Tag Archives: documentary

CANCELLED–Chiapas Festivals and Faces: Photography Workshop

THIS WORKSHOP IS CANCELLED!

Arrive January 18 and depart January 25, 2016.

To make this workshop tour affordable, we are organizing it to include only instruction, on-the-hoof, coaching, feedback and photo review sessions, bi-lingual tour guide and all transportation. It does not include lodging or meals.

Cost is $1,295 per person. We need 6 people to hold this workshop. Bring a friend and you both get a 10% discount.

There are many wonderful places to stay in San Cristobal — our base. They range from luxurious to budget. We can recommend a few, including La Joya Hotel, Bela’s B&B, Posada del Abuelito and Na Bolom. You can find them on Trip Advisor. 

The historic 16th Century colonial mountain town, San Cristobal de Las Casas, Chiapas, is our base for making great photographs. Here in southern Mexico close to the Guatemala border, the Maya people hold on to a strong, proud and ancient past. Many on-going rituals and celebrations combine Spanish Catholicism with pre-conquest indigenous mysticism. Traditional hand-woven and embroidered Maya dress is still daily street wear. Before too long, you, too can name villages that people call home by the traje they wear.

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During the week we will take part in village festivals that happen only this time of year, meet indigenous Maya families who are back strap loom weavers and embroiderers, visit historic sites, markets, folk healers and mystics. We offer you an amazing ethnographic travel photography experience that is centered in this compact, magical town where wide avenues are for pedestrians only. Our out-of-town travels take us to San Lorenzo Zinacantan, Chiapa de Corso for the Parachicos Festival and San Juan Chamula.

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We are on location with photographer/instructor Matt Nager to create powerful photographs.  You are welcome to use any camera you are comfortable with: basic point-and-shoot, mirrorless, iPhone or DSLR. Our emphasis is on the photographer-subject relationship and good composition, finding the best subject and knowing how to interact with them, capturing a sense of place with interest and an innovative eye. We also cover some DSLR camera basics, how to use manual settings, and offer optional coaching on photo editing using Lightroom.

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Who should attend?  The workshop is for all levels of photographers including beginners. We strip down often overly complicated conditions to bring the photographer face-to-face with the subject. We practice both impromptu street photography and classic pre-arranged portrait sessions. We will also cover landscape, architecture and general travel photography.

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The Workshop Covers:

  • Using natural light and responding to different lighting situations
  • Moving from automatic to manual settings (for DSLR cameras)
  • Directing your subject through varying body positions
  • Identifying your own photographic style
  • Finding and executing photographs “on the fly”
  • Night photography and using a tripod
  • Capturing a scene or historical site
  • Learning more with one-on-one coaching sessions with Matt

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Each day we will discuss different techniques and review best of day images. There will be plenty of time for discussion, feedback, and sharing.  We will address topics such as: How do you stay inspired?  How and when do you ask permission to take a stranger’s photograph? How do you get people to relax, be natural, and not be afraid of the camera? How do you transform the mundane into an interesting photo?

At the end of our week together, we will select our best photographs of the week and hold a group show followed by a celebratory supper, included in the fee.

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About Your Instructor Matt Nager

Matt Nager is a Denver, Colorado, based portrait and editorial photographer. We invited him back to teach this workshop after rave reviews for teaching the People of Oaxaca Portrait Photography Workshop.

This is going to be a fantastic workshop and I encourage any level photographer to sign up.  I recently had a class with Matt Nager and he is an excellent teacher and a fun person. You will not get a class this good for twice the price!  –Barbara Szombatfalvy, Durham, NC

His love for nature and the outdoors, as well as his interest in people and culture, is central to his photography. Before starting his own photography business, Matt worked with the Denver Post and the Rocky Mountain News.

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In addition to photography, Matt also regularly shoots video and recently completed his first documentary titled: Campania In-Felix (Unhappy Country) which looks into the rise of health issues in Southern Italy as a result of illegal waste disposal.

His clients include: DISCOVER Magazine, Fast Company Magazine, Mother Jones Magazine, The New York Times, Smithsonian Magazine, and the Wall Street Journal.

Matt speaks English and Spanish, and is learning Italian.  His work is at: www.mattnager.com

Equipment:  Please bring your camera, your computer or tablet, a cable to connect your camera to your device to upload and edit your photos, a jump drive, extra batteries, battery charger, memory cards, optional tripod for night photography. If you use a DSLR camera, you may wish to bring a portrait lens (50mm) and a longer zoom lens. We will send a complete list of “what to bring” after you register!

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Preliminary Itinerary (subject to change)

Mon. Jan. 18 – Arrive and check-in to your hotel/hostal. (D on your own)

Tues. Jan. 19 – We will meet in a historic center location. Our workshop starts with a learning session, welcome and orientation. We’ll go on a town walkabout, market stroll, capture photos on the fly, and end with a portrait session with well-known humanitarian folk healer. We will have lunch and dinner together as a group, at your own expense.

Wed. Jan. 20 – Learning session and photo review. Depart for Zinacantan for Dia de San Sebastian. This is the most important celebration for this community, with rituals, ceremonies, a horse race, masses, traditional native dances and processions. We have arranged a private portrait session with Zinacantan family. We will have lunch  together as a group, at your own expense. (Dinner on your own.)

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Thurs. Jan. 21 – Learning session and photo review. Portrait session with women’s weaving cooperative who come from their village wearing traditional Maya dress. We’ll have an exposition of their textiles, too.  We will have lunch and together as a group, at your own expense. (Dinner on your own.)

Fri. Jan. 22 – Learning session and photo review. Today it’s all about food. We go to the local food market to meet and photograph vendors and see all the locally grown food. Then we meet one of San Cristobal’s great chefs for a photo shoot in the restaurant kitchen followed by lunch. We will have lunch together as a group, at your own expense. (Dinner on your own.)

Sat. Jan. 23 – Learning session and photo review. Parachicos of Chiapa de Corzo, The Great Feast celebration that honors the patron saints Our Lord of Esquipulas, Saint Anthony Abbot and Saint Sebastian includes fabulous masked dancers, rattles, parades, a carnival, and opportunity for night photography.  We will have lunch and dinner together as a group, at your own expense.

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Sun. Jan. 24 – On our last day, we will visit the church at San Juan Chamula, then prepare for the last presentation and Best of Week Show. We will have lunch and celebratory group dinner together.  Lunch will be at your own expense. Dinner is included in your workshop fee.

Jan. 25 – Depart

You are welcome to come early and stay later. You might want to go on to Tonina, Palenque, Bonampak or Yaxchilan to explore Maya archeology, or go further and cross the border into Guatemala or Villahermosa, Tabasco. We can recommend archeologist-led tour guides who can help facilitate customized travel plans at your own expense.  We can also recommend where you can enroll in a San Cristobal de Las Casas cooking class that features local indigenous meals.

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The workshop includes all instruction and personal coaching, transportation to three villages, cultural guide services and celebratory buffet supper at the end of our Best of Week Show. Plus you receive a comprehensive packet of information about our location, shopping, restaurants, and itinerary sent by email before the workshop begins.

The workshop does not include airfare, lodging, meals, admission to museums and archeological sites, alcoholic beverages, tips, travel insurance, optional transportation and incidentals.

Accommodations: You can check TripAdvisor and BookingDotCom or other online resources for best prices and levels of accommodations. All reservations for lodging will be made and paid for by you directly with the lodging provider.  You are free to choose any accommodation you prefer, from luxury to basic hostel.

Reservations and Cancellations: A 50% deposit will reserve your space. The final payment for the balance due shall be made on or before November 1, 2015. We accept PayPal for payment only. We will send you an invoice for your deposit to reserve when you tell us by email that you are ready to register.

If cancellation is necessary, please notify us in writing by email. After November 1, 2015, no refunds are possible. However, we will make every effort to fill your reserved space or you may send a substitute. If you cancel before November 1, 2015, we will refund 50% of your deposit.

About Travel to San Cristobal de Las Casas: The Tuxtla Gutierrez (TGZ) airport is the gateway city, about one-hour from San Cris. You can fly there from Mexico City on Aeromexico or Interjet. From the USA, Delta Airlines has a codeshare with Aeromexico. Both airlines are located in Mexico City Terminal 2. United Airlines flies between Houston and Oaxaca and does not serve TGZ. UA is located in Mexico City Terminal 1. There is taxi and shuttle van service from TGZ airport to San Cris starting at about 700 pesos. You can also take an ADO overnight bus from Oaxaca to San Cristobal. If you book your stay at La Joya Hotel, we will arrange taxi airport pick-up and delivery for you at your own expense.

International Travel Insurance Required. We require that you purchase trip cancellation, baggage loss and at least $50,000 of emergency evacuation and medical insurance before you begin your trip. We will ask for documentation. We know unforeseen circumstances are possible.

To register, email us at oaxacaculture@me.com We accept payment with PayPal only. Thank you.

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Day of the Dead Photography, Oaxaca, Workshop Tour 2014 with Frank Hunter

Oaxaca, Mexico, is famous for its Day of the Dead celebrations. You experience it and capture it for a lifetime of memories!  This is cultural immersion travel photography at its best!  Arrive Monday, October 27, depart Tuesday, November 4— 9 days, 8 nights, starting at $1,895 per person.

  • Limited to 8 participants. Small Group. Personal Attention.
  • Beginners and more experienced photographers welcome.
  • Trailing spouse and cooking class options.
  • Registration is now open!

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This is our Fifth Day of the Dead Expedition in Oaxaca, Mexico.  More than a tour, this is a hands-on photography workshop for learning and improving technique while you experience Oaxaca’s famed Day of the Dead rituals.  By the end of the week, you will better use your digital SLR camera for visual storytelling and cultural discovery.

Your workshop leader is Frank Hunter, whose photographs are published in the New York Times, and are part of museum collections worldwide. For over ten years, Frank taught at the Duke University Center for Documentary Studies in Durham, North Carolina.  He now lives in Santa Fe, New Mexico, and is represented by Thomas Deans Fine Arts gallery in Atlanta, Georgia.

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This cultural immersion workshop tour offers you a deeper appreciation for the food, religious symbols, rituals, family celebrations both in the city and in the rural Zapotec village of Teotitlan del Valle.  We take you into cemeteries, local homes, markets and cultural sites.

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During our week together, we will review each other’s work, give feedback, and offer supportive critiques.  The workshop includes a mix of class instruction and being out on the streets to capture the action.   We offer structured group discussion and opportunities for daily coaching sessions with Frank.

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Technical topics covered include using Lightroom photo editing software, natural light, exposure, manual camera settings, and night photography. Frank says he uses just enough technique to help you express a visual idea. 

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We emphasize documentary-style photography, an organic, spontaneous form of understanding the culture and people you are photographing.

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About Frank Hunter

Frank grew up in the American southwest and spent his early years photographing people and landscapes of Mexico.  He has taught at the university level for more than 20 years.  Frank is a virtuoso photographer, as adept at digital photography as he is with creating 19th century style platinum/palladium prints.  

Don’t be intimated! Frank also taught fundamentals of photography at Duke University. You can read more about him here:

And, if you want more, just Google Frank Hunter.  You will get pages of citations!

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Preliminary Itinerary (subject to change) and Optional Add-Ons

Day of the Dead Workshop Expedition 2014

Day 1, Monday, October 27:  Arrive and check-in to our colonial-style hotel near the Zocalo and main walking street of Macedonio Alcala.  Dinner on your own.  Overnight Oaxaca.

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Day 2: Tuesday, October 28:  After breakfast, welcome and learning session on camera settings and exposure, we will go on a city orientation walk, visit markets, gilded in gold Santo Domingo Church, and enjoy a welcome lunch at one of Oaxaca’s slow-food restaurants.   After  a gala welcome lunch we will meet for a Lightroom tutorial to review the workflow that will get your images edited and moved to Dropbox.  Overnight Oaxaca.  (B, L) Dinner on your own.

Day 3, Wednesday, October 29: After breakfast and workshop session, we will tour Monte Alban archeological site and the pottery village of Santa Maria Atzompa. After lunch, you will have the afternoon to roam and capture Oaxaca street parades, and market vendors selling wild marigold, special breads, candies, and other Day of the Dead ritual necessities. We’ll meet in early evening to review our best of day work. Overnight Oaxaca.  (B, L).   Dinner on your own.

Day 4, Thursday, October 30:  After breakfast and learning, session you will have the day on your own.   Today the streets are abuzz with Day of the Dead revelers.  Shops and galleries have extraordinary altars on display.  The sand paintings in the Zocalo and Plaza de la Danza are not to be missed.  Optional afternoon technical coaching session with Frank. We meet again in early evening before dinner to review best of day work. (B) Lunch and dinner on your own.

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Day 5, Friday, October 31:  After breakfast and a learning session on night photography, you will have the rest of the morning and early afternoon on your own.  At 2:30 p.m. we depart for the famed Xoxocotlan cemetery for an extraordinary Day of the Dead extravaganza, with a stop first to visit an extraordinary, off-the-beaten-path Arrazola wood carver. Frank is with us every step of the way for coaching and technical support. This could be a late night, so be prepared!  We will stay until at least 10 p.m., maybe later! Overnight Oaxaca. (B) Lunch and dinner on your own.)

Day 6, Saturday, November 1:  After a late breakfast and a debriefing session to review your experiences at Xoxo, you will have the afternoon on your own.  We depart later for the Zapotec weaving village of Teotitlan del Valle.  Overnight Teotitlan del Valle.  Includes breakfast, dinner.  (B, D)

Day 6, Sunday, November 2:  After breakfast and learning session you will share your best photos from the Xoxo cemeteries.  Then, we will pair you with another workshop participant to share a traditional meal with a local host family and go with them to the village cemetery.   This is an amazing cultural immersion experience to learn more about indigenous customs and traditions.  We’ll see you back at our B&B after nightfall.  Overnight Teotitlan del Valle.  Includes breakfast, lunch and dinner. (B, L, D)

Day 7, Monday,  November 3:  After breakfast we will share experiences and photos of the day before in our last learning session. You’ll have the rest of the day on your own to meander and prepare your Best of Week photo presentation.  We get together with a celebratory fiesta with invitations to our host families to join us.  Overnight Teotitlan del Valle.   Includes breakfast and dinner. (B,D)

Day 8, Tuesday, November 4:  After breakfast, depart for your home countries. (B)

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What You Should Bring

  1.  Digital SLR camera with lens(es) — wide angle, zoom, and/or fixed focal point 50mm
  2. Tripod for night photography
  3.  Laptop computer
  4.  Lightroom software installed for organizing and presenting images (Note: If you are an experienced Photoshop user, you are welcome to use this software for photo editing)
  5. External hard drive
  6. External card reader
  7. Batteries (2) and battery charger
  8. Memory cards (at least 2) and data sticks
  9. Pen and notepad
  10. Sturdy, comfortable walking shoes, sun protection, sun hat

(Before the workshop starts, we will send you a complete packet and information guide with suggested packing list, and other useful information.)

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Cost:  The base cost for the Expedition is $1,895. USD. This includes:

  • All instruction and coaching
  • 8 nights lodging, shared room with shared bath
  • 8 breakfasts
  • 3 lunches as specified in the itinerary
  • 3 dinners as specified in the itinerary
  • Transportation to villages and archeological sites included in the itinerary
  • Entry fees to museums and sites specified in itinerary
  • Gift to local Teotitlan del Valle host family
  • Comprehensive pre-trip planning packet (via email)

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Not Included:

The expedition does NOT include airfare, taxes, tips/gratuities, travel insurance, liquor/alcoholic beverages, breakfasts and other meals not specified in the itinerary, and optional transportation.

Please indicate your preference.

[  ]  Option 1–Base Cost: Double room with shared bath; $1,895. Deposit to reserve: $950.

[  ] Option 2:  Single Supplement, private room with private bath;  $2,295.  Deposit to reserve: $1,150.

[  ] Option 4:  Trailing partner/spouse.  Bring them along. Even when they don’t participate in the workshop, they can enjoy all the group activities we have planned.  $1,595

[  ] Option 4:  Add-on Tuesday, November 4, Traditional Zapotec Cooking Class.  Learn how to prepare Oaxaca’s famed mole sauce.  $125, includes one night lodging on November 4, breakfast, lunch, dinner, all recipes.

[  ] Option 5:  Add-on nights in Oaxaca, City at $145 per night per person.

[  ]  Option 6:  Add-on nights in Teotitlan del Valle at $55 per night per person.

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About Our Accommodations

In Oaxaca City, we will stay in a lovely, highly rated intimate colonial-style hotel within a short walk to Santo Domingo Church, the Zocalo and all the major activities of the season.  In Teotitlan del Valle, we stay in a family owned and operated guest house/posada where the meals are home-cooked and delicious.

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Reservations and Cancellations

A 50% deposit will reserve your space.   The final payment for the balance due (including any supplemental costs) shall be made on or before August 1, 2014.  We accept PayPal for payment only.  We will send you an invoice for your deposit to reserve when you tell us you are ready to register with your lodging and option preferences.

Please understand that we make lodging and transportation arrangements months in advance of the program.  Deposits or payments in full are often required by our hosts.  If cancellation is necessary, please notify us in writing by email.   After August 1, no refunds are possible; however, we will make every effort to fill your reserved space or you may send a substitute.  If you cancel on or before August 1, we will refund 50% of your deposit.  We strongly recommend that you take out trip cancellation, baggage, emergency evacuation and medical insurance before you begin your trip, since unforeseen circumstances are possible.

To register, email us at oaxacaculture@me.com or  normahawthorne@mac.com.  We accept payment with PayPal only. Thank you.

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This workshop is produced by Norma Hawthorne, Oaxaca Cultural Navigator LLC.  We reserve the right to alter the itinerary and substitute instructors without notice.

Don’t let this workshop pass you by!

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Special thanks to 2013 workshop participants Barbara Szombatfalvy, Donna Howard, Steve Dank, Luvia Lazo, Starr Sariego, Ron Thompson, Kate Kingston, and instructor Frank Hunter for contributing photographs posted here.

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Photography in Oaxaca: Reality or Romantic Vision

What does a photographer whose subjects were native Americans have to do with Oaxaca?  Read on.

1900’s photographer Edward S. Curtis sought to capture the vanishing American Indian.  The just published Curtis biography,  Short Nights of the Shadow Catcher by Timothy Egan, documents Curtis’ quest over the next thirty years traveling throughout the American west.  The photographs are stunning, emotionally connecting, and compelling. They present us with a real image of native American Indian life at the time.

Or do they?  The book reviewer Josh Garrett-Davis, a Ph.D. student in American history at Princeton University, and  the author of “Ghost Dances: Proving Up on the Great Plains” (Little, Brown & Company) brings to question whether Egan promulgates the romance of the Old West and the inclination of photographer Curtis to capture life as he thought it should be.

This is an important question for documentary photographers.  The discussion challenges me to think about my own photography of Oaxaca life and her indigenous people.  Each of us who holds a camera could benefit from taking a moment to ask ourselves if we romanticize our subjects in order to capture what we believe should be authentic in the face of unrelenting forces of change.

Curtis was given almost unrestricted access to the tribes he photographed, asked his subjects to pose, and often removed signs of contemporary life from his photographs in the darkroom in order to present his subjects in an idealized environment.  We are more easily able to do this today with Photoshop.

Garrett-Davis says, “As gorgeous and useful as much of his work remains, the project as Curtis conceived it was a fool’s errand. He hurried to salvage scraps of pristine Indian culture, because, he said, “There won’t be anything left of them in a few generations, and it’s a tragedy.” He had been infected with the white American fantasy that Indians were the “Vanishing Race,” to use the title of the opening image of the entire series. It depicts a line of Navajos, barely more than silhouettes, riding away from the camera and into a dark oblivion.”

Photography is a powerful medium. Through the lens we get to chose the story we tell.  And, we cannot prevent change.  Societal pressures from within as well as from external influences direct the forces of change.  Positive change has opened access to education, health care, good jobs and discussion about cultural revitalization.

Now, on to showing more Day of the Dead photographs!

Oaxaca Street Photography starts January 16.

 

Archives of American Art historic film footage from 1930’s Mexico: A rare delight

From the Smithsonian Institution’s Archives of American Art, here is rare and restored footage of 1930’s Mexico, filmed by expatriate artists Stefan Hirsch and Elsa Rogo while they were living in Taxco, Guerrero, Mexico and visiting Tehuantepec, Oaxaca.  Thanks to Patricia Thompson, a Oaxaca Cultural Navigator blog follower for bringing A rare delight: Mexican home movies from the 1930’s to my attention. The film footage (a bit over 33 minutes) and accompanying article are so wonderful, I want to pass it on to you to enjoy as part of Mexican cultural history. Several of the nine film clips are in color, unusual for home movies at the time. The movies are part of a collection that includes correspondence, writings, art work, photographs, printed material and financial and legal records that document the artistic, teaching, and journalism careers of husband and wife Stephan Hirsch and Elsa Rogo.

To put the footage in context, during the era that Hirsch and Rogo filmed, Frida Kahlo and Diego Rivera were living and working in Mexico City, and the Fred Davis and William Spratling silversmith workshops were active and training the next generation of master Mexican silversmiths in Taxco. At the same time, Lazaro Cardenas was elected president of Mexico. Cardenas instituted sweeping land reforms turning over control of agricultural land to peasants, and established state ownership of the petroleum industry removing American corporate ownership of the national resource.

If you see something in the news that you think would be of interest to our readers, please let me know so I can share it!  And, we have TWO SPACES LEFT in our Day of the Dead Photography Expedition starting October 28.  Come along.

And, just in from fellow blogger Shannon Pixley Sheppard on Oaxaca’s latest archeological discovery, burial remains in Santa Maria Atzompa.  So much to love about Mexico!

 

Reframing Mexico: Multimedia Documentary About Mexico City Life

Students from The University of North Carolina at Chapel Hill School of Journalism and Mass Communications teamed with journalism students at Tec de Monterrey in Mexico City to create a visual story of life in Mexico City through video and photographs. It is captivating, real, and human. It expresses the range of frustrations, challenges, misery, joy and hopefulness of life.

Experience ‘Reframing Mexico

One of the pleasures of working at an extraordinary university like UNC is the commitment that faculty and students have to social justice, innovation, and collaboration. This is manifested through volunteerism and active engagement that is designed to instill in people how important it is to make a difference in the world. Reframing Mexico heightens our awareness for and appreciation of what it takes to survive and thrive for our southern neighbor.

As I approach the national holiday of Thanksgiving in the United States, I am grateful for my family and friends, for the food I grow and eat and recycle, and for opportunities in my life. I am also grateful to the Mexican migrants in the U.S. who I don’t know, and my Mexican friends and family in Oaxaca, who all add to the quality of my life.