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Norma Writes for Selvedge Magazine Issues #89 + #109
Creating Connection and Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions ie. hand weaving and natural dyeing. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are designed as learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them in their designs, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection and help artisans reach people who value them and their work.
Why We Left, Expat Anthology: Norma’s Personal Essay
We Contribute Two Chapters!
Meet Makers. Make a DifferenceOaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *MINNA *University of North Carolina at Chapel Hill
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- WEAVE Podcast: Oaxaca Coast Textiles & Tour
- NY Times, Weavers Embrace Natural Dye Alternatives
- NY Times, Open Thread–Style News
- NY Times, 36-Hours: Oaxaca, Mexico
- Cooking Classes–El Sabor Zapoteco
- Currency Converter
- Fe y Lola Rugs by Chavez Santiago Family
- Friends of Oaxaca Folk Art
- Hoofing It In Oaxaca Hikes
- Living Textiles of Mexico
- Mexican Indigenous Textiles Project
- Museo Textil de Oaxaca
- Oaxaca Lending Library
- Oaxaca Weather
- Taller Teñido a Mano Natural Dyes
Mexican Muralist Orozco’s Prometheus at Pomona College, California
Last week while I was visiting my son in Southern California, I decided to make a pilgrimage to see Jose Clemente Orozco’s famed mural at Pomona College. Orozco, along with Diego Rivera and David Alfaro Siquieros, is one of the Three Grand Masters of Mexican Muralism. Like a three-legged stool, the study of one balances and informs the work of the others as they shaped and reflected post-revolutionary (1910-1920) Mexico art and politics.
During our Looking for Diego Rivera and Frida Kahlo Art History Tour in Mexico City (coming up November 13-17), Orozco and Siquieros figure predominantly in what we see since they all painted frescoes in Mexico City’s public spaces.
We compare and contrast the styles of these three to better understand how they interpreted social and political change within the context of their personal beliefs and values.
Orozco’s work is powerful, compelling and monumental. So, I take art historian Valeria’s advice to see this work in Frary Dining Hall at Pomona College.
It’s summer and I call ahead to make sure of the dining hall hours to be certain I can enter (breakfast is served 8-9:30 p.m. and lunch is 11:30 a.m. to 1 p.m.), then prepare my route from the beach to the foothills of the San Gabriel Mountains, navigating a series of freeways. This is the land I grew up in and I’m completely at home.
The trip takes about an hour and I arrive a bit after ten in the morning. A good time to travel since I am going in the opposite direction from morning rush-hour traffic heading toward downtown Los Angeles.
Pomona College is private, liberal arts and part of the Claremont Colleges Consortium. The grounds are carefully manicured and the buildings convey the ambience of of classic California architecture, combining southwest colonial Spanish influences with art deco style.
I loved walking the park-like, tree-lined pedestrian avenues filled with talented young people representing every multicultural mix in the world.
Orozco painted and completed his mural in 1930, at the start of the Great Depression. There is an extensive art history discussion of the mural so I won’t go into much detail here, other than to say that Prometheus incurred the wrath of Zeus when he gifted humankind with fire — a symbol of learning, enlightenment and innovation — a perfect metaphor for a relatively new institution of higher education.
I decided to stay and have brunch in the richly paneled dining hall that students call Hogwarts, bought a meal ticket for $7.50, and settled in for the next hour-and-a-half to take photos, people watch, and gaze at the ironwork, paneled walls, and the play of light on Orozco’s masterpiece.
Note: If you arrive before or after the scheduled dining hall opening hours, you will be able to view the Orozco mural in natural light. Incandescent lights illuminate the mural during the hours when the dining hall is open. In my opinion this distorts the mural and the light casts an unwelcome glare. So, my recommendation is to enter the dining hall either between breakfast and lunch or between lunch and dinner.
Best time to travel there: Between 9:30 a.m. and 1:30 p.m. I left campus at 1:30 p.m. and had an easy return to the south coast, again circumventing Los Angeles’ famed clogged freeways.