The Guelaguetza folkloric dance and traje extravaganza in the auditorium that sits atop the Cerro del Fortin in Oaxaca, Mexico is derived from an ancient indigenous custom of mutual exchange and support. The last two Mondays in July festivities draw people from throughout the world. It is one of Oaxaca’s most important tourist attractions.
Cultural, social and political commentary about Guelaguetza
- The meaning of Guelaguetza
- Folkloric costumes of Guelaguetza
- Controversy and photography thrills
- Guelaguetza photos from 2014 — dazzling
There will be an artisan fair on the Alcala near the Santo Domingo Church throughout the next weeks until August 2, 2015. Be sure to find San Juan Colorado weaver Juana Reyes Garcia who works in natural dyes. She sold out at the Santa Fe International Folk Art Market. She will use those proceeds to put a floor into her children’s bedroom.
I’m still in Santa Fe, New Mexico, and will miss the first Monday on the hill. But I’ll be back in Oaxaca in time to capture the second Monday. Meanwhile, tonight is a celebration here for the success of ceramic artist Macrina Mateo and cooperative Innovando la Tradicion. I’m certain there will be lots of Oaxaca traje represented here, too.
Oaxaca Filmfest This Week to October 17
There are five more days to enjoy the international Oaxaca Filmfest that is bringing filmmakers and audiences here from throughout the world. So many movies, so little time! From full-length feature films to shorts and short shorts, fiction and documentaries, you can fill your days and nights with movie-going.
Last night I saw the Thin Yellow Line, La Delgada Linea Amarilla, a beautiful, well-crafted, sensitive Mexican film written and directed by Celso R. Garcia, at the Teatro Juarez, one of the venues across from Llano Park. It will play again later this week in other locations where films are being screened around town.
I highly recommend that you see it. Here’ is Variety’s review. The cinematography is delicious, expansive. The film is luxuriously slow and spends time introducing the characters, all men who meet for the first time hired to work on painting the center yellow line on a remote Mexican road. In the course of their 217 km obligation, you find out who they are, why they are there and their developing relationships with each other. It is funny, heartwarming, sad and intelligent.
Don’t worry. The film has English sub-titles if you need it.
On Thursday, I’m going to Oaxaca Cineopolis in Plaza del Valle for the 3 p.m. screening of Perdiendo el Norte, followed by the 5 p.m. screening of Diamond Tongues, followed by the 9 p.m. screening of High Sun. Meet me there?
I want to see Speed Sisters, Nicodemus, The Wannabe and El Tiempo Suspendido. Friends tell me Bridgend is another must see. I’m not going to be able to fit it all in.
All the films are free and open to the public except for the screenings that are fundraisers for local not-for-profits. A modest donation will get you in.
And Saturday at noon, is the Met Opera performing Othello (ticket cost 150 pesos) at Teatro Macedonio Alcala. I hear there are classical guitar concerts around town in the evening this week, too.
I mapped out my schedule and read the separate thick program book first to determine which films I wanted to see. You can get the program schedule at the Oaxaca Filmfest headquarters on Andador Alcala in the interior plaza next to La Brujula coffee shop in the block just before Santo Domingo church.
If you have seen films in this festival that you want to recommend, please comment and tell us why!
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Posted in Cultural Commentary, Travel & Tourism
Tagged culture, documentaries, film festival, indy movies, Mexico, Oaxaca, Oaxaca Filmfest, schedule, short films