Tag Archives: nahual

Who are these clowns? What purpose do they have in the Conquest of Mexico story? The clowns are an ever-present, necessary part of the Dance of the Feather — Danza de la Pluma — story that recreates the Moctezuma-Cortez clash that we know as The Conquest of Mexico.

The distracting Clown, with La Malinche in background.

The Dance of the Feather features all the main characters: the Moctezuma (Aztec chieftain), Cortes, the warriors on both sides, the dual personas of La Malinche and Doña Marina …

and, the Two Clowns.

Deep in conversation, the chair dance, on July 8, 2017

Little is written about these clowns. However, I have the good fortune of knowing Moises Garcia Guzman de Contreras who lives in San Jeronimo Tlacochuaya, just up the road from me.

Moises is very knowledgeable about Zapotec history. At dinner yesterday, he told me the musical score to the dance probably written in the late 19th or early 20th century, when the oompahpah German music became popular in Mexico. Others attribute it to the French.

Giving water to a thirsty Danzante

The dance is likely rooted in pre-Hispanic ritual and practice, incorporated into village feast days to celebrate the church throughout the Valles Centrales de Oaxaca (Central Valleys) after the Conquest.

Quenching thirst is only one Clown task. Keeping the dance area clean is another.

He also explained the symbology of what the Clowns represent in the story:

What is a Nahual?

“Since the dance represents the Conquest, these clowns or “CAMPOS” represent the sorcerers Aztecs used to spy on the Spanish troops. These sorcerers developed the “Nahual” art, so while they were spying they were able to turn themselves into eagles, coyotes or snakes, and Spanish troops could not see that they were being spied upon. Because of that, their masks are not well-defined. They could pretty much represent any animal. Their function in the Dance now is to entertain, steal kisses, clear the area, help dancers etc.”

The pair of clowns, with the chair dance.

There is a prescribed sequence to the days of the Dance. Each day features a different path of the story line, until the last day, when the conquest is brought to conclusion.

Mindful of Los Danzantes’ needs, a practical task

In the end, as the story goes, Mexico thrives because of her strength in syncretism — the blending of two roots, indigenous and Spanish, the union of Cortes with La Malinche, producing a son named Martin, which defines the beginning of the modern state.

Omnipresent, and critical to the Dance of the Feather