Make a Handmade Box within a Book: August 1-7, 2012
Using handmade local papers, and found objects and materials, you will learn to make a travel book with a self-contained box to hold your collected artifacts. Each participant will design a book, prepare the papers and artifacts, stitch the binding, and make the box enclosure. The enclosed box can hold art supplies, treasures, or spiritual talismans. This is a unique art book design created by our instructor Lisa Gilbert. It is portable, versatile and beautiful.
A box within a handmade book
First, we will visit the Taller Arte Papel Oaxaca in San Agustin Etla where local papermakers use the traditional methods and incorporate regional natural fibers into the paper. Here we will see the paper making process and then select text and cover papers for your personalized handmade book project.
During our travel adventures around Oaxaca as you explore the rich culture , you will collect personal treasures along the way. Your book will reflect your unique travel experience as you move from markets, to museums, to art galleries and artist studios incorporating the textures, colors, and artifacts that exemplify Oaxaca.
Front cover has optional pockets
Each day begins with a book making demonstration, followed by a learning and practice session. We’ll have daily discussion about how the project is progressing and have the opportunity to share our discoveries. The workshop will culminate with a book exchange, best of week show, and fiesta.
You will:
- Explore the anatomy of a book and how to construct one
- Understand the fundamentals of the craft
- Construct a sturdy box integrated within the book
- Use the pamphlet stitch to bind the signatures
- Make the finishing closures (e.g., paper beads, braided cords, etc.)
- Insert envelopes to hold extra treasures
- Apply foldout pages to extend your writing surfaces
- Collect ephemera to be used for decoration (photos, collage elements, yarns, threads, buttons, beads, etc.)
- No prior bookbinding skills are needed.
For:
- Book artists
- Art educators
- Calligraphers
- Artists and artisans
- Printmakers
- Anyone who wants to have fun and learn a new form of creative self-expression
We will provide you with a list of equipment and materials to bring with you upon registration. You may want to bring your own ephemera (decorations) or purchase ephemera during your travels around Oaxaca. We’ll provide basic supplies such thread, needles and glue and give you a shopping allowance to select handmade papers from Taller Arte Papel Oaxaca.
Your Itinerary: Each day includes plenty of time to work on making your book!
Use the box to collect milagros + embellishments
Day One: Arrive and settle into your Oaxaca city hotel.
Day Two: Travel by van to San Agustin Etla to the papermaking workshop; select your handmade amate papers; discuss components of bookmaking; overnight in Oaxaca (group breakfast, lunch and dinner).
Day Three: Visit the innovative textile museum, graphics arts institute, and go on an ephemera treasure hunt; discuss project design and paper preparation; overnight in Oaxaca (group breakfast; lunch and dinner on your own).
Day Four: Learn box making; project making and free time; overnight in Teotitlan del Valle (group breakfast, dinner).
Day Five: Visit the famed tianguis Tlacolula Market; discuss sewing the signatures; overnight in Teotitlan del Valle (group breakfast, lunch, dinner).
Day Six: Finish your book, book exchange, Best of Week Show and Fiesta; overnight in Teotitlan del Valle (group breakfast, lunch, dinner).
Day Seven: Depart OR stay on for an additional day and night to take a cooking class with renowned local teacher (9:30 a.m. -2:30 p.m.—includes lunch)
Select your own papers, cover design, colors
Your Workshop Leader is Book Maker Lisa Gilbert
Lisa Gilbert has been an enthusiastic book artist since childhood. She has been illustrating professionally, and teaching art and/or health for the past 20 years. Known for her use of color, finely tuned creativity, and excellent technical bookbinding, Lisa has been invited to show her work in two North Carolina exhibitions. She has studied bookbinding, papermaking, and box making at programs across the U.S., and most recently completed a Penland School of Crafts program. She has taught bookmaking classes throughout North Carolina, and has a reputation as a patient, encouraging, imaginative, and effective teacher.
Lisa considers herself to be a “cultural navigator” – a well-deserved designation since she has traveled to more than 25 countries. She purchases, collects, and uses exotic papers on her travels, most recently from Panama, Scandinavia, and India. Lisa has visited papermaking facilities and bookbinderies across India and has fashioned books from wood, papyrus, metal, mica, fabric, plastic, vinyl as well as from traditional materials such as handmade and machine-made decorative papers.
She attended Colorado Institute of Art, holds degrees in art and business, and the PhD in health education from University of Maryland. Her background is versatile and inventive.
Insert envelopes to hold extra treasures
Lodging/Accommodations. To keep this experience affordable, we have selected accommodations that are clean and basic. We will spend three nights in Oaxaca and three nights in Teotitlan del Valle. If you prefer luxury accommodations, please let us know and we can customize your accommodations for an added cost.
Cost: The basic cost for the trip is $1,295. USD. This includes six nights lodging double occupancy with shared bath, six breakfasts, three lunches, four dinners, transportation to the villages, all instruction and most materials. Travel workshops of this type and length cost more than twice as much!
The program costs do NOT include airfare, taxes, gratuities, travel insurance, liquor/alcoholic beverages, some meals as specified in the itinerary, entry fees, and some transportation.
You will have the option of sharing a double room with shared bath for the base price of the trip. Please indicate your preference.
Option A: Shared room with shared bath; $1,295. Deposit to reserve: $650.
Option B: Shared room with private bath; $1,495. Deposit to reserve: $750.
Option C: Single room with private bath; $1,645. Deposit to reserve: $823.
Option D: Add additional nights lodging in Oaxaca, +$125 each night.
Option E: Add one night lodging and cooking class in Teotitlan del Valle, $110 on Tuesday, August 7 (depart August 8)
Reservations and Cancellations
A 50% deposit is required to guarantee your spot. The final payment for the balance due (including any supplemental costs) shall be postmarked by May 30, 2012. We prefer Payment with PayPal. We will be happy to send you an invoice.
Please understand that we make lodging and transportation arrangements months in advance of the program. Deposits or payments in full are often required by our hosts. If cancellation is necessary, please notify us in writing by email. After May 30, no refunds are possible. If you cancel on or before May 30, 2012 we will refund 50% of your deposit. We strongly recommend that you take out trip cancellation, baggage, emergency evacuation and medical insurance before you begin your trip, since unforeseen circumstances are possible.
To register, contact: normahawthorne@mac.com or call (919) 274-6194. Thank you.
This workshop is produced by Norma Hawthorne, Oaxaca Cultural Navigator LLC. We reserve the right to alter the itinerary and substitute instructors without notice.
The exploration of life is like creating an open book.
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India Journal: Top Artisans at Nature Bazaar
Nature Bazaar is an effort by the Delhi Department of Tourism to bring the best artisans from throughout India to the city for permanent exhibition. Or, let me say, the space is permanent and the artisans rotate. So, it’s more of a pop-up and the artisans change about every six weeks. This group goes until November 30, 2016.
Indigo-dyed organic cotton block print from Rajasthan
I returned on my own so I could leisurely browse the textile collection, speak with the makers, and go through the stacks of cloth in search of indigo blue, red madder, turmeric root dyed yellow cloth. I didn’t want to miss anything. This extended to a three-hour meander to uncover as much as possible.
Block print yardage, turmeric w/ indigo over-dye (L). Madder w/indigo over-dye (R).
My textile artists friends tell me that the Nature Bazaar cooperative is the best source for India arts in Delhi. Funds from the purchases go directly to the artisans who participate.
Waiting patiently for customers, Nature Bazaar
My friend Lee Schwartz, who just returned from a 10-day tour of Rajasthan, claims she saw nothing of the quality on the tour that she encountered at the National Crafts Museum in Delhi. After a visit there, today, I still rank Nature Bazaar as the top shopping spot in Delhi, with second place going to FabIndia.
Ahmedabad artisan folds shawls inset with mirrors embroidered to silk/wool blend.
As with Oaxaca, it’s important to know where to source. I’ve decided to focus this India visit on textiles and not on typical sightseeing and monuments (though tomorrow we leave for Agra and the Taj Mahal).
Fine miniature paintings with gold leaf, an art form
There is so much here that zeroing in on what is important to me helps conserve energy. It’s impossible to get to more than two or three places in a day because of the intense traffic, horn-honking and dust. It just wears you out!
Indigo dyed patchwork quilt, with dresses, blouses on table.
At Nature Bazaar, I met Margaret Zinyu, who has a degree from the National Institute of Design in Ahmedabad. She planned to go into fashion design but decided to return to her native Nagaland, in northeast India on the Myanmar border, to work with local weavers using cotton dyed with indigo. She is just starting her company Woven Threads and this bazaar was the premiere of her products.
Margaret Zinyu of Woven Threads, Nagaland, India
India is at the crossroads of the ancient Silk Road. The people here are a multicultural blend of Asians and Europeans, Hindus and Muslims. There is as much diversity here as I see in Mexico. The people from the Himalaya foothills, part of India, bring their kite flying traditions to the crafts of the country, for example. These are for sale at the Nature Bazaar, too.
Most of India’s indigo is cultivated in Tamil Nadu, in the south
Wood carved stamps used for block printing at Nature Bazaar
There are also several stalls with hand-wrought silver jewelry from the Himalayas and Afghanistan. Many of the designs looked North African, like those I had seen in Morocco and southern Spain.
Tribal jewelry maker from Himachal Pradesh in the Himalayan foothills of India.
Example of ornate silver earrings inlaid with garnets and embellished with pearls.
There is no cochineal here, of course. This is a humid country and the insect is only found in hot, dry climates like Mexico where the nopal cactus thrives. So madder, the red dye that is more the color of red earth than intense carminic red, is what is found here. However, indigo is king in India and the British capitalized on its export starting in the early 17th century. Today, it is only cultivated in Tamil Nadu in the south of the country.
India’s indigo from Tamil Nadu, in the south
Walking the streets and riding the Metro, I see women of all ages wearing saris and the shalwar kameez pantsuit with tunic top and harem-style pants dyed with indigo blue. Women’s clothing of India is beautiful, lightweight and easy to wear.
India’s sari, block print with gold and indigo
Mexican indigo is extracted from the native plant Indigofera suffruticosa, known as añil, found in the tropics of the Americas. Native indigo from India is Indigofera tinctoria, known as true indigo, and is found in Asia and Africa. The plant and leaf structures are different, but the process to produce the color is the same.
Handmade palm brooms
The most intense blue comes by dipping the cloth at least several times in the indigo dye bath.
Papier mache toys and mobiles at Nature Bazaar
My goal on this trip is to bring back examples of of cloth dyed with indigo, using a variety of weaving, tie-dye and printing techniques.
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Posted in Cultural Commentary, Textiles, Tapestries & Weaving
Tagged blue, cloth, crafts, India, indigo, Mexico, natural dye, natural dyes, Nature Bazaar, New Delhi, organic cotton, shopping, textiles, weaving