If you have a small wrist you are in luck. Most of these bracelets measure 7″ to 8″ long and will fit a small wrist that is 6″ (more or less) in circumference. Some are vintage, some are new-ish, some are collectible, all are in like-new condition. I want to sell these as I get ready to make my cross-country move, so if you are so inclined, I welcome any reasonable offer.
To Buy: Please email me firstname.lastname@example.org with your name, mailing address and item number. I will mark it SOLD, send you a PayPal link to purchase and add $12 for cost of mailing. Please DO NOT SELECT buying goods or services — thank you! We also accept Venmo and Zelle, and I can send you a Square invoice (+3% fee) if you don’t use PayPal.
#15 Top Left. Sterling and Spiny Oyster Pendant, $25.
#16 Top Second from Left. Sterling + Jasper pin, $65
#17 Top Second from Right. Sterling and Jasper pin, $45
#18 Top Right. Elena Solow Design, Oaxaca, pin. $145
A word about these carved wood bangles from Mexico City designer Carla Fernandez: She works with the finest wood craftsman from the State of Mexico to create these pieces. If you notice, they are designs adapted from the parts of the molinillo, which is the wood whisk designed to froth hot chocolate. The moveable parts are what the bangle is made from. All carved by hand!
Happy New Year 2021. Over the years, living in Oaxaca, I have collected some outstanding pieces of jewelry. Some I purchased to support artisan-makers whose work I admired and respected. Some were never or rarely worn (isn’t that the definition of a collection?). Other pieces are featured here, too, that are from my travels to the American Southwest, Israel, Morocco and India. Some are made by American Crafts Council jewelry artist-innovators who showed at the Smithsonian and Baltimore Craft Shows. It’s time now for them to find new homes.
Today features all NECKLACES. Earrings and bracelets to come in another post.
I’m willing to entertain offers!
To Buy: Please email me email@example.com with your name, mailing address and item number. I will mark it SOLD, send you a PayPal link to purchase and add $12 for cost of mailing. Please DO NOT SELECT buying goods or services — so we don’t pay commissions. We also accept Venmo and I can send you a Square invoice (+3% fee) if you don’t use PayPal.
Most Jewish silversmiths from Yemen moved to Israel in the early 20th century. Their workmanship with filigree is considered unparalleled. This style is called an ornate bib-necklace. All hand-wrought.
. . . . and, the Kitchen Sink . . . oops, two beautiful pieces of French copper cookware — jewels in their own right!
I’m getting ready to return to Oaxaca next week with a stopover in Mexico City to lead the Art History Tour focusing on the work of Frida Kahlo and Diego Rivera, plus the other noted early 20th century Mexican muralists. (Want to hop down? One space open!)
Before I leave the USA, I usually go through my collection to review what I want to part with. The 15-piece selection is below. Look carefully!
To Buy: Send me an email to firstname.lastname@example.org with your name, address, and item number. I will send you an invoice to pay with credit card. Once I receive your funds, I will mail via USPS to anywhere in the USA. Prices include mailing cost. Please buy and pay before Sunday, October 13, 2019. I return to Mexico on October 16. Thank you VERY much.
This is a one-of-a-kind completely handmade necklace, with handmade hollow silver beads and cast milagros in the image of the Virgin of Juquila, a venerated icon. You’ll never see anything like this again. When clasped, it hangs 20-inches. There are 15 milagros, including the three on the suspended cross. Two additional milagros make up the secure hook clasp. This is a collector’s piece. Price is $995. USD including mailing to anywhere in the USA. (Half the price of Federico with more silver.)
These are famed Oaxaca filigree dangle earrings made by the best artisan silversmith I know. The ones on the left are called Muñecas and have a deep ruby red glass center to accent the sterling silver and pearls. The pair on the right are also an impressive statement piece, pearl and sterling with more of the filigree featured. Each pair has a 2-1/2″ drop from where the wire enters the earlobe, and is $245 each (includes mailing to anywhere in the USA).
Don’t like a price? Make me a reasonable offer!
#3 is an outstanding necklace, 22″ long, that I found at an out-of-the-way Oaxaca vintage antique shop. It was too beautiful to pass up and I added it to my collection. Now it’s time for a new home! $595 includes mailing to anywhere in USA.
#4 are among the last pairs of earrings I have made Brigitte Huet, who worked in Oaxaca for 20+ years before she returned to France in 2015. They are formed using the lost wax casting technique, and are 2″ long. $145 USD includes mailing to anywhere in the USA.
#5 is a sterling silver Mexican bubble bangle is made in Taxco, Guerrero. I’m very picky about quality, and this one is the best. 6″ interior diameter opening. Measure your wrist! $165 includes mailing to anywhere in the USA.
#6 is a rare vintage sterling silver Mexican bubble bracelet with native turquoise and hook clasp made in Taxco, Guerrero. It is in very good condition and measures 7-1/4″ long. $185 USD includes mailing to anywhere in the USA.
Don’t like a price? Make me a reasonable offer.
#7, #8, and #9 are jicara gourd, hand-carved and painted, made in Pinotepa de Don Luis, Oaxaca, Mexico. I hand-select each pair for design quality and workmanship excellence. 2-1/2 to 3″ long. Lightweight, versatile, easy to wear. $45 each includes mailing to anywhere in USA. Please specify color and number when ordering. Thank you.
#12. This is a rare Brigitte Huet sterling silver pendant made in the lost wax casting technique. It is from her earliest collection. Price includes mailing to anywhere in USA.
#10 are made by the Mazahua silversmiths of Estado de Mexico. I bought these in Mexico City. Difficult to find now. 3″ long from where wire enters earlobe to end of coral drop. Will mail free to anywhere in USA.
Don’t like a price? Make me a reasonable offer.
These are 950 sterling silver made by fine Mexican jeweler Melesio Rodriguez. They are each 1-1/4″ long. The design is derived from vintage 1950’s Taxco silversmithing. $165 each pair. Includes mailing to anywhere in USA. Please specify which pair you want by number.
#14 was purchased around 2007 from Brigitte when she was working in Oaxaca using the lost wax casting technique. Her fine work was collected by travelers and residents alike. Rare to still find a piece like this. The iconography is Maya representing the huipil woven designs of noblewomen. $435 USD includes mailing to anywhere in the USA.
#15 was bought in Patzcuaro, Michoacan in the early 1990’s. Rare. The fish is the iconic symbol of the region. Handmade silver beads and chain add interest along with the red beans from which the fish are suspended. Whimsical, beautiful, strong and secure with a hook clasp. $295 includes mailing to anywhere in the USA.
I´m in Eastern Europe, starting out along the southern Adriatic Coast of Albania in the capitol city of Tirana. I’m on a cultural tour of the region that has no particular focus, with a friend who needed a roommate. It would never have occured to me to put this on a travel bucket list, but I´m glad I did.
I call this Eastern Europe because it was once part of the Communist bloc pre-Gorbachev, that turned it’s loyalties to China and Mao, a stricter version communism after Glasnost.
This is a developing country. It broke its shackles of repression after more than 30 years of isolation, forced labor camps, concentration camps, and extermination of liberal opposition. This is a city of bunkers built between 1960´s and 1980´s out of paranoid fear of invasion by foreign powers. By 1983, over 173,000 bunkers were built. Tirana today dedicated two to the martyrs who died in opposition, a memorial to a holocaust.
With this in mind, the group I´m traveling with visited the National History Museum. The galleries are devoted to Albania history with ties to Greece, Italy, Macedonia and the Ottoman Empire. Artifacts, including marble busts, bronze weapons and jewelry from archeological sites are on display here.
An entire gallery is devoted to remembering those who suffered and died under the regime of Enver Hoxha. Here, I cried. This is fresh history. Recent history. Living history. And politics here is everywhere.
Albanians love Americans. Woodrow Wilson said Albania should be independent after the Balkans were divided after WWI. In 2007, George W. Bush was the first US president to visit here. Two young students told me it is their dream to go to America. It is heartwarming to be welcomed so enthusiastically by people we meet. The history is dark, yet there is a sunrise to the east in the second poorest (only to Kosovo) country in Europe.
There is a small gift shop at National History Museum. It is filled mostly with vintage textiles that are 60 to 80 years old. The cloth is handwoven wool or cotton, embellished with embroidery or appliqué. The symbol of the country, the double-headed eagle, reminds me of some of the indigenous regions of Oaxaca where the same iconography is central to the language of cloth.
I see weaving patterns that look like Zapotec rugs. I see tiny joining stitches that looks like Mexican randa. I see belts woven on backstrap looms embellished with fringed and wrapped tassels. I see the creativity of a people who desired to adorn themselves in beauty, a consistent them worldwide.
There are mostly European visitors here in this city of one million people, in this country of three million. We were told that there are six million visitors here annually now and the country is struggling to keep up with tourism infrastructure. The time to come here is now!
I am meandering on my own after the museum. I want to go to New Market and head in the direction a museum guard points me to. At a corner, I hesitate. I ask two young people where to find it.
That’s how I meet Casey and Ben. They speak English. I ask them if they will be my guide for the afternoon. They have free time. They are university students starting their first year, and classes are delayed because the registration system is kerfluffled. Along the way they tell me that young people don’t stay here. There is huge unemployment and the jobs are in Italy or Germany. Their dream is to go to the US. They are delighted to help me and I am delighted to give them each 500 Lek, about $5 USD each. Lucky us!
After New Market, I continue on my own to Oda Restaurant and have a traditional Albanian lunch of stuffed eggplant with veggies, corn bread and beer. Then, back to Hotel Rogner for a rest.
Tomorrow, we are off to Montenegro. Who knows what I’ll find there!
My quest for Japanese indigo fabrics and clothing took us to remote villages and high-end designer boutiques. I searched old kimono stacked in department store corners and flea market stalls. In the old Geisha district of Gion, two vintage textile shops offer 100+ year-old pieces in varying condition. I traveled from Tokyo to Kyoto to the remote thatched roof village of Miyama with blue on my mind. We lingered at the Amuse Museum exhibition of boro cloth in awe of indigo-dyed hemp and cotton patchwork born of poverty.
Indigo is my passion. It’s why I wanted to go to Japan. Oh, and the food. Oh, yes, and the cherry blossoms. Temples. Zen. Gardens. Oh, my.
My sister was more interested in Kabuki and Noh theatre, so we negotiated time dedicated to our interests. We attended performances of both and met with a foremost expert on Noh, a US ex-pat living and teaching in Japan for 40 years. We managed to walk blocks that became miles, traveled by bus, train and taxi, all in search of blue, art and food.
Finding indigo in Japan is not easy. Sometimes we couldn’t locate the address. Sometimes we got lost despite Google maps. Sometimes I would stand on a street corner and call out, Does anyone speak English? to help us get our bearings. (Always, a kind, helpful person came to our aid, even guiding us to where we needed to go!) Sometimes the source was in such a remote area that we couldn’t get there. Tokyo is a vast megalopolis, on a scale beyond my ken. Kyoto, described as smaller, hardly pales in comparison.
The art of dyeing with indigo today is uncommon, as it is in Oaxaca, Mexico, where it is necessary to travel twelve hours from Oaxaca City to meet the maker. In Japan, one must also ferret out the dye masters and makers who turn indigo-dyed cloth into clothing. The practice is almost extinct, just like Mexico. And, as with all things made-by-hand, quality comes with a price, when you can find it.
I also noticed construction similarities between traditional Oaxaca huipiles and Japanese kimonos. Both are simple assemblages of cloth squares and rectangles, with hand-stitchedSi seam sewing and no tailoring (ie. no darts). The long, drooping kimono sleeves are merely rectangles attached to the main robe. Hand-stitching for seams and embellishment a standard practice.
Few pieces, I discovered, are hand-loomed now. Indigo-dyed ready-to-wear can be designed in Japan and made in India to keep prices in check. I found one amazing Meiji period kimono in perfect condition. Price tag, $1,800 USD. Pass. I’m looking for wearable art and not creating a museum-level collection.
What I also discovered is that a focused quest for indigo takes time. Even more than a three-week introductory visit such as the one I just completed. Perhaps another trip is needed to go deeper and wider. Perhaps.
I also want to thank Nancy Craft of Esprit Travel and Tours, Japan Travel Expert, who generously shared her list of Kyoto textile shopping resources with me. I hunted down those most relevant to my interests.
My friend Madelyn wrote, I hope you found yourself a wonderful indigo garment or textile. Plural, I replied. I filled a duffle bag with blue. Ancient blue. New blue. Traditional blue. Deep, dark, almost black, blue. Kimono with wide, boxy sleeves. Cozy, contemporary long-sleeved jacket with roll-up cuffs. Vintage farmer’s coat with sashiko stitching. All perfect with blue jeans or black skirt. I have satisfied my lust for blue.
Sidebar: Barbara and I were flaneuring down the main street of Tokyo’s Aoyama district (which easily overshadows Fifth Avenue and Rodeo Drive) after visiting the Meiji Jingu Shrine. I noticed a pop-up shop and stepped in to find Yu Design Office featuring hand-crafted indigo clothing.
Yu Design Office was founded by artisan Hiromi Yamada and her architect son Yuji Yamada. They use natural indigo dye from Hanyu City, Saitama, employing a traditional kimono-making technique called itajime from Mizuho City, Tokyo, and fine cloth from Hachioji, Tokyo. Combining indigo, persimmon juice and pitch black, the wool-silk scarf they make takes on a deep greenish blue hue. The cloth is folded and stacked and pressed between wooden boards to give it texture.
Aizenkobo, indigo workshop and gallery, Kyoto. Third generation workshop, producing traditional garments, scarves, yardage. People love it. I was underwhelmed.
Little Indigo Museum, Miyama, Kyoto Prefecture, is operated by Mr. Hiroyuki Shindo. In picturesque town of thatched-roof houses, this is a full-day trip. Small souvenir indigo samples and scarves are for sale. email@example.com
Gallery Kei features vintage textiles and is operated by Kei Kawasaki on the famous Teramachi Street (671-1 Kuoinmae-cho Teramachi Ebisugawa-agaru), just south of the Kyoto Imperial Palace. At our visit, she had vintage boro from Northern Japan, garments and cloth fragments of hand-woven natural materials (hemp, linen, cotton, silk) and dyes. Write to confirm they are open. firstname.lastname@example.org
Gran-Pie, also on Teramachi Street between Ebisugawa-dori and Nijo-dori, is a contemporary clothing store with garments designed in Japan, dyed and made in India.
I can’t publish this post without mentioning NUNOworks Fabrics in the Roppongi district of Tokyo. On our last afternoon in Japan, I went bonkers over the bolts of fabrics, and sewn-on-the-premises clothing. Delicious scarves. Beautiful garments. Outstanding design. Reasonable (by Japan standards) prices. Though few pieces are naturally dyed.
Department stores like Isetan (Kyoto Station), Takashimaya, Mitsukoshi and Matsuya Ginza feature contemporary Japanese designer boutiques, including Issey Miyake, Comme de Garçons, Yohji Yamamoto, and others. Some use indigo and other natural dyes, and are priced in the stratosphere.
Where to Stay in Tokyo: the b roppongi hotel. Loved our stay here. Convenient to metro, restaurants, fair price, excellent service.
Where to Stay in Kyoto: we loved the YADO Hotel in Arashiyama. Book room #308. Recommend also staying in Gion area for more central experience.
Why We Left, Expat Anthology: Norma’s Personal Essay
Norma contributes personal essay, How Oaxaca Became Home
Norma Contributes Two Chapters!
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Norma Schafer and Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university program development experience. See my resume.
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Dye Master Dolores Santiago Arrellanas with son Omar Chavez Santiago, weaver and dyer, Fey y Lola Rugs, Teotitlan del Valle