Tag Archives: Lena Bartula

COVID-19–The Kindness Virus? In San Miguel de Allende, Helping the Hungry

Yesterday, I put out the question: What is happening is your Mexican town? My friend artist Lena Bartula, who lives full-time in San Miguel de Allende, Guanajuato, replied. Lena is an activist artist who created a movement using indigenous huipils as an art metaphor for feminist strength, identity, oppression, the divine and hope. She is known as La Huipilista and coined the phrase, In Guad We Trust.

It’s no wonder that she is involved in the non-profit Amigos al Cien, helping to feed local people whose lives and livelihoods are interrupted by the coronavirus. This is a model we could all live by.

Receiving food and supplies via Amigos al Cien

I share this story with you because in these days of extreme restrictions, there is sense of community and hopefulness for a future that will teach us how to be kinder and more giving, engaged. Here is what Lena says:

My housekeeper Maria hasn’t come to clean my house for three weeks. Maria didn’t want to ride the bus or leave her house, which I applaud and appreciate, so I pay her to NOT COME. Mexico News Daily reports that most expats around the country are doing this as well. 

But she came yesterday to clean because I paid for her to take taxis both ways. My neighbor five doors down did the same thing, finally, because then Maria would only have to come out of her house for that one day. While she was there, I spent the day at the gallery so there would be no one to interface with. That’s how we handle social distancing. The gallery has been closed since March 13.

This morning she sent me a message that with some of the money we are paying her, she is buying rice and vegetable for the older people she knows that don’t have enough food and can’t go out. She is now supporting two families in this way. I told her how much I appreciate what she’s doing, because this is the way we will survive this. All of us helping each other / unos a otros. 

Then she wrote back to say that she has now decided that she will invite her sisters to help her by pitching in to buy three dispensas, which cost 500 pesos (about $25 USD) apiece. She’s thinking of it as a challenge, and I believe she can do it because she has an independent spirit and a kind heart. 

Dispensas are the packages or bags of staples that one can purchase for a family in need. It generally will consist of rice, beans, lentils, tuna and other canned goods, toilet paper, soap, etc.  They are basic necessities that are “dispensed” to poor communities or families in times of crisis like this one. Since one dispensa costs 500 pesos. in this case she’s asking for 1500 pesos from the combined efforts of three sisters. I hope that makes sense. 

Sometimes the dispensas are supplied by the government but also from NGOs. However, some families fall through the cracks. We have a good new Mexican organization that is doing fabulous work in this realm, called Amigos al 100 [Friends to the Hundreds].

[Note from Trish Snyder: Kudos to Amigos al 100 who started giving out bags of food on March 19, 2020. The first week they reached 200 families and are now reaching nearly 1000 of people in the poorest communities. Many of these villages are women and children whose husbands and fathers are in the States and not sending remittances because they have lost their jobs. To help out, folks can go to Paypal and send a donation to info@smapenzi.com, attention Guadalupe Alvarez.]

 Maria doesn’t live alone. She’s a single mom with three children. But she regularly sees her mom, who while not elderly, does have health challenges. 

Perhaps this is the kindness virus that will continue to spread in our community, where we will all look after each other. May we look for more ways to reach out, to connect one to another, and be sure that it doesn’t end when COVID does.  

Big hugs, Lena

[Leave it to Lena to coin another phrase, the Kindness Virus!]

Also from San Miguel de Allende:

Patrice Wynne reports: Though there are people in the streets in the morning, it tapers off in the early afternoon and is dead at 4 pm. When we close Abrazos San Miguel every afternoon, it looks like this. [See photo below.] And thank you for doing this. Hope you are safe in your beautiful home and that Teotitlan Del Valle is safe from harm, Querida.

Photo courtesy of Patrice Wynne, Abrazos San Miguel

Gina Hyams reports: Hotels, restaurants, and parks are now closed in San Miguel de Allende, so tourism is definitely being discouraged by the government, but I haven’t heard of non-residents being refused entry to the city. Many grocery stores and restaurants are now offering home delivery.

Gina continues: regarding groceries, you can still shop in person, but it’s a very mixed bag re: masks, gloves, social distancing depending on where you go. I personally am sticking to small neighborhood tiendas where only a few people can shop at a time.

***

Norma’s notes: San Miguel de Allende is a well-established colonial Mexican town that has had a vibrant foreign-resident arts community since WWII when returning veterans could use the GI Bill to study art there. Today, the colonial town is has an active gueros community and is supported by tourism. They, together with Mexican locals, create and support model programs to help Mexican people and their animal spay/neuter rescue program is unparalleled in Mexico.

Gina Hyams adds: Thanks for this article, Norma. While it’s true that the foreign community contributes a lot to local philanthropy, Amigos al Cien and many other current neighborhood efforts to help people impacted by COVID-19, are led by Mexicans. Foreigners are supporting these initiatives, but they’re not the leaders.

Art Huipil Mixed Media Workshop Retreat: Explore Your Inner Artist

A  perfect mixed-media art workshop for a getaway in Oaxaca, Mexico! With artist/instructor Lena Bartula. Arrive January 8 and depart January 14. 6 nights and 7 days to explore your inner artist. All-levels, including non-artists, welcome.

Un Fruto Prohibido

The Mesoamerican huipil is an indigenous garment, similar to a blouse. It is woven on the back-strap loom by and for women throughout Mexico and central America, important long before the Spanish conquest. It survives today as an article of clothing that symbolizes womanhood, and identifies origins, family and village lineage.  It serves to conceal and protect, yet its patterns and designs speak and reveal much about the individual creator, her experiences, beliefs and perspectives.

During this five-day workshop retreat, you will be in residence in the indigenous Zapotec village of Teotitlan del Valle, Oaxaca, Mexico, where we explore the traditional meaning of the huipil and reinterpret it for a contemporary context. You will use this article of clothing as a metaphor for social and cultural identity, power of place, and express your inner artist by creating something that is distinctively yours — to hang or display, rather than to wear.

garment worker huipil copy

In the process of making this mixed-media art, you will review your own personal path, the journeys you have taken, the stories you remember, people you know and have shaped you, and form the stories to tell for the future. The huipil becomes your mechanism for self-expression and storytelling. As human beings, we may share similar paths or those that run parallel, intersect or diverge. Life paths digress, slow, stall, explode, or keep a steady state. By participating in this workshop retreat, the experience sparks memory and inspiration to create.

You are encouraged to dream, remember, anticipate, then use an array of materials to construct the huipil. Your huipil may be made of cloth, paper, fabric or a combination, or constructed of something else entirely! You might choose to decorate it with ribbon, buttons, photos, stitching, collected objects, memorabilia, scraps. You may create a literal or abstract interpretation. There is no right or wrong way.

Artist/instructor Lena Bartula will present historical reference and her own personal experiences about the huipil.  She will discuss why she believes that, as both art form and as clothing, the huipil is the perfect container for artful self-expression.

The Program

Day 1: Thursday, January 8: Arrive and check into our Teotitlan del Valle, Oaxaca B&B. Enjoy a relaxed evening around the outdoor kitchen where our home cook prepares fresh quesadillas with local, organic ingredients.

Day 2, Friday, January 9: We join in an opening circle with welcome, introductions, and workshop overview, then hear a presentation on huipiles, their history and tradition, then see contemporary examples, including the work of the teacher and other artists. We will discuss themes, how story-telling brings alive the concepts, and share ideas from which we will begin our work. After a lunch break, we will visit the community museum and/or artisan workshops for inspiration.

Day 3, Saturday, January 10: We will review and talk about what we found or learned on the first day, then begin to layout the materials and supplies to choose what we will use, and start creating preliminary sketches and designs for the huipil. Lena will demonstrate design options, gluing techniques, collage application, painting and stitching. After lunch, you will being the huipil making process.

Day 4, Sunday, January. 11: Field trip! We go to the Tlacolula market, a scavenging adventure to collect more ideas and materials, look for a wide range of representative examples of huipiles on display that come from throughout Oaxaca state and surrounding areas. The market is a great place to familiarize yourself with huipil shapes, textures, designs and colors of “the cloud people” as the Zapotecs call themselves. It’s also your best shopping adventure! After a market lunch, we return to our B&B, then gather for dinner and talk about the best of the day discoveries.

Day 5, Monday, January 12:  Back in the studio, we will talk about what we found at the market and decide what to and how to add them our art huipil constructions. You will continue working with access to Lena’s expertise and coaching, with more personalized instruction and demonstrations as needed. After lunch, it’s continuing to work on your project in the studio.

Day 6, Tuesday, January 13: Today you put the finishing touches on your art huipil as you work toward completing the project by mid-afternoon. After lunch, we will have a group show and tell, presentation where you will have the optional opportunity to talk about your project, how it developed and evolved. Then, it’s photo time to capture the workshop in an inspiring place with new friends. At dinner, we will wrap up with a grand finale celebration.

Day 7: Wednesday, January 14: We say our goodbyes and depart for home after breakfast.

Pathmaker on blk

What to Bring: Materials List

  • Copies of photographs, found objects or treasured memorabilia
  • Favorite art supplies, ie; paints, pencils, markers, tissue paper, scissors, brushes, specialty papers
  • Apron or work shirt
  • A sturdy, large cardboard envelope, portfolio or tube to transport your art huipil home

 Materials we provide:

  • The huipil structure itself – you can choose canvas or paper or cloth or a combination
  • A selection of ephemera and specialty papers
  • Needles and thread, glue, wire
  • Scraps of cloth, yarn, reeds

We’ll stitch, glue, wire, draw, collage and paint until your personal art huipil is complete and ready to go home with you.

Coatlicue_lg

In creating our own huipil, we talk about using it as a container, where acceptance, forgiveness and transformation have a place to co-exist.

About LENA BARTULA

A visual artist for more than thirty-five years, Lena Bartula moved from Santa Fe, New Mexico in 2004 to Mexico, where she lives and works full-time in San Miguel de Allende, Guanajuato. Her repertoire includes painting, installation, printmaking, constructions, book arts and mixed media, as ‘autobiographical symbolist abstraction.’

Lena’s art often combines imagery and pattern, textured layers, and words or letters in English or Spanish, inspired by her own poetry or that of other writers. The huipil, an indigenous blouse in the Mayan and Aztec tradition, called her attention to the ‘why’ of writing one’s personal and collective history in symbols. Out of this was born a series of contemporary huipiles, a tribute to women whose voices and visions have historically been silenced or suppressed.

As a conceptual artist, she creates most of her work from an original idea, and after much deliberation and research, chooses her materials and techniques accordingly. The relationship of words, like text and textile, are instrumental in formulating ideas, and although technically she is neither a weaver nor paper maker, these traditional crafts play a major role in her work on this series. Sewing has become a method of ‘weaving together’ ideas, and Bartula has been known to stitch disparate materials such as leaves, maps, plastic and corn husks.

She considers art making as a way to speak of beauty, truth, spirit, joy, pain, justice, everything that this human life entails. Her works are shown in museums and galleries throughout the world, in her San Miguel de Allende, Mexico, studio/gallery, and are found in collections in France, Italy, Great Britain, United States, United Kingdom, Australia, Canada, Guatemala and Mexico.

silencio huipil copy

What Past Participants Say About Lena Bartula

“At first I worried that I wouldn’t be able to come up with ideas, but once I let my mind relax and opened it to all the possibilities that the materials offered, the ideas and the work flowed along. Lena is so helpful with suggestions, and I love her style of teaching.”  – Irene 

“I have wanted to work with Lena for many years now and was thrilled when she announced the Huipil Workshop. What a pleasure to work for two days with others making personal art. Between the surroundings and Lena’s supportive, guiding presence my vision for what might be was surpassed. YES!” –Patricia 

“After signing up I found myself very occupied remembering my entire life and mentally searching for ways to represent it tangibly. Gathering my materials, I traveled to Mexico from Guatemala, and what a joy! Lena is a gentle inspiration as a workshop leader and a lovely person. The group was compatible as we all worked and talked and shared. And each of us had a rewarding and big start on the final image we created at the workshop to take home.” –Judy 

“I was lucky to hear about Lena’s workshop in time to attend and enjoyed every minute in her particular and beautiful world of visual art. Working with new materials and concepts I learned to expand my creative horizons and now feel inspired to take risks, think way outside my various boxes and deeply contemplate my creative path.” –Kathleen

Cost to Participate:

  • $895 per person double occupancy, shared bath
  • $1,195 per person single occupancy, private bath

(Note: Non-residential tuition offered at $765 per person for local daily commuters. This option does not include daily lodging, breakfast or dinner.)

Workshop Retreat includes: all instruction, some materials as specified in the daily schedule, 6 nights lodging, 6 breakfasts, 6 dinners.

Your registration fee does NOT include airfare, taxes, admissions to museums and archeological sites, tips, liquor/alcoholic beverages, lunches, transportation, and insurance.

UnforeseenLove_lg copy

About Our Workshops, Retreats and Programs.  We offer educational programs that are hands-on, fun, culturally sensitive, and offer you an immersion experience.   Our workshop leaders are experts in their field, knowledgeable, have teaching experience and guide you in the learning process.  Our goal is to enhance your knowledge while giving you time to explore and discover.

About Lodging and Sense of Place: To keep this trip affordable and accessible, we stay in a local posada/guest house in Teotitlan del Valle. The food is all house made (including the tortillas), safe to eat and delicious. Vegetarian options are available.  Our workshop space is outdoors, al fresco, in the patio courtyard. We look over blooming bougainvillea to the mountain-tops beyond, There are walking and hiking trails, opportunities to visit local weavers and craft artisans, and plenty of time for reflection.

Insurance Required:  We require proof of international travel insurance that covers accidents, with $50,000 of emergency medical evacuation to the U.S.A. or your home country is required by all participants.  Thank you for your understanding.

Deposits, Reservations and Cancellations.  A 50% deposit is required to guarantee your spot.  The last payment for the balance due (including any supplemental costs) shall be paid by November 15, 2014.  We only accept payment with PayPal.  We will send you an invoice as soon as you tell us you are ready to register.

If cancellation is necessary, please notify us in writing by email.   After December 1, 2014, no refunds are possible; however, we will make every possible effort to fill your reserved space.  Your registration is transferable to a substitute.  If you cancel before November 15, we will refund 50% of your deposit.

To register or for questions, contact: normahawthorne@mac.com