Category Archives: Workshops and Retreats

Day of the Dead 2019 Women’s Writing Retreat: How Memory Inspires Us

Arrive Wednesday, October 30 and leave Monday, November 4, 2019. The retreat can accommodate up to 10 women.

We gather for Day of the Dead 2019 in the traditional Zapotec village of Teotitlan del Valle, Oaxaca, Mexico to write with intention for five nights and four days. Day of the Dead inspires us to revisit our memories of people and places, to dig in and go deep, and to write in whatever genre speaks to us: memoir, journaling, fiction, personal essay, creative nonfiction, and poetry.

New and seasoned writers are welcome. Come to kindle and rekindle the writer’s life.

Cost is $1,095 per person for a shared room, and $1,395 for a private room. A 50% deposit will reserve your space.

All single rooms sold out. Shared rooms only. 

During this time, Oaxaca honors her ancestors: parents, grandparents, aunts and uncles, young ones lost to tragedy. Loss surrounds us: loss of time, loss of relationships, loss of self and identity, loss of a loved one or someone with whom closure was incomplete.

Day of the Dead Altar

It is also a celebration of life, the continuum, the link between the generations before and the world we inhabit. During the workshop we discuss Day of the Dead symbols, meaning and concepts, comparing Mexican beliefs with those from our own cultures to spark memory and creativity. Perhaps we explore this in writing or use it as a device to trigger imagination.

Day of the Dead offers each of us an opportunity to explore the tenor of life, and the meaning of life and death, transition, passage, and relationships. Memory is powerful. Recall gives us permission to exhume and revisit, to sit with what is at the surface or buried deep within, to see beyond the mask. Writing gives outlet to self-expression whether your goal is to publish or not.

Day of the Dead, handmade tin, folds to 10-1/4×6-1/2″. For Sale, $95 + $8 mailing

Teotitlan del Valle is our base. It is an ancient weaving village about thirty minutes beyond the hubbub of the city where Day of the Dead rituals are practiced much as they were hundreds of years ago.

During our time together, we will integrate our writing practice with visits to San Pablo Villa de Mitla cemetery and a home altar on the morning of November 1 with a local weaver friend. Then, on the evening of November 2 we will go with a local family to the Teotitlan del Valle cemetery to guide the difuntos back to their resting places.

Calavera Artist, hand-painted, 8-1/2″ high x 3″ wide. For Sale, $85 + $8 mailing

Want to buy Muertos decor? Send an email.

There will be optional daily activities in our schedule: gentle yoga, afternoon walks, and mini-seminars on writing topics such as writing effective description and dialogue, grammar, or submitting creative work for publication. Each person will have a private coaching session, too.

Roses on the writing table with journal notes

Planned Itinerary: 2019

  • Wednesday, October 30: Arrive and check-in to our retreat space. Group dinner. Introductions.
  • Thursday, October 31: Morning yoga (optional), breakfast, writing workshop, lunch, afternoon independent writing, optional activities, group dinner, coaching session
  • Friday, November 1:  Morning yoga (optional), breakfast, visit to Mitla cemetery and home altar, independent writing, lunch,                afternoon workshop, group dinner, coaching session
  • Saturday, November 2:  Morning yoga (optional), breakfast, writing workshop, lunch, afternoon independent writing, visit to Teotitlan del Valle cemetery, dinner on your own
  • Sunday, November 3:  Morning yoga (optional) breakfast, writing workshop, lunch, afternoon independent writing, optional                    activities, group reading and celebration dinner
  • Monday, November 4:  Breakfast and depart

We reserve the right to make itinerary changes and substitutions as necessary.

You can add-on days in Teotitlan del Valle or Oaxaca before or after the retreat at your own expense. We can arrange transportation for you to/from the airport and to/from the city at your own expense.

What is included?

  • Complete instruction with four workshop sessions
  • 4 dinners
  • 5 breakfasts
  • 4 lunches
  • 5 nights lodging
  • transportation to Mitla cemetery and altar
  • daily gentle yoga (optional)
  • mini-seminars on writing topics
  • one coaching session

Please bring a photo of a loved one. We will build a group altar, too.

Meet Robin Greene, Writer-Editor-Professor

http://www.robingreene-writer.com/artist-statement/

We are pleased that Robin Greene is returning to lead this intensive writer’s retreat. This will be her eighth year teaching with us to rave reviews.

Novelist and Poet Robin Greene in Oaxaca, Mexico

Robin Greene is Professor of English and Writing and Director of the Writing Center at Methodist University in Fayetteville, NC, where she held the McLean Endowed Chair in English from 2013-2016. Robin has published two collections of poetry (Memories of Light and Lateral Drift), two editions of a nonfiction book (Real Birth: Women Share Their Stories), and a novel (Augustus: Narrative of a Slave Woman). Robin’s second novel, The Shelf Life of Fire, is forthcoming from Light Messages Publishing in spring 2019, and Robin is currently working on a sequel.

Robin is a past recipient of a North Carolina-National Endowment for the Arts Fellowship in Writing, and has published over ninety pieces of poetry, fiction, and nonfiction in literary journals. She has received two teaching awards, the latest of which, the Cleveland Award, received in 2017, is the most prestigious award offered by her university. Robin has given over a hundred academic presentations, literary readings, and writing workshops in a variety of venues throughout the US.

Additionally, Robin is a registered yoga teacher (RYT200), cofounder and editor of Longleaf Press, and cofounder of Sandhills Dharma Group, a Buddhist meditation group. She holds a M.A. in English from Binghamton University and a M.F.A. in Writing from Vermont College of Fine Art at Norwich University.

Day of the Dead, Some Links to Culture and Traditions

What is a Workshop Session? The group meets daily for three hours to actively listen to each other’s writing, giving supportive and constructive feedback about what resonates or not. We offer guidelines for the process. Everyone takes a turn to read and everyone participates. Writers may accept or reject suggestions. Workshops offer an important learning tool for writers to gain feedback about how their words are communicated and understood.

How to Register:  Cost is $1,095 per person for a shared room, and $1,395 for a private room. A 50% deposit will reserve your space. Send us an email to say you want to attend and if you want a shared or private room. We will send you a PayPal invoice to secure your space.

Required–Travel Health/Accident Insurance: We require that you carry international accident/health/emergency evacuation insurance with a minimum of $50,000 of medical evacuation coverage. Proof of insurance must be sent at least 45 days before departure. In addition, we will send you by email a PDF of a witnessed waiver of responsibility, holding harmless Norma Schafer and Oaxaca Cultural Navigator LLC. We ask that you return this to us by email 45 days before departure. Unforeseen circumstances happen! Be certain your passport has at least six months on it before it expires from the date you enter Mexico!

Plane Tickets, Arrivals/Departures: Please send us your plane schedule at least 45 days before the trip. This includes name of carrier, flight numbers, arrival and departure time to/from our program destination.

Reservations and Cancellations.  We accept payment with PayPal only. We will send you an itemized invoice when you tell us you are ready to register. After September 1, 2019, refunds are not possible. If there is a cancelation on or before September 1, 50% of your deposit will be refunded. After that, there are no refunds.

All documentation for plane reservations, required travel insurance, and personal health issues must be received 45 days before the program start or we reserve the right to cancel your registration without reimbursement.

Terrain, Walking and Group Courtesy: The altitude is almost 6,000 feet. Streets and sidewalks are cobblestones, mostly narrow and have uneven paths. The stones can be a bit slippery, especially when walking across driveways that slant across the sidewalk to the street. We will do some walking. If you have mobility issues or health/breathing impediments, please let me know before you register. This  may not be the workshop/study tour for you. Traveling with a small group has its advantages and also means that independent travelers will need to make accommodations to group needs and schedule. We include plenty of free time to go off on your own if you wish.

How to Get To Oaxaca: United Airlines operates direct flights from Houston. American Airlines operates direct flights from DFW. Delta Airlines has a codeshare with AeroMexico with a connection to Oaxaca from Mexico City. All other major airlines fly to Mexico City where you can made independent connections on Interjet, and VivaAerobus. Check Skyscanner for schedules and fares before you book.  Note: I always book directly with the carrier for better customer service.

Workshop Details and Travel Tips: Before the workshop begins, we will email you study tour details and documents that includes travel tips and information.

To get your questions answered and to register, contact Norma Schafer. This retreat is produced by Norma Schafer, Oaxaca Cultural Navigator LLC.

Oaxaca Weaver in Raleigh-Durham, NC, October 17-21, 2018

Omar Chavez Santiago, a young talented weaver from Teotitlan del Valle, Oaxaca, and Galeria Fe y Lola, will be in Raleigh and Durham, North Carolina for a set of talks, cochineal dye demonstrations and textile sales from October 17 to October 21, 2018. Events are open to the public.

Please attend and share widely! Thank you.

INDIO Durham

In addition to rugs, Omar will offer handbags, totes, shibori wool scarves, and other textiles for sale. All are colored with natural dyes.

Shibori scarves, dyed with cochineal, indigo, wild marigold

I am fortunate to call Teotitlan del Valle home, where I live a good part of the year with Omar’s family on their land on the outskirts of the village.

Oaxaca Cochineal Dye Workshop in Durham, North Carolina

Thanks to Wendy Sease at INDIO Durham, Omar Chavez Santiago is coming back to North Carolina in mid-October for a trunk show and natural cochineal dye workshop. He will also be demonstrating at Meredith College in a textile residency program.

Cochineal is the insect that produces carminic acid (think Campari, lipstick, yogurt), that tantalizing RED that the Aztecs, then Spanish adored.

Featured are:

  • Tapestry-loomed rugs hand-made with 100% natural dyes
  • Indigo blue dyed wool scarves and shawls in time for winter
  • Gorgeous hand-bags and totes, all with natural dyes

From October 27 to November 6, Omar is traveling to Philadelphia, Pa, and New York, NY, to exhibit, demonstrate and sell beautiful tapestry rugs at various locations. I’ll be posting the schedule soon. If you live in the NE Corridor, stay tuned!

 

Leslie’s Regrets Sale: Clothing From Chiapas and Oaxaca

I had this crazy idea of starting an on-line e-commerce website marketplace to sell and resell new and like-new Mexico clothing AND my own dress design.

(Skip the story, if you like, and scroll down to the goods.)

(I’ve been making and wearing the same dress pattern in different fabrics for the last several years. I thought, oh, I could make and sell these dresses too, because women have stopped to ask me where I bought  it!)

I bought a domain name and tried to set up a Shopify store for the last two weeks. I’m frustrated. I can’t seem to get it. Too complicated. Too much time invested without decent results. Not good enough to publish, yet.

Meanwhile, I promised my friend Leslie, who did more than what was required to support artisan weavers and dyers on trips she took with me to Chiapas and the Oaxaca coast, to help her sell what she bought and has not worn.  So, here are six beautiful pieces of clothing. You buy from me and Leslie ships to you from Denver, Colorado. Easy. You get it in a few days! See below on how to buy.

#1. San Antonino embroidered and crochet blouse in black and white

#1. SOLD. Flowers galore like a summer garden filled with pansies in a subdued palette of black, white with a tad of blue/gray for accent and depth. A masterful piece of embroidery work from one of the greats in the Oaxaca village of San Antonino Castillo Velasco. Brand new, never worn. Easy wash by hand or in machine on gentle, cold water, hang to dry. No ironing needed. Size Medium. $225 USD includes 3-day priority shipping in continental USA.

#1 detail of B&W San Antonino blusa

#2 San Mateo del Mar double-weave shawl, deep purple

#2. This stunning shawl was made on the back-strap loom in the Oaxaca Coast community of San Mateo del Mar. In 2017, the town was hit by an immense earthquake and the village was decimated. Many weavers suffered, losing their homes. We bought this at an earthquake relief sale on our Oaxaca Coast Textile Study Tour to benefit the weavers. It is 100% cotton and 100% made-by-hand. One-of-a-kind. For those of you who love graphic design and making a fashion impact, this shawl will fulfill all your wishes. Note: The shawl photographs black but it is a deep purple. New and never worn. 22-1/2″ wide x 75″ long. $200 includes 3-day priority USPS mailing in lower 48 states.

#2 has a beautiful drape, fine details

#3 Rayas Red and White, Chiapas back-strap loom

#3. This is a comfortable, 100% cotton blouse made on a back-strap loom from finest quality mercerized thread. It’s brand new and one-of-a-kind. The traditional design on the white stripes are added during the weaving process (not embroidered) and is called supplementary weft. Very fine and detailed needlework to embellish the neck and sleeves. We bought it at one of the best cooperatives in San Cristobal de Las Casas, Chiapas, where Mayan weavers create extraordinary textiles. Machine wash on gentle or hand wash and hang to dry. No need to iron! Measures 23-1/4″ wide across the front and 26″ long from the shoulder. Size M. $110 includes priority USPS 3-day shipping to 48 states.

#3 shoulder detail with finished neck edge and sleeve cap

#4 Rayas in Red and Yellow, Chiapas

#4. This is a comfortable, 100% cotton blouse made on a back-strap loom from finest quality mercerized thread. It’s brand new and one-of-a-kind. The traditional Maya frog design on the yellow stripes are added during the weaving process (not embroidered) and is called supplementary weft. Very fine and detailed needlework to embellish the neck and sleeves. We bought it at one of the best cooperatives in San Cristobal de Las Casas, Chiapas, where Mayan weavers create extraordinary textiles. Machine wash on gentle or hand wash and hang to dry. No need to iron! Measures 23-1/4″ wide across the front and 26″ long from the shoulder. Size M. $110. Includes USPS priority 3-day shipping to lower 48 states.

#4 Rayas Red and Yellow detail

#5. Fine Cotton Gauze Huipil-Tunic, San Pedro Amusgos

#5. SOLD. Fresh and refreshing: a breathable top, simple and elegant. We visited the remote village of San Pedro Amusgos high in the mountains about eight hours from Oaxaca City. Here they weave cotton on back-strap looms just as they have for centuries. This is a beautiful, lightweight collector’s garment with a white-on-white bodice. Called supplementary weft, the design is woven into the cloth, a difficult maneuver by a master weaver. It is not embroidered! This is new and never worn. Perfect over a skirt, jeans, silk or linen slacks. Wash by hand with a mild soap and hang to dry. Measures 23-3/4″ wide x 29″ long. Size M. $200. Includes USPS priority mail shipping to lower 48 states.

#5 detail of bodice, Amusgos tunic

#6. San Juan Chamula Cape, Chiapas

#6. SOLD. Shades of Gray. This is a traditional cape or shawl, called a Chal, hand-woven in the Chiapas village of San Juan Chamula. This particular textile is one of the finest examples of back-strap loom weaving, coming from the Sna Jolobil Cooperative at the Museo Mundo Maya. The wool is hand-carded and spun using the ancient drop-spindle. This is a total made-by-hand garment. The warp threads are cotton and the weft is a soft, pliant natural gray and cream color sheep wool. The edges are strongly woven with very colorful cotton threads to accent the gray body of the garment. Tie it closed with a hand-made tassel and VOILA. Fun to wear or to use as a bed or sofa scarf. Take the tassels off and make a pillow! Measures  24″ square. $145 USD includes USPS 3-day priority mail to anywhere in the lower 48 states.

#6. Detail of San Juan Chamula cape

How to Buy!

Send me an email: norma.schafer@icloud.com

  • Tell me which piece(s) you want by number.
  • Tell me your complete name, mailing address and email.
  • I will send you a PayPal invoice.
  • As soon as I receive payment, I will confirm and we will prepare for mailing. You should be receiving your order within 5-7 days.

 

Video: Danza de los Diablos, African Roots in Mexico, El Tule Guelaguetza 2018

Danza de los Diablos is connected with the Afro-Mestizo history of Oaxaca’s Costa Chica, the Pacific coast region between Puerto Escondido and Acapulco, Guerrero. Now referred to as Mexico’s Third Root, people of African descent are an integral part of what it means to be Mexican, more than only the mix of Europeans and AmerIndians. With the conquest of Mexico, Spanish brought African slaves here in the 16th century to work sugar cane fields, mines and agriculture. Most were men and married indigenous women. Race and class was far more permeable in Mexico than in the United States.

Only recently have academics and cultural anthropologists begun to uncover and investigate the importance of African roots in Mexican culture.

Dressed as the devil with mask, horns and horsehair, African roots

The dance and its music, with its stomping and whirling, are said to symbolize the breaking from the repression of slave owners and the church. The woman in the dance represents the mixing of races. She carries a white doll. Traditionally, the dance is performed on November 1 during Day of the Dead.

White mask, dark skin, white baby, symbol of Afro-Mestizo roots

Oaxaca Costa Chica Textile Study Tour, January 11-21, 2019–Spaces Open

Behind the mask, a beautiful countenance

Today, the dance is a testimony to Oaxaca’s rich diversity and deepening respect for her roots.

One of the pleasures I have from writing this blog is the research I do to investigate the culture and history of Oaxaca and Mexico. When I was at the Costa Chica in the last two years, I became more aware of African slave roots as as I talked with cultural anthropologists and locals.

A First Person Commentary

About Afro-Mexicans

Much more has been written about the African experience on the Caribbean coast of Mexico, at the port of Veracruz and south. The Son Jarocho music of Mexico, Cuba and the Caribbean are rooted in Africa, as is the donkey jawbone and drum percussion instruments. There is still a lot to learn.