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Norma Writes for Selvedge Magazine Issues #89 + #109
Creating Connection and Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions ie. hand weaving and natural dyeing. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are designed as learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them in their designs, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection and help artisans reach people who value them and their work.
Why We Left, Expat Anthology: Norma’s Personal Essay
We Contribute Two Chapters!
Meet Makers. Make a DifferenceOaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *MINNA *University of North Carolina at Chapel Hill
Tell us how we can put a program together for you! Send an email firstname.lastname@example.org
- WEAVE Podcast: Oaxaca Coast Textiles & Tour
- NY Times, Weavers Embrace Natural Dye Alternatives
- NY Times, Open Thread–Style News
- NY Times, 36-Hours: Oaxaca, Mexico
- Cooking Classes–El Sabor Zapoteco
- Currency Converter
- Fe y Lola Rugs by Chavez Santiago Family
- Friends of Oaxaca Folk Art
- Hoofing It In Oaxaca Hikes
- Living Textiles of Mexico
- Mexican Indigenous Textiles Project
- Museo Textil de Oaxaca
- Oaxaca Lending Library
- Oaxaca Weather
- Taller Teñido a Mano Natural Dyes
Best of Week Day of the Dead Photographs: Kathy Heath AKA Louie
“This trip was the perfect way to re-invest in my interest in photography and explore a fascinating country and culture [of Oaxaca, Mexico] at the same time. I can’t imagine an instructor or guide who could have better managed the balance and flexibility to so successfully meet all the goals of the program,” says Kathy Heath, who is a University of Wisconsin-Milwaukee assistant dean.
Almost like an early motion picture scene, almost like an old hand-colored sepia photograph, this stunning shot of the Macedonio Alcala at night says, yes, Oaxaca is safe, warm and welcoming. “I never had any concerns about my safety in Oaxaca. People were friendly, helpful and open,” says Kathy who goes by her nickname Louie.
Louie, has traveled around the world with her camera (and her husband) and showed us some stunning shots from a recent hiking trip she took in New Zealand. The photos she took in Oaxaca are a tribute to her photographic experience and sense of aesthetic to capture the moment. These two photos (above) give us a close look at the comparsa and the seriousness of acting the part!
(Photo 4, Left) The comparsas are also a time for young people to plan their costumes and participate in the parade. This group is competing for best costumes, along with many others who walk Macedonio Alcala and then assemble on the Zocalo to see who won. We love the combination of seriousness and frivolity in this photo.
We got to Plaza de la Danza, adjoining the Basilica de la Soledad, early in the week as the preparations for building the sand sculptures was just starting. This Photo 5 is like a dance or a prayer, perfect image for the location!
This street vendor could be from the Isthmus of Tehuantepec based on her style of dress. The scene blends many undecipherable messages, from wall graffiti to her blouse pulled up over her nose and mouth. Your guess is as good as mine! Photo 6 by Louie!
In Photo 7 (left) Louie captures the gloss of the slick, wet street and a hand-truck filled with flowers destined to decorate a gravesite at Xoxocotlan’s old cemetery. The rain came down and everyone ran for cover! Photo 8 tells us about the dark, deep richness of a cemetery with little or no ambient light.
The beauty is in the serenity of Photo 9. “It’s hard to decide what I learned or discovered that was MOST valuable. From technical aspects of photography and my camera, to different artistic perspectives about photography, to the culture and history of the area – it was all really valuable to me in very different ways,” says Louie.
Louie, along with her friend and colleague, Connie Jo, spent Day of the Dead in Teotitlan del Valle with Alejandrina Rios and Tito Mendoza and their family. Louie managed a photo that included the ornately decorated altar and the warmth of the family.
During our time in Teotitlan del Valle we took time to explore the village’s weaving traditions. We asked each participant what was most memorable about the entire learning experience. Louie says, “Meeting the Chavez Santiago Family and learning about how they are maintaining the traditional craft of weaving, and incorporating those skills and traditions into their educational and career choices. I was impressed and inspired by what they do.”
“Thanks for a great trip and learning experience Bill & Norma!!,” Louie says. We say, thanks to you, Louie, for your compassionate sensitivity and insight to show us Oaxaca through your eyes.