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Norma writes for Selvedge Magazine Issue #109 -- Rise Up, November 2022
Norma Writes for Selvedge Latin Issue #89
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What is a Study Tour: Our programs are designed as learning experiences, and as such we talk with weavers about how and why they create, what is meaningful to them in their designs, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. Our interest is in creating connection and artisan economic development.
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Why We Left, Expat Anthology: Norma’s Personal Essay
Norma Contributes Two Chapters!
- Norma Schafer and Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university program development experience. See my resume.
Study Toursd are personally curated and introduce you to Mexico's greatest artisans. They are off-the-beaten path, internationally recognized. We give you access to where people live and work. Yes, it is safe and secure to travel. Groups are limited in size for the most personal experience.
Programs can be scheduled to meet your travel plans. Send us your available dates.
Designers, retailers, wholesalers, universities and other organizations come to us to develop weaving relationships, customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids
Tell us how we can put a program together for you! Send an email norma.schafer@icloud.com
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Tlacolula Meanderings: Play, Parking Tickets and No Where In Particular
One of my favorite past-times is the Sunday Tlacolula market. I never tire of it. There is always something new, different, another point-of-view. This week there were strange flowers that looked like lollipops, plus fuzzy rambutans for eating.
Last Sunday, I parked on the street not attending to the “no parking” sign, which I didn’t think included the spot where I had stationed La Tuga. Afterall, it was exactly where I parked the week before! Then, Carol and I set out to cover the market from one end to the other. It was early and for the first block, we trailed a duo carrying guacalotes intended for sale.
Then, there were the petate basket weavers from San Juan Guelavia who make traditional mats that gringos use for floor coverings who vend in the church courtyard along with the sellers of sal de gusano.
The Tlacolula market is a food, flower and people fest. There’s no telling what you will find. Including a flower vendor with a floral skirt.
After returning to find a parking ticket the size of a legal sheet of paper, I hailed a huge pick-up truck with flashing lights, two official policemen in the front seat, to ask where to go to pay it and how much it would cost, only to be greeted by the driver with, Do you speak English?” in perfect English. I would follow this civil servant anywhere.
And I did, winding around the streets of Tlacolula to get to the first hidden-away office, where several officials inspected me, ushered me into the inner sanctum, where the chief, a woman, stamped the ticket and told me to go to the regional finance office to pay. They are closed on Sunday, so I had to return during the week.
I did. The line was short. The ticket cost 255 pesos, about $21 USD, and I learned my lesson. Park in an official parking garage!
On the day I paid the ticket, these guys were still cruising the street. Guess what? They waived. Me, too.
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Posted in Cultural Commentary, Oaxaca Mexico art and culture, Photography, Travel & Tourism
Tagged market, Mexico, Oaxaca, parking, photography, tickets, Tlacolula