
  • Javier Lazo Gutiérrez 

The instructor is Eva Alicia Lépiz. Thanks to Javier Lazo Gutierrez, age 25, course teaching assistant, for sending me this list and to Daniel Brena, director of Centro Fotografico Manuel Alvarez Bravo, and Ixchel Castellon, independent cultural manager, for producing this important program

Subjects ranged from brothers, sisters, a bedroom still life, and burros with the sacred mountain Picacho as backdrop.

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What amazed me in looking at the work through the eyes of young people was what they chose to focus on. Subjects we might consider mundane became, in their eyes, beautiful, dramatic and meaningful. A lesson for adults to learn.

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Family members and friends mostly gathered in the courtyard of the Centro Fotografico Manuel Alvarez Bravo to celebrate the accomplishments.

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The center helped with cameras and instruction. The village provided meeting space and local people gave support.

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Above left: instructor Eva Alicia Lepiz.

This is an excellent way to bring young people in closer touch with the visual senses around them and give emphasis to a creative form of personal expression.

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Other communities whose young people participate in this innovative outreach program include San Bartolo Coyotepec, Rancho Tejas and El Rosario Temextitlan.

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Above left is Javier Lazo Gutierrez, age 25, who was the teaching assistant for the course. He is a very accomplished photographer!

Funding is made possible through a generous grant from Homeruns Banamex 2014 and the Fundacion Alfredo Harp Helu de Oaxaca.

[Chiapas Faces and Festivals: Photography Workshop produced by Oaxaca Cultural Navigator, set for end of January 2016]

Don’t miss this exhibition. It’s a fresh view of the world.

Travel for Texture and Oaxaca Natural Dye Workshop

Natalie and her mother Olga traveled north from Guatemala, through Chiapas and came to Oaxaca to take a natural dye workshop with Taller Teñido Natural. We scheduled a two-day program for them to go deep into Oaxaca’s traditions for using natural plant materials, including indigo, fustic and wild marigold plus the cochineal bug to create glorious color.

Natalie is a textile designer from Washington, D.C. and writes the blog Travel for Texture.  Here is her post A Wooly Mexican Rainbow about the workshop experience, as well as her travels through Guatemala and southern Mexico.

And her photos are to dye for! During the two days, Natalie and Olga made 18 different colors and went home with formulas and a palette of sampler yarns.

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Please contact me to schedule your own customized natural dye workshop for one, two or three days when you are in Oaxaca. It’s a great way to experience the local culture. Cost is based on number of people participating!

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Evoking Frida Kahlo: Workshop to Make a Mixed Media Altar

Mexico is filled with altars that usually include sacred images and a Virgin of Guadalupe retablo. During Day of the Dead a family altar displays photographs of departed loved ones. We are taking this mixed media art workshop, based in Teotitlan del Valle, Oaxaca, Mexico, beyond the norm to create a three-dimensional altar suitable for display. Frida Kahlo is our muse.

4 Days, February 25 – 28, 2016

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e·voke. əˈvōk/. verb

bring or recall to the conscious mind, conjure up, summon up, invoke, elicit, induce, kindle, stimulate, awaken arouse, call forth.

Frida offers us inspiration for constructing an altar about life, womanhood, loved ones, family, health issues, successes and set-backs. We hold up Frida’s image, perhaps in self-reflection, to imagine her life and its challenges and to evoke meaning for our own. We then translate these concepts into an altar or shrine that can be used for wall art, to display on a surface or to design as a shelving unit for collected objects.

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Frida was an avid collector of exvotos and perhaps you would like to merge this simple expression of thanksgiving and devotion in your work, too.

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When we think of Frida Kahlo, we may conjure up many images and words to describe her: a woman of strength, power, frailty, independence, weakness, accomplishment, talent. Biographers say she was fierce, passionate, defiant, innovative, creative, vulnerable. We know she was deformed, in pain, proud.

 

Your personal altar can be based on your own experience. We embrace Frida as a metaphor to jump into a new creative realm. Your altar might be a tribute to someone you love who is living or passed on. Your altar might contain a message to send or include as a gift. It can be about you, friends, family or Frida herself.

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About Hollie Taylor, MFA, Workshop Leader

Hollie Taylor earned the BFA from the University of North Carolina at Chapel Hill focusing on painting and printmaking. She then went on to the University of Georgia and received the MFA with a concentration in printmaking.

Hollie taught drawing, printmaking, painting and ceramics at the college, middle and high school levels. For over 20 years, she has taught adult workshops in handmade paper-making, screen-printing, woodcutting, photo-imaging on clay, ceramic hand-building, mixed media art and art journaling.  

She is a recipient of the North Carolina Museum of Art annual artist scholarship award. Her work is published in Art Voices South and The Village Rambler. She earned the prestigious National Board Certification for Teaching Excellence and her students placed repeatedly in national shows. 

Hollie encourages deep personal exploration, offers demonstrations and samples of finished products.  Art produced at her workshops is highly individualistic, broad ranging in style and expressive of the maker. Participants come to the table with varied past creative experiences and she accommodates fully for this range of novice to accomplished artist. She gives personal feedback and encouragement and holds informal discussions to compare intent with outcome, noting what has been learned. A workshop with Hollie is engaging and fun!

A new project for Hollie involves making a book using found family letters and archival photos from Brazil during World War II. This will become a mixed media art show installation based on composites she is rendering in Photoshop to glean new meaning from the material. 

 

Process and Materials

Using found objects, copies of photographs, paint, paper, memorabilia and embellishments, you will construct either a 8” x 10” three-dimensional sculptural piece or a 12” x 16” flat art wall piece.

Materials We Provide: We provide step-by-step altar-making directions and construction materials, plus selected art supplies such as self-healing cutting mats, box cutters, some acrylic inks, assorted decorative papers, handmade clay medallions and selected ephemera art associated with Frida Kahlo.

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Materials To Bring: A sharp pencil, rubber bands, assorted size small brushes, embellishments such as stamps, charms, shells, milagros, copies of photographs, textiles. Try to imagine what will symbolize the different attribute’s of your altar’s theme and bring what will enhance its meaning. After you register, we will send you a complete list of supplementary supplies to bring. Participants often share for a wider range of choice.

 

Resources: Hollie recommends Crafting Personal SHRINES, Using Photos, Mementos & Treasures to Create Artful Displays, by Carol Owen, Lark Books, 2004.

Our Schedule: Daily, 9:30 a.m. to 3:00 p.m. includes catered lunch  

Day One, Thursday, February 25: We look at images of altars and sacred boxes, visit church and private home altars, and talk about Frida Kahlo – her style and what she valued. You will come with a concept for your creation, and with Hollie’s guidance you will finish the design and begin to build your project.

Day Two, Friday, February 26: Continue to build your altar, wrapping it, painting it, and gluing it together to form a completed container for what will come next. You may also want to add a door and small shadow boxes to display memorabilia reflecting your concept.

Rolling on Matte Medium to seal the foam core.

Rolling on Matte Medium to seal the foam core.

Day Three, Saturday, February 27: Finish altar construction. Begin to decorate and embellish your altar with photos (copies), writing, drawing, found objects and memorabilia you have brought with you.

Day Four, Sunday, February 28: You will add the finishing touches before we hang your finished work for a group show and presentation of your piece, followed by a grand finale mezcal margarita cocktail reception.

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Workshop Cost

Base Cost – Workshop Only: $495 per person, includes all instruction, materials to construct your altar or wall art, hand-outs, guided visits to family homes and churches for altar research, 4 lunches and cocktail reception. This option is designed for people who do not need lodging, and want to travel back and forth daily from Oaxaca city.

Upgrade 1 – Workshop + Share Room: $665 per person shared room with private bath en suite. Includes all of the above plus 4 nights lodging, arriving on Wednesday, February 24 and departing Sunday, February 28 by 6 p.m. Includes 4 continental breakfasts. We assign rooms in order of registrations received. Contact us for availability.

Upgrade 2 — Workshop and Private Room/Bath: $795. Includes all of the above.

How to Register

The workshop does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation to and from Oaxaca city.  We can arrange taxi pick-up and return from/to the Oaxaca airport at your own expense (approximately 280 pesos).

Reservations and Cancellations A 50% deposit is required to guarantee your spot. The last payment for the balance due (including any add-ons) shall be paid by January 6, 2016. We accept payment with PayPal only. We will send you an itemized invoice when you tell us you are ready to register.  After January 6, refunds are not possible.  You may send a substitute in your place.  If you cancel before January 6, we will refund 50% of your deposit.

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Required–Travel Health/Accident Insurance:  We require that you carry international accident/health/emergency evacuation insurance. Proof of insurance must be sent at least two weeks before departure.  If you do not wish to do this, we ask you email a PDF of a witnessed waiver of responsibility, holding harmless Norma Hawthorne Schafer and Oaxaca Cultural Navigator LLC. Unforeseen circumstances happen!

Workshop Details and Travel Tips.  Before the workshop begins, we will email you a map, instructions to get to the workshop site from the airport, and documents that includes extensive travel tips and information. To get your questions answered and to register, contact: oaxacaculture@me.com

This retreat is produced by Norma Schafer, Oaxaca Cultural Navigator LLC. We reserve the right to make itinerary changes and substitutions as necessary.

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