Tag Archives: Tenejapa

Chiapas, Too: Round Two

We are mid-way through our second Chiapas tour. I always say, The right people always show up! and they do. We saw the same things, made the same stops, met the same people and each tour is different based on interests, questions, experience and personalities. We have four weavers and two three textile designers on this tour, plus two tag-along husbands who also contribute a lot to the dynamics of engagement.

We have traveled to Tenejapa for market day. We have meandered museums, designer shops, met Alberto Lopez Gomez, picnicked under the Maya crosses at Romerillo cemetery, and visited with humanitarian healer Sergio Castro Martinez. We met with weavers at a 30-Year old cooperative to talk about cultural appropriation and explored the life of the Lacondon indigenous group through the eyes of archeologist Frans Blom and his photographer wife Gertrude Duby Blom at Na Bolom.

This is a photo essay of our days here, so far. At this moment a fine rain shrouds San Cristobal. I’m sipping hot tea and warming up. I hope you can come with us in 2023! send an email if you are interested.

This textile woven in San Andres Larrainzar was on display at San Francisco International Airport in 2018.
At the Sergio Castro Museo de Trajes Regionales de Chiapas

2nd Try. Day 2 Tenejapa Carnival +

It’s late. I want to post this before the days get away from me though it’s past bedtime. So it will be short. We spent a long and satisfying day in villages beyond San Cristobal de las Casas.

First to Tenejapa for market day and the extraordinary display of music, indigenous traje (dress/costumes), and flags that are part of the 13-day Carnival, the village feast days to honor their patron saint San Sebastián. The number 13 is significant in the Maya calendar, representing the levels of the universe. We call this syncretism, a blending of indigenous and Spanish Catholic beliefs.

After a visit to the women’s cooperative of 200 members, we made a stop to see a demonstration of pompom making by the master. his grandfather introduced the style of decorating men’s Tenejapa festival hats with these brightly colored balls. The family is now experimenting with natural dyes.

For years we have been stopping in Romerillo to picnic under the Maya crosses at the apex of the cemetery. It’s a reflective and spiritual experience.

We head home at sunset, to the glow of an almost full moon. But only after visiting Maruch and her family in a rural part of Chamula territory. We see a demonstration of all the traditional parts of weaving with a back strap loom, then felting to make a furry warm sheep wool skirt perfect for the cold and misty Highlands

A full day, from 9 am to 6:30 pm, exploring the weaving culture of Chiapas.

Come with us in 2023. Send an email to get on the notification list. norma.schafer@icloud.com

Que En Paz Descansa Maria Meza Guzman, Tenejapa, Chiapas — RIP

We got word yesterday that our friend Maria Meza Guzman* died. We don’t know the causes and it’s not really important. What counts here is that we have lost a great traditional back-strap weaver from the highland Chiapas village of Tenejapa. Maria operated a women’s weaving cooperative across from the village zocalo since the early 1990’s.

I have been bringing groups to visit Maria since 2017. It was always our first Chiapas Textile Study Tour stop in Tenejapa where she greeted us with a warm smile and hugs of welcome.

In the early years, most of the ceremonial women’s huipiles and men’s sashes were woven with local sheep wool that was naturally dyed. We could still find these at this cooperative along with the bolsas (shoulder bags) used daily by men and women. Mostly, now, the garments are woven with commercially dyed cotton and glittery polyester thread. Maria only offered pieces of the highest quality workmanship and we could depend on her to give us a back-strap loom weaving demonstration to show how the designs were integrated into the base cloth using the pick-up weaving technique (also called brocade here or bordado) found around the world. The technique is difficult to master and Maria Meza Guzman was a master!

I offer this photo gallery as a tribute to Maria’s memory, her skill and the imprint she left on us of all the goodness of the Chiapas highlands and her talented indigenous people. When our 2022 Chiapas Textile Tour group returns in February, we will miss her. Que en paz descansa, Maria.

*PLEASE NOTE: Maria Meza Guzman is the aunt of Pedro Meza who, with his mother, Maria Meza Giron, founded Sna Jolobil The Weaver’s House in San Cristobal de Las Casas. It’s easy to confuse the two sisters. Maria Meza Guzman opened the Tenejapa weaving cooperative to give visitors and collectors another option to purchase fine quality weavings.

Chiapas Textile Study Tour Snapshot: Thursday In and Around Tenejapa

On Thursday, we spent the day outside of San Cristobal de Las Casas, on the road to Tenejapa village, Romerillo Maya cemetery and then to the home of Maruch and her son Tesh in the Chamula district of Chiapas.

First stop, Tenejapa for the Thursday market and textile cooperative

Cynthia with Maria Meza, coop manager

Taking registrations now for 2019 Chiapas Textile Study Tour.

Walking along the village market street, Gail spots a huipil hanging inside a shop

Look inside doorways to see textiles are hanging from the rafters

Small doorways open from the street into hardware stores, pharmacies, bakeries, tienditas (little stores), dry goods suppliers. The inside is often obscure. Sometimes, there are textile treasures — hand embroidery, traditional clothing made on back strap looms — hanging on clothes lines. You have to look for them.

Out on the street the market is a crush of people, fruit, veggies, meat and more

Tenejapa. Still remote enough that foreign visitors are an anomaly. Children and adults are curious, shy and distant. I saw about six Europeans in addition to our group during this market day.

Market day in Tenejapa means handmade textiles for sale, too.

The population of Tenejapa is 99.5% indigenous. About 99.8% speak an indigenous language, and almost 53% speak only their native language and do not speak Spanish. Health care services and educational opportunities are limited. Maya culture and traditional folk practices are strong.

She is minding the store and watching the passersby.

The village celebrates Carnavale with pre-Lenten festivities on February 15

Traditional dress of a Tenejapa man, once commonplace. Now for ceremonies only.

Adults and children participate. Mayordomos and their wives observe.

Next we stop at Romerillo cemetery to understand Maya burial practices

The Maya practice syncretism, a blend of mystical pre-Hispanic beliefs and Spanish Catholicism. Mostly, they are spiritual and keep their connection to ancient traditions.

The Maya cross represents the four cardinal points, a pre-Hispanic symbol

The Romerillo cemetery is on a grand hill overlooking a valley. Wood planks cover graves so that the living can communicate with and ask advice from the dead.

Evangelization was easier for the Spanish; the symbol existed before they arrived.

After lunch, we take a dirt road to rural Chamula territory to meet Maruch

Maruch and her family raise their own sheep, shear and wash the wool, card and spin. Sheep are sacred, raised for their fleece and not for food.

Carding, hand-spinning with the malacate and weaving on the back strap loom 

Join us for the 2019 Chiapas Textile Study Tour. We are accepting registrations now.

Hand carding local sheep wool for spinning

Using the malacate drop spindle to spin wool and prepare it for weaving.

We are an hour away from San Cristobal de Las Casas, but it feels as if time stands still here and we are standing in a place that could have been 500 years ago. Isolation preserves culture, but it also marginalizes native peoples.

Lanita models a furry capelet woven by Maruch

Sheep wool skirts and capelets are made to look like a furry animal, repel moisture and keep people warm. There is no heat and it’s chilly at 7,000 feet altitude in February.

At cooperative Huellas Que Trascienden, Lanita and Cynthia

We finished off the day with a visit to a new cooperative in the city that names the weaver of each garment with a featured photo on the hang tag. Recognition is finally coming to the women who do the work! We did our best to support them.

 

Chiapas Notebook: Tenejapa Textiles and Thursday Market

Tenejapa, Chiapas is a regional center in the highlands of Chiapas about an hour- and-a-half beyond San Cristobal de las Casas. It’s a regional administrative center, about midway between the city and the remote village of Cancuc, past Romerillo. Most roads splay out from San Cristobal like spikes on a wheel hub, dead-ending down a canyon or mountain top at a remote village where traditional weavers create stunning cloth.

Tenejapa supplementary weft on cotton warp, with handmade doll

There are two reasons to go to Tenejapa.

Tenejapa market scene, the perfect village tianguis

First is the Thursday market that covers the length of four to six blocks (depending on the season) where everything needed to maintain a household is sold, including fresh roasted and ground coffee cultivated from bushes on nearby hillsides.

Rich, roasted, fresh ground coffee in the market, locally grown

This includes fresh dried beans, ground and whole chili peppers, ribbons and lace for sewing, seasonal fruits and vegetables, and an occasional textile find.

See highlights from 2017 Chiapas Textile Study Tour.

We will offer this Study Tour again, from February 13-22, 2018.  Contact me if you are interested in itinerary and price. Taking a wait list!

Beautiful handwoven bag, a market find, random delights

Most of the textiles on the street are woven for local consumption. So, fabric and the materials to make it reflects the current fashion tastes of traditional ladies who weave to adorn themselves and their neighbors. Cotton takes longer to dry, so cotton thread has been replaced by synthetic. Now, the shinier the better.

Chili peppers, whole or ground, take your pick

We see this throughout the villages in the Chiapas Highlands where glittery threads are incorporated into the weft and warp, and polyester gives the textile a sheen that is now preferred.

Inspect carefully. Bright colors can be synthetics, as are these. Glorious, nevertheless.

Where to find the traditional textiles of five, ten, twenty years ago? Sometimes, you can find them hanging from ropes strung from wall to wall inside the shops along the market avenue. Sometimes, they are folded under a stack of the more contemporary pieces that Tenejapa fashionistas like.

Corn for sale, displayed in traditional handwoven ixtle market bag

The second, and perhaps more important reason to visit Tenejapa is to spend time in the cooperative operated by Maria Meza Giron. The building is next to the church, across from the zocalo and municipal building.

Sheri Brautigam, author and our textile tour resource, chats with Maria Meza

Maria and her son Pedro Meza, are co-founders of Sna Jolobil textile cooperative with anthropologist/friend/guide Walter “Chip” Morris.  We bumped into him there that day as we were deep into textile heaven.

An amazing ceremonial cloth, hand-woven, snatched up by Kathleen

These textiles — huipils, ponchos, purses, blankets, rugs, shirts, belts, woven ixtle bags, skirts and ceremonial garb — are the finest examples with the most traditional quality of weaving found in Tenejapa.

What will this become? Textile in progress on back strap loom.

Some pieces are dense with wool supplementary weft woven onto a one hundred percent cotton warp. All created on the back strap loom. Garments are always as wide as the loom they are woven on.

Barbara looks at fine detail work on this Tenejapa sash

It was hard to choose. Hard to focus. Hard to pull away and say goodbye when the time came. The examples available for sale would sell for twice the price in San Cristobal de las Casas in finer galleries. It was well worth the trip for this, and for the experience of mingling among the people.

Tenejapa woman shopping for a comal — clay griddle

Just a note: Not many visitors come here. We were the only foreigners walking through the market. People are resistant to having their pictures taken. Photographs of fruits and veggies are okay. I always asked if I could take a photo (the people, not the vegetables). Most said no. Once, I shot from the hip and felt guilty.

Handwoven bags on display stand for sale.

Our anthropologist guide advised us to never photograph inside a village church. We didn’t. I did not shoot from the hip there. I attended to watching where I stepped. Lit candles blazed on the floor in front of altars to saints.  As a consequence, you will see lots of textiles, tomatoes, oranges, and shoes.

Zocalo is also the taxi station, constant round trips to San Cristobal

The people who travel with me tend to be those with a deep appreciation for Mexicans and their creativity. Folk art or popular art in Mexico is made one piece at a time, one thread at a time. By coming here, we gain an understanding for craftsmanship that is passed down from mother to daughter, father to son.

Our guide explains Maya-Catholic Church traditions and what we will see inside

There is no magical way of being appreciative, warm and gracious. The feelings between visitor and host are reciprocal. We value the inspiration, hard work and dedication to keeping hand-made craft alive. Those who make and sell value our support and appreciation for what they do. It’s a bonus if we buy.

Being a locavore isn’t trendy, it’s a way of life

But shopping isn’t everything and that’s not why we are here. We are here because creative people are tucked in every corner and behind every hillock, using their open hearts and strong hands to bring color and joy into the world.

Beautiful, intricate Tenejapa huipil, wool weft for the design on cotton

We will offer this Study Tour again, from February 13-22, 2018.  Contact me if you are interested with itinerary and price.