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Norma Writes for Selvedge Magazine Issues #89 + #109
Creating Connection and Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions ie. hand weaving and natural dyeing. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are designed as learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them in their designs, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection and help artisans reach people who value them and their work.
Why We Left, Expat Anthology: Norma’s Personal Essay
We Contribute Two Chapters!
Meet Makers. Make a DifferenceOaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *MINNA *University of North Carolina at Chapel Hill
Tell us how we can put a program together for you! Send an email firstname.lastname@example.org
- WEAVE Podcast: Oaxaca Coast Textiles & Tour
- NY Times, Weavers Embrace Natural Dye Alternatives
- NY Times, Open Thread–Style News
- NY Times, 36-Hours: Oaxaca, Mexico
- Cooking Classes–El Sabor Zapoteco
- Currency Converter
- Fe y Lola Rugs by Chavez Santiago Family
- Friends of Oaxaca Folk Art
- Hoofing It In Oaxaca Hikes
- Living Textiles of Mexico
- Mexican Indigenous Textiles Project
- Museo Textil de Oaxaca
- Oaxaca Lending Library
- Oaxaca Weather
- Taller Teñido a Mano Natural Dyes
Day 3: Portraits of the Lupita Lazo Family
Today, our portrait photography workshop participants visited three families in Teotitlan del Valle who had graciously accepted our request to take their photographs. One of these is the family of Lupita Lazo.
Several months ago I wrote about Lupita Lazo’s diagnosis of breast cancer (a growing problem in Mexico) and her need for financial help. So many of you responded with gifts of all sizes and we were able to raise over two thousand dollars to help to cover a mastectomy, early chemotherapy treatments and pain medications.
Lupita is hopeful. So is her doctor and her many friends. She has completed four rounds of chemo, with the fifth and most powerful dosage coming up on February 10. There will be three more rounds after that.
The doctor says she is strong. Lupita has changed her diet. She is eating mostly chicken and no red meat, no dairy and lots of fresh fruits and raw vegetables. She tells me that a regular tonic is a mix of beet, carrot, parsley and orange juice. Since she is now unable to work, Lupita’s oldest son Hugo has quit university and is working to help with household expenses. Hugo is twenty years old. Danny is sixteen and Cristobal is ten. Lupe is a widow.
It was a wonderful experience to be with the family today. Lupita is joyful and positive. Her three boys are loving and giving her lots of care, as are her many friends. It meant a lot to us to share this time with them in their home.
For the photographs, some of us are using iPhones and some of us are using digital cameras. In low lighting, we are learning about using the reflector to take advantage of natural light coming into dimly lit interiors. We are not using flash or any artificial lighting, adjusting the settings on our cameras to accommodate each situation.