Mexico’s Ex-Votos are collectible naive folk art that tell a story of thanksgiving for being saved from near-death or disaster. Yes, it was a miracle to survive. Usually, the person who escaped tragedy would hire a local artist to paint a tin square depicting the scene. The message of thanks may have included many misspellings, as the painters were not educated. They often include depictions of the saint to whom the supplicant is sending prayers of thanks.
Three of the exvotos are reproductions by famed Mexico City artist Rafael Rodriguez. One is a vintage piece dating from the 1950’s, acquired from a collector friend.
To Buy: Send me an email and tell me which piece(s) you want indicating the number of the item, your name and mailing address. I will send you a PayPal invoice and add-on $8 USD for USPS priority mail if you are in the lower 48 states.
Time sensitive. Purchases must be made by Monday, December 10, 2018. I fly away to North Carolina on December 12, and I’ll need time to package for taking with me.
#1. Vintage Exvoto, 1950s, $495
#1 is a whimsical, vintage exvoto, rare and in excellent condition for its age, is a perfect example of naive folk art, painted at Chapala, Jalisco in the 1950s, according to my collector friend in Mexico City (and she should know!). It says: Gracias a la virgencita y el niño por senar a mi hijo enfermo de Tifoidea a anto de morir. El sans infinitamente agracidas. (signed) Lupe Ma. Miraflores Lopez, Chapala, Jalisco. (Thanks to the little virgin and her son for saving my son from typhoid before he died. He is infinitely thankful.) Measures 10-1/4″ x 8-1/2″
#2, Skeletons, $135
#2 is a reproduction by famed Mexico City exvoto artist Rafael Rodriguez, painted on tin. It measures 14-1/4″ x 10-1/4″ and says: Roperta Lara da las gracias con esta laminita pues unas calaveras nos atacaran a mi y mi vieja. Puebla, 9 de julio de 1940. Roperta Lara gives thanks with this plaque since the skeletons didn’t attack me and my old lady.
#3, The Temptress Snake Woman, $110
#3 is a reproduction by famed Mexico City exvoto artist Rafael Rodriguez. It measures 12″ x 9-3/4″ and says: Contava la gente que salia una serpiente mujer que se lleva va a los hombres a su gruta y alli se los come hasta con zapatos y zombrero. Jalisco a 5 de Julio de 1938. Saved from Contava the snake woman who comes out of her cave and captures men and eats them, except for their shoes and hat.
#4 Rufina Estrada is saved, $75
#4 is an exvoto reproduction by Mexico City artist Rafael Rodriguez. It measures 10″ x 7-1/2″ and says: Rufina Estrada dedica esta laminita porque me salve de la huesuda. San Luis, a 11 de enero 1939. Rufina Estrada dedicates this plaque because she was saved from death. San Luis, January 11, 1939.
#5 Vintage Patzcuaro, Michoacan, Silver & White Heart Necklace, $795
#5 is a rare necklace, attributed to Patzcuaro, Michoacan, according to famous Oaxaca jeweler Federico, from whom I bought this some years ago. The beads are vintage, rare and collectible Venetian glass trade beads called White Hearts, brought to the Americas by Cortes. There are 15 handmade silver Virgin of Soledad (?) pendants, each 1-1/2″ long by 7/8″ wide. Pendants have various designs. The necklace is 20″ long. An outstanding piece.
#5 detail, pendants have several unique designs
#6 is a vintage sterling silver beaded necklace, Taxco, $265
#6 is one of those unusual finds, 40 perfectly formed 15 mm beads made in the heyday of Taxco silversmithing, probably from the 1960’s. 23-1/2″ long. I bought these beads in Puebla. The chain broke and I had them restrung on very sturdy jewelers wire.
#6 detail of Taxco bead necklace
#8 new, Spratling sterling silver chain, $395
#8 detail, Spratling stamp
#8 is a new William Spratling sterling silver chain, made in the Spratling studios in Taxco, Guerrero, and is 22″ long. It is a contemporary piece cast from Spratling’s original molds by the Ulrich sisters, who own the famed franchise and whose father was Spratling’s business partner before Spratling died.
#9 sterling and inlaid abalone shell fish pin, $95
#9 is a perfect specimen of Taxco silver and inlay mastery, from the 60’s or 70’s. 1-1/4″ wide by 1″ high. The abalone shell glimmers and the silver work is pristine. Fish pin, inlaid abalone on silver. Excellent. $95.
#9 Detail
Three Pillow Covers From Chiapas
These pillow covers are woven by the famed cooperative El Camino de Los Altos by women who use back strap looms. The designs are not embroidered, they are woven into the cloth. They each measure 17″ x 16-1/2″ and they are $35 each.
#10 Deep Gray, $35
#11, Gold, $25
#12, White, $35
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Permanent Resident of Mexico: Green Card Equivalent
Today, after my third trip to Migracion in as many weeks, I picked up my official Residente Permanente card granted by the federal government of Mexico. I was surprised at myself: I couldn’t stop smiling. I’m thrilled, in fact, to now be an official part of this country I call home most of the year.
That’s not to say that the USA is not my home. I am a citizen, I vote, I take part in my community, I own property that I return to often, my family is there and I have a deep friendship network. I know my final resting place — in Santa Cruz, California, in a redwood grove, next to our mother, the Pacific Ocean in the distance.
There is much to appreciate in these two worlds — Estados Unidos Mexicanos and the United States of America. Neither is perfect. At the moment, I am happy to have focus here away from the turmoil of nationhood that has gone awry in my home country. As a friend recently said, we live in an imperfect world.
There is solace living in a small Zapotec village thirty minutes from a smallish town that is rich in cultural heritage and indigenous traditions.
I made this decision to apply for a permanent residence in September after I was invited to contribute a chapter to a book featuring the voices of women in the United States who have chosen to live in Mexico. I wrote almost 4,000 words about how I first came here, what kept me coming back, and the difference that living in Mexico has made in my life.
As an exercise in self-reflection, I realized how meaningful life here is for me, my relationships with people who come from an 8,000 year old heritage, and how my creativity is energized by the experience.
When I got to North Carolina in October, the first thing I did was contact the Mexican Consulate in Raleigh to make my application and arrange a personal interview. I was welcomed and treated with respect. I know that Mexicans do not have a similar experience when they appear for their appointments at the U.S. Embassy in Mexico City to apply for a simple tourist visa.
The paperwork required is extensive: one year of printed bank records documenting income to meet a threshold to qualify for this type of visa. I did not tell them anything about me in advance and I did not bring a resume. They must have found this blog and while at the interview invited me to meet with the cultural attache to talk about ways we could work together to educate Carolinians about the artistic and cultural richness of Mexico and her people. I received the preliminary approval with a stamp in my Passport within two hours.
That was just the beginning. Then, in Oaxaca, on recommendation from friends, I hired German Osorio, a very helpful English-speaking attorney who facilitated another application, payment of a fee, and the series of meetings with officials to complete the process that took several weeks. This included surrendering my Passport for several days, surrendering my Tourist Visa permanently. Without the Tourist Visa, I could not leave the country until the Permanent Resident Visa process was complete.
Not much will change for me with this Permanent Resident Visa, except that the official approval solidifies my commitment to people and place.
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Posted in Cultural Commentary, Teotitlan del Valle
Tagged Mexico, Oaxaca, permanent resident visa