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Norma writes for Selvedge Magazine Issue #109 -- Rise Up, November 2022
Norma Writes for Selvedge Latin Issue #89
What is a Study Tour: Our programs are designed as learning experiences, and as such we talk with weavers about how and why they create, what is meaningful to them in their designs, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. Our interest is in creating connection and artisan economic development.
Why We Left, Expat Anthology: Norma’s Personal Essay
Norma Contributes Two Chapters!
- Norma Schafer and Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university program development experience. See my resume.
Study Toursd are personally curated and introduce you to Mexico's greatest artisans. They are off-the-beaten path, internationally recognized. We give you access to where people live and work. Yes, it is safe and secure to travel. Groups are limited in size for the most personal experience.
Programs can be scheduled to meet your travel plans. Send us your available dates.
Designers, retailers, wholesalers, universities and other organizations come to us to develop weaving relationships, customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids
Tell us how we can put a program together for you! Send an email firstname.lastname@example.org
- WEAVE Podcast: Oaxaca Coast Textiles & Tour
- NY Times, Weavers Embrace Natural Dye Alternatives
- NY Times, Open Thread–Style News
- NY Times, 36-Hours: Oaxaca, Mexico
- Cooking Classes–El Sabor Zapoteco
- Currency Converter
- Fe y Lola Rugs by Chavez Santiago Family
- Friends of Oaxaca Folk Art
- Hoofing It In Oaxaca Hikes
- Living Textiles of Mexico
- Mexican Indigenous Textiles Project
- Museo Textil de Oaxaca
- Oaxaca Lending Library
- Oaxaca Weather
- Taller Teñido a Mano Natural Dyes
Tapestry Traditions & Textures by Tricia Goldberg
Tricia Goldberg first met Federico Chavez, his son Eric and daughter Janet, in April 2007, when they came to San Jose, California, with an exhibition of their work at the San Jose Museum of Quilts and Textiles. Tricia, a weaver and member of the American Tapestry Alliance, shares her connection through a published narrative in the Winter 2007, Vol. 33, No. 4 issue of Tapestry Topics, A Quarterly Review of Tapestry Art Today. I have reproduced much of it here with Tricia’s permission.
“When my friend Deborah Corsini, the museum’s curator, talked enthusiastically about a family of traditional weavers who would be bringing their rugs to the museum, I had no idea I would be visiting them in their home and studio that summer. About two months later, my husband, two daughters and I found ourselves in Teotitlan del Valle….I had mentioned our vacation plans for a visit to Oaxaca to Deborah and discovered that the Chavez family lived nearby. With her encouragement, we made plans for a visit. As Eric had told me by e-mail, a sign directed us two or three blocks from the town’s main street down a cobbled lane to their home….
“The Chavez family greeted us in their home’s open courtyard, which holds a sturdy loom, winding equipment, and vast quantities of year in a wide range of subtle colors. The yarn is natural wool from sheed raised in nearby villages. It is locally spun on drop spindles which produces a texture quite different from that of commercial or wheel-spun products.
“Eric Chavez has dedicated himself to reviving and maintaining centuries-old traditions of natural dyeing. As Federico wove and Janet wound bobbins, Eric explained how indigo produces many shades of blue and cochineal yields various reds, pinks, purples and oranges. Cochineal comes from the crushed bodies of beetles that are raised on cactus plants, harvested, then dried.
“Federico’s rugs are rooted in the indigenous Zapotec traditions of geometric, loom-controlled patterns, but increasingly they contain his own more personal, experimental designs based on images from nature as well as motifs from Zapotec mythology. He stands at his loom, operating its two pedals with one foot. He uses plain, straight wooden bobbins and packs the weft with a simple plastic comb.
“At least four generations of the Chavez family have been weavers: Federico, who taught his own children to weave, learned from his father Jose, who in turn was taught by his father Victoriano. Federico wove and sold his first rug when he was 10 years old.
“In an adjoining gallery room, Federico, Eric, Janet showed us their collection of finished rugs, spreading and unrolling many of them on the floor so we could appreciate the dazzling variety of colors and patterns. Their inventory is large, perhaps larger than they would like. Typical of most people in the area, they are still feeling the effects of a drop in tourism brought about by last year’s civil unrest in Oaxaca.
“This gallery space is also the family’s dining room where we were invited to join them for a traditional lunch of chicken mole prepared by Federico’s wife Dolores. We were joined by Omar, the youngest son, a 13-year old who is a skilled weaver himself.
“Eric and Janet are sophisticated young Oaxacans who gracefully blend modern life with tradition. Eric holds a college degree in business and tourism and works to study and preserve ancient artistic traditions. Janet is a student of comparative languages at a nearby university and, in addition to her work for the family’s rug weaving business, maintains strong ties to local religious customs. She told us she hoped to be invited to participate in a celebration a week later in which she and other women would parade through the town in traditional costume, carrying ornate canastas (baskets) on their heads holding saint’s images. Although the basket is heavy, she explained, if you can carry it, this means that your sins for the previous year were not so great. With her parents’ help, she modeled the costume for us — a long, wrap-around wool skirt (cochineal dyed and woven by Federico) and an elaborately embroidered floral blouse — and before our eyes she changed from a modern young woman in jeans into a traditional Zapotec maiden.
“We decided to return to Teotitlan the following week, assuming (correctly) that Janet would be in the parade. The procession through the town’s narrow streets and the accompanying festivities were well worth a second trip. We had also decided to purchase a small rug that we had admired on Federico’s loom the week before. To our surprise, it was finished, but was still on the loom because another rug was still being woven on the same warp threads. He was happen to cut off the rug we wanted and assured us that tying the unfinished one back onto the loom would not be a problem. We value our rug for its beauty and as a link to the Chavez family and the art of Oaxaca.
“We want to encourage more travelers to visit Oaxaca and experience first-hand this beautiful area and its friendly and creative people.”
Tricia Goldberg lives in Berkeley, California, and hosted the Chavez family at an American Tapestry Alliance event at her home during the ATA’s Silver Anniversary Biennial Celebration.