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Norma Writes for Selvedge Magazine Issues #89 + #109
Creating Connection and Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions ie. hand weaving and natural dyeing. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are designed as learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them in their designs, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection and help artisans reach people who value them and their work.
Why We Left, Expat Anthology: Norma’s Personal Essay
We Contribute Two Chapters!
Meet Makers. Make a DifferenceOaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *MINNA *University of North Carolina at Chapel Hill
Tell us how we can put a program together for you! Send an email firstname.lastname@example.org
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- Currency Converter
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- Living Textiles of Mexico
- Mexican Indigenous Textiles Project
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Getting Ready for Dia de los Muertos in Oaxaca, Parade of the Catrinas
I can’t help myself. Those flamboyant, extravagantly costumed Catrinas, made famous as a Dia de los Muertos symbol by political cartoonist Jose Guadalupe Posada, are starting to pop up all over town. Day of the Dead is a big deal in Oaxaca, Mexico.
As I walk the cobbled streets and uneven sidewalks, I remember to look up (as well as down to make sure my footing is solid). There are Calaveras on rooftops and leaning over balconies here in Oaxaca, too.
Of course, I have to photograph them and the golden marigold flowers that are coming into full bloom. Their fragrance guides the dead from the other world back to this one for the annual visit to loved ones still living.
Whimsy, fun, mockery, parades, joyfulness and celebration are all part of Day of the Dead. Local people take the return of their loved ones seriously. They are deadly serious. One mother I know from El Norte who lost her adult son this year to a rare illness, is waiting with family in her local village for Muertos when she will be with her son again.
This is a pre-Hispanic tradition based in belief and mysticism, attached to the harvest season when all that lived returns to the earth.
We have two weeks to go but the energy is building. Shop windows lure the eye with decorations that are uniquely Oaxaca plus a blend of Halloween, an adaptation of commerce brought to Mexico by the U.S.A.
So, we see a blend, a syncretism of sorts, of plastic pumpkins, witches on broomsticks, ghosts, candy corn, spiders and gauze integrated with skeletons riding bicycles, skeletons wearing rebozos and skeletons dressed in indigenous clothing.
My vote for the best decorations is the patio entrance to Los Danzantes Restaurant.
Today, I went to the printer to make a copy of a special photograph of my dad who died in 1997. I’m thinking about the altar I will build where I will display his photo in memorial, light copal incense and guide his spirit back to me.
He wasn’t a drinker, but he liked a beer on a rare occasion. It really didn’t matter what kind. So, maybe a Victoria will go on the altar along with fresh fruit and a 24-hour candle whose flame will remind me of life, death, memory and the commitment to honor a beloved parent.
How to build a Day of the Dead Altar and Another Version
As I passed through the Zocalo, I noted doorways decorated with flowers, young boys tossing balloons, mothers and fathers strolling with their infants hugged to their bosom or nestled in carriages. A bandstand was set up awaiting the next performance. More tourists are in town meandering, eating in outdoor cafes.
Soon Muertos will be here. Another opportunity to count blessings, to appreciate life and to honor those who gave it to us.
Posted in Cultural Commentary, Oaxaca Mexico art and culture, Photography, Travel & Tourism
Tagged calaveras, Catrinas, day of the dead, Dia de los Muertos Oaxaca, Mexico, Oaxaca, skeletons