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Norma Writes for Selvedge Magazine Issues #89 + #109
Creating Connection and Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions ie. hand weaving and natural dyeing. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are designed as learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them in their designs, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection and help artisans reach people who value them and their work.
Why We Left, Expat Anthology: Norma’s Personal Essay
We Contribute Two Chapters!
Meet Makers. Make a DifferenceOaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *MINNA *University of North Carolina at Chapel Hill
Tell us how we can put a program together for you! Send an email email@example.com
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Bowers Museum of Art Invites Norma Schafer to Speak About Oaxaca, Mexico
Today, I arrive in Southern California to give a talk about Oaxaca, Mexico, art and culture at the Bowers Museum of Art in Santa Ana. The Collectors’ Club invited me about six months ago to make a presentation on Saturday afternoon, September 16, 2017.
There is so much about Oaxaca to cover. I thought I would share my narrative outline with you:
Interior gold leaf, Templo Santo Domingo, Oaxaca
Oaxaca is one of those rare places in the world that inspires creativity and artistic expression. A UNESCO World Heritage site colonized by the Spanish in 1521, its indigenous roots go back 8,000 years ago.
It is mestizo, mixed, a blend of ancient and contemporary, reflecting generations of invasion, migration and cultural identity. Walk her cobbled streets and feel Colonial history. Explore her villages and know the first peoples who lived here before – and now.
White corn tlayuda, indigenous, organic, non-GMO
Corn (maize) was first hybridized in nearby Yagul, Oaxaca, caves by Zapotec farmers. Carbon dating has pinpointed this at 6,000-8,000 years ago. The plant traveled worldwide to become an essential food source on every continent.
Barbecue served for local fiestas
Oaxaca’s culinary prowess is second to none. Her finest restaurants and humble comedors give way to innovative recipes rooted in native history, married with European influences. We know mole negro. There are six others.
Intricately embroidered blouse, San Bartolome Ayautla
Women sit at back strap looms, nested on packed earth floors in remote villages weaving beautiful garments with supplemental wefts embellished with figures from nature and the constellations, just as they did thousands of years ago. There is a revival of native natural dyes, including cochineal and indigo, as well as the use of native silk and wild cotton.
Indigo dye bath turns wild marigold colored wool to green
Pulque, the fermented juice of the agave plant evolved into mezcal, a leading artisanal beverage distilled from the roasted core of wild and cultivated cactus plants. Have you tried Gracias a Dios Gin Mezcal?
Health benefits of agua miel before it becomes pulque
Ceramic figures and cooking vessels are made today much like they were in 900 A.D. when Zapotecs artisans supplied the mountain-top kingdom of Monte Alban. Mixtec gold filigree jewelry unearthed at this archeological site is reproduced and offered for sale, made even more desirable by popular Frida Kahlo style. Contemporary silversmiths adapt traditional designs for practical daily wear.
Ancient traditions, making a clay comal for tortilla making
And, the contemporary art scene is unparalleled. Printmakers, graphic artists, painters and muralists actively produce extraordinary works that capture the essence of Mexican history, culture and politics. Their work is rooted in the pre-Revolutionary iconic work of Jose Guadalupe Posada and post-Revolutionary murals of Rivera, Orozco and Siquieros.
Painter Gabo Mendoza talks about the subject of his works
Experimentation, innovation and design permeate a vibrant arts scene that encompasses all the senses.
Market scene, Teotitlan del Valle
Yet, Oaxaca is the second poorest state in Mexico. It has pockets of poverty, social unrest and a widening economic gap. Rural, indigenous people have limited access to education, health care and public services. They demonstrate peacefully now to express their discontent.
Day of the Dead Altar
Despite this, Oaxaca is safe and welcoming.
During this presentation, Norma Schafer will lead a visual tour of Oaxaca city and villages, discuss artisanal crafts and contemporary art in the context of social history, bring examples for you to see and touch, and answer questions you may have.
At the confite, the church parade
Posted in Cultural Commentary, Oaxaca Mexico art and culture, Textiles, Tapestries & Weaving, Travel & Tourism
Tagged Bowers Museum of Art, Mexico, Oaxaca