Tag Archives: tapestry weaving

Oaxaca Textiles, Craft + Culture Tour with Taos Wools January 2026

This January 8-15, 2026 program is more than a tour. It includes weaving and natural dyeing Po for workshops, a visit to artisan markets, studio visits to meet makers. Immerse yourself in all that Oaxaca has to offer with travel and hands-on experiences. We are partnering with Joseph Barry and Taos Wools, located in Arroyo Seco, a charming village on the way to the Taos Ski Valley, to offer this program.

  • Visit artisan studios in Teotitlan del Valle, the tapestry weaving center of Mexico, including silk and wool weavers
  • Participate in a two-day natural dye workshop
  • Learn or enhance your skills in a three-day tapestry weaving workshop using a frame loom
  • Travel to the mountain village of Chichicapam for a one-day drop spindle (malacate) spinning demonstration, carding churro fleece
  • Wander the expansive Sunday Tlacolula Market, a confluence of art, craft and more
  • Meet a red clay potter in her famous ceramic studio
  • Enjoy a Oaxaca City grand finale dinner with our group and leaders

(No prior weaving or dyeing experience is necessary. This is open and valuable to all levels of fiber artists and fiber admirers.)

DAY 1 | Arrive, settle in & welcome! – January 8, 2026

Arrive, travel to Teotitlan del Valle on your own, at your own expense. We will provide directions from the airport via secure taxi. No host dinner at a local comedor. Overnight in Teotitlan del Valle. Meals included: None.

DAY 2 | Introduction, visit weaving cooperatives, begin dye workshop —January 9, 2026

Breakfast, introduction to the textile culture of Oaxaca with a presentation including topics of community, traditions, and culture. We will meet with two cooperatives and workshops in Teotitlan del Valle that create tapestries, clothing, and handbags. We will meet at the dye studio and begin creating naturally dyed skeins of wool. Overnight in Teotitlan del Valle. Meals included: Breakfast and lunch.

About the Natural Dye Workshop: Participants will dye a range of colors using a variety of plants and over-dyeing techniques. This includes dyeing 15 wool skeins of 10 grams each, with enough colors and materials to weave a small sampler on our weaving day. Participants should bring a notebook and pencil to take notes of the dyeing process.

DAY 3 | Natural Dye Workshop – January 10, 2026

We’ll resume the natural dye workshop to dye skeins of wool exploring locally sourced plant materials of indigo, pomegranate, wild marigold, plus cochineal. The workshop will cover chemistry in dye preparation and techniques for over-dyeing. Box lunch at dye studio. After lunch, we will visit a studio that grows silkworms. Here they spin, dye, and weave the silk into fine garments. Overnight in Teotitlan del Valle. Meals included: Breakfast and lunch.


DAY 4 | Tlacolula Market Meander, Pottery Studio Visit – January 11, 2026

After breakfast, we will spend most of the day at the amazing Sunday Tlacolula market, the once-a-week tianguis that attracts farmers, artisans, household suppliers, and everything and anything you can imagine one needs to run a household in Oaxaca. We will have lunch at a local comedor, then visit a famous red pottery studio in San Marcos Tlapazola.  Back in Teotitlan, we will start the weaving workshop. First, we will learn about warping frame looms. Overnight in Teotitlan del Valle. Meals included: Breakfast and lunch.

DAY 5 – Hand-Spinning Demonstration  — January 12, 2026

Breakfast. We will then take an excursion to the mountain village of Chichicapam to meet a family of spinners who work with only the finest quality Churro sheep wool. We will have an opportunity to spin yarn using the drop-spindle (malacate) and purchase handspun yarn. Lunch will be enroute. Back in Teotitlan, we will continue with our weaving workshop. Overnight in Teotitlan del Valle. Meals included: Breakfast and lunch.

DAY 6 | Weaving workshop— January 13, 2026

Breakfast. Morning weaving workshop until 4:00 pm– we’ll be working on the frame loom to produce a sampler or wall hanging approximately 10” x 18” using the yarns prepared during the natural dye workshop. Lunch at the weaving studio. Afternoon on your own. Overnight in Teotitlan del Valle. Meals included: Breakfast and lunch.



DAY 7 | Weaving workshop and overnight in Oaxaca– January 14, 2026

Breakfast. Morning weaving workshop to continue working on and finishing projects. Box lunch at the studio. Depart for Oaxaca, but first we stop to visit an outstanding flying shuttle loom weaver in El Tule. Finale dinner at an excellent Oaxaca restaurant.

Overnight in Oaxaca City.

DAY 8 | Hasta luego! — January 15, 2026

Breakfast. Depart on flights home from Oaxaca airport. We will help arrange taxi transportation at your own expense. Stay on additional nights and join our extensions.

What Is Included

  • 7 nights lodging
  • 6 breakfasts
  • 6 lunches
  • Grand Finale Gala Dinner in Oaxaca City
  • Van transportation
  • Complete guide and translation services
  • Natural dye, weaving, and spinning workshops, materials, and instruction
  • Artisan demonstrations
  • Conversations about textiles, culture, community
  • Authentic, locally prepared foods

The tour does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation as specified in the itinerary. We reserve the right to substitute artisans, guides, and alter the program as needed.

Cost • $3,350 double room with private bath (sleeps 2) • $3895 single room with private bath (sleeps 1)

Extensions:

January 15: Oaxaca Walking Tour, ½ day: Visits to textile artisans and galleries, $145 per person (does not include meals or lodging) (2 people minimum needed to hold this)

January 16: Ocotlan Highway Tour, full day: Visits to villages, woodcarvers, ceramic artists, embroiderers. Includes lunch and transportation. (does not include breakfast or lodging). $195 per person. (2 people minimum needed to hold this)

How to Register:  First, complete the Registration Form and send it to us and tell us which payment method you want to use to make your deposit: Zelle (no fee) or credit card (4% fee). See below.

To Register, Policies, Procedures & Cancellations–Please Read

Reservations and Cancellations.  A $500 non-refundable deposit is required payable to Norma Schafer, Oaxaca Cultural Navigator LLC, to guarantee your spot. The balance is due in two equal payments. The second payment of 50% of the balance is due on or before August 15, 2025. The third 50% payment of the balance is due on or before November 1, 2025. We accept payment using a Zelle transfer (no fees) or a credit card (4% service fee). When you complete the registration form and send it to us, we will send you a request for deposit. After November 1, 2025, there are no refunds. If you cancel on or before November 1, 2025 we will refund 50% of your deposit received to date, less the $500 non-refundable reservation deposit. After that, there are no refunds.

If we cancel for whatever reason, we will offer a 100% refund of all amounts received to date, less the non-refundable deposit.

All documentation for plane reservations, required travel insurance, and personal health issues must be received 45 days before the program start or we reserve the right to cancel your registration without reimbursement.

NOTE:  If you have walking impediments or you rely on other travelers for personal assistance, then this is not the trip for you. Oaxaca city is close to 6,000 feet altitude. We travel to villages that are 7,000 feet altitude. For altitude or motion sickness, please consult your doctor and come prepared with adequate medications. We recommend that all travelers have up-to-date COVID-19 vaccinations and bring two antigen testing kits to test along the way. We also recommend RSV and Flu vaccines.

How to Register:  First, complete the Registration Form and email it to us. We will then send you a request to make your reservation deposit.

Terrain, Walking and Group Courtesy: We recommend you bring a walking stick and wear sturdy shoes. Traveling with a small group has its advantages, and also means that independent travelers will need to make accommodations to group needs and schedules. We include plenty of free time to go off on your own.

Zapotec Oaxaca and Oriental Rugs for Sale

I am offering several rugs from my collection for sale! Why? They don’t fit into my Taos house. The sizes and colors are not adapting well to my new environment. Some are new. All are in excellent condition.

How to Buy: send an email to norma.schafer@icloud.com and tell me the rug you want to purchase by number, your email, your mailing address and which payment method you prefer: 1) Zelle bank transfer with no service fee; 2) Venmo or 3) PayPal each with a 3% service fee. I will then send you a request for funds.

Shipping cost is based on weight and destination, and is additional. I will need to know your address and determine weight to calculate mailing costs.

SOLD. #1. 6 ft x 8-1/2 ft. 100% churra sheep wool in all natural shades of gray, Caracol design.

This new, never used rug is made by a master weaver in Teotitlan del Valle, Oaxaca who is a personal friend. It took him two months to create this masterpiece. The colors are a mix of gray on a cream background. The edges where it was cut from the loom are finished with an intricate braiding technique. No fringes to get stuck in your vacuum cleaner. The Caracol design is the most difficult to achieve because of the curves. It is symbolic of communication and the frets have deep meaning regarding the continuity of life, interpreted from nearby Mitla archeological site. Tapestry woven rugs of this size and quality are retailing for between $2,800 and $3,200. I’m selling it for $1,800 plus shipping. I calculate shipping cost to be around $60 but I will let you know if you wish to purchase this.

SOLD#2. Mitla Grecas are designs found on the archeol site temples rug measures 2.5 ft x 5 ft

This is woven at the Fe y Lola studio in Teotitlan del Valle of churra sheep wool colored with natural dyes the yellow comes from wild marigold a d it is paired with a warm natural gray wool the warp is sturdy cotton. The design is an innovative version of a traditional style. this rug usually sells for $510. You can buy it for $425.

SOLD #3. From the studio of Francisco Martinez Ruiz, This is a stunner, perfect as a wall-hanging with hand-knotted macrame fringes.

This tapestry is made with all natural dyes and measures 2-1/3 ft x 3 ft. the wool is dyed with cochineal, moss, and wild marigold. It is very fine and dense weaving using 10 warp threads per inch. Retails for $450. Will sell for $325.

SOLD #4. Runner measures 2.5 ft x 9.5 ft Gorgeous, natural dyes in wild marigold, indigo overdyes, and cochineal.
Another caracol masterpiece from Fe y Lola studio. The green is achieved by dipping a wild marigold skein of wool into an indigo dye bath. Original cost $1,300. Selling for $750.
#5. Hand-knotted wool pile rug in the Persian style, made in India. Measures 4’ x 6’ and in excellent condition.

This rug has no wear and will surely provide pleasure and comfort for another two or three generations. Thick wool pile. Vintage. Outstanding. Last photo is reverse side of rug. Valued at between $600-800. Will sell for $385. This rug is heavy and I estimate shipping could be $75-100.

Thank you VERY much for looking. Let me know if you have any questions. Thank

In Reverse: Oaxaca to Me and Rug Sale

My goddaughter Janet Chavez is coming to Durham on April 26 and will drive west with me to Taos, New Mexico. I call this bringing Oaxaca to me! I’m excited because this will be her first road trip across the USA. We haven’t seen each other for over a year and there is a lot to catch up about. Janet is a linguist. She is tri-lingual and then some, speaking Spanish, Zapotec, English and a smattering of other Romance languages. She also gives presentations about preserving indigenous language and culture, helped develop an online Zapotec talking dictionary, and is affiliated with Haverford College.

Janet is also bringing rugs her family makes from hand-carded wool and natural dyes. (See feylolarugs.com) This includes medium and large sizes. Purchase now and Janet will bring your rug with her and ship from Durham, NC, next week before we hit the road. Remember, these are one-of-a-kind and all dyed with natural dyes — plants and cochineal. At Fe y Lola Rugs, they make all their own dye pots and color the churro wool yarn skein by skein. It is a slow production process. All sales go directly to the family! You are buying direct from the master makers.

We encourage you to purchase now since Janet may not bring all rugs shown with her, only those that sell in advance. Please purchase by Saturday, April 24.

To Buy: Please email me normahawthorne@mac.com with your name, mailing address and item number. I will mark it SOLD, send you a PayPal link to purchase. We will calculate shipping to your location from Durham, NC (a big savings), and send you an invoice for the total. Please DO NOT SELECT buying goods or services at check-out. We also accept Venmo and Zelle. I can send you a Square invoice (+3% fee) if you don’t use PayPal. All sales final.

Our family is a four generation lineage of weavers and natural dyers from Teotitlan del Valle, a Zapotec community in the state of Oaxaca, Mexico. Our rugs are one-of-a-kind, with complex designs that blend tradition with innovation, setting the standard for beauty and quality. At Fe y Lola, we tell stories through threads.

Twenty years ago, Fe y Lola took a risk and decided to focus on producing high quality wool rugs on a small scale. They invested in a sustainable weaving process that does not include toxic chemicals such as sulfuric acids and anilines, that are very dangerous for one’s health as well as for the environment. By conducting research on natural dyes, experimenting with local natural dye materials, and most importantly, rediscovering and re-learning ancient Zapotec natural dyeing techniques, they began to develop an exclusive palette of natural colors and combinations. Along the way, they had the opportunity to learn from and share knowledge with other natural dyers and weavers from all over the world, enriching their comment to their work and customers.

Norma’s Notes: I have lived with this family on their land in Teotitlan del Valle since 2005. Back then, I saw that what they were doing was extraordinary and unheralded. Over the years, they have continued to produce some of the best tapestry weaving in the village and are noted for their innovative color combinations, density of woven fiber, and rich, all natural colors. Supporting them in their efforts to become more well known has been my passion over the years because I admire their commitment, tenacity, creativity, and talent. Now, I get to watch how the children, who are now adults and the next generation of weavers, continue in the ancient traditions of their family and culture. Their rugs have added joy to my living space for all these years, without fading or discoloration.

Deck Your Halls with Oaxaca Rugs: Shop Open

We got this shipment of hand-woven Oaxaca rugs just in time for the holidays. Even if you are celebrating small (and we hope you are), these floor coverings (or display them as wall hangings) are a great decor enhancer for a fresh, new look. Made in Oaxaca, Mexico, by Taller Teñido a Mano on a 2-harness treadle loom, these tapestries are versatile and sturdy.

What makes these rugs special?

  • Our artisans use only naturally-dyed churro sheep wool
  • The wool is hand-carded and spun with the malacate — drop spindle
  • Dye materials include cochineal, indigo, wild marigold, wood bark, pomegranate (to name a few)
  • Our artisans dye the wool themselves — this is a slow process that yields amazing, vibrant and strong colors
  • The weaver uses his imagination to create unique, one-of-a-kind textiles
  • Designed in Oaxaca — made to last a lifetime

We also have Face Masks dyed with indigo, walnut and wild marigold, along with several skeins of cotton thread (3-1/2 ounces / 100 grams) dyed with indigo and wild marigold — perfect for weaving or embroidery.

Please place your order quickly to receive by December 24, 2020. Thanks so much.

#1–Indigo, cochineal, undyed wool, 23×36″ $285

To Buy: Please email me normahawthorne@mac.com with your name, mailing address and item number. I will mark it SOLD, send you a PayPal link to purchase and add $12 for cost of mailing. Please DO NOT SELECT buying goods or services — so we don’t pay commissions. We also accept Venmo and I can send you a Square invoice (+3% fee) if you don’t use PayPal.

#2–Indigo, cochineal, un-dyed wool, 23×36 $285
#3–Cochineal, indigo, marigold, pomegranate, 23×23″ $195

Handmade in Oaxaca: Taller Teñido a Mano specializes in experimenting with natural dye extracts for different applications on fibers. They have 18 years of experience and lead a group of artisans to create tapestries, bags, home goods and other textiles, often supplying thread to other artisan weavers, too.

SOLD. #4–100% henequin (Jute/hemp) with indigo + undyed wool. 23×22″ $175
SOLD. #5–Indigo + undyed wool, 31×55″ $285
#6–Indigo, undyed wool, cochineal, pomegranate, 23×23″ $195
#7–Indigo ikat + zapote negro, 22×33″. $295
SOLD OUT. 4 Skeins of cotton yarn, 3.5 oz. /100 grams, $24 each
  • SOLD. Yarn Skein #A — wild marigold (1), $24
  • SOLD. Yarn Skein #B — indigo (1), $24
  • SOLD. Yarn Skein #C — indigo (1), $24
  • SOLD. Yarn Skein #D — indigo (1), $24
Face Masks, 100% cotton, lined with natural dyes, $17 each
  • SOLD. Face Mask #1–TOP: pomegranate dyed
  • SOLD. Face Mask #2–MIDDLE: walnut dyed
  • Face Mask #3–BOTTOM: indigo dyed
  • Face Mask #4–indigo dyed (not shown)
  • Face Mask #5– indigo dyed (not shown)
  • Face Mask #6 — indigo dyed (not shown)

To Buy: Please email me normahawthorne@mac.com with your name, mailing address and item number. I will mark it SOLD, send you a PayPal link to purchase and add $12 for cost of mailing. Please DO NOT SELECT buying goods or services — so we don’t pay commissions. We also accept Venmo and I can send you a Square invoice (+3% fee) if you don’t use PayPal.

In Teotitlan del Valle, Hidden Treasures: Adrian Montaño

My North Carolina friends just left the village after spending a week with me celebrating a belated birthday. It was a bash! Mucho mezcal. Mucha fiesta. Mucha comida. Lots of travel to villages to visit favorite artisans.

We spent a morning with antiquarian Adrian Montaño in Teotitlan del Valle. I met Adrian a couple of months ago when I was visiting with friends Christophe and Rogelio who operate Maison Gallot. But, I had seen him around town, in the market, always impeccably dressed, a woven straw hat topping off the costume.

Adrian at his loom, with (left to right) Scott, Wendy, Kathryn (NC) and Carol (Texas)

Adrian lives in a part adobe, part brick and part concrete house tucked into the hillside above the village. He has a wonderful view. He has one very ancient loom. His house is adorned in antiquities and a beautiful altar. He has been weaving since he was a boy. He is now age 75 and still productive.

Virgins of Guadalupe and Soledad watch over revered ancestors on the altar

In the 1960’s, missionaries came to town and began a program of conversion, translating oral Zapotec into English. (Many still do, and call themselves linguists.) They befriended Adrian, who decided that rather than convert, he would learn English from them.

Adrian is also a painter, and adorns the jicara gourds a la Matisse

His language skills are impeccable and he speaks Zapotec, his first language, Spanish and English flawlessly. He says it is important for young people to keep the language traditions alive. To earn a living, he teaches Zapotec and English to village youth, and weaves ponchos.

The beautiful poncho that Wendy bought. Not natural dyes, but gorgeous nevertheless.

His hidden treasures are a stash of vintage textiles that he wove himself, mostly when he was in his twenties, and those he has collected over the years. We were treated to a Show and Tell. I am sharing the photos of these beauties here.

1930’s-1940’s tapestry, two wefts woven together, natural and synthetic dyes

In the 1930’s and 1940’s, most of the textiles woven were bed blankets. They were natural sheep wool or were synthetic dyes most common to the era — red, green and black. Motifs were animals, birds and symbols of Mexican nationalism. Few remain in pristine condition. Storage is a problem and moths love the dark “chocolate” richness of natural wool.

Panteleon or leopard motif on tapestry blanket, Teotitlan del Valle, 1930’s-40’s

Back then, the looms were narrower and to make a bigger tapestry, the weavers needed to create two exact pieces and then sew them together down the middle. Each side needed to match up! Only the masters could achieve this. These became either blankets or ponchos/serapes.

Famous vintage Victoriano Chavez rug design, Federico Chavez Sosa‘s grandfather

It was not until the early 1970’s that blankets then became adapted to become floor rugs. This happened when young travelers came to Oaxaca from the USA, saw the beautiful weavings produced in Teotitlan del Valle, understood the beginning craze of Santa Fe Style and worked with weavers to create sturdier floor tapestries.

Curved figures are the most difficult to achieve in tapestry weaving

Many back then brought Navajo designs with them and contracted with weavers to reproduce Native American designs that were then sold throughout the Southwest. Thus, began the rug-weaving boom in the village where I live.

Adrian wrapped in one of his vintage blankets

Today, there is a return to natural dyes and to the traditional Zapotec designs that are found on the stone walls of the Mitla Archeological Site. Moreover, young weavers are developing their own style, taking traditional elements and making them more contemporary, innovating to meet a changing marketplace.

Adrian Montaño has a reverence for his roots. He openly shared his collection with us. Many of the weavings had moth holes. Some were pristine. He tells me that those washed with amole, the traditional natural root used for soap, will prevent moths from nesting. But few people use amole these days.

Eagle and the Serpent Medallion, Mexican nationalism motif

I love Adrian’s ponchos. They are short-cropped and come to the waist. They are designed using the Greca (Greek-key) pattern so named by a European archeologist who explored Mitla.

Adrian wove this Covarrubias-inspired tapestry over 50 years ago

If you want to visit Adrian and purchase a poncho, please give him a call. (951) 166-6296. Only go with the intention of supporting him by purchasing what he makes.