Thanks to all the 85 people who responded to our request to help us choose a logo for Oaxaca Cultural Navigator LLC. Your opinion matters and we listened! In my graduate school statistics study at The University of Notre Dame, I learned that any survey response of N30+ is valid. We are secure in our decision, as a result of your telling us your preferences, that we have made the best choice.
The voting was split 58 people in favor of the all capital letter version, while 28 said they preferred the lower case. I’m publishing our new logo here, knowing that a few minor changes are being made to the information. But the logo is how we will use it.
Eric and I want to express our sincerest thanks for participating in this market research survey
We hope you will join us for one of our tours and workshops in the upcoming months and in 2024. Abrazos fuertes.
Every day that I wake up here on the mesa overlooking the Rio Grande Gorge in Taos, New Mexico, I give thanks. It’s that time of year for giving thanks, for renewal of spirit and reaffirmation of life, for expressing gratitude to family and friends for all they have contributed to my well-being and for helping me get to this place I now call home. In traditional cultures, this is the harvest season and we give thanks for the abundance, a perfect closure to the annual growing cycle. It is also a time to start anew, take stock, make amends, assess our way of being. My thanks giving includes you. So many of you have read this blog since I started writing it in 2007, have taken tours and workshops with Oaxaca Cultural Navigator LLC, and have purchased many beautiful textiles. You have my thanks and sincerest gratitude. You have helped so many artisans improve their lives and livelihood. My gratitude is on their behalf, too.
It takes a combination of fear and courage to make change. I have a sticker on my sewing box that says, Life Begins at the End of Your Comfort Zone, and I believe that. It’s a testimony to all of us who have recognized what we are afraid of, what it takes to overcome it and how to push through to get to a place of tranquility and well-being. Sometimes, change is stressful and doesn’t offer the kind of outcome we had hoped for. Change is learning. Without change, we are frozen. For me, this move has been a miracle. Covid brought me to New Mexico from North Carolina, to the infinite and amazing skies filled with light and the blaze of red, yellow and purple, to the high plateau of the southern Rockies, where the Spanish conquerors named these mountains the Sangre de Cristo (blood of Christ) because of the blood red reflection of sunset on the escarpment. My son and daughter-in-law moved to Albuquerque last year, too. It all fell into place. It snowed up there yesterday and it’s getting chilly here now. The seasons are changing.
Why am I here? As I age, I realize that being in the embrace of the miracle of nature is even more important to me than ever before. I needed the expansiveness of an infinite vista of mountains and plains with little to interrupt the eye. I came here at age 75 and built a house. Not something many 75-year-olds do. Now, I am close to turning age 77. In the past two years, I have thought about life, its terminus, health, changes in energy level, and how I want to be living in the next ten years. I am healthy, and yet, aging has a huge impact on how vitality plays out. I realize that my pace is slower and at some point (who knows when), it will be more difficult for me to get to Oaxaca regularly. Recently, I realized I needed a Oaxaca Cultural Navigator partner, someone who knows me, who I trust, who knows the culture.
I have been living with the Chavez Santiago family in Teotitlan del Valle since 2005. It has been one of those life-changing experiences to live with a Zapotec family in their village, on their land, and to be part of and participate in life-cycle events. It was back then that I met the 20-year old Eric Chavez Santiago in the village rug market. He was a weaver, natural dyer, and university student unsure of who or what he would become. I helped get him his first 10-year visa to the USA, and sponsored Eric and his dad Federico to come to Chapel Hill to teach and mount an expoventa in 2006. They invited me to build a house and live with them. Our relationship is based on trust and there is no contract. Then, I coached Eric to apply to the not yet opened Museo Textil de Oaxaca, where he became the founding director of education and made his mark establishing programs to recognize the talents of indigenous Oaxaca artisans. After eight years there, he was invited to open the folk art gallery Andares del Arte Popular, owned by Alfred Harp Helu whose foundation has added much to the cultural excitement of Oaxaca.
As I contemplated my own next steps, it was a natural evolution to invite Eric to become a partner in Oaxaca Cultural Navigator. It is my honor to gift him this opportunity in gratitude and thanks for all that he and his family has given me. Now, we are in a transition period and I am involved as Eric and his wife Elsa participate more and more in leading our groups, organizing the infrastructure, handling the administration, and assuming more of an ownership role. This makes the best sense to me to keep Oaxaca Cultural Navigator alive and well far into the future. For the foreseeable future, I will continue to participate in our tours as founder.
Many of you who know Eric, know how capable and engaging he is. He is a fluent English speaker, in addition to communicating in his native Zapotec and Spanish languages. All the artisans he has worked with over the years admire and respect him, and know that he has their best interests at hand. For those of you who have traveled with us recently, where Eric has been the leader, have seen what an extraordinarily knowledgeable and gracious human being he is. I couldn’t be happier to introduce you to him.
I am so very grateful to have had Eric as our leader on the Oaxaca Mountain Textile Tour. Promoting and sustaining artisans is clearly his life work and passion. Eric’s professional and personal experience has given him a seemingly inexhaustible appreciation and knowledge of indigenous cultures, textile origins, weaving methods, motifs and dyeing processes which he shared so eloquently. The artisans we visited, often in quite remote villages, opened their homes, studios and hearts to us due to the mutual respect and friendship Eric has with each of them. Thank you, Eric, for guiding us to expertly and helping us discover the heart and soul behind all the beauty we were lucky to behold. Being with you was such a rich experience! -Connie Michal, Todos Santos, Baja California Sur, Mexico
I thought Eric did great! His knowledge of the ara and artisans is outstanding, he provided an excellent educational experience with professional translation. He also made sure everyone was well-cared for, offering assistance to any of us who needed help getting up the hillside. He knowledge and professionalism is so appreciated. -Marsha Betancourt, Brownsville, TX
The Oaxaca textile trip was wonderful in every way. I am grateful that our home base was in Teotitlan del Valle, as it was restful and calm. I also appreciated the way the trip progressed beginning with Eric, his studio and his family. Both you and Eric are so knowledgeable about everything but with a great Socratic approach to learning — giving us enough information and letting our curiosity lead the way to deeper knowledge and understanding. I particularly enjoyed the philosophical conversations about indigenous people and culture, and how we impact that. I also felt a sense of safety and calmness, and acceptance for everyone in the group. Eric is a wonderfully patient, caring, and insightful man. His ability to connect and communicate with trip members was equal to his obvious connection and camaraderie with the indigenous artists and craftspeople we met! I would not hesitate to book a trip with Eric as a solo leader. Thanks for everything! -Pam Cleland-Broyles, San Diego, California
I am excited to be able to express an appreciation of Eric’s skills as a true leader; his communication style is very engaging, open, and soft-spoken. He is bilingual to the strongest expertise or extent. His history of the local culture, social life and craft evolution is encyclopedic. He was very comfortable letting me be as independent as I needed based on my physical strengths and limitations. I would highly recommend him as a tour guide. -Barbara Cabral, San Francisco
Eric is a world-class gentleman. A Mexican weaving and textile expert extraordinaire. Kind, considerate, respectful and patient. He speaks fluent English and can thoroughly explain his expertise and techniques to those of us with no knowledge of the field! -Charlie Dell, Phoenix, AZ
This is a do-it-yourself blog/website that I am struggling to learn how to manage. I must say, I am a content person and the “back end” mystifies me. I probably have no business managing this self-hosted blog myself. Nevertheless, the deed is done and I’m trying to figure out now how to get the
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feature back onto my front page. This is where the subscriber signs up to get each of my posts delivered into their email in-box. In the transition from WordPressDotCom to WordPressDotOrg, I have lost all my subscribers and only just discovered that they have not received any of my posts over the last month. Big Bummer!
Yesterday, I spent four hours trying to understand and get the Google Feedburner RSS going. I get it that if you click on the orange RSS icon you can get a syndication of my blog that is delivered to Google Reader or other vehicles for getting news delivery. I don’t think the people who read this blog really understand that. They are likely more interested in recipes and travel tips. But I could be underestimating the audience.
I’m now publishing a monthly newsletter. If you want to join the mailing list, please let me know! In the meantime, thanks for figuring out how you can stay connected to me.
Rescate Seda features the taller of Arte y Seda and the family of Aurora Contreras and Reynoldo Sosa, written and directed by filmmakers Sheri Brautigam and Pam Holland. The interview was conducted in Spanish and translated to English subtitles. The film, below, features the labor-intensive process of growing silkworms, cultivating the cocoons, spinning the silk and weaving it, then dyeing it with natural materials.
Pantaleon Ruiz Martinez: Pintor de Teotitlan del Valle was written and directed by filmmakers Laura Dunne and Eric Chavez Santiago. The interview was conducted in Spanish and translated to English subtitles. The film, below, features the oil paintings and weavings of Pantaleon who is a noted Oaxacan artist.
Magdalena’s Traditional Tortillas was written and directed by filmmakers Lauren Waits and Dara Stillman. The interview was conducted in Zapotec and translated to English subtitles. Magdalena is one of the owners of Las Granadas Bed and Breakfast in Teotitlan del Valle, Oaxaca.
These three films were produced during the one week intensive documentary filmmaking workshop held in February 2010 in Teotitlan del Valle, Oaxaca. Participants were novice to intermediate level students taught by Erica Rothman, Nighlight Productions LLC, Durham, NC, and Jim Haverkamp, also of Durham, who teaches at the Duke University Center for Documentary Studies. Executive Producer of the program is Norma Hawthorne, Oaxaca Cultural Navigator LLC.
This short film was written, filmed and directed by the team of Eunice Hogeveen and Sarah Kennedy Davis and created as part of the Oaxaca Documentary Filmmaking Workshop: Visual Storytelling, which was held in the village of Teotitlan del Valle from January 31 to February 6, 2009. Enjoy!
The film tells the story of an expatriate American woman, Annie Burns, who has moved to a small village in southern Mexico and her relationship with her host Zapotec family.
Instructors were Erica Rothman, Nighlight Productions, Chapel Hill, NC, and Mikel Barton, Durham, NC. The workshop was produced by Norma Hawthorne and Oaxaca Cultural Navigator LLC. We hope to hold the next documentary filmmaking workshop in winter 2010.
Norma Writes for Selvedge Magazine Issues #89 + #109
Creating Connectionand Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions ie. hand weaving and natural dyeing. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are designed as learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them in their designs, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection and help artisans reach people who value them and their work.
Why We Left, Expat Anthology: Norma’s Personal Essay
Norma contributes personal essay, How Oaxaca Became Home
We Contribute Two Chapters!
Click image to order yours!
Meet Makers. Make a Difference
Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *University of North Carolina at Chapel Hill
October 27, 2023: Day of the Dead Ocotlan Highway Tour. It’s Market Day! The biggest of the year. See special altar food and decor, visit artisans, explore culture, eat at a traditional open air cocina de humo (grill kitchen). SOLD OUT.
October 29, 2023: Teotitlan del Valle Altars and Studio Visits to natural dye and weaving artisans who invite you to their altar rooms to share family traditions. Meet a traditional beeswax candlemaker. Eat mole and mezcal in a local family comedor. 6 SPACES OPEN.
Oaxaca has the largest and most diverse textile culture in Mexico! Learn about it.
When you visit Oaxaca immerse yourself in our textile culture: How is indigenous clothing made, what is the best value, most economical, finest available. Suitable for adults only. Set your own dates.
One-Day Custom Tours: Tell Us When You Want to Go!
New--Ruta del Mezcal One-Day Tour.We start the day with pottery, visiting a master, then have lunch with a Traditional Oaxaca Cook who is the master of mole making. In Mitla, we meet with our favorite flying shuttle loom weaver, and then finish off with a mezcal tasting at a palenque you will NEVER find on your own! Schedule at your convenience!
January 13-21, 2024: Oaxaca Coast Textile Study Tour. Very popular! Get your deposit in to reserve. For intrepid travelers. Visit 7 back-strap loom weavers. Explore the culture of cloth and community. SOLD OUT!
March 28-April 3:Screenwriting for Film + Television with Harry Werksman, Golden Globe award winning writer. Develop character, plot, scene. Learn what it takes to pitch a story. Take your ideas from concept to delivery. NEW!
We require 48-hour advance notice for map orders to be processed. We send a printable map via email PDF after your order is received. Please be sure to send your email address. Where to see natural dyed rugs in Teotitlan del Valle and layout of the Sunday Tlacolula Market, with favorite eating, shopping, ATMs. Click Here to Buy Map After you click, be sure to check PayPal to ensure your email address isn't hidden from us. We fulfill each map order personally. It is not automatic.
Dye Master Dolores Santiago Arrellanas with son Omar Chavez Santiago, weaver and dyer, Fey y Lola Rugs, Teotitlan del Valle