Tag Archives: creative

Day of the Dead 2012 Photography Expedition in Oaxaca, Mexico

7 Nights and 8 Days, Sunday, October 28 to Sunday, November 4, 2012Bill Bamberger returns in 2012 to lead this very popular expedition that gives you an intimate view of Oaxaca’s extraordinary Day of the Dead celebrations.

You get a taste of how the city and a smaller village celebrate.  Bill teaches in the Folklore Program in the College of Arts and Sciences at The University of North Carolina at Chapel Hill, and in the renown Center for Documentary Studies at Duke University.  His approach is both creative and technical.



Travel with us to Oaxaca, Mexico where you will explore the magic and mystery of Day of the Dead through photography– a feast for the visual senses.  This seven-night, eight-day expedition is a cultural immersion experience.  Come with us to document the food, religious symbols, people, cemeteries and family celebrations both in the city and in the rural Zapotec village of Teotitlan del Valle.  By the end of the week, you will better use your digital SLR camera for visual storytelling and cultural discovery.

We will accept 10 participants.  Last year we filled quickly.  If this is something you’ve always dreamed of doing, don’t hesitate!

This workshop is for beginning and intermediate-level amateur photographers who want to learn more about their digital SLR cameras and move more comfortably beyond the automatic setting.  Technical topics covered include using natural light, aperture and shutter speed, using a tripod for night-time photography, using bounce flash, focusing on details, photographing people and taking the time to set up your shot.


The workshop features documentary-style photography, which involves some degree of assimilation and a greater understanding of the culture and people you are photographing.  On this journey you will photograph people in their natural settings, experience local rituals, visit family environments, all as you immerse yourself in both the city and rural life of Oaxaca.


During our week together, we will review each other’s work, give feedback, and offer supportive critiques.  The workshop includes a mix of class instruction and being out on the streets to capture the action.  We offer structured group discussion and opportunities for individual feedback with Bill during privately scheduled coaching sessions.


You will have the option to undertake an independent project during the week to document Day of the Dead family observances and rituals. Here is what 2011 participant, photographer Nick Eckert, created:

About Photographer and Educator Bill Bamberger

For two decades Bill Bamberger has been photographing people around the world and their daily lives. His photographs have appeared in ApertureDoubletakeHarper’s and the New York Times Magazine.  He has appeared as a featured guest on CBS Sunday Morning, About Books (CSPAN2), and North Carolina People with William Friday. His first book, Closing: The Life and Death of an American Factory (DoubleTakeBooks/Norton, 1998), won the Mayflower Prize in Nonfiction and was a semifinalist for the Robert F. Kennedy Book Award.

Bamberger’s work explores large social issues of our time: the demise of the American factory, housing in America, adolescents coming of age.  A trademark of Bamberger’s exhibitions is that they are first shown in the community where he has chosen to photograph prior to their museum exhibition. Closing: The Life and Death of an American Factory premiered in an abandoned department store a block from the closed furniture factory, while Stories of Home was first shown in a custom-designed 1,000 square foot mobile art gallery on San Antonio’s Mexican-American West Side.


Bamberger has had one-person exhibitions at the Smithsonian Institution’s National Museum of American History, the North Carolina Museum of Art, the Yale University Art Gallery and the National Building Museum.  He was one of fifty-six American artists to take part in Artists and Communities: America Creates for the Millennium, the National Endowment for the Arts millennium project where he produced part II in an ongoing series about teenage boys coming of age.

Bill lives in Durham, North Carolina, and teaches photography at the University of North Carolina at Chapel Hill and at Duke University.  He has lectured at museums and universities, and has taught classes and workshops for the public good in underserved communities across the country.  His ability to relate to people to draw them into the photographic experience as a subject is why he makes an outstanding instructor.  Website:  billbamberger.com

Preliminary Itinerary (subject to change)

Day 1, Sunday, October 28: Travel to Oaxaca and check-in to our lovely bed and breakfast close to the Zocalo.  Dinner on your own.  Overnight in Oaxaca.

Day 2, Monday, October 29:  After breakfast and a brief orientation, we’ll embark on a group walking expedition around the city, visit markets selling wild marigold, special breads, candies, and holiday ritual necessities.  After lunch we will meet for class, then enjoy free time  to capture the “magic hour” before dinner.  Options to explore  churches, street parades, public altars. Overnight Oaxaca.  Includes breakfast, lunch.

Day 3, Tuesday, October 30: After breakfast and class, we will arrange an optional guided visit to Monte Alban and the Atzompa pottery village.  Otherwise, you will have the day on your own.  We’ll meet in late afternoon to review our best of day work.  Overnight Oaxaca.  Includes breakfast.

Day 4, Wednesday, October 31:  After breakfast and class, you will have the afternoon free.  At 3:30 p.m. we will go together  to the famed Xoxocotlan cemetery for an extraordinary Day of the Dead extravaganza. This is a VERY late night, so be prepared!  We will stay until at least 12 a.m.  Overnight Oaxaca. Includes breakfast.


Day 5, Thursday, November 1:  After breakfast and a debriefing session, we will leave for the Zapotec weaving village of Teotitlan del Valle.  After lunch and check-in at our bed and breakfast posada, we’ll enjoy a village walkabout orientation.  Overnight Teotitlan del Valle.  Includes breakfast, lunch, dinner.

Day 6, Friday, November 2:  After breakfast and a briefing session, we will pair you with another participant and introduce you to a local host family for a cultural immersion experience.  This gives you the opportunity to meet people and share in their customs and traditions.  The families welcome you into their homes where you will share the traditional meal and go with them to the village cemetery.  We’ll see you back at our B&B after nightfall.  Overnight Teotitlan del Valle.  Breakfast, lunch and dinner.


Day 7, Saturday, November 3:  After breakfast we will share experiences and photos of the day before in our last class session.  You’ll have the rest of the day on your own to meander or prepare your Best of Week photo exhibition and celebration supper. Includes breakfast and dinner.

Day 8, Sunday, November 4:  After breakfast leave for your home countries.


What You Should Bring

1)     Your energy and enthusiasm

2)     Digital SLR camera

3)     Laptop computer

4)     Software for organizing and presenting images (such as Lightroom)

5)     Batteries and battery charger

6)     Camera Memory card(s) and data sticks

7)     Pen and notepad

Plus, sturdy, comfortable walking shoes, sun protection, sun hat

(Upon registration, you will receive a complete packet and information guide with suggested packing list and other useful information.)


Lodging/Accommodations. To keep this experience affordable, we have selected accommodations that are clean and basic.  We will spend three nights in Oaxaca at a bed and breakfast featured in the New York Times, and three nights at a posada/hostel in Teotitlan del Valle.   If you prefer luxury accommodations, please consider a different program.

Cost:  The basic cost for the trip is $1,395. USD. This includes seven nights lodging shared occupancy with shared bath, seven breakfasts, three lunches, three dinners, transportation to the villages included in the itinerary, and all instruction.  Most travel workshops of this type and length cost more than twice as much! It does NOT include airfare, taxes, tips/gratuities, travel insurance, liquor/alcoholic beverages, some meals as specified in the itinerary, site entry fees, and transportation.

You will have the option of sharing a double room with shared bath for the base price of the trip.  Please indicate your preference.

Option 1: Double room with shared bath; $1,395. Deposit to reserve: $700.

Option 2: Double room with private bath; $1,595. Deposit to reserve: $800.

Option 3:  Single Supplement, private room with private bath;  $1,795.  Deposit to reserve: $900.

Option 4:  Add one night lodging in Oaxaca on Saturday, October 27, +$125 each.

Option 5:  Add guided visit to Monte Alban and Atzompa pottery village, $65 per person (minimum of 2 people needed).  We will arrange for one of the most knowledgeable English-speaking local guides to take you to this famed archeological site, explain its history and then take you to a great ceramics family of Atzompa.


Reservations and Cancellations

A 50% deposit is required to guarantee your spot.  The final payment for the balance due (including any supplemental costs) shall be postmarked by August 1, 2011.  Payment may be made by check or PayPal.  We will be happy to send you an itemized invoice.

Please understand that we make lodging and transportation arrangements months in advance of the program.  Deposits or payments in full are often required by our hosts.  If cancellation is necessary, please notify us in writing by email.   After August 1, no refunds are possible; however, we will make every possible effort to fill your reserved space or you may send a substitute.  If you cancel on or before August 1, we will refund 50% of your deposit.  We strongly recommend that you take out trip cancellation, baggage, emergency evacuation and medical insurance before you begin your trip, since unforeseen circumstances are possible.

To register, contact:  normahawthorne@mac.com or call (919) 274-6194.  We accept payment with PayPal only. Thank you.

This workshop is produced by Norma Hawthorne, Oaxaca Cultural Navigator LLC.  We reserve the right to alter the itinerary and substitute instructors without notice.
Hand-colored sand becomes sculpture depicting Day of the Dead scenes at gravesites and public spaces; by Nick Eckert.

Photography + Art Collage Workshop in Oaxaca, Mexico

Questions? EMAIL  normahawthorne@mac.com

Please Distribute!

Yesterday, Mari and I worked together in Humberto’s studio to create this poster.  The main image is a fine example of how you can make a photograph and then transfer the image to create an art collage.  The small portrait at the top features a Carnival reveller.

The workshop allows you to focus on the medium you prefer to work in:  photography, collage or painting.  You can also experiment with any mix of the three, if you wish.  Our two expert artist-instructors will coach and teach you every step of the way.  Mari is an accomplished photographer who will share her tips and techniques.  Humberto is an exhibited painter and assemblage artist. They have been teaching together for over five years.

Reduced price for Oaxaca visitors/residents who don’t need lodging!

Oaxaca is filled with art to inspire you.  There are gallery and museum openings galore during this time of year.  For Carnival, we take you to the village of San Martin Tilcajete to experience the festival first-hand.

Then, after the workshop, you have the option to join Mari for 3-Days in Puebla.  If you can’t attend the workshop but want to come along or meet us in Puebla, you are more than welcome!

If you are in Oaxaca in February, we offer a special resident’s/visitor’s price that does not include lodging.  Contact Norma Hawthorne for details and special pricing.

Novelist, Poet and English Professor Robin Greene Leads Creative Writing Workshop

Robin Greene, novelist, poet, English professor, yoga practitioner, parent and wife, is a native New Yorker who is a “Southerner by choice.”  She came to Fayetteville, North Carolina in 1989, and joined the faculty at Methodist University where she is now Professor of English and Writing, the Director of the Writing Center, and Literary Editor of Longleaf Press.

Greene recently completed “Augustus: Narrative of a Slave Woman,” a  novel based on the oral history of a former Fayetteville slave compiled by the Works Progress Administration.  It expertly weaves together Greene’s imagination of what happened with the sparse written legacy recorded in the Library of Congress archives.  The book took Greene ten years to write and she included herself in the novel.  “I exist as Professor Greene, an inquisitive English professor who finds her way into an old mystery,” she says.  In a twist of events, the protagonist Sarah Louise Augustus, the former slave, emerges from the narrative to become the Professor’s teacher.

“The novel is a commentary on black feminism, race-specific reactions to historical inquiry, on sexuality and rape and the quest for identity,” explains Greene.  In 2010, she was invited to teach American Slave Narrative as Literature at a university in Romania.  And, then Norma Hawthorne selected her from an applicant pool of over 100 published writers and writing instructors to lead a creative writing retreat in Oaxaca, Mexico.

Women’s Creative Writing and Yoga Retreat (March 2-9, 2012) is a natural extension of Robin Greene’s reflective nature.  In Oaxaca, Mexico each spring she offers coaching, inspiration and guidance to other women writers.  “We come together as a supportive community and develop a spirit of strength that is often transformative,” Greene says.   “The life of any artist is a complicated one, and emergent writers need to learn not only how to write but also how to make their lives work.”

Novelist and Poet Robin Greene in Oaxaca, Mexico

Greene is passionate about this:  “Many writers need help to integrate the many demands on their time.  It is hard to write, edit, publish, make a living, and be an effective parent.”  Her own life experience tells her so.

When Robin Greene earned the Master’s degree in English from State University of New York at Binghamton and the Master of Fine Arts in Writing from Vermont College of Fine Arts, she was married and then became a mother. She knows what it takes to balance work, home, family, commitments, and creative endeavors.  She goes on to say that, “Today, writers also need to be able to handle Social Media – Facebook, Twitter, LinkedIn—plus all sorts of electronic information systems.

Her nonfiction book, Real Birth, took Greene eight years to complete. Memories of Light and Lateral Drift, two volumes of poetry, were published after years of getting up at five o’clock in the morning before her family awakened, then writing for two or three hours in solitude before turning to the responsibilities of getting children fed and ready for school.

Greene knows how difficult it is to try to negotiate the many incongruent parts of a writer’s life. Her advice:  “In order to write successfully, you must first schedule writing time. Writers must selfishly honor that time regardless of all other commitments.”  She also believes that grammar is at the core of knowing one’s craft.  She includes optional grammar mini-sessions in the writing retreat.

Writers must also have a commitment to lifelong learning.  “A writer’s education is never complete,” she says.  “Writers need feedback, need to understand the business side of writing, and show always focus on improving technique. This happens over a lifetime.  Writers are marathon runners, not twenty-yard sprinters. It is why attending a professional development program like our women’s writing retreat can be so important and essential, no matter what your level or personal accomplishment.”

And for her next project? Greene is at work on a collection of open letters of advice and inspiration from a range of poets, from the “old masters” to the “younger, less established who are looking to find their way.” The book will offer guidance for emergent poets that is now offered at some of the best writing programs. She is now in the process of searching for a publisher! Does that sound familiar?

Resources:  See Robin Greene’s website! You can Order Augustus: Narrative of a Slave Woman from Amazon